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[ from What Narcissism Means to Me,
Gray Wolf Press, Minneapolis MN: © 2003 by Tony Hoagland ]
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The Time Wars
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It was the winter we ate a lot of oatmeal to stay warm.
We lived on 17th and G Streets; Kath called it the G spot.
At night in the bathtub I read The Collected Letters of Virginia Woolf,
trying to keep the pages of the 20th-century prose from getting wet,
reading the guest lists for her dinner parties
as she knocked out book after book between her shattering depressions.
 . 
Sometimes I would meet Richard at the Chinese place for dinner,
and one two three hours would vanish like our food.
We would stand outside The Great Wall, adjusting our scarves
in a pastoral moment of urban separation,
watching the cabs whiz by in the dusk.
 . 
The Vietnam War monument was just five blocks away;
on Saturday you would always see a vet or two,
in their windbreakers and baseball caps—
heads down, crying in the shrubs—
the little POW buttons and various insignia attached to their clothing
like they were advertising something.
 . 
We ourselves were fighting the Time Wars:
we could feel it speeding up, rapidly escaping,
like the hiss from a leaky balloon.
We were trying to plug it, to slow it down, to decelerate,
but none of us was having much success—
 . 
One day in February Kath brought in some roses and said,
“Here, the sun came 93 million miles
to make these flowers that I killed for you,”
and I said, “Kathleen, my talents are not capacious enough
to properly exaggerate your virtues,”
and we both burst out laughing
and time stopped right over our heads like a little red car.
 . 
On June 14th, Virginia Woolf wrote in her journal,
“Windy day. I am the hare, far ahead of my critics, the hounds.”
Something endearing about the mixture of weather report and vanity.
Something lonely about this image of success.
 . 
We ourselves aren’t thinking about the future anymore.
What we want is to calm time down, to get time in a good mood,
to make time feel wanted.
We just want to give time many homemade gifts,
covered with fingerprints and kisses.
 . 
Tony Hoagland (1953-2018)
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❀ . 
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My first introduction to Tony Hoagland was in the pages of The Sun magazine, published in Chapel Hill, NC, then later at a workshop sponsored by the Winston-Salem / Forsyth County Library. Tony was born in Fort Bragg, North Carolina. As the child of an army doctor, he moved often during childhood. According to the novelist Don Lee, Hoagland “attended and dropped out of several colleges, picked apples and cherries in the Northwest, lived in communes, followed the Grateful Dead and became a Buddhist.” He earned an MFA from University of Arizona and in addition to his many awards, fellowships, and positions as educator, he re-established his NC roots by serving on the faculty of the low-residency Warren Wilson College MFA Program for Writers. What Narcissism Means to Me (2003), was a finalist for the National Book Critics Circle Award. Tony Hoagland died in 2018 at age 64 of pancreatic cancer.
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❀
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[The quotation by Don Lee is from  Ploughshares Authors & Articles > Tony Hoagland, Zacharis Award > by Don Lee Archived October 13, 2007, at the Wayback Machine.]
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or more poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
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Thanks again for joining the conversation.
 . 
– Bill
 . 
Doughton Park Tree 2025-07-10
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Forever Mountain

[I originally posted this essay, including Fred Chappell’s poem Forever Mountain, on October 28, 2012. Today, October 23, 2026, I am attending the Tremont Writers’ Conference in Great Smoky Mountains National Park. Enjoy these musings from the archives and check in next Friday for a new post. — Bill]

❀    ❀   ❀

Keep close to Nature’s heart, yourself;
and break clear away 
once in a while,
and climb a mountain
or spend a week in the woods.
Wash your spirit clean.
John Muir

IMG_3937

.     .     .     .    .

Why have they come?  Why have they driven hundreds of miles of highway and another twenty of Forest Service gravel to this Deep Gap?  Why have they tracked down my friend Mike Barnett and persuaded him to share with them everything they will need to know to spend a few nights on the trail? Why forsake comfort for mist, rain, steep switchbacks, cold nights, hard ground?  Why have they come here?

Now they huddle at the trail head – Judy, Nora, Cathy, Gloria, Joan, Nancy – median age 65 (just a wild guess, Ladies!).  They pull on fleece and rain gear because we’re already above 3,000 feet and it’s mid-October.  Mist condenses on the leaves and drips like rain.  The plan is to hike the AT for three days with everything we need to survive on our backs: food, stove, water & filter, tent, mummy bags, and lots of layers for nights just above freezing.  We’ll reward ourselves the third night with a short side hike to Albert Mountain and hope to catch the sunset and sunrise from the 5,280 foot summit and fire tower.

That sunrise seems a long way off as we hunker down for the first night half-way up Standing Indian Mountain.  It’s pitch dark , a “hunter moon,” first new moon after equinox, but what does absent moon matter when we are engulfed in cloud with thunder echoing ridge to ridge as lightning strikes the summit?  Kids, I just want to let you know that your grandmothers are some tough-ass mountain women – they wake up the next morning joking that the howl of wind and rain had caused them to miss George Clooney’s surprise midnight visit.  And the only complaint I hear is when Joan comes back from digging a cat hole just as the mist lifts to reveal a nice rainproof privy not twenty yards from our camp site.

