Posts Tagged ‘nature poetry’
Saturday Share – Scott Owens
Posted in Ecopoetry, tagged nature, nature poetry, NC Poets, poetry, Saturday readers share, Scott Owens, Southern writing on September 26, 2026| 2 Comments »
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Saturday morning readers share:
Scott Owens
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A History of Rivers
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It’s Monday.
I cross the Yadkin River again,
as I have every Monday for the two years
my grandson has been in this world,
as I did twice a month for 10 years
delivering my stepson to his father,
as I’ve done once a year for 30 years
heading to the beach for our family vacation.
And each of these have had return trips
where I’ve crossed the Yadkin again.
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I don’t know how to count
the number of times I’ve crossed this river,
but each time I do, my eyes grow wider
to let more in, my skin tingles,
my breathing grows quiet and slow.
It’s not fear, not my daughter’s gephyrophobia,
but awe, excitement, anticipation,
as the earth falls away below me,
and I feel again the history of rivers
as borders separating here from there,
known from unknown, a simple crossing
of something beautiful into something so full
of potential it reawakens the life within me.
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Scott Owens
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Needing No Heaven
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My mother sends me my childhood Bible.
I remember 53 years ago,
when we had little,
I would get myself up early
on Sunday mornings, make breakfast,
get dressed, catch the bus to church,
alone, hoping to find something more,
then praying I was sitting in the right seat,
the one with the lucky number taped to the bottom.
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One time, I was.
This was the prize.
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I read it three times through,
and occasionally again over the years,
looking for logic, marking lines,
The living God is among you,
Is with thee wheresoever thou goest,
gradually losing faith,
not in God,
but rather, in this God.
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The marks are still there.
When you think that I am gone,
do not search for me in someone’s heaven.
I have already found heaven here.
Look for me in the earth you turn for planting.
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Scott Owens
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Scott recently wrote to me that he’s been on a “nature statement kick.” If that means he is consciously thinking and writing about the relationship of us humans with the natural world, it doesn’t detract from the fact that all his poetry is colored, overtly or subtly, by that relationship. Scott and I have discussed how the four tasks of the naturalist are perfectly congruent with the tasks of the poet — pay attention, ask questions, make connections, share. Lately I’ve been thinking about a fifth imperative for the poet — remember. And isn’t memory also demanded of the naturalist? Our relationship with nature stretches across time, always changing and yet always anchored.
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I hope in those future days when I am not living on this Earth, my grandchildren will notice some September afternoon the wispy seeds of Burnweed drifting past them and remember me.
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Additional poetry by Scott Owens at Verse and Image:
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or more poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.
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If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
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If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
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If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
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COMMENTS@GRIFFINPOETRY.COM
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Thanks again for joining the conversation.
— Bill
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Light Made Flesh and Blood – Wendell Berry
Posted in Ecopoetry, Imagery, poetry, tagged Ecopoetry, nature photography, nature poetry, poetry, Sabbaths, Wendell Berry on September 4, 2026| 2 Comments »
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4 poems by Wendell Berry from Sabbaths,
North Point Press, San Francisco CA; © 1987
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1979 – I
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I go among trees and sit still.
All my stirring becomes quiet
around me like circles on water.
My tasks lie in their places
where I left them, asleep like cattle.
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Then what is afraid of me comes
and lives a while in my sight.
What it fears in me leaves me,
and the fear of me leaves it.
It sings, and I hear its song.
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Then what I am afraid of comes.
I live for a while in its sight.
What I fear in it leaves it,
and the fear of it leaves me.
It sings, and I hear its song.
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After days of labor,
mute in my consternations,
I hear my song at last,
and I sing it. As we sing
the day turns, the trees move.
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1979 – VII
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What if, in the high restful sanctuary
That keeps the memory of Paradise,
We’re followed by the drone of history
And greed’s poisonous fumes still burn our eyes?
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Disharmony recalls us to our work.
From Heavenly work of light and wind and leaf
We must turn back into the peopled dark
Of our unraveling century, the grief
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Of waste, the agony of haste and noise.
It is a hard return from Sabbath rest
To lifework of the fields, yet we rejoice,
Returning, less condemned in being blessed
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By vision of what human work can make:
A harmony between wood-land and field,
The world as it was given for love’s sake,
The world by love and loving work revealed
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As given to our children and our Maker.
In that healed harmony the world is used
But not destroyed, the Giver and the taker
Joined, the taker blessed, in the unabused
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Gift that nurtures and protects. Then workday
and Sabbath live together in one place.
Though mortal, incomplete, that harmony
is our one possibility of peace.
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When field and woods agree, they make a rhyme
That stirs in distant memory the whole
First Sabbath’s song that no largess of time
Or hope or sorrow wholly can recall.
