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[I originally posted this essay, including Fred Chappell’s poem Forever Mountain, on October 28, 2012. Today, October 23, 2026, I am attending the Tremont Writers’ Conference in Great Smoky Mountains National Park. Enjoy these musings from the archives and check in next Friday for a new post. — Bill]

❀    ❀   ❀

Keep close to Nature’s heart, yourself;
and break clear away 
once in a while,
and climb a mountain
or spend a week in the woods.
Wash your spirit clean.
John Muir

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.     .     .     .    .

Why have they come?  Why have they driven hundreds of miles of highway and another twenty of Forest Service gravel to this Deep Gap?  Why have they tracked down my friend Mike Barnett and persuaded him to share with them everything they will need to know to spend a few nights on the trail? Why forsake comfort for mist, rain, steep switchbacks, cold nights, hard ground?  Why have they come here?

Now they huddle at the trail head – Judy, Nora, Cathy, Gloria, Joan, Nancy – median age 65 (just a wild guess, Ladies!).  They pull on fleece and rain gear because we’re already above 3,000 feet and it’s mid-October.  Mist condenses on the leaves and drips like rain.  The plan is to hike the AT for three days with everything we need to survive on our backs: food, stove, water & filter, tent, mummy bags, and lots of layers for nights just above freezing.  We’ll reward ourselves the third night with a short side hike to Albert Mountain and hope to catch the sunset and sunrise from the 5,280 foot summit and fire tower.

That sunrise seems a long way off as we hunker down for the first night half-way up Standing Indian Mountain.  It’s pitch dark , a “hunter moon,” first new moon after equinox, but what does absent moon matter when we are engulfed in cloud with thunder echoing ridge to ridge as lightning strikes the summit?  Kids, I just want to let you know that your grandmothers are some tough-ass mountain women – they wake up the next morning joking that the howl of wind and rain had caused them to miss George Clooney’s surprise midnight visit.  And the only complaint I hear is when Joan comes back from digging a cat hole just as the mist lifts to reveal a nice rainproof privy not twenty yards from our camp site.

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Our second night we stop at Beech Gap, a saddle between peaks with a good spring and level tent sites.  The stars burn cold as diamond just above our shoulders; we are wearing every layer of clothing we’ve carried.  I ask, “Why?  Why did you go to so much trouble to put this trek together?”

Judy was the instigator.  She told Nora she wanted to hike at least one stretch of the Appalachian Trail before she died.  Nora replied, “Gee, I know someone who’s been taking kids on high adventure hikes in the mountains for twenty years, and his sister-in-law Carol is my good friend.”  Nora called Carol, Carol called Mike, and Mike said, “OK.”  (I still haven’t asked him why he said yes!)  Wheels began to turn.  It began to look like Judy’s promise to herself that she’d have something big to to tell her grandchildren would be fulfilled.

Nora invited others, and Mike’s wife Nancy makes six.  One had hiked with her family as a child and wanted to recapture that feeling.  One walked miles every day and wondered if she could handle the challenge of doing it uphill with a pack.  Another had become concerned about her stamina and embarked on a course to improve her fitness; now she wanted to kick it up a notch. One had never experienced mountain wilderness.  All of the women had come with a frank openness to experiencing something new.  Something challenging.

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There are plenty of obvious physical challenges to spending a night on a mountain.  Just deciding what you’re willing to carry vs. what you’re willing to live without can become a metaphysical exercise.  Then there’s the trail itself.  Where will I find water?  Will the spring be dry?  How many uphill miles before my buns turn to steel?  How much huffing and puffing before I have a heart attack?

Physical challenges are obvious, but they are illusory.  I may be thirsty now, but I will drink later.  When the trail is steep, I walk more slowly.  I stop and rest.  Tired and sore?  Leaves are falling that I may scrape together for a bower.  Strange noises in the night?  My companions are close by.

