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[I originally posted this essay, including two poems by Katherine Stripling Byer, on October 24, 2020. Now I’m packing for another trip to the Smokies, the Tremont Writers’ Conference. Enjoy this trip through the archives as we journey through Autumn. — Bill]
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Appalachian Trail near Clingman’s Dome, 2003

[with two poems by Kathryn Stripling Byer]

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Summer has skimmed the high ridge like a chimney swift, rarely perching for long. Now on September mornings you can see your breath. First frost certainly won’t dally. Above 6,000 feet you wonder, Where is the South in Southern Appalachians?

And what about these bleached spines and gnarled knucklebones? This phalanx of snags that palisades the highest elevations against the green upon green below? The balsam wooly adelgid arrived on Clingman’s Dome in 1957. By the 1980’s the tiny insect invader from Europe, order Hemiptera, had destroyed more than 90% of the Fraser Fir in Great Smoky Mountains National Park.

This year, though, the Park Service has declared a tenuous truce. Some of those dead snags are forty years old but younger trees spared by the adelgid have matured and are making fertile cones. The very oldest trees, with thicker bark, also seem less susceptible. The insects are still around but you have to hunt for them, whereas during the earliest infestations biologists described the branches covered in wooly bugs as if they had been “whitewashed.”

What is the fulcrum of this new equilibrium? Perhaps the adelgid found easy pickings among whole communities weakened for decades by acid deposition, bad air. Coal-burning power plants up the Appalachian ridge to Canada have added scrubbers. The red spruce that had stopped growing in the ‘80’s are laying on new rings of cambrium. Leave a patch of ground alone long enough and it will grow into what it is meant to be.

Or will it? Depends on what you mean by leave alone. The fir that survive are a little more resistant to the insect, a little more acid tolerant. But what happens as their subalpine microclimate becomes less like Canada and more like Atlanta? Scrubbers remove the nitrogen and sulfur that oxidize to form acids but when you burn carbon you get carbon dioxide. Can’t scrub that out. How many degrees of warming can Fraser fir tolerate? Go higher, it gets cooler. Here in the Park you can’t go any higher than Clingman’s Dome.

Mountain Angelica, Angelica triquinata (Apiaceae - parsley family)

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Last week I shared two poems from Kathryn Stripling Byer’s first book (1986). The two poems that follow here are from her final book, Trawling the Silences, published in 2019 two years after her death.

Kay Byer takes me into wild places and she brings me home. She names the earth, just naming a thing is a prayer, and she leaves nameless the mysteries that mist from her verses into my soul. She has left this earth, and she has left this earth to me to hold close for the days I will remain. Notice. Learn. Cherish. Tell it.

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Three for My Trail Guide
for Jim

1.

Ascent

Before I can catch
my breath you right away
start to identify

Wild Ginger,
Mayapple,
Bloodroot.

I’m dizzy with switchbacks
I see rising into
the hardwoods you hail

Sarvis,
Sycamore,
Tulip Tree.

Trillium sweeps down
the hillside like angel wings
come to rest creekside.

You chanting hepatica,
stonecrop, anemone,
we climb until

we reach the summit,
where underfoot
some stubborn lichen

you can’t name
has already claimed
the best view.

2.

Star Grass

You name it
and there it is
at the edge
of the outcropping
over the Gorge.

Not to worry,
I placate the ravens
that harry us,
we won’t be lingering
long in your aerie.

See? Even now we are
striding away
into star grass,
its small spikes of clear
recognizable light.

3.

Galax

Squatting behind bushes,
I smell it nearby, neither bear scat

nor carrion vine, to which naturalists
liken its scent, but the breath

of an old woman lowering herself
to her chamber pot, sighing

as I heard her sigh while I tried
not to listen. Hoisting my backpack

I leave her behind in the underbrush,
glad to be back on the trail

with you, sidestepping tree stump
and blowdown, splashing through

creek bed, striding from switch back
to switch back toward sky we see,

step by step, open its window,
when, almost to summit, I stop.

