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Posts Tagged ‘birds’

#8: 200 yds uphill from True Word Baptist Church on L past brick house R

It’s a little before 6:30 a.m. on May 28, 2022, when I pull into the dew soaked grass and walk up to the pasture fence: Stop #8. Stop #1 was 5:33, Venus rising above the tree line, the chorus just rustling awake led by Chuck-will’s-widow. Now the eastern sky is peach and the birds are full throat.

For 25+ years I’ve been counting a route for the annual Breeding Bird Survey of the US Geologic Survey (Patuxent Wildlife Research Center). These courses were established in 1966 to monitor North American bird populations; there are more than 4,000 of the 25 mile courses in the US and Canada. It’s no coincidence that the impetus arose to study declining bird numbers around the same time Rachel Carson’s Silent Spring was published (1962).

Since 1995 I’ve counted the Copeland route in southern Surry County into Wilkes. This year I added a second route, Mt. Airy, mainly northern Stokes County. Start ½ hour before dawn, fifty defined roadside stops a half mile apart, count every bird you hear and see in three minutes.

Stop #8. The knob of Pilot Mountain emerges from shadow. Mist rising in the hollows. Click my timer. Listen!

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On March 31, 2011 I posted the first offering on my new blog, including the poem Hymn by A.R. Ammons, which is still my favorite. I named the blog Griffin~Poetry, Verse and Image – I imagined combining powerful metaphor and poetic imagery with my own photography. For the past two years I’ve posted at least once a week, usually Friday mornings: today (a Wednesday) is post # 208.

Today I’m changing the site’s name. I’m dropping “Griffin~Poetry.” I’m stepping back from the spotlight. For one thing, only about 5% of the poems I’ve ever included are written by me. I’ve so far featured about 185 poets, everyone from Abbott, Tony to York, Carolyn. This blog is not about Griffin’s Poetry as author, it’s about poetry I treasure as reader.

Secondly I’m changing the header photo to Pilot Mountain at dawn from Stop #8. The Pilot has always been a landmark for our family, an ensign of home. When we lived in Ohio and drove to North Carolina once a year to visit my Grandparents, spotting the knob from Rte. 52 meant we were almost there. Every April I’ll restore the header to artwork by my wife Linda French Griffin in honor of Earth Day, but for now let Pilot Mountain guide us.

Finally, there’s this:
It belongs to the nature of every ‘being’ that it is a potential for every ‘becoming.’
++++++++++++++++++++ Alfred North Whitehead, Process and Reality
Whitehead is saying that the fundamental building blocks of reality are not atoms or quarks or anything that ‘is’ but rather the constant flux of moments coming into being, ‘becoming.’ Everything changes but everything is connected. Whitehead’s book is all but impenetrable (although there are some excellent guidebooks, not unlike the ones about birds, ferns, and flowers I carry in my pack on every outing), but a world that is obtuse, confusing, seemingly malevolent can open to enlightenment via metaphor. Through poetic imagery.

Thank you, Poetry, for offering to give us a glimpse of reality.

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Birds – perfect metaphor for the struggle to find meaning. Familiar but elusive, civilized but wild, possible to recognize but impossible to fully know. The Dawn Chorus begins and we are inspired to go on pilgrimages to discover our place among them.

Cuckoo Song ++++++++++++++++++ Anonymous c. 1250

SUMER is icumen in,
++ Lhude sing cuccu!
Groweth sed, and bloweth med,
++ And springth the wude nu—
+++++ Sing cuccu!

Canterbury Tales   (lines 9-12) +++++++ Geoffrey Chaucer (1340(?)–1400)

And smale fowles maken melodye,
That slepen al the night with open ye,
(So priketh hem nature in hir corages:
Than longen folk to goon on pilgrimages,

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And of course here are three minutes of birds from Stop #8:
American Crow (2)
Carolina Wren (2)
Gray Catbird
Yellow-breasted Chat
Northern Cardinal
Indigo Bunting

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2020-06-11a Doughton Park Tree

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White-throated Sparrow, Zonotrichia albicollis, ELKIN NC

 

The Birds’ Carol
Lyrics: Bill Griffin . . . . . . . . . . Music: Mark Daniel Merritt

Elkin Community Chorus
51st Annual Christ Concert / December 4, 2011
Director: David L. McCollum / Piano and Organ: Amy Tayloe and Amy Johnson

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By 2010 Linda and I had been singing for several years with VOCE, Surry County’s invitational chorale, directed by Sandy Beam and assisted later by Mark Merritt. Mark is a talented composer and had asked me before for lyrics. That spring VOCE had been invited to perform at Bilmore House in Asheville, NC, during the Christmas season and Mark wanted to create a suite we could debut there. The Birds’ Carol is the first of three movements in The Wanderer’s Carols. The following year David McCollum selected The Bird’s Carol for Elkin Community Chorus’s 51st Annual Christmas Concert.

