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Posts Tagged ‘Robinson Jeffers’

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April 22, 2024
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Whatever attributes we claim as unique to the human species, such as our propensity for art and science and spirituality – these are gifts of the ground. Curiosity and exploration and awe require a world – a ground – to grow up from and in conversation with.
++++++ Eileen Crist, ecologist, 4/22/24, in The Sun, December 2020
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In Memoriam Mae Noblitt
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This is just a place:
we go around, distanced,
yearly in a star’s
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atmosphere, turning
daily into and out of
direct light and
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slanting through the
quadrant seasons: deep
space begins at our
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heels, nearly rousing
us loose: we look up
or out so high, sight’s
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silk almost draws us away:
this is just a place:
currents worry themselves
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coiled and free in airs
and oceans: water picks
up mineral shadow and
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plasm into billions of
designs, frames: trees,
grains, bacteria: but
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is love a reality we
made here ourselves—
and grief—did we design
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that—or do these,
like currents, whine
in and out among us merely
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as we arrive and go:
this is just a place:
the reality we agree with,
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that agrees with us,
outbounding this, arrives
to touch, joining with
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us from far away:
our home which defines
us is elsewhere but not
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so far away we have
forgotten it:
this is just a place.
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A. R. Ammons (1926 – 2001)
from A Coast of Trees by A.R. Ammons. Copyright © 1981 by A.R. Ammons.
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Shared by Jane Hazelman, Elkin, NC, who writes:
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My only comments would be… and it’s interesting, now that I think carefully about it…
This poem caught me at time when I was grieving the loss of my father who died the same week my family moved to NC…. I felt the ground beneath my feet dropping away… I needed an anchor and somehow the poem nudged me to connect my spirit to the natural world of spider silk, streams and trees, breezes – that comfort was all around me, holding me to its self.
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++++++ Jane
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Erase the lines: I pray you not to love classifications.
The thing is like a river, from source to sea-mouth
One flowing life.
++++++ Robinson Jeffers
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Klondike Lake Dam, mural by Eva Crawford