IMG_4128

Our second night we stop at Beech Gap, a saddle between peaks with a good spring and level tent sites.  The stars burn cold as diamond just above our shoulders; we are wearing every layer of clothing we’ve carried.  I ask, “Why?  Why did you go to so much trouble to put this trek together?”

Judy was the instigator.  She told Nora she wanted to hike at least one stretch of the Appalachian Trail before she died.  Nora replied, “Gee, I know someone who’s been taking kids on high adventure hikes in the mountains for twenty years, and his sister-in-law Carol is my good friend.”  Nora called Carol, Carol called Mike, and Mike said, “OK.”  (I still haven’t asked him why he said yes!)  Wheels began to turn.  It began to look like Judy’s promise to herself that she’d have something big to to tell her grandchildren would be fulfilled.

Nora invited others, and Mike’s wife Nancy makes six.  One had hiked with her family as a child and wanted to recapture that feeling.  One walked miles every day and wondered if she could handle the challenge of doing it uphill with a pack.  Another had become concerned about her stamina and embarked on a course to improve her fitness; now she wanted to kick it up a notch. One had never experienced mountain wilderness.  All of the women had come with a frank openness to experiencing something new.  Something challenging.

IMG_3985

There are plenty of obvious physical challenges to spending a night on a mountain.  Just deciding what you’re willing to carry vs. what you’re willing to live without can become a metaphysical exercise.  Then there’s the trail itself.  Where will I find water?  Will the spring be dry?  How many uphill miles before my buns turn to steel?  How much huffing and puffing before I have a heart attack?

Physical challenges are obvious, but they are illusory.  I may be thirsty now, but I will drink later.  When the trail is steep, I walk more slowly.  I stop and rest.  Tired and sore?  Leaves are falling that I may scrape together for a bower.  Strange noises in the night?  My companions are close by.

I’m guessing there are still more reasons we’ve come to these mountains that none of us have yet spoken.  I’m certain there are reasons we couldn’t even have named until after we took this walk together.  There are reasons we’ll discover only with days and weeks of contemplation to come.  A taste of wildness – remote, unforgiving, pristine, elemental.  An assurance of self – I made it, I persevered.  Connection, unvarnished and unabashed – each one of us making our small offering to the survival, and the joy, of the group.  And a much larger connection – wind, trees, slopes, stars . . .  we are part of this living realm and can’t exist without it.

Why have we come here?  That’s exactly what we’re still discovering.

IMG_3921_crop

.     .     .     .     .

Final question: Why did Mike ask me if I’d like to come and lend a hand as general schlepper, filter pumper, water boiler, story teller?  Because he knew as soon as the word “mountains” left his lips I would be saying, “YES!”

.     .     .     .     .

Forever Mountain
Fred Chappell

for J.T.Chappell, 1912-1978

Now a lofty smoke has cleansed my vision.

I see my father has gone to climb
Lightly the Pisgah slope, taking the time
He’s got a world of, making spry headway
In the fresh green mornings, stretching out
Noontimes in the groves of beech and maple.
He has cut a walking stick of second-growth hickory
And through the amber afternoon he measures
Its shadow and his own shadow on a sunny rock.
Not marking the hour, but observing
The quality of light come over him.
He is alone, except what voices out of time
Swarm to his head like bees to the bee-tree crown,
The voices of former life as indistinct as heat.

By the clear trout pool he builds his fire at twilight,
And in the night a granary of stars
Rises in the water and spreads from edge to edge.
He sleeps, to dream the tossing dream
Of the horses of pine trees, their shoulders
Twisting like silk ribbon in the breeze.

He rises glad and early and goes his way,
Taking by plateaus the mountain that possesses him.

My vision blurs blue with distance,
I see no more.
Forever Mountain has become a cloud
That light turns gold, that wind dislimns.

This is continually a prayer.

.     .     .     .     .

from The Fred Chappell Reader, St. Martin’s Press, (c) 1987 by Fred Chappell

IMG_4192_crop

.     .     .     .     .

A brief postscript: Mike has told me several times of his instructions to Nancy that his ashes are to be strewn from the top of Standing Indian Mountain.  By noon on our second day the mist had lifted, and we ate lunch at that summit with glorious views of the autumn-hued ridges extending to an infinite horizon.  Mike, I hope it’s years in our future, but I can’t think of a better spot to lend the flora a little potash and calcium for all eternity.

.      .     .     .     .

Our true home lies outside, deep in the wilderness of forest and mountain, river and desert and sea, the source of our being and the destiny of our great meandering blundering dreaming journey through time. Like Odysseus in his wanderings, we are homeward bound whether we know it or not.
Edward Abbey

IMG_4021

.     .     .     .     .