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The Birds’ Carol

“Morning! Morning!” trills the lark, “The Babe brings gold to the sky!
A song of light now showers the earth, And we shall know God this day.

Now is the dawn of our new life,
And we shall know God this day.”

“This coat I wear,” caws the rook, “So black, so heavy, so grim.
Only One knows the way to make it bright – The Child who reclaims us from sin.

He lifts our burden upon himself,
The Child who reclaims us from sin.”

“Come rest with me,” coos the dove, “In this humble stable take ease.
Kings and shepherds together embrace The Prince who unites us in peace.

You make us one in all the earth,
O Prince who unites us in peace!”

“I . . . Thou, I . . . Thou,” vow the geese From dark earth to heaven above –
“May we join with Thee in a world made new; May we fly forever in love.

Give us wings of Your perfect light,
And we’ll fly forever in love.”

 

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VOCE of Mount Airy performing The Birds’ Carol, November 14, 2010, Winston-Salem First Presbyterian Church:
http://www.youtube.com/watch?v=JDPm6MYvacA&feature=related

Discussion of the symbolism of Lark, Rook, Dove, Goose:
https://griffinpoetry.com/2011/12/17/joy-hope-peace-love/

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2020-09-08b Doughton Park Tree

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[with poems by Ryan Wilson and A. R. Ammons]

I didn’t intend to count birds when I set out Tuesday morning. Just a nice weekly hike to Carter Falls and back, a weekday’s solitude – I’m not sure I intended anything more than cooling my brain and heating my muscles. Tamping down the trail maintenance we completed last Saturday. Following the season’s advance into winter.

But then a heron flew out from under the footbridge as I crossed Grassy Creek. Whoever coined the phrase a force of nature was probably in the presence of a Great Blue Heron. Up close they are mute and fearsome. Flying they arouse precognitive awe. When Linda and I encounter one feeding we address it by its nickname: “Hello, Spike.” When one passes overhead we think, “Pterodactyl.” Great Blue demands that one notice.

After gasping at the heron’s sudden flight, I began noticing birds. If they had been calling and singing during the preceding mile my striding deliberation had shut them out. Now they were continuous and various. Counting, I recede and the birds advance.

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Below are two favorite poems which I return to regularly. They strike me as creating a continuum – the advance of a life toward discovering its meaning, the advance of a life toward its end. I read these and I recede into the lines, but as I read them I expand into my self.

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At Carter Falls trailhead a Black Vulture perched overlooking; I scanned up past the parking area and saw the roadkill possum the vulture was waiting to ripen. At the Powerhouse (the riverstone foundation, all that’s left of the old generating plant) a Kingfisher daggered up the river and disappeared above the spray. I pulled an index card and a pen out of my pack. Here’s what I came home with:

Great Blue Heron / Belted Kingfisher / Northern Flicker / Red-Bellied Woodpecker / Black Vulture / Turkey Vulture / Carolina Wren / Carolina Chickadee / Tufted Titmouse / Golden-Crowned Kinglet / Eastern Phoebe / White-Breasted Nuthatch / Blue Jay / Eastern Bluebird / Cedar Waxwing / Pileated Woodpecker / Red-Shouldered Hawk / Chipping Sparrow / Northern Mockingbird / American Crow / Common Raven

And since I wasn’t carrying binoculars I’ll just include the numerous chippers and chirpers in the thickets as LGB’s (little gray birds, also sometimes known as LBJ’s, little brown jobs).

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Face It

A silence, bodied like wing-beaten air,
Perturbs your face sometimes when parties end
And, half-drunk, you stand looking at some star
That flickers like a coin wished doen a weill,
Or when you hear a voice behind you whisper
Your name, and turn around, and no one’s there.
You’re in it the, once more, the stranger’s house
Perched in the mountain woods, the rot-sweet smell
Of fall, the maples’ millions, tongues of fire,
And there, whirl harrowing the gap, squint-far,
Than unidentified fleck, approaching and
Receding at once, rapt in the wind’s spell –
Pulse, throb, winged dark thar haunts the clean light’s glare –
That thin that you’re becoming, that your are.

Ryan Wilson
from The Best American Poetry 2018, first published in The New Criterion

Ryan Wilson was born in Griffin, Georgia and resides in Maryland. Of this poem he writes, “Face It was written in West Virginia at a mountaintop cabin belonging to my great friend, Ernest Suarez. During a break near dusk, I stepped out onto the porch, from which one can see more than fifty miles on a clear day. I was tantalized by a hawk hovering in the western gap, how it seemed to approach and to recede at once on the wind, never near enough for me to identify its species, or even its genus.”