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The Beauty of Things
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To feel and speak the astonishing beauty of things—earth, stone and water,
Beast, man and woman, sun, moon and stars—
The blood-shot beauty of human nature, its thoughts, frenzies and passions,
And unhuman nature its towering reality—
For man’s half dream; man, you might say, is nature dreaming, but rock
And water and sky are constant—to feel
Greatly, and understand greatly, and express greatly, the natural
Beauty, is the sole business of poetry.
The rest’s diversion: those holy or noble sentiments, the intricate ideas,
The love, lust, longing: reasons, but not the reason.
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Robinson Jeffers (1887 – 1962)
from Poetry, Vol. 77, No. 4, Jan., 1951
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Shared by Catherine Carter, Cullowhee NC, who writes:
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I’ve selected this one because lately I’ve been thinking a lot about paying attention as a holy act, maybe THE holy act, and, if not “the sole business” of poetry, at least a large part of it.  So much of what we lose and destroy is because we won’t or can’t give attention; we think of the tree we cut as “ordinary”, as “just” a tree, of the insects we poison as just flaws in our experience of the world, as if our experiences of the world were all that mattered. 
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Along those lines, I’m also including the final poem from my book, Larvae of the Nearest Stars, “The Promise”.  That poem first appeared in Still: The Journal, October 2017, and was then reprinted in the collection.  Its tone is very different, and I certainly wasn’t thinking about “The Beauty of Things” when I wrote it…but it’s basically promising to do what Jeffers is talking about—paying attention to what’s all around us, what we sweep away or walk right over or destroy without ever knowing it because we think it’s “ordinary.”  And I thought of this one, Bill, because of your wonderful post about the tiny, tiny flowers.
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+++++++ Catherine
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The Promise
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Life-root, blazing out in your golden rags.
Killdeer, skimming the soccer field,
pealing the glad word of May.  Soft lamb’s
quarter, powdered with pewter dust
that might’ve come from the Horsehead
Nebula, putting spinach to shame
with your mineral riches.  Wood
thrush trilling your deep flute-
notes from the high canopy, almost never
seen.  Tiny henbit, more glamorous
and sexy in your freckled orchid pink
than Marilyn Monroe’s…et cetera.
Et cetera.  The list goes on longer
and deeper than any human voice,
and how many hear any of you
over the clamor of ego and ad,
how many know you were ever
here? Nor can I save you
when they come with the mowers,
the poisons, nor make the world
plant milkweed for its true-born monarchs.
What I can do is what I am
doing:  look for you. Listen
as you proclaim your many
names in all the tongues
of earth.  Speak those names back:
as long as lichens
star this mountain’s boulder-bones
in flat seaglass rosettes, so that even the rock
blooms some wordless joy
into the day’s high air,  I will
not cease.  I will go on
doing my work in this world.
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Catherine Carter
from Larvae of the Nearest Stars, LSU Press.© 2019
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Both from an ecological perspective and from Genesis’ point of view, goodness resides in the community, the web of life, in the relations of the whole biosphere.
++++++ Rabbi Ellen Bernstein
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Look at the animals roaming the forest: God’s spirit dwells within them. Look at the birds flying across the sky: God’s spirit dwells within them. Look at the tiny insects crawling in the grass: God’s spirit dwells within them.
++++++ Pelagius (4th century Celtic theologian)
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Miracles
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Why, who makes much of a miracle?
As to me I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love, or sleep in the bed at night with any one I love,
Or sit at table at dinner with the rest,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive of a summer forenoon,
Or animals feeding in the fields,
Or birds, or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown, or of stars shining so quiet and bright,
Or the exquisite delicate thin curve of the new moon in spring;
These with the rest, one and all, are to me miracles,
The whole referring, yet each distinct and in its place.
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To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every foot of the interior swarms with the same.
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To me the sea is a continual miracle,
The fishes that swim—the rocks—the motion of the waves—the
        ships with men in them,
What stranger miracles are there?
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Walt Whitman (1819 – 1892)
Collected in The Golden Treasury of Poetry ; in the public domain.
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Shared by Nancy Barnett, Eustis FL, who writes:
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My brother Tom was a wonderful gift giver. We had lost our brother Frank in June 1962 when I was 11 years old. Tom gave me a book during that time by Louis Untermeyer, The Golden Treasury of Poetry (1959). 
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When I went back to school in the fall our 6th grade teacher Mrs. Heinlein asked the class to bring something to read aloud and I chose Miracles from Untermeyer’s collection. I loved the image of nature and the hopefulness of life being seen as a miracle. I knew nothing about Walt Whitman then. (The version in The Golden Treasury of Poetry was somewhat sanitized for the young reader.)
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The Poet Laureate Joy Harjo noted that her love of poetry was fostered by the very same book.
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++++++ Nancy
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Indeed, one outcome of my watch at the mandala has been to realize that we create wonderful places by giving them our attention, not by finding ‘pristine’ places that will bring wonder to us.
++++++ David George Haskell
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from The Forest Unseen: A Year’s Watch in Nature, in which Dr. Haskell spent a year visiting almost every day a small circle of ground in the southern Appalachian forest, his mandala, and simply opened himself to its presence.
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Crane Migration, Platte River
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I am in danger of forgetting the cranes,
their black wavering lines in the sky,
how they came as if from the past,
how they came of one mind,
wheeling, swirling over the river.
I am in danger of losing
the purling sound they make,
and the motion of their long wings.
We had stopped the car on the river road
and got out, you and I,
the wind intermittent in our faces
as if it too came from a distant place
and wavered and began again, gusting.
Line after line of cranes
came out of the horizon,
sliding overhead.
The voices of cranes
harsh and exciting.
Something old in me answered.
What did it say? Maybe it said Kneel.
I almost forgot the ancient sound,
back in time, back, and back.
The road, the two of us at the guardrail,
low scraggle of weeds flattening and rising
in wind. This is what I must retain:
my knees hit the damp sand of the roadside.
This is what I remember:
you knelt too. We were wordless together
before the birds as they landed on the sandbars
and night came on.
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Marjorie Saiser
from The Woman in the Moon, University of Nebraska Press, Backwaters Series, © 2018
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Shared by Michael Beadle, Raleigh NC, who writes:
The opening line to this poem from the anthology The Wonder of Small Things: Poems of Peace and Renewal is a call to us all:  against forgetting. Against ignoring the beauty that startles us. It dares us to step deeper into the mystery, turns us into wide-eyed children again as we look up at the heavens, peer into a clear lake, gaze across a field or behold a magnificent tree or bird. This poem reminds us that nature is within range, that it has not disappeared (yet), though we humans are doing our damnedest to foul up the sky, poison the waters, plunder the earth for profit. This poem is about holding ourselves still in that moment of awe, stopping our busy lives to listen to the wind, to the flap of wings, to the crunch of gravel, the swish of tall grass. In such moments of grace and wonder, we are, quite literally, brought to our knees as we show respect for the world around us, the world that breathes into us, the world we have to be reminded of from time to time that was here long before we were and will be here long after we are gone. 
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++++++ Michael
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I go to Nature to be soothed and healed, and to have my senses put in tune once more.
++++++ John Burroughs, naturalist
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I believe that there is a subtle magnetism in Nature, which, if we unconsciously yield to it, will direct us aright.
++++++ Henry David Thoreau, fromWalking
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Teach the children. We don’t matter so much, but the children do. Show them daisies and the pale hepatica. Teach them the taste of sassafras and wintergreen. The lives of the blue sailors, mallow, sunbursts, the moccasin-flowers. And the frisky ones – inkberry, lamb’s-quarters, blueberries. And the aromatic ones – rosemary, oregano. Give them peppermint to put in their pockets as they go to school. Give them the fields and the woods and the possibility of the world salvaged from the lords of profit. Stand them in the stream, head them upstream, rejoice as they learn to love this green space they live in, its sticks and leaves and then the silent, beautiful blossoms. Attention is the beginning of devotion.
++++++ Mary Oliver
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To celebrate EARTH DAY 2024 we are featuring seven posts of poems submitted by readers – poems by William Blake to Walt Whitman, Robinson Jeffers to A.R.Ammons to Linda Pastan, and by a number of contemporary poets. Check in every day or two – connect to the earth and to each other!
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IMG_0880, tree

