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Posts Tagged ‘Sam Love’

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April 24, 2024
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Our true home lies outside, deep in the wilderness of forest and mountain, river and desert and sea, the source of our being and the destiny of our great meandering blundering dreaming journey through time. Like Odysseus in his wanderings, we are homeward bound whether we know it or not.
++++++ Edward Abbey
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Wilderness has drawn humans closer to God throughout history. Why should we, in the twentieth century, believe this is suddenly no longer true? Long after the Exodus, in a time of recurring apostasy, Hosea spoke of God wishing to ‘allure’ the people back into the wilderness yet again — this time to the parched hills beyond Jericho. There, wrote the prophet, God would ‘speak tenderly’ to them.
++++++ David Douglas
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The clearest way into the Universe is through a forest wilderness.
++++++ John Muir
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❦ ❦ ❦
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[Come wilderness into our homes]
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Come wilderness into our homes
break the windows come
with your roots and your worms
spread yourself over our wishes
our waste-sorting systems our prostheses
and outstanding payments
cover us with your rustling greenery
and your spores cover us that we may
become green: green and reverent
green and manifest green and replaceable
come weather with your storms
and sweep the slates off the roofs come
with snow and hail smash
through the collective sleep
we are all enjoying in our beds
our worn rationalizations come ice
and form glaciers over the shadow banks
and our drive for liquidity
come through the cracks under the doors
you desert with your sands fill
our desolation up until it forms into a solid mass
rise up over the search-and-rescue teams
and our growth compulsion trickle into
the control panels of the missiles
and the missile defense systems into
the think tanks and the hearts of internet trolls
just leave the hedgehogs with their
snuffling so that it may calm us
come rising sea levels
up over our shorelines both the developed
and the undeveloped the homey
lowland areas wash
jellyfish into our soup bowls
and ramshorn snails into our hair
as we swim in each other’s direction panicked
with our yearning for one another
because almost nothing is left because it’s all gone
and thoroughly soaked through with regrets
finger-pointing and tranquilizers
come earthquakes shatter the apartments
which we built on the foundations
of how we always did everything
come tremors fill the mine shafts
the end of work and
the literature of redemption bury anger
and affection and all manner of added values
swallow up the memories come tremors
hurry so that the bedrock covers us
so we are covered with water desert weather
and over everything that which covers all the wilderness
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Daniela Danz
Translated from the German by Monika Cassel
[Komm Wildnis in unsere Häuser] from the journal POETRY,December 2023
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Shared by Bill Griffin, Elkin NC, who writes:
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To the ancient mind, wilderness was dangerous, something to be feared and held at bay even while mysterious and fascinating. In recent times, as we’ve come to consider ourselves ‘modern’, wilderness has been conquered – we control it, we rule it, we exploit and use wilderness. Indigenous voices tell us we are one with the wild and can only be fully ourselves when we know and respect wildness. Romantic voices long to return to Eden and live in harmony with wilderness. The voices of mystics and spiritual seekers remind us that wildness is in us and part of us, that all things are one and that we have cut off a vital part of ourselves when we separate ourselves from the wild.
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This poem by Daniela Danz brings us full circle to our 21st century shuddering realization – wild nature is back and beyond our control. For a few centuries we’ve kept wilderness at arm’s length, just outside the widening circle of our campfires, but now the seas rise and the storms mount. All of our consumption economies and gods of growth and development will not keep us safe. In the literal sense, wilderness comes into our homes, welcome or not. In the metaphorical sense, perhaps it is not too late indeed to invite it in, ‘come’. Perhaps we are on the threshold of a new age in which we admit our part in wild nature and its part in us. Or perhaps we shall be covered.
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++++++ Bill
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My own poem, Spent, begins with fatalism and regret but discovers, I hope, some communion with wild nature to end on a note of connection. – Bill
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Spent
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Coreopsis spent, limp rays curling,
curdled disk and one lone fly like aster’s
dry winged seed perched on delusion
that the head still holds some promise:
I turn away from everything sere
and brown – where else would I turn
this sullen afternoon? until
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she calls me to join her, leaf strewn trail
beside Grassy Creek where it sings
to itself oblivious, two soft pairs
of footfalls among fern and shadow,
partridge berry makes its own warm light
and ground cedar runs rings around us:
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I crouch before a cranefly orchid, determined
buds dainty as dewclaws still unopened
mid-July (and absent basal winter leaves
pocked olive but upturn them for satin
underleaf maroon), yet while she reminds me
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about co-evolution, blossoms that couple
with their pollinators, I can’t stop seeing
that useless fly, bulging maroon ommatidia,
wings’ blush iridescence, proboscis needle
dripping one sour jewel spent, until
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for just this moment the world opens itself
around us and I open to its secrets, kingfisher
rattle from another planet, fecund dank
of moss and fungus, every vireo our familiar,
swelling benediction breeze that gossips
among beech and laurel and promises
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always, always something new.
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Bill Griffin
finalist for the James Applewhite Poetry Prize of North Carolina Literary Review, 2023
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Nature is trying very hard to make us succeed, but nature does not depend on us.  We are not the only experiment.
++++++ R. Buckminster Fuller
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We cannot be truly ourselves in any adequate manner without all our companion beings throughout the earth.
++++++ Thomas Berry
