Here’s a sobering thought: even when you receive that wondrous acceptance letter (or email) telling you that The Editor has decided to publish one of the poems you sent him or her, she or he is still rejecting the other two or three or four that were in the envelope (or .PDF). I hear the trombones going, “WAH Wah wah.” And equally sobering: if anyone is reading the poem once it does get published, they’re not calling you to tell you how much they like it. How not sexy is that?
But no, wait a minute, I take that back. I have a special friend who always tells me she likes my poems. (I won’t reveal her name, but her initials are “Caren Stuart.”) If she finds something I’ve written appearing in a regional journal or anthology she shoots me the kind of email that is 100% guaranteed to improve posture, dissolve scowl lines, and overcome even the most stubborn case of writer’s block. For several years she and I and Nancy King had a monthly email poetry critique session going. We’d share one poem apiece and comment. CS could find something wonderful in my lamest efforts, which inspired me to keep hacking away at them until they really were wonderful. Thanks, Kiddo – I write a lot better when you’re in the world.
Give it a try yourself. Lot’s of times I’ve discovered a poem by someone I know, picked out my favorite line, and sent them a little message about why I like it. Such an act never fails to reverse entropy and slow down global warming.
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I confess that for a few years I’ve almost quit submitting poems for publication. Who needs the fame, right? But in 2015 the tide is turning. Maybe I’m beginning to see that my personal journey as poet is developing a more unifying theme or gestalt. Maybe I’m feeling more comfortable in the community of poets. And it certainly helps that so many journals accept online submissions – I’ve got a roll of 100 “second ounce” postage stamps I’ve hardly touched. I’m sending my little darlings out to the Mercy of Editors again.
AND . . . I’ve got a new system. Which I am going to share with you.
Ever get all fired up with a sheaf of poems, stuffing them into a .PDF only to discover the journal you’ve envisioned for them closed its annual submission period last week? Grieve no longer. Check out the creation below (which has been made possible by dozens of hours on the computer and a constant infusion of what CS calls my “Type A-ness”):
This table shows the months when various journals accept submissions, plus how to research their submssions guidelines. Just look down the column of the current month to pick a journal that’s currently open to submissions!
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Click the link below for the entire .PDF. As of March, 2016 I have about 75+ journals and contests listed. I’d like to keep expanding– my email address is listed in the document so you can send me your suggestions and additions, plus any corrections. I’ll keep the updated document linked to this page.
Click below for .PDF file with the FULL LIST:
[Last updated 3/6/2016]
. . . . . . . . . . . !!Submissions Calendar 2016-03 . . . . . . . . . .
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After Shelby Stephenson published Orange Cap in Pembroke Magazine in 2005 I didn’t submit again for a few years, and now he has turned over the reins to the new Editor, Jessica Pitchford. Last year I had written a poem about my paternal grandmother that I thought my aunt and cousins might enjoy. Whenever we’re together we usually share a story or two about Grandmother (no lesser title could ever suffice), the stoic matriarch and proud link to the Weatherspoon side of the family, now to be captured for posterity in a sonnet. But before I sent the poem to the family I sent it to Pembroke. Thanks, Jessica! The family is indeed enjoying this. (And it explains why I bought four extra copies of Pembroke #47.)
* * * * *
Sonnet for the Woman Who Fried 10,000 Chickens
And don’t forget about a bazillion quail,
each three bites for breakfast with biscuits and grits
and gravy über Alles thanks to red setters’ skill,
Granddaddy’s gun, and us willing to pick little nits
of birdshot out of our teeth, but save that fat pullet
for this Sunday’s dinner, piled crisp high and brown
as pecans shelled last night for green jello salad.
The triumphal platter Grandmother sets down,
we pray Come Lord Jesus, me and Brother grab
for the juiciest piece ‘til we backpeddle before
her Presbyterian eye – Boys, what will you have?
and Finish your greens before you ask for more.
. No one says thigh or breast here: Grandmother will offer
. only second joint, white meat, and everything proper.
[First appeared in Pembroke Magazine number forty-seven, 2015]
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Extremely hungry millipede, Narceus americanus, trying to untie my bear bag & steal the goodies. Gorges State Park NC, 8/2015
Post Script – One other reason to send out a poem: last year I wrote a poem about a friend and patient who had died at the age of 98. It placed in a contest and appeared in an anthology. This summer I took a copy of the book to his widow, herself 98, read her the poem and just reminisced for a while about the many great stories her husband had shared with me over the years. About a month later she mailed me a thank you note, said all her kids had enjoyed the poem about their daddy, and she had read my other poem that appeared in the same book and commented on it.
It doesn’t take a thousand readers to make the writing worth the effort. One will do.
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Re your initial point, that publishing in literary journals is like dropping a stone into a bottomless well (will one ever hear a splash?) – often when I read a poem or story I really like, I make a point of contacting the author to let them know. It makes a world of difference to know you’ve reached at least one reader!
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It only takes one.
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And don’t forget to email the editors of the journal, too. We were thrilled at Jacar Press when a poet whose work has been published in the Best American Poetry and Pushcart Prize anthologies, as well as The New Yorker and Atlantic, posted on a major poetry listserve that our journal One was publishing excellent work.
We were equally thrilled when someone linked to a poem on Facebook.
Editors do their best, but we don’t often hear about the work readers like.
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Great point. I’m going to start doing that!
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Bill, I agree. I don’t care about thousands of people reading my poetry. But if it really resonates with someone who appreciates my words, I’m thrilled. A French lady in Atlanta found my poetry book in a store. She liked my poem, “The Woman in the Mirror,” and used it on her blog with wonderful pictures of paintings of women from a hundred years ago. She did not know me but she loved the poem. That meant so much to me. Now I follow her blog and she follows mine. I try to reach out to writers and poets to let them know when I appreciate their work. I usually link to editors and publishers on my blog when I post about them.
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Great poetry, as usual, Bill. And I especially like the millipede shot at the bottom! Seems like he wouldn’t have that much trouble untying the knot with all them arms and legs!
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He looked like he’d been busy all night.
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Oh, Bill! This morning’s read of your ever-delightful words has made me blush, laugh out loud, gasp/sigh (in a pleasantly startled then totally satisfied way) and comment out loud… all of which I’m sure you remember means: WOW! and WELL SAID! and YOU TOOK MY BREATH AWAY! You’ve inspired me, delighted me, impressed me, and moved me! You may have even helped to ORGANIZE me a bit with that dazzlingly fabulous Submissions Calendar!!!
All Hail Your A-ness AND Your YAY-ness! Yippitydo! What a fabulous sharing, Pal! Thank you. Thank you. Thank you!
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Hey CS, we’ll always be Poet Pals.
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Hey, Bill. I just discovered that my computer, in a dazzling display of tone-deafness and bad judgment, has been consigning your blog posts to my Junk pile. I am so happy to rediscover your funny, wise, and encouraging voice. And am dee-lighted to have the submissions schedule, now tacked to the cork board over my screen. Having pretty much given up submitting things (and damn near given up writing them), I’m feeling that maybe this reminder — but most particularly your dead-on ruminations on the joys and anxieties of the process — will help restart my engines. For which, thanks. Hope to see you at Weymouth. Meanwhile, warmest regards.
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Thanks, Florence! Go, go, go! Just send me another msg if you need more encouragement. . . . GO!
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Thank you, thank you, for this encouraging article, and the helpful submissions pdf!
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Thanks! I’ve got a new update just about ready to post . . .
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Enthusiasm is free, so thank you Bill for this after a few weeks of rejections! The Luna is beautiful, and reminds me of my homage to the Luna Moth in “Slip.”
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