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3 poems by Jonathan K. Rice
all selections from This Is Where I Came In
Main Street Rag Enterprises, Edinboro PA; © 2026
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Anchored
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You’re anchored
lightly to the earth
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it slowly turns
as you dance
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upon its meadows
through forests and valleys
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as dervishes in deserts
and mosques
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as dolphins and whales
leap, breach, do figure eights
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through cresting waves,
dive gracefully to depths
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where ancient anchors
lay and rust amid coral,
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barnacles, crustaceans,
otherworldly creatures.
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that gently move
in rhythm with currents,
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the moon and tides,
salt and sand,
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the sun that warms your face,
your hands that reach for mine.
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Finding
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There we were
in a bamboo
labyrinth
near a river
bending time
and desire,
holding hands,
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finding our way
as the afternoon
leaned into dusk,
an undercurrent
of uncertainty
yet nothing abides
like nightfall
and how earth
embraces it,
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how the sun rises
each morning,
how we find
ourselves.
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papaya
. . . isn’t every moment the last moment?
There is no moment other than this
— Charlotte Joko Beck
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dislodged
from the green-yellow
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fruit sliced
lengthwise
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small shiny
black seeds
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scatter across
my plate
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as if to be read
like stones
thrown by a
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shaman.
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my fingertip
searches
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the cool moist
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here
and now
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the last moment
the last moment
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the last moment
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[to the supplicant . . . ]
Waiting is one of those things I do best.
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I miss Iodine Poetry Journal. I miss the poems, various and eclectic but also always solid and grounded. Human. Personal. I miss those slim perfect-bound volumes, and since each journal was as far as I know a one-person editorial effort, I miss imagining Jonathan Rice opening every submission, selecting his faves, arranging them in perfect order for the next issue. I especially miss the little logo on the back cover.
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But what I miss most of all is waiting. It was never a long wait, usually only a month or so. I would visit the mailbox, spot the return address, wait to open the envelope until I was seated at my desk (magical thinking, always). Even if I pulled out a form letter, it would have a scrawl at the bottom: Hey Bill, Try another batch on me later. Thanks, Jonathan. Or even more encouragement: Hi Bill, I like the ‘Horizon’ poem the best, but at the end it shifts to 2nd person, which throws it off. If you revise that, try again and I’ll read it over. Thanks, Jonathan.
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So worth waiting for. And between my first submission on June 14, 2002 and Jonathan’s last letter in my mailbox on October 12, 2015, he published ten of my poems in Iodine. Such an honor. You are my favorite editor, Jonathan. A little god of poetry, so like the deity speaking in the last poem of your new book – . . . I’m not as omniscient as you think . . . really not all that powerful . . . when no one else seems to care, you know I’m here waiting.
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This Is Where I Came In – so worth waiting for. It’s been a bit over ten years since Jonathan K. Rice’s last book of poetry and this new collection is fully and completely himself. Various and eclectic, solid and grounded, human and personal. Every poem sets me smiling, and every poem also sets me off on a journey of recollection and reflection. How is it that all these moments, so off-handedly random, coalesce to make a person. Capture one as if flies by. Ask it to bless you, then let it go. Anchored so lightly, how can we do other than dance?
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❀
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This Is Where I Came In, by Jonathan K. Rice, is available from Main Street Rag.
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[A personal note to Jonathan – I’ve always wondered why I save all these old rejections and acceptance letters. I guess each one carries a little blessing.]
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or more poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
 . 
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If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
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If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
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COMMENTS@GRIFFINPOETRY.COM
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Thanks again for joining the conversation.
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– Bill
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PawPaw, not Papaya

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[I originally posted this essay, including two poems by Katherine Stripling Byer, on October 24, 2020. Now I’m packing for another trip to the Smokies, the Tremont Writers’ Conference. Enjoy this trip through the archives as we journey through Autumn. — Bill]
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Appalachian Trail near Clingman’s Dome, 2003

[with two poems by Kathryn Stripling Byer]

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Summer has skimmed the high ridge like a chimney swift, rarely perching for long. Now on September mornings you can see your breath. First frost certainly won’t dally. Above 6,000 feet you wonder, Where is the South in Southern Appalachians?

And what about these bleached spines and gnarled knucklebones? This phalanx of snags that palisades the highest elevations against the green upon green below? The balsam wooly adelgid arrived on Clingman’s Dome in 1957. By the 1980’s the tiny insect invader from Europe, order Hemiptera, had destroyed more than 90% of the Fraser Fir in Great Smoky Mountains National Park.

This year, though, the Park Service has declared a tenuous truce. Some of those dead snags are forty years old but younger trees spared by the adelgid have matured and are making fertile cones. The very oldest trees, with thicker bark, also seem less susceptible. The insects are still around but you have to hunt for them, whereas during the earliest infestations biologists described the branches covered in wooly bugs as if they had been “whitewashed.”

