Posts Tagged ‘nature’
Poetry and Earth – EARTH DAY
Posted in Ecopoetry, tagged David Radavich, Earth Day 2026, Ecopoetry, imagery, Lenard D. Moore, nature, nature photography, nature poetry, NC Poets, poetry, Robert Frost, Robert Morgan, Southern writing, Tori Reynolds on April 22, 2026| Leave a Comment »
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[ poems by William Stafford, David Radavich, Robert Morgan,
Lenard Moore, Robert Frost, Tori Reynolds ]
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Ask Me
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Some time when the river is ice ask me
mistakes I have made. Ask me whether
what I have done is my life. Others
have come in their slow way into
my thought, and some have tried to help
or to hurt—ask me what difference
their strongest love or hate has made.
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I will listen to what you say.
You and I can turn and look
at the silent river and wait. We know
the current is there, hidden; and there
are comings and goings from miles away
that hold the stillness exactly before us.
What the river says, that is what I say.
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William Stafford
selected by David Radavich
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“Ask Me” by William Stafford is one of my all-time favorites. It is profound in thought and feeling, but I also admire the great artistry of how Stafford employs sound, line breaks, punctuation, and rhetorical balance to achieve what for me is a masterpiece. If I could ever write a poem this good, I should die happy!
— David
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February
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They call this apple tree “wild.”
And so it bends over the road
like an umbrella or saint
beginning to pray. Always
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among the first to bloom—
no fruit, it is wild, remember?—
reminding others of their coming
obligations, soon or later
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and then maybe more
glorious for the waiting.
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Every year it is a surprise
beside the road, every year
a bit taller, more redolent
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so even a cynic tired of cold
cocks an eye and writes
a poem about being ready.
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David Radavich
first published in The Raven’s Perch
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❀ ✿ ✾ ❁
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Ironweed
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There is a shade of purple in
this flower near summer’s end that makes
you proud to be alive in such
a world, and thrilled to know the gift
of sight. It seems a color sent
from memory or dream. In fields,
along old trails, at pasture edge,
the ironweed bares its vivid tint,
profoundest violet, a note
from farthest star and deepest time,
the glow of sacred royalty
and timbre of eternity
right here beside a dried-up stream.
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Robert Morgan
from Terroir, Penguin (2011)
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I’ve always been in awe of the dark purple flower often found along the edges of fields and woods. When we lived near Hendersonville in 1970-71 there was a meadow along a branch where many ironweeds thrived. In late summer I walked out there almost every day to enjoy the temporary presence of those special flowers. In many ways that was a tough time of unemployment, but those flowers made a day seem better.
— Robert
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Resurrection Sunday, Early Dinner
April 5, 2026
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We sit at the long table,
anticipating the spicy broth
where we place bok choy,
broccoli, mala, cauliflower, sliced potatoes,
barramundi fish, shaved chicken, fresh eggs,
king trumpet mushrooms, water crest,
La Mian noodles.
All the while I look into my date’s
pearly eyes and imagine our future.
I love that she’s God-fearing
and glimpse the crucifix glinting gold
and gathering silence like an Easter lily.
How I glance at her peach-tinted lips.
Did I tell you that I know their softness,
their sweetness that keeps me longing her
like a sparrow longs for a mate
on a powerline? Did I tell you
that she’s more beautiful than a mimosa,
dogwood, Bradford pear, or cherry blossoms?
We dab our lips with napkins as white
as the cloud-puffs lingering like light.
We leave like lovers that we are,
hungrily holding hands.
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Lenard D. Moore
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I love nature so much. As you know, I have written haiku, tanka, and other Japanese short-form poetry for decades. Haiku especially lead me on a ginko (haiku walk). In short, I love nature walks. In fact, I have also written free verse poems about the natural work, such as the one I am sending, due to the invitation. My Easter Sunday date also loves nature. Thus, I hope the poem speaks for itself. With gratitude!
Blessings — L
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Two Look at Two
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Love and forgetting might have carried them
A little farther up the mountain side
With night so near, but not much further up.
They must have halted soon in any case
With thoughts of the path back, how rough it was
With rock and washout, and unsafe in darkness;
When they were halted by a tumbled wall
With barbed-wire binding. They stood facing this,
Spending what onward impulse they still had
In one last look the way they must not go,
On up the failing path, where, if a stone
Or earthslide moved at night, it moved itself;
No footstep moved it. “This is all,” they sighed,
“Good-night to woods.” But not so; there was more.