Breathing hard. The scent
of her following me.

Kathryn Stripling Byer, from Trawling the Silences (Jacar Press, 2019)

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Silvery Glade Fern, Deparia acrostichoides (Dryopteridaceae - Wood Fern Family)

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Trawling the Silences

This end-of-March day, I’d rather watch hawks surf the
thermals than contemplate what lies ahead.
Or behind in its wake. In the few hours left, let me keep
my doubts shut, my windows wide open, their sheer curtains
billowing. It’s March, after all, having come in
a lamb and departing a lioness, stalking my back yard,

leaving her paw prints alongside the patient ephemerals
rising again out of leaf litter. Squirrel corn. Spring beauty.
The first rue anemone. Today I would rather
read field guides, repeating the whimsical names
of our nice-dwelling mussels about to be wiped out by backhoes
and bulldozers. Pimpleback, Snuffbucket. Monkeyface
Pearlymussel. Don’t let their names be forgotten,
I’d pray if I prayed, though just naming a thing is a prayer,

wrote Simone Weil, turning her face to the almighty
silences. The silences. Where would we be
without them, what were we, what will we be, oh to be,
and again be, that damn linking verb. I’d rather be tracking
my lioness up to the rim of that mountain top,
I’d rather let be and let go. Let the anemone
cling, the hawks soar, the lioness squander another day
trying to find what she’s looking for. Give her another day,
I ask the Almighty. Give the birds one more day
scolding the rapscallion squirrels stealing birdseed.
I rest my case, carapace, my own little voice trawling
the silences, the bully wind boasting its presence in present-tense,
no linking verb to shut down the show. Let
my lioness lounge in the sally grass. Licking her paws.

Kathryn Stripling Byer, from Trawling the Silences (Jacar Press, 2019)

 

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Spruce-Fir forests covered vast areas of the Southeast when glaciers reached their southernmost extent 18,000 years ago. As the glaciers retreated north the Spruce-Fir communities also retreated to higher elevations and now remain only along the highest peaks and ridges above 4,000 feet elevation, mostly higher. Clingman’s Dome at 6643 feet is the highest point in Great Smoky Mountains National Park and indeed along the entire Appalachian Trail. Its impressive swath of Spruce-Fir is also home to the rare Jordan’s Red-Cheeked salamander (Plethodon jordani) found only in the Park. The naturally acid soil and severe climate limit biodiversity compared to lower elevations, but other distinctive high elevation species include mountain ash (Rose family), mountain wood sorrel, mountain asters, glade fern. After sixty years the Fraser Fir seem to be surviving the balsam wooly adelgid invasion, air pollution, acid rain; it remains to be seen how long they will remain in the face of advancing climate change.

from SNAKE DEN RIDGE, A BESTIARY, illustration by Linda French Griffin

from SNAKE DEN RIDGE, A BESTIARY, illustration by Linda French Griffin

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Photos by Bill Griffin from Southern Appalachian Naturalist Certification Program; Southern Appalachian Ecology, September 2020, Great Smokies Institute at Tremont; instructors Jeremy Lloyd and Elizabeth Davis.

 