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Finishing Up

I wonder if I know enough to know what it’s really like
to have been here: have I seen sights enough to give
seeing over: the clouds, I’ve waited with white
October clouds like these this afternoon often before and

taken them in, but white clouds shade other white
ones gray, had I noticed that: and though I’ve
followed the leaves of many falls, have I spent time with
the wire vines left when frost’s red dyes strip the leaves

away: is more missing that was never enough: I’m sure
many of love’s kinds absolve and heal, but were they passing
rapids or welling stirs: I suppose I haven’t done and seen
enough yet to go, and anyway, it may be way on on the way

before one picks up the track of the sufficient, the
world-round reach, spirit deep, easing and all, not just mind
answering itself but mind and things apprehended at once
as one, all giving all way, not a scrap or question holding back.

A. R. Ammons
from The Best American Poetry 2018, first published in Poetry

Archie Ammons was born outside Whiteville, NC in 1926, attended college in Wake Forest, NC, and taught at Cornell for over 34 years. He was guest editor of The Best American Poetry 1994. He died February 25, 2001. A two-volume set of his collected poems was published by W. W. Norton in 2017.

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2014-07-13 Doughton Park Tree

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Tonya and Roseann found them: wings scattered beside the river bank. Dozens and dozens of wings, bright yellow with stark black bars and fingerprints of orange and blue along the margins. Where had they come from?

Our entire class trooped over to observe. Leaf sized wings strewn on boulders at the north point of Girl Scout Island, Middle Prong of Little River, weekend naturalist skills course, Great Smoky Mountains Institute at Tremont, perfect setting for our mission: not to know an answer but to learn to question. “Pay attention. Be astonished. Tell about it.” Why were they here?

Only wings, no butterfly bodies. Had they congregated here to die? No dark females’ wings — were the males puddling, gleaning minerals for their spermatophores, and then attacked? Or had some devious predator collected the wings and brought them here to mystify us?

We crouched beneath the sycamore and hemlock while the mountain stream raced and chattered beside us. We parted the grasses, looked under rocks, collected a few wings and peered with our hand lenses. We paid attention. We were astonished.

Swallowtail wings

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The naturalist method and poetry have something in common. We want truth but we want to experience it directly. We make connections. We let light shine in dark places. And if we discover an answer it will likely bring with it not only a dollop of new knowledge but more than a dollop of wonder.

Susan Laughter Meyers has been a person and poet who has filled me with wonder. When her ultimate collection, Self-Portrait in the River of Deja Vu, was published this year, two years after her untimely death, its poetry opened my heart and my mind again to the mystery and power of words. She was a fierce observer of the earth and all that is in it, the heron’s plume, the subtle change of hour, of season. And she was an uncompromising naturalist of the soul. In subtle phrase and in lancing stab she uncovers the dark places within us.

And lets in the light.

Oh, and as she reminds us, and as we beside the river finally remembered, besides looking back we must not forget to look up.

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If Not Birds Dodging Loneliness

The bluest ones in an open sky
fan reveries with their wings.
Dream time, that’s what they inhabit —
fabulous as the past and its dingy veils

I wore in a favorite childhood game:
dress-up with the girl whose father
ran a funeral home. The newest shroud
had no holes to trip us, one a princess

the other a bride. The least breeze
and the shroud would ripple, barely
kissing the skin. Wasn’t that a dalliance
to wish for? On days when birds soar

toward light, when they tip and wheel
and turn until they silhouette,
you’d think they’re being chased.
Or if not birds dodging loneliness,

then memories loosed into view.
Like the ones of a blindfolded
child with stick or pin-and-tail in hand,
steering toward a prize, when to win

the game is to break something
or make something whole again.
Fringed and fleeting, such remnants,
though the world is full of them.

There are moments in my life
when gravitating toward feels the same
as ducking from. Moments when,
for recompense, I look back. Or up.

 

Susan Laughter Meyers
from Self-Portrait in the River of Deja Vu, Press 53, 2019

Smokies - Tremont

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The quotation “Pay attention . . . ” is excerpted from the poem Sometimes by Mary Oliver, from Red Bird, Boston: Beacon Press, 2009, page 37.

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Doughton Park Tree #3

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.   .   .   Think of the wren
and how little flesh is needed to make a song. 

from Why Regret?,  Galway Kinnell

Brown-Headed Nuthatch

Sitta pusilla

The Grandson and I are playing with Legos on the back porch. Above the constant chitter of the goldfinch kaffeeklatsch shines a sudden clear bright whistle. “Listen, Saul. That’s a Carolina Wren.”

After a few minutes of silent cogitation, a few more minutes of Lego cars brmmm-brmming across the planks, we hear the bird again. Saul remarks, “He’s saying Senner-pede, Senner-pede.”

“You mean centipede, the little crawly thing with a hundred legs?”

“No, Senner-pede.” Brmm, brmm. “I made that up.”

