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[ with 3 poems from Transformed and Singing ]
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The one thing we can never get enough of is love. And the one thing we never give enough of is love.
— Henry Miller
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Night Ship
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The compass of our bodies leads us
through another moonless night,
cresting waves of sleep, steered
by phosphorescent dreams that
knit our cells whole again,
or as whole as they can be
after years on this sea.
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The dark has no power over us
as we roll on our ship of tossed
and wrinkled sheets, the shushing
of syrupy crickets a white noise
leaking beneath the cracked window.
As dawn approaches once again,
the dogs stir and lick our hands.
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Sherry Siddall
from Transformed and Singing, Main Street Rag Enterprises, Edinboro PA; © 2026
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The Beautiful Dead
2020
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are half a million human souls
lost the way spring is lost
in deepest winter.
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I go about the day
as if everything is fine,
as if safety can be found
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in the folding of laundry,
the arranging of
store-bought flowers.
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Outside where life is shuttered,
still, there is some comfort
in the wildness of branches
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twined on winter trees,
or a scatter of bird seed
on frozen ground.
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I turn to the simplicity
of sunlight on a well-worn chair,
how it warms me if I sit there.
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From the window I watch
a male bluebird who studies
the birdhouse on a maple tree.
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Its round entry is exactly the size
for birds of his kind, and also snakes,
because no home is absolutely safe.
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The bluebird will make up his mind
to nest or not, and when spring
erupts in its ruthless way,
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with green possibilities
and warmth suffusing all
that was brown and bare,
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I’ll half-expect the dead to return
cross some impossible border,
overwhelm me with joy.
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Sherry Siddall
from Transformed and Singing, Main Street Rag Enterprises, Edinboro PA; © 2026
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Daily reality sometimes washes over us like a wave, slams us down, sucks us into the darkness. How are we to stand? What if, as Sherry Siddall suggests in her poem Time Chop, we can know love as a ripple in the fabric of spacetime? Perhaps the deep nature of reality is not particles and energy, not wave functions and uncertainty, but the moment by moment expanding web of experiences and relationships. And every bubble of experience is under the influence of the nudge of love.
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When I was half-way through Sherry’s book, Transformed and Singing, I became aware of the thread of love that weaves these poems together. I stopped and went back to each to discover love’s signature: sometimes explicit as love for strangers . . . nothing to be done but love, and always implied, as this clockwork beauty of the cosmos and one of may favorite images, I see you / waving to me from far away, and I wave back. Sometimes we find meaning as we reflect on our past – the stab of loss countered by the fullness of companionship – and sometimes meaning finds us in a moment of simple presence. Feelings swirl within us as restless as the sea, at times threatening but just as often beautiful as sunlight on water. A struggle, a jewel. Reality. As Sherry discovers in Conchsame joy, same something too difficult to name.
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Transformed and Singing is available from Main Street Rag. Sherry Siddall lives in Chapel Hill, North Carolina, USA. She is also the author of a poetry chapbook, Sweet Land (Finishing Line Press, 2021). Thank you as well, Sherry, for the Henry Miller quotation which I have lifted from you book.
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Conch
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After his death we flew south,
like storm-tossed birds, mother
and I, to get away.
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I walked the beach, fourteen,
sunburned, heron-thin,
a shadow me of years ago.
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The surf was pounding
like today’s, the sun jolly,
its own relentless self.
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One wave shoved forth
a perfect conch, pearly pink as
flesh inside, rough whorls
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hard and soothing. I picked it up.
Here was joy, and something else
too difficult to name.
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Today, on a different beach, a sturdy wave
delivered another whelk as I walked,
this one battered, pocked, unique.
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Its only beauty might be in a garden,
green tendrils winding through the holes.
My scarred body greets this new shell
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as kindred after fifty years.
Same joy, same something else
too difficult to name.
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Sherry Siddall
from Transformed and Singing, Main Street Rag Enterprises, Edinboro PA; © 2026
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Today’s photos were taken this spring along the Elkin & Allegheny Nature Trail in Elkin, North Carolina, USA. As you read this, Foamflower is just about to bloom. Perhaps you would like to join me and other curious seekers on one of this spring’s naturalist walks, a program of Elkin Valley Trails Association. Upcoming dates are April 11 and April 25. Details and registration (free!) here:
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I also present one or two poems submitted by YOU, my readers.
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If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
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 . 
If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
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If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
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– Bill
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Doughton Park Tree 2025-07-10
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[ with 3 poems by Earl Huband ]
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Cocoon-spinner, straining / to engineer the risk out of life.
from Rites of Passage
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A Sister’s Presents
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Across the table
two goggle-eyed owls,
my pepper and salt,
hoot at me. Wise to
a bric-a-brac heart,
my sister Mary
surprised me with them
many meals ago.
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And here she is still,
cheering me through these
efforts to add spice
to this saucepan life.
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Earl Carlton Huband III
from The Dix Hill Blues, Main Street Rag Enterprises, Edinboro PA; © 2026
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The Pavilion of the Old Chinese Poets
— for Priscilla
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Leaves resist the ground.
The ground calls to the trees.
The trees slowly nod their heads
and leaves fall to the ground.
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The canoe is propelled
through the parting waves.
Island water whispers;
the canoe rocks.
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Here the winds caress
the flanks of the island.
Here the lover caresses
the arms of the beloved.
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The moon hides its face
behind fingers of cloud.