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Saturday morning readers share:
Scott Owens
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A History of Rivers
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It’s Monday.
I cross the Yadkin River again,
as I have every Monday for the two years
my grandson has been in this world,
as I did twice a month for 10 years
delivering my stepson to his father,
as I’ve done once a year for 30 years
heading to the beach for our family vacation.
And each of these have had return trips
where I’ve crossed the Yadkin again.
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I don’t know how to count
the number of times I’ve crossed this river,
but each time I do, my eyes grow wider
to let more in, my skin tingles,
my breathing grows quiet and slow.
It’s not fear, not my daughter’s gephyrophobia,
but awe, excitement, anticipation,
as the earth falls away below me,
and I feel again the history of rivers
as borders separating here from there,
known from unknown, a simple crossing
of something beautiful into something so full
of potential it reawakens the life within me.
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Scott Owens
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Needing No Heaven
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My mother sends me my childhood Bible.
I remember 53 years ago,
when we had little,
I would get myself up early
on Sunday mornings, make breakfast,
get dressed, catch the bus to church,
alone, hoping to find something more,
then praying I was sitting in the right seat,
the one with the lucky number taped to the bottom.
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One time, I was.
This was the prize.
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I read it three times through,
and occasionally again over the years,
looking for logic, marking lines,
The living God is among you,
Is with thee wheresoever thou goest,
gradually losing faith,
not in God,
but rather, in this God.
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The marks are still there.
When you think that I am gone,
do not search for me in someone’s heaven.
I have already found heaven here.
Look for me in the earth you turn for planting.
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Scott Owens
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Scott recently wrote to me that he’s been on a “nature statement kick.” If that means he is consciously thinking and writing about the relationship of us humans with the natural world, it doesn’t detract from the fact that all his poetry is colored, overtly or subtly, by that relationship. Scott and I have discussed how the four tasks of the naturalist are perfectly congruent with the tasks of the poet — pay attention, ask questions, make connections, share. Lately I’ve been thinking about a fifth imperative for the poet — remember. And isn’t memory also demanded of the naturalist? Our relationship with nature stretches across time, always changing and yet always anchored.
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I hope in those future days when I am not living on this Earth, my grandchildren will notice some September afternoon the wispy seeds of Burnweed drifting past them and remember me.
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Additional poetry by Scott Owens at Verse and Image:
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or more poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.
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If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
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If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
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If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
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COMMENTS@GRIFFINPOETRY.COM
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Thanks again for joining the conversation.
— Bill
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Coltsfoot

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Saturday morning readers share
[George Harrison, Damaris King]
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Neighbors
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Into the woods I go
To watch my little creek flow.
Along it winds through crevice and pine
Arrayed in bright shine.
It glistens in sunlight,
bidding my neighbors, deer with tails white
And a crow, black as night
To drink its sweet nectar.
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George Harrison
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I attend Joseph Bathanti’s weekly writer’s group [Joseph is former North Carolina poet laureate – ed.].  Our mentor and leader, Joseph prompted us to write anything about “Getting Out”. It could have been about getting out of anything or getting out to go somewhere. We have a very short time to write, so this simple and short poem is what I came up with.
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Joseph invited us to submit poems to you to celebrate Earth Day. What a joy it is to read the poems on your poetry site [for Earth Day and Earth Month].  As a fly fisherman, I was particularly drawn to Ron Rash’s poem. [Poetry and Earth – Awe]
George
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Nothing in nature is isolated. Nothing is without reference to something else. Nothing achieves meaning apart from that which neighbors it.
Johann Wolfgang von Goethe
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In Sligo’s Woods
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Pay attention along the path,
among the trees are mysteries.
Bright clusters of ferns emerge
sheltering their rusty veins.
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Feel the texture of varied fronds,
some craggy, some silky.
In the middle of this array,
five tender petals newly shine.
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Draw in the colors. See the dead
cradled unsung in blood-dried
leaves. Note the greens, from palest
wisp to boldest hue, how
light unfurls from fiddleheads.
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Damaris King
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I wrote this poem after a walk in the woods, one of those lovely walks that calls you to slow down and look around you. There is a certain peace and awe that overcomes me when I am in nature and this poem is my attempt to share that feeling with others. 
Damaris
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You will find something more in woods than in books. Trees and stones will teach you that which you can never learn from masters.
St. Bernard (1090-1153)
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . Saturdays I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, include a comment and if possible a photograph of yourself in your native habitat. Review these GUIDELINES for Saturday Readers Share:
 . 
 . 
If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
And Mike, thanks as always for the apt quotations. A treasure chest!
– Bill
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