And the moral of the story: Encountering the logic of the philosopher, even if only six years old, it’s probably best to listen.

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The Carolina Wren is one of my favorites, feisty little troglodyte whose voice is 30 decibels too big for his 30 grams of fluff. Listen to enough wren song and you discover the birds can be quite individual. Scolds, chatters, and so many variations on that 2- or 3- or 4-note whistle: just when you think you know them all someone new moves into the neighborhood.

Fred Chappell is one of my other favorites. He’s one of the writers that inspired me about twenty years ago to rediscover the dark forest of Poetry. I carried a typescript copy of his poem Forever Mountain around in my wallet until it wore through and I’d about memorized it. As I sort through the piles on my shelves I think it’s safe to say I’ve bought every one of his books. The epigrams, the complex forms, the backsass, the cat poems . . .

. . . and just when you think you know his song someone new moves into the neighborhood. At this year’s Sam Ragan Poetry Festival Fred revealed to us that he’s now writing fables, poems that tell a story with a moral. His voice just keeps getting bigger and bigger. And you can bet that a Fred Chappell fable is going to stretch your intellect and then bite you on the ass.

Feisty, yes; troglodyte, no.

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Fox and Bust by Fred Chappell; read at Sam Ragan Poetry Festival,
Weymouth Center for the Arts and Humanities in Southern Pines, NC, on March 21, 2105

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Every year the North Carolina Poetry Society sponsors the Sam Ragan Poetry Festival, named for our state’s third and longest-serving Poet Laureate.  Sam was succeeded by Fred Chappell as our fourth Poet Laureate, illuminating that post from 1997-2002. In 2004 Fred collaborated with philanthropist and poet Marie Gilbert, assisted by William Jackson Blackley and a volunteer board, to create the Gilbert-Chappell Distinguished Poet Series.  Each year since then three notable NC poets have been selected to serve as mentors, each to 3 or 4 students middle school to adult, to create and critique a body of poems, followed by public readings in libraries throughout the state.  Fred is still a guiding light for this endeavor, which celebrated its tenth anniversary at this year’s Sam Ragan Poetry Festival in Southern Pines on March 21, 2015.

The photos and poems from this and the five preceding GriffinPoetry posts commemorate that event.

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Weymouth Woods

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Doughton Park Tree #1

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 Keep a green tree in your heart and perhaps a songbird will come.
Chinese Proverb

It’s five o’clock.  The waterbuck and Thomson’s gazelle single-file it to their nighttime holding. Moms with strollers and jostling teenagers single-file it for Akiba exit.  I lean against the railing at Rhino as the breeze freshens and a suggestion of thunder growls to the south.  The last guest in the Park ignores his cell and joins me.

The great horned beasts are standing now, three of them in the distance across the browning field, the vast male turned profile to us.  First time I’ve actually seen them move – today’s rain popped July’s hot bubble and the rhinos now seem willing to forsake their shade.  The man eyes my camera.  “Bet you can really zoom in on them with that lens.”

“No, it’s not really much of a telephoto.  I got a good look with these, though.”  I fish my binoculars out of my pack and hand them to him.

He thanks me and sighs.  “I love the rhinos.  I came just to see them.  Oh, I love all the animals, but I really wanted to get a good look at the rhinos.”

Now all three are moving across our field of vision, a slow parade for the man who loves them.  He watches them out of sight.  At last he returns the binocs, thanks me again, and hustles toward the exit.  Tomorrow he and his family are on to Wilmington, but today he’s had his moment.

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It was raining this morning, but I couldn’t go back to sleep.  I called Zoo Com and got permission to enter the Park early.  By 7:30 I had walked past bellowing alligators in the cypress swamp and crept to the edge of marsh (just below North America Plaza).  It was still sprinkling.  A yellowthroat sang.  Barn swallows perched at the tips of tall reeds in between their insect forays. Then in the world of muted green and gray something larger moved.

A green heron was perched on the lowest branch of a dead bush at marsh’s edge.  No, two green herons!  The lower one assumed hunting posture while the second, perched higher, preened.  My camera doesn’t have much of a telephoto; I would just have to watch them.  It was all I could do.  Bullfrogs and leopard frogs played a counterpoint duet.  The yellowthroat sang and sang from low in the water grasses.  Swallows flashed their ruddy chins and forked tails.  And the two herons acted as if their rapier bills, their fencer’s stance, and their plumage, hunter green and bronze, were just the most natural things imaginable.

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Pine Lake at Twilight

Whispering Pines, NC 1975

In the afterglow of February sundown
I hear the honking of two migrating ducks
over-flying our home –
fore-flyers of the flocks to come.

They swoop down over the pine-rimmed lake,
land on water, join the wintering mallards,
the pintails and widgeons feeding here
on the corn we spread at water’s edge.