Lover, close your eyes
at the touch of love.
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Earl Carlton Huband III
from The Dix Hill Blues, Main Street Rag Enterprises, Edinboro PA; © 2026
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Lost
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Do not condemn this granite.
Become one with the stone
and weep as water trickles
down the cracks in its face
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Look for your reflection
in the pool of moving water
at the bottom od the stone.
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Earl Carlton Huband III
from The Dix Hill Blues, Main Street Rag Enterprises, Edinboro PA; © 2026
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Years ago, during one of my longer visits, my mother had me sit for a portrait. I watched the back of the canvas, smelled the linseed oil, while she worked ochre into the surface for an hour. Her technique was to create the subject’s shape and dimensions in monochrome, then remove pigment to add detail. Later she would dip into her entire palette to finish the portrait. Only on another visit when the oils had dried did I realize that for this painting she had folded the canvas and painted me on the right half. She opened the hidden side to reveal beside mine another man’s face with Mephistophelean goatee and declared, “I’m calling it ‘Saint and Sinner.’”
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How to respond to the idea that my mother considered me a saint? Oldest child, studious, diligent, following the straight and narrow passage through life? I will smile a little that Mom evidently drew some comfort from that image. Only to myself do I confess every thoughtlessness, unkindness, misstep, outright mistake and fuckup I’ve every committed, all those demons that throng three AM when I can’t fall back to sleep. Sins of omission and commission. That is the real passage, straights and turbulence beneath but only untroubled waters showing. On canvas, my mother could create reality from her artist’s imaginings. I ask myself today, is this the life I imagined for myself? My imagination was clearly not sufficient. Short on wisdom, insight, compassion.
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Earl Huband’s imagination does the heavy lifting of recreating the reality of his life’s passage in Dix Hill Blues. There are no softened edges in these stories, no cheerful hues to the palette. The first two sections of the book capture the struggles and failures of his family through the generations and paints them into a montage which narrates Earl’s own passage through life. One might at certain points use the term sin, or one might simply call this truth. Earl as poet, however, touches each person and each event with benediction. Yes, we are all human, fallible, broken; yes, love can still enter here. These poems need to be read as a whole to grasp the hopefulness that survives even darkest nights.
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The third and fourth sections of the collection are a deep and cleansing breath. A bit of humor from a wry observation, the other side of a dreadful story, a moment of joy: Earl’s imagination is not short on wisdom, insight, compassion. He unwraps his own failings and I am comforted that we are brothers. The poet can be healed by the telling. Perhaps none of the saints that surround me have such a straight and unerring passage as would seem apparent. Perhaps tomorrow will be the day I glean a little wisdom. Perhaps I will pick this book back up and read again from the beginning.
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Earl Huband lives with his wife Priscilla Webster-Williams, also an accomplished poet, in Durham NC. I have met him many times at various poetry events and never seen him without a warm and welcoming smile. Dix Hill Blues is his third collection and is available HERE
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . every Saturday I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
 . 
 . 
If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
 . 
– Bill
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Doughton Park Tree 2020-11-22
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Saturday morning readers share:
Nancy Barnett
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Death Tree
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The aging oak tree on our block, which we had watched together,
Noting the frailty of its branches even in Spring,
Now, stripped and gaunt after an autumnal hurricane
Stands in death tall, powerful, alone.
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I walk beneath, longing to tell you,
“Our tree is gone” – but you are not here.
You went out in another tempest, bruised and broken
Before one leaf had turned to gold.
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Like the tree you stand before me,
Shattered of branches, defaced of bole and leaf,
Torn away without gentleness,
Naked, wrapped in the invisible sheet of pain,
Noble in the completeness of death.
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I walk in sharp winds that cut life between us;
In clearness of winter light,
Along icy edges of despair,
I keep watch by your dark death tree;
Knowing in storms that will come
No lightning bold, in terror or anguish,
Can shatter the roots that bind me to you,
Plunged deep in primal earth clay,
In the passion and endurance of love.
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Katherine Garrison Chapin (1890-1977)
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This poem by Katherine Garrison Chapin is one I’ve had for 40  or 50  years.  I believe I cut it out from the New Yorker. It’s a little on the somber side; not for the holidays!
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It caught my eye because of my memory of the elm tree we had in our back yard in our home in Springfield, Missouri. I lost one of my brothers when I was 11 in 1962 to a car accident. When I was 15 years old I came home from school one day and the tree was gone! It was during the elm tree  blight and the city was removing the elm trees. This was about 1966.
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The tree was special because we had bought an old house and my mother, noticing my reaction  at 7 years old, told me we’d put up a tree swing. (It hadn’t been lived in for awhile and looked haunted…. We’d owned a nice brick home in Independence.)  My brothers put up the swing and I had much enjoyment swinging in the tree for a few years. When we came home from my brother’s funeral I headed straight for the tree swing.
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The last two lines I find especially poignant. There was no bereavement counseling in those days and over the years and to this day I’ve found comfort in poetry.
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– Nancy 
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Additional poetry shared by Nancy Barnett at Verse and Image:
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Thank you for visiting VERSE and IMAGE:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . every Saturday I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
 . 
 . 
Also note: after January 1, 2026 I will no longer be sending separate weekly email reminders.
If you would like to receive an email each time a post appears, please SUBSCRIBE to VERSE and IMAGE using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
 . 
– Bill
 . 
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