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The Tyger
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Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
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In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare sieze the fire?
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And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?
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What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?
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When the stars threw down their spears,
And water’d heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?
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Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
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William Blake (1757-1827)
https://poets.org/poem/tyger ; this poem is in the public domain
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Shared by Les Brown, Troutman NC, who writes:
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I love Blake’s Tyger not only because of its incredible poetic craft and rhythm, but for its recognition of the beauty and duality of the tiger as a creature of strength and beauty but also an instrument involved in the balance of nature.
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++++++ Les
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The brawling of a sparrow in the eaves,
The brilliant moon and all the milky sky,
And all that famous harmony of leaves,
Has blotted out man’s image and his cry.
++++++ William Butler Yeats
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It seems clear, as I’ve argued, that the humanities can be broadened enough to make the connection [with science] in three ways. First, escape the bubble in which the unaided human sensory world remains unnecessarily trapped. Second, sink roots by connecting the deep history of genetic evolution to the history of cultural evolution. And third, diminish the extreme anthropocentrism that hobbles the bulk of humanistic endeavors.
++++++ Edward O. Wilson, The Origins of Creativity (2017)
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Bread and Roses
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When the big sea has stopped rising
and the maps we’re through revising
and I can think of storms as friends,
I’ll go down to the beach again.
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I’ll stand still there in that bright surf
and sing a song to this dear Earth.
I’ll sing for climate change to end.
I’ll sing tears for where we have been.
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I’ll sing to things that we have learned –
the fossils we should not have burned
releasing the power of former suns,
bringing losses that cannot be undone.
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Sad losses the children will inherit.
Species gone without much credit,
thanks to the piles of money earned
and all the corners left unturned.
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I’ll sing to anger rising still.
Our leaders let firms do their will.
The people did assert control
but not before the barons stole.
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Our job is now to make the best,
finding purpose in what is left.
It is a joy to live to fight
and on that beach to fly two kites.
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Gus Speth
from Let Your Tears Water the Earth, Watershed Publications © 2023
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Shared by Sam Love, New Bern NC, who writes:
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I love the lyrical nature of this poem using the “songs” as a way to tie assaults on our planet’s web together. Also the transition from songs for the abuses to singing “to anger rising still”. A call to action. And here is one of my poems that is more literal with the theme of Earth Day and all things being connected.
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++++++ Sam
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The Web
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No one is alone
We are all part
of life’s web
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In each breath we inhale
remnants of star dust
and exhale nourishment
for the Earth’s plants
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Each action we take
to support our bloated
lifestyle tugs on a strand
of the planet’s web
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To understand our impact
visualize a spider’s web where
pulling on one strand
alters the whole
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Sam Love
from Earth Resonance, The Poetry Box ©  2022
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Shared by Gus Speth, South Carolina, who writes:
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The following poem by Sam Love is lovely but cautionary. It reminds us that we humans are part of an interconnected web of life here on Earth and part also of the journey of the universe. And gently it says we should act like it.
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++++++ Gus
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We need the tonic of wilderness… the silence, the cold and solitude… to be refreshed by the sight of inexhaustible vigor… pasturing freely where we never wander.
++++++ Henry David Thoreau
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Wildness made man but man cannot make wildness. He can only spare it.
++++++ David Brower
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Wilderness is two things — fact and feeling. It is a fund of knowledge and a spring of influence. It is the ultimate source of health — terrestrial and human.
++++++ Benton MacKaye, the man who planned and conceived the Appalachian Trail
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Any creative deed at the human level is a continuation of the creativity of the universe.
++++++ Thomas Berry
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Life is a chemical system able to replicate itself through autocatalysis and to make mistakes that gradually increase the efficiency of autocatalysis.
++++++ National Geographic, Jan. ‘03
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Special thanks throughout these Earth Day celebrations to my hiking buddy and nature guide Mike Barnett, who has let me into the wilderness and won’t let me leave. Most of the quotations included in these sections are compiled in Mike’s Medicine Bag, which he carries with him into every new adventure
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And EXTRA SPECIAL THANKS to my companion in the universe, Linda French Griffin, who allows the cosmos to flow through her pen onto paper. She has given permission for me to use a few of her drawings throughout these Earth Day celebrations.
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++++++  Bill . 
Doughton Park Tree -- 5/1/2021
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[with poems by Jennifer Elise Foerster, Robert Service,
Sam Love, Ada Limón]

