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Posts Tagged ‘Ursula K. LeGuin’

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April 26, 2024
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In order to see birds it is necessary to become a part of the silence.
++++++ Robert Lynd (1879-1949) – naturalist
 . 
To see a wren in a bush, call it a wren and go on walking is to have seen nothing. To see a bird and stop, watch, feel, forget yourself for a moment, to be in the bushy shadows, maybe then feel wren – that is to have joined in a larger moment with the world.
++++++ Gary Snyder
 . 
Keep a green tree in your heart and perhaps a song bird will come.
++++++ Chinese proverb
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November
 . 
It is an old drama
this disappearance of the leaves,
this seeming death
of the landscape.
In a later scene,
or earlier,
the trees like gnarled magicians
produce handkerchiefs
of leaves
out of empty branches.
 . 
And we watch.
We are like children
at this spectacle
of leaves,
as if one day we too
will open the wooden doors
of our coffins
and come out smiling
and bowing
all over again.
 . 
Linda Pastan (1932-2023)
from Carnival Evening: New and Selected Poems 1968–1998, W W Norton & Co, © 1999
 . 
Shared by Bradley Samore, Plano TX, who writes:
 . 
This poem by Linda Pastan reminds me of our hushed wonder toward the non-human and our tendency to imagine ourselves in relation to what we see. Perhaps there is no objective way to view something as each species, each person, has their own limitations and reference point. Like Gerard Manley Hopkins’ “Spring and Fall”, Pastan makes the connection between the leaves falling and our own human death but also hints at the possibility/impossibility of our rebirth, another budding.
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++++++ Bradley
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Revelation
 . 
Nothing compares to exploring the land
++++++ but what of becoming part of it
 . 
to sit so still that lizards
++++++ mate by my sandaled feet
 . 
to kneel at the grave where from shadows
++++++ a fox approaches unafraid
 . 
to lie on the grass as daylight fades
++++++ and birds feather the branches above
 . 
Bradley Samore
first appeared in Hoot
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The charm which Henry [David Thoreau] uses for bird and frog and mink, is patience. They will not come to him, or show him aright, until he becomes a log among logs, sitting still for hours in the same place; then they come around him and to him, and show themselves at home.
++++++ Ralph Waldo Emerson, from his journal, May 11, 1858.
 . 
I hope you love birds, too.  It is economical.  It saves going to Heaven.
++++++ Emily Dickinson
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 . 
Kinship
Rootless and restless and
warmblooded, we
blaze in the flare that
blinds us to that slow,
tall, fraternal fire of life
as strong
now as in the seedling
two centuries ago.
 . 
Ursula K LeGuin
 . 
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 . 
The cockroach and the birds were both here long before we were. Both could get along very well without us, although it is perhaps significant that of the two the cockroach would miss us more.
++++++ Joseph Wood Krutch, from The Twelve Seasons (1949)
 . 
More than at any other time, we feel the strangeness of birds when we stop and pick up a feather in our path. There is nothing on Earth to compare it to; there is no material like it, no form, nothing that functions quite the same way.
++++++ Bruce Brooks, from On the Wing
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 . 
Landscape with Jeffers and the Connecticut River
 . 
Oat stalks hang their oat-heavy heads.
Panic grass shakes in the wind
off a goldfinch’s wing. Cause,
++++ ++++ ++++ ++++ effect, and cause.
 . 
Drone, like the bee, of goldenrod and aster,
tool of the stick-tight and cockleburr,
I park and wade into high riverside grasses.
 . 
A dog gnaws on a box turtle, a spider rides
a floating log, straining the air of its midges and leafbits.
A fisherman lazy as late summer current,
++++ ++++ ++++ ++++ ++++ casts, reels, and casts.
 . 
It occurs to me I am alive, which is to say
I won’t be soon. Robinson Jeffers
from Carmel Point, in “an unbroken field of poppy and lupin”
 . 
ashamed of us all (of himself ), took solace in time,
in salt, water, and rock, in knowing
all things human “will ebb, and all/
++++ ++++ ++++ ++++ Their works dissolve.”
 . 
Me, too. And I’m not always so patient. I’ve caught myself
wishing our spoiler species gone, just swept away,
returned to rust and compost for more deserving earthly forms.
 . 
Meanwhile, flint arrowheads turn up among the plastic
picnic sporks, the glacial crags and bottom silt.
Hawks roost across the river on the now defunct
++++ ++++ ++++ ++++ ++++ nuclear power plant cooling tower,
 . 
flotsam left at the human high water mark.
Like mussel shells, like driftwood or seedpod,
like the current’s corrugations in the sand.
 . 
Here, on this side, a woodchuck sits up, lustrous,
fat on her chestnut haunches, (she thinks herself
queen of her narrow realm) and munches
++++ ++++ ++++ ++++ the fisherman’s crust.
 . 
Who wouldn’t smile? Who doesn’t pity—and love—
the woodchuck not only despite but for her like-human smugness?
How can I not through her intercession forgive
++++ ++++ ++++ ++++ ++++ for now a few things human.
 . 
Jennifer Atkinson
from The Thinking Eye, Parlor Press, © 2016
 . 
Jennifer Atkinson writes in Poems.com:
 . 
But how do we live with our knowledge and the emotional cloud of fear, guilt, anger, grief, and helplessness, a cloud that surrounds us, each of us alone, and all of us together? That cloud has become intrinsic to my ecopoetical work. Burdened with the beauty and loss and malicious awfulness ahead, weighted with the anxiety that hits whenever a winter day dawns without frost on the ground or another ‘unprecedented’ downpour rings in the gutter, how do I live?
 . 
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 . 
The bluebird carries the sky on his back.
++++++ Henry David Thoreau
 . 
We lose our souls if we lose the experience of the forest, the butterflies, the song of the birds, if we can’t see the stars at night.
++++++ Thomas Berry
 . 
It is the ancient wisdom of birds that battles are best fought with song.
++++++Richard Nelson
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 . 
Rain Light
 . 
All day the stars watch from long ago
my mother said I am going now
when you are alone you will be all right
whether or not you know you will know
look at the old house in the dawn rain
all the flowers are forms of water
the sun reminds them through a white cloud
touches the patchwork spread on the hill
the washed colors of the afterlife
that lived there long before you were born
see how they wake without a question
even though the whole world is burning.
 . 
W.S. Merwin (1927-2019)
from The Shadow of Sirius, Copper Canyon Press, © 2009
 . 
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 . 
My favorite weather is bird-chirping weather.
++++++ Terri Guillemets
 . 
You can observe a lot by just watching.
++++++ Yogi Berra
 . 
Look at everything as though you were seeing it either for the first or last time. Then your time on earth will be filled with glory.
++++++ Betty Smith, from A Tree Grows in Brooklyn
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 . 
Special thanks throughout these Earth Day celebrations to my hiking buddy and nature guide Mike Barnett, who has let me into the wilderness and won’t let me leave. Most of the quotations included in these sections are compiled in Mike’s Medicine Bag, which he carries with him into every new adventure
 . 
And EXTRA SPECIAL THANKS to my companion in the universe, Linda, who allows the cosmos to flow through her pen onto paper. She has given permission for me to use a few of her drawings throughout these Earth Day celebrations.
 . 
++++++  Bill
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[with poems by Ursula K. LeGuin, Sandra Dreis,
Jenny Bates, Galway Kinnell]