What is the fulcrum of this new equilibrium? Perhaps the adelgid found easy pickings among whole communities weakened for decades by acid deposition, bad air. Coal-burning power plants up the Appalachian ridge to Canada have added scrubbers. The red spruce that had stopped growing in the ‘80’s are laying on new rings of cambrium. Leave a patch of ground alone long enough and it will grow into what it is meant to be.

Or will it? Depends on what you mean by leave alone. The fir that survive are a little more resistant to the insect, a little more acid tolerant. But what happens as their subalpine microclimate becomes less like Canada and more like Atlanta? Scrubbers remove the nitrogen and sulfur that oxidize to form acids but when you burn carbon you get carbon dioxide. Can’t scrub that out. How many degrees of warming can Fraser fir tolerate? Go higher, it gets cooler. Here in the Park you can’t go any higher than Clingman’s Dome.

Mountain Angelica, Angelica triquinata (Apiaceae - parsley family)

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Last week I shared two poems from Kathryn Stripling Byer’s first book (1986). The two poems that follow here are from her final book, Trawling the Silences, published in 2019 two years after her death.

Kay Byer takes me into wild places and she brings me home. She names the earth, just naming a thing is a prayer, and she leaves nameless the mysteries that mist from her verses into my soul. She has left this earth, and she has left this earth to me to hold close for the days I will remain. Notice. Learn. Cherish. Tell it.

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Three for My Trail Guide
for Jim

1.

Ascent

Before I can catch
my breath you right away
start to identify

Wild Ginger,
Mayapple,
Bloodroot.

I’m dizzy with switchbacks
I see rising into
the hardwoods you hail

Sarvis,
Sycamore,
Tulip Tree.

Trillium sweeps down
the hillside like angel wings
come to rest creekside.

You chanting hepatica,
stonecrop, anemone,
we climb until

we reach the summit,
where underfoot
some stubborn lichen

you can’t name
has already claimed
the best view.

2.

Star Grass

You name it
and there it is
at the edge
of the outcropping
over the Gorge.

Not to worry,
I placate the ravens
that harry us,
we won’t be lingering
long in your aerie.

See? Even now we are
striding away
into star grass,
its small spikes of clear
recognizable light.

3.

Galax

Squatting behind bushes,
I smell it nearby, neither bear scat

nor carrion vine, to which naturalists
liken its scent, but the breath

of an old woman lowering herself
to her chamber pot, sighing

as I heard her sigh while I tried
not to listen. Hoisting my backpack

I leave her behind in the underbrush,
glad to be back on the trail

with you, sidestepping tree stump
and blowdown, splashing through

creek bed, striding from switch back
to switch back toward sky we see,

step by step, open its window,
when, almost to summit, I stop.

Breathing hard. The scent
of her following me.

Kathryn Stripling Byer, from Trawling the Silences (Jacar Press, 2019)

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Silvery Glade Fern, Deparia acrostichoides (Dryopteridaceae - Wood Fern Family)

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Trawling the Silences

This end-of-March day, I’d rather watch hawks surf the
thermals than contemplate what lies ahead.
Or behind in its wake. In the few hours left, let me keep
my doubts shut, my windows wide open, their sheer curtains
billowing. It’s March, after all, having come in
a lamb and departing a lioness, stalking my back yard,

leaving her paw prints alongside the patient ephemerals
rising again out of leaf litter. Squirrel corn. Spring beauty.
The first rue anemone. Today I would rather
read field guides, repeating the whimsical names
of our nice-dwelling mussels about to be wiped out by backhoes
and bulldozers. Pimpleback, Snuffbucket. Monkeyface
Pearlymussel. Don’t let their names be forgotten,
I’d pray if I prayed, though just naming a thing is a prayer,

wrote Simone Weil, turning her face to the almighty
silences. The silences. Where would we be
without them, what were we, what will we be, oh to be,
and again be, that damn linking verb. I’d rather be tracking
my lioness up to the rim of that mountain top,
I’d rather let be and let go. Let the anemone
cling, the hawks soar, the lioness squander another day
trying to find what she’s looking for. Give her another day,
I ask the Almighty. Give the birds one more day
scolding the rapscallion squirrels stealing birdseed.
I rest my case, carapace, my own little voice trawling
the silences, the bully wind boasting its presence in present-tense,
no linking verb to shut down the show. Let
my lioness lounge in the sally grass. Licking her paws.