One day for Earth Day? One day to honor our kinship with every thing that lives – Animal, Plant, Fungus, Protist, Archaea, Bacteria, all of them? One day to celebrate chlorophyll, the absolute best idea that life has ever had? One day to ponder in reverence this single solitary place in the universe that sustains life?

In Kim Stanley Robinson’s recent novel, The Ministry for the Future, one character, a member of The Ministry, reckons that what the earth needs to save itself is a new religion. Not new economics, not new politics, not even new technologies – a new religion.

Why religion? At its essence, religion is about The Good – how to define it, pursue it, encounter it, how to live encompassed in its expansive presence. Religion is permeative and interpenetrative – for its adherents, it occupies every aspect of life and every moment of consciousness. Religion is transcendent – ego, personal comfort, power, possessions, all fade to irrelevance in the presence of The Good. Religion is immanent, not there & then but here & now.

Here and now. Every day. Reverence and celebration. Stop and listen and you will hear Earth whispering its transcendent message: “More Life!”

Thank you to the readers of these pages
who have responded to my call for poems this Earth Day.
Watch for new posts on April 21, April 22, and April 23.

All photographs were taken April 11-17, 2023,
along the Elkin & Allegheny Nature Trail,
part of the Mountains-to-Sea Trail in North Carolina, USA.

Earth Day 2023 art by Linda French Griffin.

❦ ❦ ❦

Origin of Planets

In this version, the valley
lime green after rain
rolls its tides before us.

A coyote bush shivers with seed.

We hold out our palms as if catching snow—
our villages of circular tracts
overcast with stars.

We have been moving together in sequence
for thousands of years, paralyzed
only by the question of time.

But now it is autumn under bishop pines—
the young blown down by wind feed
their lichens to the understory.

We follow the deer-path
past the ferns, to the flooded
upper reaches of the estuary.

The channel snakes through horsetails
and hemlock as the forest deepens, rises
behind us and the blue heron,
frozen in the shallows.

The shadow of her long neck ripples.

Somewhere in the rustling tulle reeds
spider is casting her threads to the light

and we spot a crimson-hooded fly agaric,
her toadstool’s gills white
as teeth as the sun
++++++++ bleeds into the Pacific.