A doe from round a spruce stood looking at them
Across the wall, as near the wall as they.
She saw them in their field, they in hers.
The difficult of seeing what stood still,
Like some up-ended boulder split in two,
Was in her clouded eyes: they saw no fear there.
She seemed to think that, two thus, they were safe.
Then, as if they were something that, though strange,
She could not trouble her mind with too long,
She sighed and passed unscared along the wall.
“This, then, is all. What more is there to ask?”
But no, not yet. A snort to bid them wait.
A buck from round the spruce stood looking at them
Across the wall as near the wall as they.
This was an antlered buck of lusty nostril,
Not the same doe come back into her place.
He viewed them quizzically with jerks of head,
As if to ask, “Why don’t you make some motion?
Or give some sign of life? Because you can’t.
I doubt if you’re as living as you look.”
Thus till he had them almost feeling dared
To stretch a proffering hand –– and a spell-breaking.
Then too passed unscared along the wall.
Two had seen two, whichever side you spoke from.
“This must be all.’” It was all. Still, they stood,
A great wave of it going over them,
As if the earth, in one unlooked-for favor
Had made them certain earth returned their love.
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Robert Frost
selected by Tori Reynolds
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I first encountered Robert Frost’s “Two Look at Two” as a teenager. I lived in Frost’s New England and was an avid horseback rider who spent hours roaming the fields and orchards. I was truly, for the hours I was on my horse, not a single being but a “two” — connected to another being with all the intimacy and fraught tensions of any couple. So, I felt a visceral connection to the idea of “two” proceeding through the landscape that Frost was describing. Wherever I went, I, too, had seen the mark of humans (..,a tumbled wall/With barbed-wire binding) and the mysterious movements of nature (…if a stone/Or earthslide moved at night, it moved itself;). I always felt it a privilege to move among and within such mysteries.
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As a young person more comfortable communicating with horses then with words, I had not yet understood the power of language. Until I read this poem, I hadn’t known that someone else understood the experience of seeing and being seen by nature the way I felt I was when I was out riding my horse. Two had seen two, whichever side you spoke from, perfectly describes how it felt to have Frost stretch a proffering hand –– to me. His “spell breaking” became a sudden apprehension: poetry could be as powerful a connection to nature as nature itself.
— Tori
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✾
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Dear Tulip Tree Silk Moth
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Dear tulip tree silk moth,
dear skunk cabbage,
trout lily, beaver, and
pure green sweat bee,
dear white pine, dear white tail
and yellow-rumped warbler,
dear red clay, granite,
Neuse and Swift Creek,
dear silent breath of the Tuscarora,
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you live and die at the confluence
of human and bulldozer,
humans with our cars and pesticides,
our maps and fences, our wars,
and our crushing booted steps.
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At the confluence of the Deep and Rocky rivers,
you show us how to live
by floating, flying, sprouting, swimming–
you sprout, swim, rest, dash, nest,
pool, chirp, screech, stand tall,
rot, collapse and fall –
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while we tromp, we bike and scramble
over rocky scree, put binoculars to our eyes,
ooh and ah – do you see the green heron
at the edge of Brumley pond?
place a finger to our lips, shush –
can you hear the peepers’ chorus
in the Horton Grove lowlands?
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So, may we steward
by raising our picks, chop and clip
the kudzu vines and stilt-grass invasives,
then gather the welcome walnuts,
and drink its bittersweet beer together.
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May we learn to re-wild
our science, our understanding
and even our minds.
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May we name
all that’s lost, cleared, disappeared –
then walk to the center of the labyrinth
and look beyond its borders –
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as we unwind our worries
with committed steps,
dogged daily steps,
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towards the morning
when we raise our eyes
to search for the downy woodpecker
in the loblolly, listen to the tap tap tap
of its persistent question,
how? how? how?
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and answer with the YES
of the spring winds bending the little bluestem
in the meadows.
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Dear people,
dear scientists
dear creators and clerks
workhorses and mourners,
neighbors, friends, benefactors
– stewards all –
of this copious, generous, generative,
disappearing land –
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We find ourselves here
on the bridge between
storm and flood,
in the promise
of blue skies and drought,
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to safeguard the fragile hives we tend,
to celebrate the honeyed-habitats we defend.