After a recent post which featured poems from the journal ecotone, Bradley Strahan commented, “Thanks. We need constantly to be reminded of how much we are dependent and damaging.” It made me think: it must be no coincidence that Poetry Month and Earth Day are both in April. This is the month of convergences, when we are truly grateful that the last frost is past and beastly summer has not yet smothered us. We watch new shoots erupt and bloom, but we worry that some will arrive too early and get nipped, and that blossoms and pollinators may emerge out of sync. We’re grateful for the songs of neotropical migrants, but we notice their diminished numbers and worry about desecrated wintering grounds and fragmented breeding grounds. We head out for a hike or a bird count and find the woodlots leveled, the streams silted up, and new homes and trailers in every cornfield.

We are surrounded by the reality of relentless human impact on the planet. We are living smack dab in the middle of the Anthropocene epoch.

It is difficult
to get the news from poems
yet men die miserably every day
for lack
of what is found there.
+++++++ William Carlos Williams, from Asphodel, That Greeny Flower

Poetry is able to speak the news we need to hear for Earth Day. Poetry may crystallize a truth we can grab and hold on to when bad news threatens to overwhelm us. Poetry may grab us by the lapels and jerk us to our feet when our motivation has drained away. Poetry may shed light on despair and offer some path into hope.

Thank you to the readers of these pages
who have responded to my call for poems this Earth Day.
Watch for new posts on April 21, April 22, and April 23.

All photographs were taken April 11-17, 2023,
along the Elkin & Allegheny Nature Trail,
part of the Mountains-to-Sea Trail in North Carolina, USA.

Earth Day 2023 art by Linda French Griffin.

❦ ❦ ❦

Kinship

Rootless and restless and
warmblooded, we
blaze in the flare that
blinds us to that slow,
tall, fraternal fire of life
as strong
now as in the seedling
two centuries ago.

Ursula K LeGuin
Selected by Bill Griffin; appeared online in The Dewdrop, March 26, 2022

What truth is more profound, more amazing, more assuring, more urgent than our kinship? That Ur-puddle’s restless swirl of nucleotides and amino acids, way back in time before there was ever a cell, is still reflected in the minutest truth of our bodies, every glint and dark crevice of them. All of us are neighbors.

– Bill Griffin / Elkin, North Carolina

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Raven’s Beak

But you’d have to understand
Raven’s beak,
drive that comes before
all else,
plunges for praying mantis,
plucks, disbands dirt,
stabs a wrangled tuft of weed.