We will walk the trail
until it turns to sand
and wait at the spit’s edge, listening
to the breakers, the seagulls
as they chatter their twilight preparations.

What we won’t understand
about the sound of the sea is no different
than the origin of planets

or the wind’s crystalline structures
irreversibly changing.

The albatross drags her parachute
over the earth’s gaping mouth.

We turn back only for the instant
the four dimensions fold
into a sandcastle—before its towers
are collapsed by waves.

The face that turns
toward the end of its world
dissolves into space—

despite us, the continuum
remains.

Jennifer Elise Foerster
Selected by Bill Griffin; Originally published in Poem-a-Day on December 20, 2022, by the Academy of American Poets. Copyright © 2022 by Jennifer Elise Foerster.

Jennifer Elise Foerster comments: “This poem emerged from one particular version of a day when I had the gift of walking with a friend on the Point Reyes National Seashore. I say ‘version’ because the path this poem follows is inevitably different from the path we walked, and distinct, too, from the many paths in my memory of that day. What all my versions share is that we walked toward the beach, toward twilight, at which point I wondered what it really meant to ‘turn back.’ At which point I watched the waves, the wind, the endless endings and beginnings, the turnings of gulls and seashells, planets peering through dusk. I love that wonderment doesn’t require understanding. How brief we are, and infinite in our versions of being here on earth.”

. . . wonderment doesn’t require understanding. I love understanding like I love the specifics of this poem, the creatures that occupy it, their occupations, but I also love the door it opens into reverence that requires no understanding. That, in fact, requires nothing of me at all except to take my place as part of the continuum.

– Bill Griffin / Elkin, North Carolina

❦ ❦ ❦

The Call of the Wild

Have you gazed on naked grandeur, where there’s nothing else to gaze on,
Set pieces and drop-curtain scenes galore,
Big mountains heaved to heaven, which the blinding sunsets blazon,
Black canyons where the rapids rip and roar?
Have you swept the visioned valley with the green stream streaking through it,
Searched the Vastness for a something you have lost?
Have you strung your soul to silence? Then for God’s sake go and do it;
Hear the challenge, learn the lesson, pay the cost.

Have you wandered in the wilderness, the sage-brush desolation,
The bunch-grass levels where the cattle graze?
Have you whistled bits of rag-time at the end of all creation,
And learned to know the desert’s little ways?
Have you camped upon the foothills, have you galloped o’er the ranges,
Have you roamed the arid sun-lands through and through?
Have you chummed up with the mesa? Do you know its moods and changes?
Then listen to the wild, — it’s calling you.

Have you known the Great White Silence, not a snow-gemmed twig a-quiver?
(Eternal truths that shame our soothing lies.)
Have you broken trail on snowshoes? Mushed your Huskies up the river,
Dared the unknown, led the way, and clutched the prize?
Have you marked the map’s void spaces, mingled with the mongrel races,
Felt the savage strength of brute in every thew?
And though grim as hell the worst is, can you round it off with curses?
Then harken to the wild, — it’s wanting you.

Have you suffered, starved, and triumphed, groveled down, yet grasped at glory,
Grown bigger in the bigness of the whole?
‘Done things’ just for the doing, letting babblers tell the story,
Seeing through the nice veneer the naked soul?
Have you seen God in His splendours, heard the text that nature renders
(You’ll never hear it in the family pew),
The simple things, the true things, the silent men who do things?
Then listen to the wild, — it’s calling you.

They have cradled you in custom, they have primed you with their preaching,
They have soaked you in convention through and through;
They have put you in a showcase; you’re a credit to their teaching –
But can’t you hear the wild? – It’s calling you.
Let us probe the silent places, let us seek what luck betide us:
Let us journey to a lonely land I know.
There’s a whisper on the night-wind, there’s a star agleam to guide us,
And the wild is calling, calling… let us go.