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Tori Reynolds
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I was asked to write a poem for the Triangle Land Conservancy gala this past February. This poem was the result. Since it was originally written for a specific audience and to be read aloud, I’ve revised it somewhat make it readable on the page. My hope is that it still rings with my reverence for the Piedmont area of NC and calls us to look closely and love the places we live.
— Tori
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There are only two ways to live your life: as though nothing is a miracle, or as though everything is a miracle.
— Albert Einstein
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I had been fooling myself that I was the only teacher. The land is the real teacher. All we need as students is mindfulness. Paying attention is a form of reciprocity with the living world, receiving the gifts with open eyes and open heart.
— Robin Wall Kimmerer, Braiding Sweetgrass
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Thank you for celebrating the month of April with International Earth Day (April 22) and National Poetry Month. And thank you, Readers, who have shared poems that connect us to our planet and each other. We will continue posting EARTH POETRY throughout the month of April – and beyond, of course, since EVERY DAY is EARTH DAY!
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COMMENTS@GRIFFINPOETRY.COM
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Thanks again for joining the conversation.
. — Bill
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Poetry and Earth – Love, and
Posted in Ecopoetry, tagged Annie Woodford, Connie Green, Earth Day 2026, Ecopoetry, Jenny Bates, Kari Gunter-Seymour, nature, nature photography, nature poetry, Paul Jones, Southern writing on April 10, 2026| 4 Comments »
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[ poems by Connie Green, Kari Gunter-Seymour,
Jenny Bates, Annie Woodford, Paul Jones]
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Song at Daybreak
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Behind the mountains this morning
a soft curtain of pink, dawn dipping
into her palette, my soul the recipient
of her artistry, this small moment
that would not have occurred
had I not wakened early, wandered
sleep-deprived into the kitchen
and turned my face toward the ridges-
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those ridges that daily wait for me
to look up, to accept, if only
for a minute, the gift they offer
and have offered since the forces
of nature, the work of time pushed
them from plain to towering majesty,
our common stardust knitting mountain,
kitchen, aging woman into song notes that lift
and drift, the finite urging toward the infinite.
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Connie Jordan Green
selected by Kari Gunter-Seymour. First appeared in Women Speak, Volume Eleven (Sheila Na Gig Editions 2025)
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This gorgeous Song at Daybreak by Connie Green reminds me that there is so much splendor and joy to be had if we let ourselves be still long enough to truly embrace all that the earth (and sky) has to offer, and that aging too is a gift, because it means we have been given so many more opportunities to stand in awe and wonder of it all. — Kari Gunter-Seymour
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Ten Miles North of Lore City, Guernsey County, Ohio
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Oh, Salt Fork, I’ve come to hide
inside your autumn, walk
beneath the cathedral of your branches
become a meditative painting,
a Cézanne—your impressions
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revealed in planes of pigment,
the slow study of light,
pin oak and American beech awash
in swaths of topaz and carnelian,
the lake a reverie of reflections.
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The universe is out of whack, tremulous
in the pathos of floods, wildfires and drought.
Here, red squirrels wax comedic,
all bark, tuck and tumble, a white-tailed
snorting at their antics.
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Tangy pockets of mugwort
and mountain mint intoxicate my airways
weak-knee me into giggles.
Chickadees hip-hop branch to thicket,
their black caps adorably gangsta.
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Above, an osprey chirps its tea-kettle whistle,
ascends, thrusts, disappears,
returns, as if parleying ancestral maps
stored inside the lace of its bones.
Cricket songs stitch the afternoon.
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I don’t know how long your trails can hold
such abundance, your fervor of tints and textures
winding their way to my insides, transcendent
as a psalm, the rhythm of your balms and breezes
rumoring their promise of peace.
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Kari Gunter-Seymour
First appeared in The Nature of Our Times (Paloma Press 2025)
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Thank you for allowing me the opportunity to submit a poem I love by poet Connie Green and one of my own as well, in honor of Earth Day. KG-S
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Connie Jordan Green lives on a farm in East Tennessee where she writes and gardens. She has published award-winning novels for young people, newspaper columns, poetry chapbooks and collections, most recently Nameless as the Minnows, Madville Publishing. Her poetry has been nominated for Pushcart Awards. She frequently teaches writing workshops.
