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[I originally posted this essay, including two poems by Katherine Stripling Byer, on October 24, 2020. Now I’m packing for another trip to the Smokies, the Tremont Writers’ Conference. Enjoy this trip through the archives as we journey through Autumn. — Bill]
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Appalachian Trail near Clingman’s Dome, 2003

[with two poems by Kathryn Stripling Byer]

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Summer has skimmed the high ridge like a chimney swift, rarely perching for long. Now on September mornings you can see your breath. First frost certainly won’t dally. Above 6,000 feet you wonder, Where is the South in Southern Appalachians?

And what about these bleached spines and gnarled knucklebones? This phalanx of snags that palisades the highest elevations against the green upon green below? The balsam wooly adelgid arrived on Clingman’s Dome in 1957. By the 1980’s the tiny insect invader from Europe, order Hemiptera, had destroyed more than 90% of the Fraser Fir in Great Smoky Mountains National Park.

This year, though, the Park Service has declared a tenuous truce. Some of those dead snags are forty years old but younger trees spared by the adelgid have matured and are making fertile cones. The very oldest trees, with thicker bark, also seem less susceptible. The insects are still around but you have to hunt for them, whereas during the earliest infestations biologists described the branches covered in wooly bugs as if they had been “whitewashed.”

What is the fulcrum of this new equilibrium? Perhaps the adelgid found easy pickings among whole communities weakened for decades by acid deposition, bad air. Coal-burning power plants up the Appalachian ridge to Canada have added scrubbers. The red spruce that had stopped growing in the ‘80’s are laying on new rings of cambrium. Leave a patch of ground alone long enough and it will grow into what it is meant to be.

Or will it? Depends on what you mean by leave alone. The fir that survive are a little more resistant to the insect, a little more acid tolerant. But what happens as their subalpine microclimate becomes less like Canada and more like Atlanta? Scrubbers remove the nitrogen and sulfur that oxidize to form acids but when you burn carbon you get carbon dioxide. Can’t scrub that out. How many degrees of warming can Fraser fir tolerate? Go higher, it gets cooler. Here in the Park you can’t go any higher than Clingman’s Dome.

Mountain Angelica, Angelica triquinata (Apiaceae - parsley family)

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Last week I shared two poems from Kathryn Stripling Byer’s first book (1986). The two poems that follow here are from her final book, Trawling the Silences, published in 2019 two years after her death.

Kay Byer takes me into wild places and she brings me home. She names the earth, just naming a thing is a prayer, and she leaves nameless the mysteries that mist from her verses into my soul. She has left this earth, and she has left this earth to me to hold close for the days I will remain. Notice. Learn. Cherish. Tell it.

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Three for My Trail Guide
for Jim

1.

Ascent

Before I can catch
my breath you right away
start to identify

Wild Ginger,
Mayapple,
Bloodroot.

I’m dizzy with switchbacks
I see rising into
the hardwoods you hail

Sarvis,
Sycamore,
Tulip Tree.

Trillium sweeps down
the hillside like angel wings
come to rest creekside.

You chanting hepatica,
stonecrop, anemone,
we climb until

we reach the summit,
where underfoot
some stubborn lichen

you can’t name
has already claimed
the best view.

2.

Star Grass

You name it
and there it is
at the edge
of the outcropping
over the Gorge.

Not to worry,
I placate the ravens
that harry us,
we won’t be lingering
long in your aerie.

See? Even now we are
striding away
into star grass,
its small spikes of clear
recognizable light.

3.

Galax

Squatting behind bushes,
I smell it nearby, neither bear scat

nor carrion vine, to which naturalists
liken its scent, but the breath

of an old woman lowering herself
to her chamber pot, sighing

as I heard her sigh while I tried
not to listen. Hoisting my backpack

I leave her behind in the underbrush,
glad to be back on the trail

with you, sidestepping tree stump
and blowdown, splashing through

creek bed, striding from switch back
to switch back toward sky we see,

step by step, open its window,
when, almost to summit, I stop.

Breathing hard. The scent
of her following me.