IMG_1948

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3 poems by Jonathan K. Rice
all selections from This Is Where I Came In
Main Street Rag Enterprises, Edinboro PA; © 2026
with a postscript added October 18, 2026
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Anchored
 . 
You’re anchored
lightly to the earth
 . 
it slowly turns
as you dance
 . 
upon its meadows
through forests and valleys
 . 
as dervishes in deserts
and mosques
 . 
as dolphins and whales
leap, breach, do figure eights
 . 
through cresting waves,
dive gracefully to depths
 . 
where ancient anchors
lay and rust amid coral,
 . 
barnacles, crustaceans,
otherworldly creatures.
 . 
that gently move
in rhythm with currents,
 . 
the moon and tides,
salt and sand,
 . 
the sun that warms your face,
your hands that reach for mine.
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❀    ❀    ❀
 . 
Finding
 . 
There we were
in a bamboo
labyrinth
near a river
bending time
and desire,
holding hands,
 . 
finding our way
as the afternoon
leaned into dusk,
an undercurrent
of uncertainty
yet nothing abides
like nightfall
and how earth
embraces it,
 . 
how the sun rises
each morning,
how we find
ourselves.
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❀    ❀    ❀
 . 
papaya
. . . isn’t every moment the last moment?
There is no moment other than this
— Charlotte Joko Beck
 . 
dislodged
from the green-yellow
 . 
fruit sliced
lengthwise
 . 
small shiny
black seeds
 . 
scatter across
my plate
 . 
as if to be read
like stones
thrown by a
 . 
shaman.
 . 
my fingertip
searches
 . 
the cool moist
 . 
here
and now
 . 
the last moment
the last moment
 . 
the last moment
 . 
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 . 
[to the supplicant . . . ]
Waiting is one of those things I do best.
 . 
I miss Iodine Poetry Journal. I miss the poems, various and eclectic but also always solid and grounded. Human. Personal. I miss those slim perfect-bound volumes, and since each journal was as far as I know a one-person editorial effort, I miss imagining Jonathan Rice opening every submission, selecting his faves, arranging them in perfect order for the next issue. I especially miss the little logo on the back cover.
 . 
 . 
But what I miss most of all is waiting. It was never a long wait, usually only a month or so. I would visit the mailbox, spot the return address, wait to open the envelope until I was seated at my desk (magical thinking, always). Even if I pulled out a form letter, it would have a scrawl at the bottom: Hey Bill, Try another batch on me later. Thanks, Jonathan. Or even more encouragement: Hi Bill, I like the ‘Horizon’ poem the best, but at the end it shifts to 2nd person, which throws it off. If you revise that, try again and I’ll read it over. Thanks, Jonathan.
 . 
So worth waiting for. And between my first submission on June 14, 2002 and Jonathan’s last letter in my mailbox on October 12, 2015, he published ten of my poems in Iodine. Such an honor. You are my favorite editor, Jonathan. A little god of poetry, so like the deity speaking in the last poem of your new book – . . . I’m not as omniscient as you think . . . really not all that powerful . . . when no one else seems to care, you know I’m here waiting.
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❀    ❀    ❀
 . 
This Is Where I Came In – so worth waiting for. It’s been a bit over ten years since Jonathan K. Rice’s last book of poetry and this new collection is fully and completely himself. Various and eclectic, solid and grounded, human and personal. Every poem sets me smiling, and every poem also sets me off on a journey of recollection and reflection. How is it that all these moments, so off-handedly random, coalesce to make a person. Capture one as if flies by. Ask it to bless you, then let it go. Anchored so lightly, how can we do other than dance?
 . 
❀
 . 
This Is Where I Came In, by Jonathan K. Rice, is available from Main Street Rag.
 . 
[A personal note to Jonathan – I’ve always wondered why I save all these old rejections and acceptance letters. I guess each one carries a little blessing.]
 . 
 . 
POSTSCRIPT

Thank you so very much for your kind words. I just need to correct you a little. For years Leslie M. Rupracht was my associate editor, then my senior associate editor, when I needed some extra help. Leanna N. Stead and Karen Thornton came on board as IPJ became deluged with submissions. I farmed out much the reading to them, then I made the final decision from their selections. They pretty much knew the flavor of the magazine and what I was shooting for, so we were mostly on the same page. (no pun intended) Early on though, it was just me reading submissions, and I always read everything even after all my associate editors had their say. I should add, for years Leslie was my right hand in all of this.

There’s more to the story though. Billy Collins was guest editor for The Best of America Poetry 2006. Somehow he ran across an issue of Iodine Poetry Journal and selected a poem by Ron Koertge titled, “Found,” which I’d accepted for publication. After that edition was released, we began receiving way more submissions so I needed the extra help. Karen, Leanna & Leslie were essential in making it work. I miss it sometimes. But we went out with a bang when I retired the mag in 2016.

Jonathan

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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or more poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
 . 
 . 
If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
 . 
– Bill
 . 

PawPaw, not Papaya

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