Robert Service
Selected by Mike Barnett; published in Robert Services’ first book of poetry, Songs of a Sourdough, in 1907.

Robert Service (1874-1958) was a British-Canadian poet, often called “the Bard of the Yukon.” This poem has always had a positive affect on me with its rugged description of wild places similar to the ones I have traveled while camping and backpacking. I have used the last two stanzas as quote material or ‘words of wisdom’ in camps I have directed, and I still use it often with my Family Nature Club.

– Mike Barnett / Eustis, Florida.

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Forest Bathing

My artificial cocoon
is really cozy as it
guards me from
nature’s wildness

My illuminated habitat
wards off the elements
and creates its own micro climate
oblivious to its carbon footprint.

And yet something is missing
as the artificial light challenges
the setting sun and the stale air
maintains a constant temperature.

In contrast a short distance away
nature beckons me to a forest
where natural bioenergy
can alter my mental state.

Strolling through this verdant space
I enjoy a heightened awareness
of life’s web and become open
to unspoiled wildness.

Feeling restored I thank the trees
and say goodbye to the
rustling leaves, trickling water,
melodic birds, dappling light,
and healing spirits.

Sam Love
Published in Earth Resonance: Poems for a Viable Future (Poetry Box, Portland Oregon)

The Japanese believe time in the forest can be healthy. They practice “forest bathing” or shinrin-yoku. Shinrin means “forest,” and yoku means “bath.” I find the noise in my head begins to quiet when I walk in an area untouched by so called civilization.

– Sam Love / New Bern, North Carolina

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Give Me This

I thought it was the neighbor’s cat back
to clean the clock of the fledgling robins low
in their nest stuck in the dense hedge by the house
but what came was much stranger, a liquidity
moving all muscle and bristle. A groundhog
slippery and waddle thieving my tomatoes still
green in the morning’s shade. I watched her
munch and stand on her haunches taking such
pleasure in the watery bites. Why am I not allowed
delight? A stranger writes to request my thoughts
on suffering. Barbed wire pulled out of the mouth,
as if demanding that I kneel to the trap of coiled
spikes used in warfare and fencing. Instead,
I watch the groundhog closer and a sound escapes
me, a small spasm of joy I did not imagine
when I woke. She is a funny creature and earnest,
and she is doing what she can to survive.

Ada Limón
Selected by Melinda Thomsen; originally published in Poem-a-Day on September 16, 2020, by the Academy of American Poets. Copyright © 2020 by Ada Limón.

I love this poem because the speaker at first mistakes the groundhog for a cat, something typically tame, but as she watches the animal enjoy its life, somehow this wild thing has sucked away all the speaker’s pain and replaced it with a jolt of unexpected joy. The wild draws us out of ourselves and into a healthier being.

– Melinda Thomsen / Greenville, NC

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Hepatica americana (Buttercup family), last year’s foliage and new barely opened blossoms

[with 3 poems by Sam Love]

On March 15 I walked an Elkin trail I hadn’t visited in months. The Elkin & Allegheny Nature Trail includes a couple of miles of restored railway grade and many more miles of side trails, loops, and spurs, plus 5-6 miles of intermediate level bike trail. I hiked most of those miles on the 15th but only partially for the exercise – I was walking mostly for ephemera.

Note the date. Looking back at my photos and notes I uncover Hepatica blooming as early as January 27, a single plant in a protected hollow, but usually here in Elkin, elevation around 1000 feet, the earliest Hepatica and Trout Lily emerge toward the middle or end of February. So who’ll be showing themselves mid-March? I ask myself, and how long will they last?

The study of cyclical biological phenomena is phenology. When do migrating warblers arrive from Central America? We saw our first Ovenbird March 19; I heard a Northern Parula out back on April 3. When do Wood Frogs lay eggs? When do Midges and Mayflies hatch out and Eastern Bluebirds build their nests? Sometimes local weather affects a given year’s record but longer term trends are linked to climate change. Can’t help worrying about those Parulas if the hatching of their chicks is out of sync with the juicy bugs. Phenology is a leading indicator of climate change impact, especially on vulnerable species.