The air tonight is soft as the lapping water,
sweet with songs of indefinable
pre-spring waking, quiet as the maples
lining the inlet to the pine-rimmed lake,

their branches reddening, swelling to liven
with starbursts of strange red-brown
tree flowers.  Something of last year’s
dying is in the air, swelling to ripen anew.

Even as we do.  We go from one year,
one love, one life, to another,
knowing spring will unfold us, summer
fly us, autumn flay us, till our veins

burst with longing to understand,
and we drop down – to lie with mosses
and fungi – under layers of leaves,
flexing our muscles on stone.

Mary Belle Campbell

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Mary Belle Campbell was a devoted supporter of poetry in North Carolina, influencing a generation with her teaching, her encouragement, and her support of the NC Poetry Society and its endeavors.  She endowed the NCPS Brockman-Campbell Award, which has been bestowed upon such notable poets as A.R.Ammons, Charles Edward Eaton, James Applewhite, Fred Chappell, and many others.  When Peg, as she is known, was in her nineties she made a donation to become a lifetime member of the NC Poetry Society.  Our memories of her thrive.

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“I love all the animals.”  I believe you, rhinocerous-loving man.  I do, too.  But the birds I can just watch and watch.  There are Eastern Bluebirds nesting beneath the eaves just outside my window at Schindler Learning Center.  I hear the cheeping each time they bring an insect to the nestlings (like every five minutes); sometimes one parent will perch on the Handicapped Parking sign with a beakful while waiting for the other to finish at the nest.

This drizzly morning at Dragonfly Pointe I heard a familiar gravelly rattle across the water and spotted a Belted Kingfisher ascending to his surveillance vantage in a dead snag.  In just a minute or two he swooped down and caught a small fish; he carried it to the far shore of the lake to eat while swallows accompanied him.  Harassing?  Fighter escort?  They gave up when he reached his perch.

Yesterday at Oak Hill (a picnic area above Hippo Beach) I heard a Red-Shouldered Hawk with a somewhat tentative call.  Hmmm . . . suspicious.  Sure enough, soon enough two Blue Jays flew out of the huge white oak, one of them assuredly the mimic.

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For an hour or so this evening after all the visitors had vacated the Park I sat and wrote these comments.  It was after 6:00 when I left – as I passed Forest’s Edge, a raccoon was hunkered down in the giraffe’s high-mount feeding trough.  He looked quite sheepish when he realized I’d spotted him.

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Everything I love changes me, and if I can be true to love I will welcome the changes.

Hear the veery in the deep dapple-dark forest.  Hear the descending double-voiced yearning so airy and earthy, old when these broad poplars were jade-and-honey flowers in their mother’s hair, old when these smooth mossed stones had just cracked from their father’s face.  Sit in the silence of light retreating and perhaps the spirit-bird will join you, a momentary apparition of brown leaf shadow and speckled dusk.  With bright eyes it will accept you, hop once, fly, and in the next moment you will hear again, ancient and aching, Audubon’s flute.

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Audubon’s Flute

Audubon in the summer woods
by the afternoon river sips
his flute, his fingers swimming on
the silver as silver notes pour

by the afternoon river, sips
and fills the mosquito-note air
with silver as silver notes pour
two hundred miles from any wall.

And fills the mosquito-note air
as deer and herons pause, listen,
two hundred miles from any wall,
and sunset plays the stops of river.

As deer and herons pause, listen,
the silver pipe sings on his tongue
and sunset plays the stops of river,
his breath modeling a melody

the silver pipe sings on his tongue,
coloring the trees and canebrakes,
his breath modeling a melody
over calamus and brush country,

coloring the trees and canebrakes
to the horizon and beyond,
over calamus and brush country
where the whitest moon is rising

to the horizon and beyond
his flute, his fingers swimming on
where the whitest moon is rising.
Audubon in the summer woods.

Robert Morgan.

[Collected in Word and Witness: 100 Years of North Carolina Poetry, Sally Buckner, editor.  Carolina Academic Press, 1999.]

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Last Saturday I walked beside the creek and up the mountain with my sister while each veery called to the next that we were on our way.  Today Linda and I drive to Durham to meet my teacher, the first time in over thirty years, and to gather with his students gathering from fifty states.  Already we’ve been cataloguing the changes.  What do I love now that I didn’t love then?  How have I been true to the loves that entered me years ago?  Before the noisy afternoon, I take a moment to listen.  And when my bones are old as stones, trees, moss, how will my voice be recalled?

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Robert Morgan was born in Hendersonville, North Carolina and grew up on the family farm in the Green River valley of the Blue Ridge Mountains.  He is currently the Kappa Alpha Professor of English at Cornell but has returned to North Carolina many times as visiting professor and writer to Davidson, Duke, Appalachian State, and East Carolina.