I’m guessing there are still more reasons we’ve come to these mountains that none of us have yet spoken.  I’m certain there are reasons we couldn’t even have named until after we took this walk together.  There are reasons we’ll discover only with days and weeks of contemplation to come.  A taste of wildness – remote, unforgiving, pristine, elemental.  An assurance of self – I made it, I persevered.  Connection, unvarnished and unabashed – each one of us making our small offering to the survival, and the joy, of the group.  And a much larger connection – wind, trees, slopes, stars . . .  we are part of this living realm and can’t exist without it.

Why have we come here?  That’s exactly what we’re still discovering.

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.     .     .     .     .

Final question: Why did Mike ask me if I’d like to come and lend a hand as general schlepper, filter pumper, water boiler, story teller?  Because he knew as soon as the word “mountains” left his lips I would be saying, “YES!”

.     .     .     .     .

Forever Mountain
Fred Chappell

for J.T.Chappell, 1912-1978

Now a lofty smoke has cleansed my vision.

I see my father has gone to climb
Lightly the Pisgah slope, taking the time
He’s got a world of, making spry headway
In the fresh green mornings, stretching out
Noontimes in the groves of beech and maple.
He has cut a walking stick of second-growth hickory
And through the amber afternoon he measures
Its shadow and his own shadow on a sunny rock.
Not marking the hour, but observing
The quality of light come over him.
He is alone, except what voices out of time
Swarm to his head like bees to the bee-tree crown,
The voices of former life as indistinct as heat.

By the clear trout pool he builds his fire at twilight,
And in the night a granary of stars
Rises in the water and spreads from edge to edge.
He sleeps, to dream the tossing dream
Of the horses of pine trees, their shoulders
Twisting like silk ribbon in the breeze.

He rises glad and early and goes his way,
Taking by plateaus the mountain that possesses him.

My vision blurs blue with distance,
I see no more.
Forever Mountain has become a cloud
That light turns gold, that wind dislimns.

This is continually a prayer.

.     .     .     .     .

from The Fred Chappell Reader, St. Martin’s Press, (c) 1987 by Fred Chappell

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.     .     .     .     .

A brief postscript: Mike has told me several times of his instructions to Nancy that his ashes are to be strewn from the top of Standing Indian Mountain.  By noon on our second day the mist had lifted, and we ate lunch at that summit with glorious views of the autumn-hued ridges extending to an infinite horizon.  Mike, I hope it’s years in our future, but I can’t think of a better spot to lend the flora a little potash and calcium for all eternity.

.      .     .     .     .

Our true home lies outside, deep in the wilderness of forest and mountain, river and desert and sea, the source of our being and the destiny of our great meandering blundering dreaming journey through time. Like Odysseus in his wanderings, we are homeward bound whether we know it or not.
Edward Abbey

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.     .     .     .     .