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[with 3 poems by Robinson Jeffers]

Linda is preparing to read Thy Friend, Obadiah to Amelia, age 6. A young Quaker lad in colonial Nantucket is befriended by a seagull, which is not entirely to his liking. Linda shows Amelia the cover and explains that the story happened a long, long time ago.

“Even before cell phones?” Amelia asks.

“Oh yes, and look at the picture. See the horse and cart? This was even before cars.”

Amelia grows grave and pensive. “Did they have candy?”

–    –    –

A six-year old lives within essentials. Even though candy is not a daily treat it must exist. Get into the car after kindergarten and immediately pull Tammy from the bottom of the bookbag, indispensable diminutive fox companion from infancy. And laughing. A joke, a gift, a tickle, a sudden surprise are all occasions for the essential vitamin of laughter.

Sometimes I’m not sure I remember what are essentials (except cheese, yes, must have cheese). It doesn’t help when Siri informs me my screentime increased 59% last week, nor is it helpful to argue with Siri that the preceding week was artificially low because his battery had funked out on me. Step away from the electronics, Sir. When Linda and I have taken a break from worldly worries and return from a long walk in the woods, we usually hear ourselves saying, “Hoo boy, we needed that.” Something essential about such an interlude.

Essential things. Clues abound. For Christmas I gave my sister and her partner a book of poetry I often return to myself. I had mentioned my recurring anxiety dreams and last week Mary Ellen asked how I was coping (nice to have a sister who’s a psychologist). I blurted, “When I read my copy of that book I gave you it helps.”

Essential? Poetry? When I can’t be walking in the woods I can be in the wild with Robinson Jeffers.