For today, my phenology project is discovering tiny blooms just making their appearance.

And if that weren’t enough, as I walk a section of bike trail beside Elkin Creek a pair of wood ducks skitter up from the water and the male flashes his phenomenal colors before they veer around a bend.

Solitary Pussytoes, Antennaria solitaria (Aster Family), flowers less than 10 mm in diameter

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A Monument to Another Time

A winding rutted road
rambles through scattered rocks
to an abandoned homestead
that traces time backwards.

In the overgrown clearing
a hand laid stone chimney
pokes above winding vines
and gnarled tree limbs.

The fireplace stands as
tribute to an unknown mason
whose calloused hands
meticulously stacked the stones.

With the charred house gone
front porch music
no longer blesses the mountain
with notes and harmonies
that surf the Appalachian wind.

In spring wild flowers
scatter sun dappled beauty
among the crannies of this dream
of a simpler life, an abundant garden
and a small homestead taming nature.

Through winter the chimney
stands alone among
a palette of brown hues
that wait for spring shoots
to burst forth and repaint
the landscape.

Sam Love
Earth Resonance – Poems for a Viable Future, The Poetry Box, Portland, Oregon, © 2022

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Bloodroot, Sanguinaria canadensis (Poppy family, Order Ranunculales), flower barely unfurling

 

Yellow Trout Lily (Adder’s Tongue, Dogtooth Violet, Erythronium americanum (Lily family)

 

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Thanks to Sam Love for alerting me to his new book of poetry about ecology and the environment: Earth Resonance – Poems for a Viable Future. Such an edgy relationship we humans have with all the other creatures in our biosphere. Mostly we ignore them except when they’re on our dinner plates. Any surprise that we have so much trouble getting along with things that creep and crawl and skitter and pounce (much less the ones that just stand there being green) when we can hardly get along with they guy whose yard sign doesn’t match ours?

And thanks to the Town of Elkin Recreation Department and the Elkin Valley Trails Association for all the great places to walk!

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Visiting Khatyn
+++Peace Memorial in Minsk Region, Belarus

At sunset each step up the earthen berm
slowly reveals stone chimneys standing
as monuments to an unimagined darkness
that reduced hundreds of villages
to stone rubble and ashen timbers.

Across the field masonry memorializes
thousands of villagers burned alive
as Fascists sought revenge
for partisan guerilla attacks
launched from surrounding forests.

On hearths reaching to the horizon
urns rest filled with ashes and soil
scooped from the 628 flamed hamlets.
Each now lovingly stands as
a spiritual reminder of war’s insanity.

Three solitary birch trees and an eternal flame
symbolize the one quarter of Belarusians killed
in the world war that targeted their villages.
On this site twenty-six bells toll every hour
to remember the homes that once stood here.

The wind that whipped the flames
and charred the flesh, now cleanses the earth
leaving only spirits to haunt the memorial
and remind us of the horrors of war.

Sam Love

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Virginia Pennywort, Obolaria virginica (Gentian family), flowers just about to open

 

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Turtle Earth

In the Lenape creation story—Nanapush asks,
“Who will let me put cedar branches on top of you
so that all the animals can live on you?”
And the turtle says, “You can put them on me
and I’ll float on the water.”

In a vision the Native American holy man
sees the animals bringing earth
from under the water to make land
on the back of the turtle
to create a verdant Eden
where plants and animals flourish.

In another dream the Indian shaman
sleeps a long sleep and
sees a barren turtle
with writhing serpents
thrashing rattlers through portals
in its armor-plated shell.

This hollow eerie sound
resonates with a dry rattle
of primordial notes memorializing
the emerging death of nature.

Sam Love

Virginia Heartleaf, Hexastylis virginica, tiny brown jugs are the flowers just emerging

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