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[ 4 poems from Brillig summer/fall 2026 ]
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Peas are Wild Things
 . 
In their tangle, the disrepair of the world seems new.
I sleep, only in fits; they grow all night without sound.
They make a mesh for themselves and my children
find in the green tent trellis a place of refuge,
shade as soft as wood duck down where they lay down,
where crows, those sailing shadows, come closer.
These peas are wild things. yet, they build a civilization
without acknowledging the grief ahead of them:
the dry rattle at summer’s end, the killing encasement
by the first hard frost. At this moment, their shelter
is a place of grace, of freedom, of mysteries.
 . 
Paul Jones
 . 
❀    ❀    ❀
 . 
New Trail
 . 
Two days after my divorce is final I see a vision. Pepsodent
smile, red hair, overgrown beard, strong legs, ragged sorts,
scuffed leather boots. We’re trailwork volunteers. He’s worn
that insurmountable barrier ten years; doesn’t own a razor.
I can’t imagine a kiss.
 . 
“Mom! You don’t do beards.”
“I do now.”
 . 
Patricia Darcy
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❀    ❀    ❀
 . 
En Passant
 . 
Sodden he trudged through the downpour.
Whether heedless or hopeless, who knew?
In no hurry, his head down and dripping,
one more shower within the deluge.
 . 
A girl in a green sedan passed him,
slowing down not to spray, turned aside,
“Would you like an umbrella?” she called to him.
“I’ve an extra” “Why, thank you,” he said.
 . 
As the girl raised her window, the walker
opened her tiny shelter and waved.
She resumed her slow drive through the thunder,
and wondered what difference it made
 . 
to reach out to a stranger in passing,
for her kindness left him no less wet.
Yet he stood a bit straighter beneath it
and began to take care where he stepped.
 . 
Ed Robson
 . 
❀    ❀    ❀
 . 
Flashback
 . 
Does he recall their courtship?
His ardent bow. Her frenzied curtsies.
How she squeezed through metal mesh,
tore luminescent wing, to dance for him.
 . 
The green ballerina shimmered and twirled.
 . 
He demanded a tango, chased, caught her.
 . 
A singeing kiss. A fiery flutter. A crackle.
 . 
Beholding cinders at dawn, does the candle
remember the moth?
 . 
Jennifer Weiss
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❀    ❀    ❀    ❀    ❀
 . 
I am standing at a long table heaped and strewn with books. A rank of glass doors on two sides of the room pours Sandhills light across the table, while darkness from old paneled and patterned walls pushes back, antique shadows in opposition. It is a room that has hosted Southern literary luminaries for dinners around that table, followed no doubt by fantastical conversations long into the night, but this morning’s luminaries are the books. Poetry books. New poetry books. Authors of those books hanging in the wings to see who will be attracted to these shining colorful seductive books, books, books. I pick one up.
 . 
This book is smaller than most. Square. Slim. Hand crafted and oddly folded such that it opens itself into an organic creature in my hands. I read a poem. I exclaim, “Oh frabjous day!” A laugh behind my shoulder. I turn to find Deborah Doolittle, she whose book I am holding. She who has selected the poems in the book, curated and arranged, applied them to the pages that her own hands have also decorated, folded, sewn. Brilliant and big. I look forward to every new issue, and when I discover the envelope in my mailbox I know it will be another frabjous day.
 . 
 . 
 . 
❀
 . 
Paul Jones has been inducted in to the NCSU Computer Science Hall of Fame.
Patricia Darcy is partial to orange cats, crocheted cowls, and the Oxford comma.
Ed Robson celebrated his 73rd birthday by paragliding in Guatemala.
Jennifer Weiss is passionate about childhood literacy and reading to children out loud.
Also featured in the summer/fall 2026 edition of Brillig are J.T. Bryson, Peggy Heitmann, and Mary Spadoni.
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❀
 . 
Also at Verse and Image by Paul Jones;
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Also at Verse and Image by Jennifer Weiss:
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 . 
Thank you for visiting Verse and Image:
. . . . . every Friday I present one or more poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
 . 
 . 
If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
 . 
– Bill
 . 
 . 