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But harmony of earth is Heaven-made,
Heaven-making, is promise and is prayer,
A little song to keep us unafraid,
An earthly music magnified in air.
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1981
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Here where the world is being made,
No human hand required,
A man may come, somewhat afraid
Always, and somewhat tired,
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For he comes ignorant and alone
From work and worry of
A human place, in soul and bone
The ache of human love;
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He may come and be still, not go
Toward any chosen aim
Or stay for what he thinks is so.
Setting aside his claim
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On all things fallen in his plight,
His mind may move with leaves,
Wind-shaken, in and out of light,
And live as the light lives,
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And live as the Creation sings
In covert, two clear notes,
And waits; then two clear answerings
Come from more distant throats—
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May live a while with light, shaking
In high leaves, or delayed
In halts of song, submit to making,
The shape of what is made.
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1980 – IV
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The frog with lichened back and golden thigh
Sits still, almost invisible
On leafed and lichened stem,
Invisibility
Its sign of being at home
There in its given place, and well.
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The warbler with its quivering striped throat
Would live almost beyond my sight,
Almost beyond belief,
But for its double note—
Among high leaves a leaf,
At ease, at home in air and light.
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And I, through woods and fields, through fallen days
Am passing to where I belong:
At home, at ease, and well,
In Sabbaths of this place
Almost invisible,
Toward which I go from song to song.
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When field and woods agree, they make a rhyme . . .
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Wendell Berry, (August 5, 1934 – August 31, 2026) was a Kentucky farmer on land his great-great-grandfather bought after the war of 1812. And he was a poet, novelist, essayist, advocate, activist, and environmentalist, whose many award include the 2010 National Humanities Medal awarded by President Barak Obama. Place is a character in all that Wendell Berry has written. The land is his anchor. The contrast of field and woods, man-tilled earth versus wild spaces, is a constant theme, and not in the sense of conflict or incompatibility but with the admonition that field and wood must converge in our reverence and in our stewardship. We must care for our planet or perish. He listened and heard the song of Creation. He opens our ears, our eyes, our souls to know that song as well.
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Wendell Erdman Berry obituary at the Kentucky Lantern:
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Wendell Berry biography and letters at The Poetry Foundation:
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or more poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.
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If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
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If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
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If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
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COMMENTS@GRIFFINPOETRY.COM
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Thanks again for joining the conversation.
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– Bill
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Saturday Share – George Harrison, Damaris King
Posted in Imagery, tagged Damaris King, George Harrison, nature, nature photography, nature poetry, Saturday readers share on May 9, 2026| Leave a Comment »
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Saturday morning readers share
[George Harrison, Damaris King]
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Neighbors
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Into the woods I go
To watch my little creek flow.
Along it winds through crevice and pine
Arrayed in bright shine.
It glistens in sunlight,
bidding my neighbors, deer with tails white
And a crow, black as night
To drink its sweet nectar.
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George Harrison
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I attend Joseph Bathanti’s weekly writer’s group [Joseph is former North Carolina poet laureate – ed.]. Our mentor and leader, Joseph prompted us to write anything about “Getting Out”. It could have been about getting out of anything or getting out to go somewhere. We have a very short time to write, so this simple and short poem is what I came up with.
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Joseph invited us to submit poems to you to celebrate Earth Day. What a joy it is to read the poems on your poetry site [for Earth Day and Earth Month]. As a fly fisherman, I was particularly drawn to Ron Rash’s poem. [Poetry and Earth – Awe]
George
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Nothing in nature is isolated. Nothing is without reference to something else. Nothing achieves meaning apart from that which neighbors it.
Johann Wolfgang von Goethe
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In Sligo’s Woods
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Pay attention along the path,
among the trees are mysteries.
Bright clusters of ferns emerge
sheltering their rusty veins.
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Feel the texture of varied fronds,
some craggy, some silky.
In the middle of this array,
five tender petals newly shine.
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Draw in the colors. See the dead
cradled unsung in blood-dried
leaves. Note the greens, from palest
wisp to boldest hue, how
light unfurls from fiddleheads.
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Damaris King
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I wrote this poem after a walk in the woods, one of those lovely walks that calls you to slow down and look around you. There is a certain peace and awe that overcomes me when I am in nature and this poem is my attempt to share that feeling with others.
Damaris
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You will find something more in woods than in books. Trees and stones will teach you that which you can never learn from masters.
St. Bernard (1090-1153)
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . Saturdays I present one or two poems submitted by YOU, my readers.
.
If you would like to offer a poem for consideration, either by a favorite author or your own work, include a comment and if possible a photograph of yourself in your native habitat. Review these GUIDELINES for Saturday Readers Share:
.
.
If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
.
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
.
COMMENTS@GRIFFINPOETRY.COM
.
Thanks again for joining the conversation.
And Mike, thanks as always for the apt quotations. A treasure chest!
– Bill
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