And you’d have to
be
the bird, inhabit
black eyes that beam location,
yes, stealing sweetness
even
from the cocky cat,

feasting on envy.
This hunger lives beyond prey
I tell you, a wild want
not to be tamed
by blood, sinew or travail.
In dreams I gather others.
I grow feathers and wait.

Sandra Dreis
originally published in CREOSOTE, Spring 2021. (East Arizona)

This, my first published poem, was inspired by a walk with my two small dogs, stopping by a grassy ultra-green, pampered lawn. There, under a pin oak, was a sizable raven, beak inserted into the earth. In that moment, while I held my leashed dogs, a cat on a nearby stoop kept the raven in her sights. My dogs begged after the cat. I felt the perfect continuum. The balance. The tame. The wild.

– Sandra Dreis / Winston-Salem, North Carolina

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Otherworldly

Odd trick of the wind in leaves,
water flowing over stones.

You don’t have a mouth, said Fox.

Moth never blinked, rippling its crescent
tail wings.

You only live for a week, said Fox.

Moth lifted its wings, flew the moon up
to meet the night.

You and I are daydreams, soughed Fawn.

It’s been a long time. Think back and listen.
Voices in the woods. Angelic, untarnished.

Articulate, I can hear words rising

then falling,

a benediction.

Jenny Bates
originally published in Dark Forest, Planisphere Q, 2021

I want to bring the kindness and wonder I have found in wild creatures as well as their courage and pragmatic truth. I want my voice to be their voice as I believe they will teach us appropriate ways to heal the wild land. The wild is mysterious but also thrilling, nostalgic, liquid, musical when we listen.

– Jenny Bates / Germanton, North Carolina

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The Bear

+++++ 1
In late winter
I sometimes glimpse bits of steam
coming up from
some fault in the old snow
and bend close and see it is lung-colored
and put down my nose
and know
the chilly, enduring odor of bear.

+++++ 2
I take a wolf’s rib and whittle
it sharp at both ends
and coil it up
and freeze it in blubber and place it out
on the fairway of the bears.

And when it has vanished
I move out on the bear tracks,
roaming in circles
until I come to the first, tentative, dark
splash on the earth.

And I set out
running, following the splashes
of blood wandering over the world.
At the cut, gashed resting places
I stop and rest,
at the crawl-marks
where he lay out on his belly
to overpass some stretch of bauchy ice
I lie out
dragging myself forward with bear-knives in my fists.

+++++ 3
On the third day I begin to starve,
at nightfall I bend down as I knew I would
at a turd sopped in blood,
and hesitate, and pick it up,
and thrust it in my mouth, and gnash it down,
and rise
and go on running.

+++++ 4
On the seventh day,
living by now on bear blood alone,
I can see his upturned carcass far out ahead, a scraggled,
steamy hulk,
the heavy fur riffling in the wind.

I come up to him
and stare at the narrow-spaced, petty eyes,
the dismayed
face laid back on the shoulder, the nostrils
flared, catching
perhaps the first taint of me as he
died.

I hack
a ravine in his thigh, and eat and drink,
and tear him down his whole length
and open him and climb in
and close him up after me, against the wind,
and sleep.

+++++ 5
And dream
of lumbering flatfooted
over the tundra,
stabbed twice from within,
splattering a trail behind me,
splattering it out no matter which way I lurch,
no matter which parabola of bear-transcendence,
which dance of solitude I attempt,
which gravity-clutched leap,
which trudge, which groan.

+++++ 6
Until one day I totter and fall-
fall on this
stomach that has tried so hard to keep up,
to digest the blood as it leaked in,
to break up
and digest the bone itself: and now the breeze
blows over me, blows off
the hideous belches of ill-digested bear blood
and rotted stomach
and the ordinary, wretched odor of bear,

blows across
my sore, lolled tongue a song
or screech, until I think I must rise up
and dance. And I lie still.

+++++ 7
I awaken I think. Marshlights
reappear, geese
come trailing again up the flyway.
In her ravine under old snow the dam-bear
lies, licking
lumps of smeared fur
and drizzly eyes into shapes
with her tongue. And one
hairy-soled trudge stuck out before me,
the next groaned out,
the next,
the next,
the rest of my days I spend
wandering: wondering
what, anyway,
was that sticky infusion, that rank flavor of blood, that poetry, by which I lived?

Galway Kinnell
Selected by Paul Jones; appears in Three Books (Houghton-Mifflin, 2002)

Galway Kinnell speaking for himself about himself: “I don’t recognize the distinction between nature poetry and, what would be the other thing? Human civilization poetry? We are creatures of the earth who build our elaborate cities and beavers are creatures of the earth who build their elaborate lodges and canal operations and dams, just as we do … Poems about other creatures may have political and social implications for us.”

I first heard Kinnell read this poem in maybe 1977 at the UNC English Department. I was thinking of taking a job at UNC. I did and The Bear has been with me ever since.

– Paul Jones / Chapel Hill, NC

 

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