The Veery (Catharus fuscescens) is a small thrush of deep moist woods, chestnut brown with a speckled breast.  All thrushsong is melodic and haunting, but to me the veery is most magical.  On a quiet afternoon you clearly hear him singing harmony with himself, the doubled notes possible only with an avian syrinx (unlike my limited tenor’s larynx).

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April 27, 2012 – first scarlet tanager of spring, Elkin, NC.

If I had an hour and good binoculars I could spot him, but I know he’s there.  There’s no other song like his, just exactly like a robin with a 40 pack-year smoking history.  He always arrives about a week after the big oaks in our neighborhood have fully leaved, and then he hangs out way up in the canopy.  I’ll come back tomorrow when the sun is high, follow my ears, and when he lunges from the greenery for a moth or a beetle, I’ll have him.  A red like no other red.

Last week Linda was drawing at her desk when Saul ran in from the next room.  “Granny, I seed a red-headed woodpecker on the bird feeder!”  He pulls her into the den and there is indeed a woodpecker on the feeder, a male downy, patch of red at his nape.  “Good, Saul!  That is a woodpecker.  But a red-headed woodpecker has a head that is red all over.”  About fifteen minutes later Saul is back.  “Granny, see this red-headed woodpecker!”  And it’s head is red all over.  A bright fiery cardinal.

Red birds.  So startling!  So noticeable, so eye-catching!  Is the northern cardinal, Cardinalis cardinalis, the state bird of seven out of fifty because it’s so familiar and recognizable or because it is exotic, unbelievable that something so bright would allow itself to be seen by mortals?  I remember the first time I actually saw Piranga olivacea, the scarlet tanager.  I’d heard plenty calling and singing but never spotted one.  June 17, 1994, I was visiting my brother-in-law Skip for a weekend at his place in southern Ohio (off the beaten path doesn’t half do it justice).  Mid-morning with the binocs, about to quit because of warbler-neck (cricked back searching the tops of trees for spots of color), and there he was.  Perched high in brightness, not even attempting to conceal his flame.

Just to share a moment of that creature’s living breath, to see something in clarity and commonplace that up until that moment has been so elusive and so desired, it is to feel the earth, nature, creation expanding around me and I am a single cell in the body of God.  And if the sun is shining tomorrow, I think I’ll walk around the block and try to see another.

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It’s been almost a year since I last saw a scarlet tanager.  It’s been about a year since I last read Mary Oliver’s book, Red Bird.  I need to return to both.  Scarlet tanagers aren’t rare, although one has to go where they are to see one.  And look up.  Mary Oliver’s poems don’t seem rare.  So conversational, so commonplace.  Being alive is not particularly rare.  Six-plus billion of us Homo sapiens are engaged in it today. Out of the one-thousand four-hundred and forty minutes in each day, I don’t pause to consider many of them rare.

Shouldn’t I?  Read this poem with me.  Read and let us, you and I, share a moment of each other’s living breath.

.     .     .     .     .

Red Bird Explains Himself

“Yes, I was the brilliance floating over the snow
and I was the song in the summer leaves, but this was
only the first trick
I had hold of among my other mythologies,
for I also knew obedience: bringing sticks to the nest,
food to the young, kisses to my bride.

But don’t stop there, stay with me: listen.

If I was the song that entered your heart
then I was the music of your heart, that you wanted and needed,
and thus wilderness bloomed there, with all its
followers: gardeners, lovers, people who weep
for the death of rivers.

And this was my true task, to be the
music of the body.  Do you understand?  for truly the body needs
a song, a spirit, a soul.  And no less, to make this work,
the soul has need of a body,
and I am both of the earth and I am of the inexplicable
beauty of heaven
where I fly so easily, so welcome, yes,
and this is why I have been sent, to teach this to your heart.”

from Red Bird, Mary Oliver, Beacon Press, © 2008 by Mary Oliver

.     .     .     .     .

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Every Christmas for almost thirty years, Linda and I have sung with the Elkin Community Chorus.  This year marked the 51st annual performance of the Chorus, originally founded by Fran Greene, currently directed by David McCollum, and open to all comers . . . that is anyone who wants to commit every Thursday night to rehearsing Christmas anthems beginning way back in October.  Gets you in the spirit early!

This year’s Chorus has been a special joy for me for many reasons, but one is that David selected a piece by me for us to perform.  In 2010 my friend composer and director Mark Daniel Merritt asked me to write lyrics he could work into a Christmas suite for our semi-pro choral group Voce.  We premiered The Wanderer’s Carols last Christmas at Biltmore House, and this year on December 4th one hundred of my friends and neighbors in the Elkin Community Chorus sang the first movement, The Birds’ Carol.