Kathryn Stripling Byer, from Trawling the Silences (Jacar Press, 2019)

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Silvery Glade Fern, Deparia acrostichoides (Dryopteridaceae - Wood Fern Family)

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Trawling the Silences

This end-of-March day, I’d rather watch hawks surf the
thermals than contemplate what lies ahead.
Or behind in its wake. In the few hours left, let me keep
my doubts shut, my windows wide open, their sheer curtains
billowing. It’s March, after all, having come in
a lamb and departing a lioness, stalking my back yard,

leaving her paw prints alongside the patient ephemerals
rising again out of leaf litter. Squirrel corn. Spring beauty.
The first rue anemone. Today I would rather
read field guides, repeating the whimsical names
of our nice-dwelling mussels about to be wiped out by backhoes
and bulldozers. Pimpleback, Snuffbucket. Monkeyface
Pearlymussel. Don’t let their names be forgotten,
I’d pray if I prayed, though just naming a thing is a prayer,

wrote Simone Weil, turning her face to the almighty
silences. The silences. Where would we be
without them, what were we, what will we be, oh to be,
and again be, that damn linking verb. I’d rather be tracking
my lioness up to the rim of that mountain top,
I’d rather let be and let go. Let the anemone
cling, the hawks soar, the lioness squander another day
trying to find what she’s looking for. Give her another day,
I ask the Almighty. Give the birds one more day
scolding the rapscallion squirrels stealing birdseed.
I rest my case, carapace, my own little voice trawling
the silences, the bully wind boasting its presence in present-tense,
no linking verb to shut down the show. Let
my lioness lounge in the sally grass. Licking her paws.

Kathryn Stripling Byer, from Trawling the Silences (Jacar Press, 2019)

 

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Spruce-Fir forests covered vast areas of the Southeast when glaciers reached their southernmost extent 18,000 years ago. As the glaciers retreated north the Spruce-Fir communities also retreated to higher elevations and now remain only along the highest peaks and ridges above 4,000 feet elevation, mostly higher. Clingman’s Dome at 6643 feet is the highest point in Great Smoky Mountains National Park and indeed along the entire Appalachian Trail. Its impressive swath of Spruce-Fir is also home to the rare Jordan’s Red-Cheeked salamander (Plethodon jordani) found only in the Park. The naturally acid soil and severe climate limit biodiversity compared to lower elevations, but other distinctive high elevation species include mountain ash (Rose family), mountain wood sorrel, mountain asters, glade fern. After sixty years the Fraser Fir seem to be surviving the balsam wooly adelgid invasion, air pollution, acid rain; it remains to be seen how long they will remain in the face of advancing climate change.

from SNAKE DEN RIDGE, A BESTIARY, illustration by Linda French Griffin

from SNAKE DEN RIDGE, A BESTIARY, illustration by Linda French Griffin

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Photos by Bill Griffin from Southern Appalachian Naturalist Certification Program; Southern Appalachian Ecology, September 2020, Great Smokies Institute at Tremont; instructors Jeremy Lloyd and Elizabeth Davis.

 

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Saturday morning readers share:
Tabitha Ropp and Felicity Tedder
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In the Field
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The soccer field sits wide and open
light brown grass stretching over like it has all
the time in the world
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A class of students drop onto the grass
clipboard down
eyes peeled ready for anything we find
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Butterflies drift through the cool comforting air
never in a hurry
never needing a reason
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Birds are above us
calling out to the sky
as if the sky actually listens
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The breeze slips through the pine trees,
soft as a whisper, cool enough to make us forget
how heavy the day will feel
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For now the field is ours
still, quiet
breathing with us
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And we sit there,
letting the world be simple
for just a little while
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Tabitha Ropp
West Carteret High School
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West Carteret High School Soccer Field – photo by Jessi Waugh

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This is the assignment:
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To cap off a unit on the biosphere, students sit quietly in the back soccer field for an hour and document the biotic and abiotic limiting factors they observe. At the end of the lab, students are asked to construct a poem featuring their observations – any form is acceptable.
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These two poems I’ve chosen have compelling language and structure, and these students were happy to have their poems selected for publication. 
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Thank you for giving these students a platform to share their poetry. We as educators look to give students the chance to shine –  thank you for helping us with that goal and for sharing the voices of many North Carolina poets.
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– Jessi Waugh
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Always Active Biosphere
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A metal obstruction digs into resilient blades of grass.
Joyful adolescents race by.
My pine needles quiver as a black and white ball
strikes me straight on.
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Industrious squirrels race up my bark, in hopes
winter will arrive with fully acorned nests in which
to rest.
Whisps of colored leaves pirouette in the autumn air.
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Soft clouds meander by, masking the cheery rays
with their dreary faces..
A gust tumbles a soaring hawk. Diving sharply in an
elegant feathered display, its eyes fixed on its prize.
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No voices are near. A silence befalls in the sleepy hollow.
Nature, however, speaks loudest when left alone.
The chaos of existence echoes in every direction as the
wind slows to a deadly whisper.
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Felicity Tedder
West Carteret High School
I’m 14 years old, enrolled in Earth and Environmental Science, and on the day I wrote this poem, our class took a trip outside to observe the nature of our habitat, including biotic and abiotic diversity. The factors I noticed are what inspired my writing. I find nature compelling. Once all the noise pollution subsided, I noticed tranquil sounds produced by Mother Nature herself. This simply might just be an absurd thought, but hearing and witnessing the environment do the thing it does best, simply thriving, I knew I had to encapsulate it somehow. Through this freestyle poem from the perspective of my local habitat’s primary tree, a long-needled pine, I personified factors I noticed around me: things that a tree must feel, hear, and see as if it had a heart and legs. I imagine the vile intensity that the tree must feel, being besieged by the leftover impacts of man-made destruction. Disregarding these unrelenting pollutants, I hope this tree’s inner soliloquy brings others solace the next time they take a moment to analyze nature’s unabated, profound motives.
— Felicity
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Dusky Salamander in Carteret County – photo by Jessi Waugh