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Wayah Bald on the horizon

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[ 3 poems from the 2026 Gilbert-Chappell mentorships ]
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✾  ✿  ❀  ❁
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all selections are from the 2026 edition of
Witness: Appalachia to Hatteras
the annual anthology of the Gilbert Chappell Distinguished Poet Series
mentor program of the North Carolina Poetry Society
 . 
Weeping Willows
 . 
In a garden of weeping willows,
roots coil in secret below the patient gaze of stones,
and shadows thicken with stories unsaid and untended—
secrets no one can tell.
Yet, each leaf holds a history pressed thin by longing,
longing something forgotten—
leaves know more than anyone could ever know.
The weeping willows weren’t just there for show,
they were there for a story,
a story on how everything had gone wrong.
Once upon a time they weren’t weeping willows,
but just willows.
However, with all the history they held,
they wept.
hoping and praying they could just die,
hoping they would be forgotten
so no one would cause them more damage,
but every spring’s arrival
rattles against those hidden wounds,
making forgetting impossible.
They hide in winter, hoping no one will see,
but spring only draws attention,
when they are forced to be beautiful,
while at night they weep.
 . 
Cynthia Ward
Eastern Region Gilbert-Chappell student poet, Cynthia is a junior at West Columbus High School, where she is the school poet laureate. The Eastern Region Gilbert-Chappell Mentor is Gideon Young, Chapel Hill, NC.
 . 
❀    ❀    ❀
 . 
Cross #12
 . 
A random cross was performed between parent 1
and parent 2. Figure 8.1 gives the results
of the cross. Use the table to answer the
following questions:
 . 
1. If the offspring’s genotype is a result
of independent assortment and crossing over,
is the offspring really just the sum of
probability and chance?
 . 
2. If the offspring express a recombinant
phenotype, what gives it inherent beauty?
 . 
3. If there are no alleles for morality,
why does the offspring feel an inherent sense of
right and wrong?
 . 
4. If parent 1 was heterozygous
dominant, and parent 2 homozygous
recessive, what is the offspring’s purpose in life?
 . 
5. If the offspring’s mos fundamental instinct
is to survive and reproduce, why does it care
about so much more?
 . 
6. If all there ever was and is is this world,
why isn’t the offspring satisfied by it?
 . 
Kendal Dixon
Kendal is a Central Region Gilbert-Chappell student poet. She graduated in 2026 from Southern Alamance High School. The Central Region Gilbert-Chappell Mentor is Joseph Mills, Winston-Salem, NC.
 . 
❀    ❀    ❀
 . 
Why I Love Polka Dots
 . 
My mother is going out.
I don’t really know what this means,
I only know that
soon I will be left behind.
But she is here now,
I am here now,
and now
it is just the two of us.
I sit at the foot of the bed.
She, high priestess, poses in front of the mirror.
Girdle, garters, stockings,
lipstick, rouge, hairspray, jewelry.
The bumps of the old white bedspread
press mountains and valleys
into my sunburned summer thighs
as she twirls in front of me
in her favorite dress,
chocolate brown satiny silk
covered with
black velveteen polka dots
that shiver and pulse with a life
I don’t yet understand.
 . 
Mary Beth Stevens
An adult student of the Gilbert-Chappell Western Region, Mary Beth lives in the Blue Ridge mountains. She has written children’s books but only lately turned to poetry. The Western Region Gilbert-Chappell Mentor is Lee Stockdale, Asheville, NC.
 . 
 . 
❀    ❀    ❀    ❀    ❀
 . 
The Gilbert-Chappell Distinguished Poet Series originated in 2003 at the encouragement of Fred Chappell, North Carolina’s fifth Poet Laureate. Fred felt a mentorship program for students and young adults would further the North Carolina Poetry Society’s mission of encouraging the reading, writing, and enjoyment of poetry across the state. Through a generous endowment from the family of Marie Gilbert (herself a life member and supporter of NCPS), this mentorship series is permanently funded and has thrived for twenty-three years.
 . 
Three Distinguished Poets from Eastern, Central, and Western North Carolina each mentor a middle-school student, a high-school student, a college or university student, and an adult mentee within their respective regions. The current State Coordinator is Michael Dechane, and the Distinguished Poet Mentors for the 2025-26 season have been Gideon Young (East), Joseph Mills (Central), and Lee Stockdale (West).
 . 
Applications for the 2026-2027 program open September 1 – November 15. Find more information about the Gilbert-Chappell Distinguished Poet Series, including an application form, at the NC Poetry Society web site HERE
 . 
❀    ❀    ❀
 . 
Each student works with their mentor to write and edit a series of poems. In addition to public readings and presentations, GCDPS publishes an annual anthology with poetry by the students as well as the Mentors, Witness: Appalachia to Hatteras. Order your copy HERE
 . 

Cape Lookout

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❀    ❀    ❀    ❀    ❀
 . 
Thank you for visiting Verse and Image:
. . . . . every Friday I present one or more poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
 . 
 . 
If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
 . 
– Bill
 . 
 . 

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