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Kari Gunter-Seymour is the immediate past Poet Laureate of Ohio and author of three award-winning poetry collections, including Dirt Songs (EastOver Press, 2024) winner of the 2025 IPPY Bronze, NYC Big Book and Feathered Quill Awards. Her newest collection, What Teethes Within is forthcoming from University Press of Kentucky, August 2026. Her work has been featured in a variety of publications including the American Book Review, Poem-a-Day, World Literature Today and The New York Times.
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Virga
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Every raindrop panics me now
long before it arrives
I feel like an old Dog who hides
in the bathroom sniffing grey skies
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I go out walking anyway make
myself brave but I don’t really don’t want
it to rain
I want fear to evaporate like a virga
line I want to become a cloud dropped
full of reflection and affection
when I listen to rain I hear echoes
of your voice not in my ears anymore
asking under any circumstance
will you want to make love again?
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Jenny Bates
selected by Paul Jones
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Love Poem for the Appalachian Rainforest
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The trees as rib cage, as sea-
bare branches tapping each other,
signing furiously the word
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for wind. Temperate rainforest
filled with broken trees,
bracken tinder. I pray
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for damp weather, fog, snow-
a proper frozen sojourn
among High Country clouds
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plumping moss & lichen.
To keep fire at bay.
Needle and loam, trees breathing
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wet breath against each other,
heavy enough to float, to form
their own ecology of hope.
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Annie Woodford
selected by Paul Jones
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✾
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In the Cards
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Outside of Beaverdam, an old lady told the cards.
As close to a crone as the mountain side could grasp,
could hold there, cling-rooted and knotty as laurel.
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She was sour on life by now, hers, which had been hard,
and the mountain itself. “It must change,” she rasped.
Fingering the whirling figure, she hissed, “This is the World.”
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“It’s in the past. Better that the dancer held a sword.”
The next up, the seemingly indifferent Four of Cups.
“Ignoring the gifts and threats of the sky and earth. Peril.
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That’s where we are now. In danger, but not acting. Bored
with it all. Not doing what we need to do.” She gasped,
“No not this! I would rather be telling the Devil,”
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as if she already had seen, but dare not disregard,
the next card, the future told by the Tower. The last.
“The end that comes to us all both good and evil.”
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Soon the storms came as they had never come before.
She and her house were washed away. Among the lost.
She saw but was not saved. Not found. Except her skull.
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Paul Jones
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Thanks for combining Poetry Month and Earth Day (all month long). These three poems are from the award winning anthology, Had I a Dove: Appalachian Poets on the Helene Flood, edited by Hilda Downer (Redhawk Publications 2025). Each of these poem connects human awareness and in some cases human agency in the face of the experience of the flood and what followed. The whole of the anthology is rich with the appreciation of nature during and due to climate based disaster. Besides the three poems attached, Virga by Jenny Bates, Love Poem for the Appalachian Rainforest by Annie Woodford, and In the Cards by me, the anthology holds many treasures. — Paul Jones
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We do not live in a Nuclear Age or an Information Age. We do not live in a Post-Industrial Age, a Post-Cold War Age, or a Post-Modern Age. We do not live in an Age of Anxiety or even a New Age. We live in an Age of Flowering Plants and an Age of Beetles.
– Sue Hubbell, from Broadsides from the Other Orders
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Thank you for celebrating the month of April with International Earth Day (April 22) and National Poetry Month. Readers have selected poems that connect us to our planet and each other. If you have a poem that has rooted you to the earth and spread your branches into bright sky, please share! It can be a poem by your favorite writer, living or dead, a poem of your own, or both.
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Send a your poem(s) in the body of the email or as .DOC or .RTF to:
ecopoetry@griffinpoetry.com
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Please include your comments or reaction to the poem. And publication acknowledgments if previously published.
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We will share one or two posts each week, multiple posts during the week of Earth Day, and we will keep sharing into May and beyond if you continue to respond!
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Feel free to invite others to send their favorite Earth Day poems. Perhaps some day we will be able to say we live in the Age of Connection.
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Thank you for visiting Verse and Image: If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
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If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
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COMMENTS@GRIFFINPOETRY.COM
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Thanks again for joining the conversation.
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— Bill
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Such a moving poem by Tony Hoagland, Bill. I really love your choices in your blog these days. I was…