Kathryn Stripling Byer, from Trawling the Silences (Jacar Press, 2019)

 

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Spruce-Fir forests covered vast areas of the Southeast when glaciers reached their southernmost extent 18,000 years ago. As the glaciers retreated north the Spruce-Fir communities also retreated to higher elevations and now remain only along the highest peaks and ridges above 4,000 feet elevation, mostly higher. Clingman’s Dome at 6643 feet is the highest point in Great Smoky Mountains National Park and indeed along the entire Appalachian Trail. Its impressive swath of Spruce-Fir is also home to the rare Jordan’s Red-Cheeked salamander (Plethodon jordani) found only in the Park. The naturally acid soil and severe climate limit biodiversity compared to lower elevations, but other distinctive high elevation species include mountain ash (Rose family), mountain wood sorrel, mountain asters, glade fern. After sixty years the Fraser Fir seem to be surviving the balsam wooly adelgid invasion, air pollution, acid rain; it remains to be seen how long they will remain in the face of advancing climate change.

from SNAKE DEN RIDGE, A BESTIARY, illustration by Linda French Griffin

from SNAKE DEN RIDGE, A BESTIARY, illustration by Linda French Griffin

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Photos by Bill Griffin from Southern Appalachian Naturalist Certification Program; Southern Appalachian Ecology, September 2020, Great Smokies Institute at Tremont; instructors Jeremy Lloyd and Elizabeth Davis.

 

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IMG_1822

IMG_1609

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[ 4 poems from Brillig summer/fall 2026 ]
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Peas are Wild Things
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In their tangle, the disrepair of the world seems new.
I sleep, only in fits; they grow all night without sound.
They make a mesh for themselves and my children
find in the green tent trellis a place of refuge,
shade as soft as wood duck down where they lay down,
where crows, those sailing shadows, come closer.
These peas are wild things. yet, they build a civilization
without acknowledging the grief ahead of them:
the dry rattle at summer’s end, the killing encasement
by the first hard frost. At this moment, their shelter
is a place of grace, of freedom, of mysteries.
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Paul Jones
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❀    ❀    ❀
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New Trail
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Two days after my divorce is final I see a vision. Pepsodent
smile, red hair, overgrown beard, strong legs, ragged sorts,
scuffed leather boots. We’re trailwork volunteers. He’s worn
that insurmountable barrier ten years; doesn’t own a razor.
I can’t imagine a kiss.
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“Mom! You don’t do beards.”
“I do now.”
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Patricia Darcy
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En Passant
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Sodden he trudged through the downpour.
Whether heedless or hopeless, who knew?
In no hurry, his head down and dripping,
one more shower within the deluge.
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A girl in a green sedan passed him,
slowing down not to spray, turned aside,
“Would you like an umbrella?” she called to him.
“I’ve an extra” “Why, thank you,” he said.
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As the girl raised her window, the walker
opened her tiny shelter and waved.
She resumed her slow drive through the thunder,
and wondered what difference it made
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to reach out to a stranger in passing,
for her kindness left him no less wet.
Yet he stood a bit straighter beneath it
and began to take care where he stepped.
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Ed Robson
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❀    ❀    ❀
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Flashback
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Does he recall their courtship?
His ardent bow. Her frenzied curtsies.
How she squeezed through metal mesh,
tore luminescent wing, to dance for him.
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The green ballerina shimmered and twirled.
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He demanded a tango, chased, caught her.
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A singeing kiss. A fiery flutter. A crackle.
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Beholding cinders at dawn, does the candle
remember the moth?
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Jennifer Weiss
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I am standing at a long table heaped and strewn with books. A rank of glass doors on two sides of the room pours Sandhills light across the table, while darkness from old paneled and patterned walls pushes back, antique shadows in opposition. It is a room that has hosted Southern literary luminaries for dinners around that table, followed no doubt by fantastical conversations long into the night, but this morning’s luminaries are the books. Poetry books. New poetry books. Authors of those books hanging in the wings to see who will be attracted to these shining colorful seductive books, books, books. I pick one up.
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This book is smaller than most. Square. Slim. Hand crafted and oddly folded such that it opens itself into an organic creature in my hands. I read a poem. I exclaim, “Oh frabjous day!” A laugh behind my shoulder. I turn to find Deborah Doolittle, she whose book I am holding. She who has selected the poems in the book, curated and arranged, applied them to the pages that her own hands have also decorated, folded, sewn. Brilliant and big. I look forward to every new issue, and when I discover the envelope in my mailbox I know it will be another frabjous day.
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❀
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Paul Jones has been inducted in to the NCSU Computer Science Hall of Fame.
Patricia Darcy is partial to orange cats, crocheted cowls, and the Oxford comma.
Ed Robson celebrated his 73rd birthday by paragliding in Guatemala.
Jennifer Weiss is passionate about childhood literacy and reading to children out loud.
Also featured in the summer/fall 2026 edition of Brillig are J.T. Bryson, Peggy Heitmann, and Mary Spadoni.
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❀
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Also at Verse and Image by Paul Jones;
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Also at Verse and Image by Jennifer Weiss:
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or more poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
 . 
 . 
If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
 . 
– Bill
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