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The Wanderer’s Carols
Music by Mark Merritt Lyrics by Bill Griffin
[copyright 2010]
Movement 1
The Birds’ Carol

“Morning!  Morning!” trills the lark,
“The Babe brings gold to the sky!
A song of light now showers the earth,
And we shall know God this day.
.    Now is the dawn of our new life,
.    And we shall know God this day.”

“This coat I wear,” caws the rook,
“So black, so heavy, so grim.
Only One knows the way to make it bright –
The Child who reclaims us from sin.
.    He lifts our burden upon himself,
.    The Child who reclaims us from sin.”

“Come rest with me,” coos the dove,
“In this humble stable take ease.
Kings and shepherds together embrace
The Prince who unites us in peace.
.    You make us one in all the earth,
.    O Prince who unites us in peace!”

“I . . . Thou, I . . . Thou,” vow the geese
From dark earth to heaven above –
“May we join with Thee in a world made new;
May we fly forever in love.
.    Give us wings of Your perfect light,
.    And we’ll fly forever in love.”

.     .     .     .     .

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I’d like to share some thoughts about the background of these lyrics:

The Lark   –   Joy

In England the Sky Lark is known for its towering display flight, greeting the morning with loops and aerobatics, all the while filling the sky with its exuberant warble.  A fitting welcome for Christmas and the newborn Babe!

Our own North Carolina Meadowlark also sings a welcome to light returning to the earth   –   its melody seems to chant the words, “Spring of the year!”

.     .     .     .     .

The Rook   –   Hope

Every one of us encounters darkness during our lives; there is no one that does not shoulder some burden.  The Rook proclaims hope in the coming of the Child who will take our burden upon Himself.  The One who can bring light into our darkness.

The English Rook is first cousin to our American Crow, both of them highly sociable and intelligent creatures.  If you’re smart, you know you must look beyond yourself for the hope of salvation.

.     .     .     .     .

The Dove   –   Peace

The Dove has symbolized God’s promises since ancient times   –   picture the bird clasping an olive branch as it returns to Noah and the wanderers.  Today there is no more universal image of peace than the Dove.  In this verse, the Dove affirms that the peace of this Prince is promised to all people of whatever station in life, exalted or lowly, king or shepherd.  If we are to be united in all the earth, it will only be through Christ’s peace.

The Rock Dove is native to England’s cliffs and coasts, but after being imported to the new world it has become ubiquitous wherever there is human habitation   –   we call it a “pigeon.”  From the eaves of an abandoned building, doesn’t the sound of that cooing evoke peacefulness and home?

.     .     .     .     .

The Geese   –   Love

Next time you hear a pair of Canada Geese flying overhead honking back and forth (the male perhaps slightly lower pitched than the female), imagine that they are not only calling to each other but also to their Creator   –   “I, Thou . . . I, Thou.”

For me these Geese are a powerful symbol of love.  They mate for life and may live twenty to thirty years in the wild.  They constantly watch out for each other.  They protect their goslings most ferociously.  And when I hear their call through the trees at dusk, it reminds me that the love of our Creator surrounds us and lifts us up.

.     .     .     .     .

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If you would like to listen to the choral group Voce performing The Wanderer’s Carols (with harp accompaniment and boy soprano), please follow these links:

THE WANDERER’S CAROLS

1 – The Birds’ Carol

2 – Beside the Manger

3 – The Wanderer’s Prayer

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It’s just shy of 5 a.m., and I’m standing in the far corner of the Wal-Mart parking lot.  The leaves are still dripping from an all-night shower.  In exactly two minutes Nancy and Jean will pull in to meet me, we’ll check our gear and get into my car, then drive half an hour to our first designated stop.  For the next five or six hours we will be official volunteer employees of the US Geologic Service (Patuxent Wildlife Research Facility), joining about 3,000 others in US and Canada to complete the annual North American Breeding Bird Survey.

This is my seventeenth consecutive year counting Route 63027, “Copeland.”  There are fifty stops a half-mile apart, starting in Yadkin County on Old Rockford Road and ending all they way into Wilkes County.  At each stop I identify every bird I can hear or see within three minutes – Nancy is my timer and scribe, Jean counts cars and records “excess noise,” but only one person is permitted to count.  Nancy and Jean aren’t even allowed to point. From late May to the end of June, individuals and teams in all fifty states and Canada are counting along similar pre-mapped routes.  This “citizen scientist” data has allowed groups like the Cornell Lab of Ornithology to identify continent-wide trends in wild bird populations, such as the major crash in the House Finch population about fifteen years ago (eventually discovered to be due to an epizootic of chlamydia).

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Our first stop is a gravel drive just past Double Creek.  It’s misty, still dark, and the frogs are way louder than the birds this morning.  (I’m no expert on frog calls, but I hear tree frogs, leopard frogs (I think), a bullfrog, and an American Toad.)  A Northern Cardinal across the road is so persistent it’s hard to concentrate, but there’s an Eastern Phoebe near the creek, a Pine Warbler, and now, yes, across the field, the first one starts singing – Indigo Bunting.