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West Carteret High School is in Carteret County, North Carolina, USA. We are a public 9-12th grade high school, with about 1100 students, in Morehead City (on Bogue Sound). Approximately 40% of students are economically disadvantaged. I teach Earth and Environmental Science, a required course for graduation since 2000. My students are all 9th & 10th grade, ages 14-16. I’ve been teaching this course for 12 years, off and on. I have a Master’s in Teaching Secondary Science, a Biology degree, and I held National Boards Certification until it expired. I like teaching this course and this age group; it’s my niche. I also teach Biology and Marine Science when needed.
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– Jessi Waugh
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Additional poetry by West Carteret students at Verse and Image:
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Thank you for visiting VERSE and IMAGE:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . every Saturday I present one or two poems submitted by YOU, my readers.
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If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
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Also note: after January 1, 2026 I will no longer be sending separate weekly email reminders.
If you would like to receive an email each time a post appears, please SUBSCRIBE to VERSE and IMAGE using the button on the Home Page.
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If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
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COMMENTS@GRIFFINPOETRY.COM
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Thanks again for joining the conversation.
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– Bill
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Doughton Park Tree 2020-11-22
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[with 3 poems by Beth Copeland]
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Fog
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Morning fog erases the mountain and trees.
No, not an erasure but unseen.
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Not an erasure but unseen.
The mountain, the laurel still green.
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Unlike the mountain and laurel still green,
the dearly departed lie beneath white sheets.
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The deer depart beneath white sheets
of fog, stepping into a forgotten dream
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of fog slipping into a forgotten dream
the ghost mountain dreams.
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The ghost mountain dreams.
Crows fly to pines on mascara wings.
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Crows fly to pines on mascara wings,
mourning. Fog erases the mountain, the trees.
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Beth Copeland
from I Ask the Mountain to Heal My Heart, Redhawk Publications, The Catawba Valley Community College Press, Hickory NC; © 2025
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It’s a big web, here in the corner of our screened porch, but I’m not ready yet to broom it down. The spider is a jointed dried kernel in its center; when I blow, she doesn’t twitch. I don’t see an egg pouch or spiderlings. The strands are not an orb but a diffuse tangle, a chaos of delicate angles and tensions — a miniature of filaments revealed by the background microwave radiation that weave the structure of our entire universe. And what are they made of, those filaments? These I can see before me are nanometer reworkings of hemolymph from mosquitoes denied the opportunity to bite me. Most visible when dusted with pollen. A mess. But I and my broom are not ready yet to offend, to say farewell to the tribe of spiders.
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Last week we visited Blue Whales with our grandson, turning eight. The North Carolina Museum of Natural Sciences in Raleigh is hosting this exhibit of the largest creatures that have ever lived on our planet – the mystery of their migrations, language, culture; the vital interconnections between their diet of krill, their massive enriching orange poop, and the entire deep ocean ecology. Linda and I stood in silence before the model of a blue whale brain and a model of our own. The whale’s is twice as large and twice as complex, convoluted with its twisting gyri and deep sulci. Surely such an abundance of neurons and synapses must create thoughts as complex as our own. Or more so. And yet blue whales struggle to survive as a species in a world degraded by human beings. I am thinking of that brain and I am not ready yet to say farewell to the tribe of whales.
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Chapel Hill cartoonist Keith Knight draws a weekly panel titled (th)ink. Today’s is a portrait of and quotation by James Baldwin (1924-1987): “To be a Negro in this country & to be relatively conscious is to be in a rage almost all the time.” Human being who is relatively conscious, choose your own rage focal point du jour – human beings caged like animals in a Florida concentration camp; children intentionally starved to advance a particular political agenda; boosting fossil fuels burned to appease a few billionaires; an ocean filled with plastic nanoparticles and deafening human vibrations where blue whales may soon be extinct? Some days I feel like I am not ready to go on living. Some days I am more than ready to say goodbye to the tribe of humans. In a few years I will depart as an inhabitant of planet Earth. Some years after that the last memory of my having been an inhabitant will finally depart as well. On that day, will any whales still remain to swim the depths? Will any love between humans remain, or any love for other creatures? I am not ready yet to answer.
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October Valentine
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A heart-shaped leaf spied in the weeds on my walk
down the hill to the mailbox. I didn’t see a redbud tree