Every year, as I transmit the data to the USGS, I keep my own personal tally of the number of species and number of individuals.  On a sunny day on any stretch of North Carolina piedmont roadside, an Indigo will be singing.  Constantly.  They like to perch on a wire or dead limb where they can be seen, and they are tirelessly vocal – so easy to count.  Every year Indigo Bunting is the number one most numerous individual, even when there are flocks of twenty Cedar Waxwings or thirty European Starlings.  This year, though, it is overcast right up to our forty-fifth stop, and I just don’t feel like I’m hearing many Indigos. Oh, we’ve seen quite a few, and some are singing, but I’m afraid this will be the first year they don’t “win.”

Why do I love these tiny dark cavaliers?  I remember the first one I ever saw, on Fodderstack Trail off the Blue Ridge Parkway, singing, of course, in the tip top of a dead tree.  And when the sun struck him OW! the iridescence and electricity of that little body.  When I drive down any country road in the summer with my windows down, I find myself muttering every minute or so: “Indigo . . . Indigo . . . Indigo.”  They thrive at forest’s edge, and since we’ve sliced up so much woodland into scattered chunks it just leaves more prime bunting habitat.  So how about this cool counting day when birds that usually steal away in the heat are active right up until our finish?  Will they overtake my Indigos?  Total up the hash marks on the tally sheet.  Here it comes: Chipping Sparrows – 35; American Robins – 46; and (the envelope, please) . . . Indigo Buntings – 57.

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Bird Watching
John Ciardi

Every time we put crumbs out and sunflower
seeds something comes.  Most often sparrows.
Frequently a jay.  Now and then a junco or
a cardinal.  And once – immediately and never
again, but as commonly as any miracle while it
is happening, and then instantly incredible for-
ever – the tiniest (was it?) yellow warbler
as nearly as I could thumb through the bird
book for it, or was it an escaped canary? or
simply the one impossible bright bird that is
always there during a miracle, and then never?

I, certainly, do not know all that comes to us
at times.  A bird is a bird as long as it is
there.  Then it is a miracle our crumbs and
sunflower seeds caught and let go.  Is there
a book to look through for the identity
of a miracle?  No bird that is there is
miracle enough.  Every bird that has been is
entirely one.  And if some miracles are rarer
than others, every incredible bird has crumbs
and seeds in common with every other.  Let there
be bread and seed in time: all else will follow.

.     .     .     .     .

[John Ciardi, 1916-1986, was the long-time poetry editor of Saturday Review and directed the Bread Loaf Writers’ Conference in Vermont.  His book How Does a Poem Mean? was the first instruction I ever read on how to write and appreciate poetry, and for many years was a standard.  He was also a renowned etymologist; I remember him from his NPR program on word histories.  This poem is collected in Bright Wings, 2010 Columbia University Press, edited by Billy Collins.]

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USGS Breeding Bird Survey, Route 63027
May 28, 2011

Canada Goose   –   19
Green Heron   –   1
Black Vulture   –   2
Turkey Vulture   –   1
Red-shouldered Hawk   –   2
Red-tailed Hawk   –   1
Killdeer   –   3
Mourning Dove   –   37
Chimney Swift   –   29
Red-bellied Woodpecker   –   6
Downy Woodpecker   –   2
Yellow-shafted Flicker   –   1
Pileated Woodpecker   –   2
Eastern Wood Pewee   –   2
Eastern Phoebe   –   6
Great Crested Flycatcher   –   3
Eastern Kingbird   –   2
Red-eyed Vireo   –   8
Blue Jay   –   10
American Crow   –   35
Northern Rough-winged Swallow   –   2
Barn Swallow   –   15
Carolina Chickadee   –   5
Tufted Titmouse   –   17
White-breasted Nuthatch   –   2
Carolina Wren   –   24
House Wren   –   1
Eastern Bluebird   –   24
Wood Thrush   –   4
American Robin   –   46
Gray Catbird   –   6
Northern Mockingbird   –   21
Brown Thrasher   –   7
European Starling   –   29
Cedar Waxwing   –   13
Pine Warbler   –   6
Common Yellowthroat   –   10
Scarlet Tanager   –   1
Eastern Towhee   –   16
Chipping Sparrow   –   35
Field Sparrow   –   11
Song Sparrow   –   10
Northern Cardinal   –   33
Blue Grosbeak   –   2
Indigo Bunting   –   57
Red-winged Blackbird   –   2
Eastern Meadowlark   –   5
Common Grackle   –   39
Brown-headed Cowbird   –   7
House Finch   –   5
American Goldfinch   –   8
House Sparrow   –   7
White-throated Sparrow   –   2 (non-breeding)
53 species

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