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on the roadside, so it must have lifted on the wind
and dropped – a gift! – near my feet. Is it a message
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from someone I love – my sweet mother in a halo of light,
my father singing the names of trees in his strong baritone?
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Or is it from someone I’ve never seen and may never meet?
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As I hike up the hill, I tuck the leaf in my pocket, rubbing it
with my thumb – as if I could read it – skin to skin – by osmosis.
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Halfway home, I stop to study it. Cerise with splotches of green,
dark spots, a wormhole bored like a bullet wound, a battered
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heart, like yours, like mine, but maybe its scars make it more
beautiful than before. My friends, there’s still so much
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love in this world even when you’re alone.
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Beth Copeland
from I Ask the Mountain to Heal My Heart, Redhawk Publications, The Catawba Valley Community College Press, Hickory NC; © 2025
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Is it strange for me to be toying with despair while reading a book of healing and love like Beth Copeland’s I Ask the Mountain to Heal My Heart? Actually, if you’re not toying with despair you are the strange one. Give grudging thanks, though. Thank the stars and the mysterious hemlocks and the dark fecund earth that in a world full of rage and despair there are poems like Beth Copeland’s. These poems know the feeling of being lost in endless night. These poems have been battered, they have fallen, they have doubted plenty of times whether there is any wholeness or healing available to them, but these poems stand up to testify, My friends, there’s still so much love in this world even when you’re alone.
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Often I tell myself it is ridiculous to imagine that any sort of inner peace is possible. I have my share of personal regrets and ongoing grief, and even though I’m tempted to look around and envy those people who don’t, when I’m really honest I admit that no one escapes whipping. But peace can’t be a wall built around my sadness – walls keep more things in than out. Despair is inevitable. How foolish is it, then, and how strange, to spend a few hours with a book of words arranged in lines on paper and discover the tightness in my throat is easing? The mountain has rested in one place for 480 million; today its peak is less than a third of its height when it was first thrust up in the big crunch. Does it reflect on loss and diminishment, or does it find peace in the weight of its daily being? Am I inflamed and scarred by the revelations of Beth Copeland’s battles and pain, or am I grateful for her gratitude and strengthened by her strength?
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The tribe of human beings seems determined to destroy itself. The tribe of human beings seems determined to link arms and hearts in love. Perhaps discovering a moment of beauty is not a cowardly attempt to escape dire reality – perhaps it is the only thing capable of healing us.
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Explore REDHAWK Publications, including Beth Copeland’s I Ask the Mountain to Heal My Heart and Shibori Blue: Thirty-Six Views of the Peak HERE.
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Sample poems from Shibori Blue at Verse & Image HERE.
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More information about the North Carolina Museum of Nature Sciences HERE.
Dive into the K Chronicles with Keith Knight HERE.
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My Daughter Paints a Mountain
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She wasn’t thinking as her brush swept
across canvas in wave-length strokes,
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channeling a crest she’d never seen,
while I was still in the Sandhills
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where there aren’t any hills, just fields
of cotton, soybeans, and cedar stumps
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in swamp water, sleeping on an air mattress
in a small apartment with prints and paintings
propped against walls instead of hung,
newly separated, newly sober, living
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between the husband and home I’d left
and a haven I hadn’t found yet.
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*****
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As I drove up a steep road to see a house
in the Blue Ridge, a large buck leapt
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in front of the car to welcome me,
and I knew I’d found my new home.
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I didn’t know the mountain seen at the top
of the hill was the mountain she’d painted
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months before, and she didn’t know I’d move
to that house with a view of the mountain
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she’d painted as if in a dream or fugue.
How could her mountain – purple, lavender,
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pink, and forest green swirled to a peak
with white streak of snow against a blue sky –
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mirror the one framed in my window?
Was it coincidence or synchronicity
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that the mountain in her mind’s
eye was more map than metaphor?
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It was a message from the universe:
You’re home. Open the door.
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Beth Copeland
from I Ask the Mountain to Heal My Heart, Redhawk Publications, The Catawba Valley Community College Press, Hickory NC; © 2025
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Doughton Park Tree 2020-11-22
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