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Return

A little too abstract, a little too wise,
It is time for us to kiss the earth again,
It is time to let the leaves rain from the skies,
Let the rich life run to the roots again.
I will go to the lovely Sur Rivers
And dip my arms in them up to the shoulders.
I will find my accounting where the alder leaf quivers
In the ocean wind over the river boulders.
I will touch things and things and no more thoughts,
That breed like mouthless May-flies darkening the sky,
The insect clouds that blind our passionate hawks
So that they cannot strike, hardly can fly.
Things are the hawk’s food and noble is the mountain, Oh noble
Pico Blanco, steep sea-wave of marble.

Robinson Jeffers (1887-1961)

things and things and no more thoughts . . .

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Rock and Hawk

Here is a symbol in which
Many high tragic thoughts
Watch their own eyes.

This gray rock, standing tall
On the headland, where the seawind
Lets no tree grow,

Earthquake-proved, and signatured
By ages of storms: on its peak
A falcon has perched.

I think, here is your emblem
To hang in the future sky;
Not the cross, not the hive,

But this; bright power, dark peace;
Fierce consciousness joined with final
Disinterestedness;

Life with calm death; the falcon’s
Realist eyes and act
Married to the massive

Mysticism of stone,
Which failure cannot cast down
Nor success make proud.

Robinson Jeffers (1887-1961)

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Credo

My friend from Asia has powers and magic, he plucks a blue leaf from
+++ the young blue-gum
And gazing upon it, gathering and quieting
The God in his mind, creates an ocean more real than the ocean, the salt,
+++ the actual
Appalling presence, the power of the waters.
He believes that nothing is real except as we make it. I humbler have found
+++ in my blood
Bred west of Caucasus a harder mysticism.
Multitude stands in my mind but I think that the ocean in the bone vault is
+++ only
The bone vault’s ocean: out there is the ocean’s;
The water is the water, the cliff is the rock, come shocks and flashes of
+++ reality. The mind
Passes, the eye closes, the spirit is a passage;
The beauty of things was born before eyes and sufficient to itself; the
+++ heartbreaking beauty
Will remain when there is no heart to break for it.

Robinson Jeffers (1887-1961)

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These three poems are collected in The Wild God of the World, An Anthology of Robinson Jeffers, Selected, with an introduction, by Albert Gelpi, Stanford University Press, 2003

Thy Friend, Obadiah,written and illustrated by Brinton Turkle, Puffin Books; a Caldecott Honor Book in 1970

And the Christmas present I gave Mary Ellen and Wendy is The Poetry of Impermanence, Mindfulness, and Joy, edited by John Brehm, Wisdom Publications, 2017

Additional references: Return; Rock and Hawk; Robinson Jeffers at The Poetry Foundation.

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2016-10-17a Doughton Park Tree

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I believe this globed earth not all by chance and fortune brings forth her broods, but feels and chooses

[with a longer poem by Robinson Jeffers]

The winter-gray trunks reveal their true nature. Stick-straight tuliptree, angled encroaching oak, perfected symmetry of beech, funky slipped-disc hickory – now in the rarified morning after frost, all mysticism stripped from the breath rising up Dutchman Creek, the trees allow us to know their inmost inclinations, their gestures and attitudes freeze-tag obvious: Fill this space. Drink the light. Every drop.

Summer is the mystery, all bluster and concealment. Signature leafshapes swallowed in jostling overflow of green – in winter we discover how they do it. Branches ramified ever finer, each species has invented its own geometry, each distinct inscrutable math of its evolving. Here they crouch and rise and stand and lean behind our house, here they create this little patch of forest just like all other patches and utterly unlike any but itself.

These trees aren’t old. Maybe seventy years since last the loggers passed. Perhaps that white oak is a hundred. One big silverbell beside the water has had time to cast her progeny up the ridge, seven generations. The early prodigies succumb to shade – dogwood, hornbeam. Not many pines remain, mostly a few holy snags favored by woodpeckers.

This winter we first realized a respectable Liriodendron had fallen last summer, twenty-inch diameter and a hundred feet from the house but we never heard the crash, parallel to power lines so we never lost light. She rests beside a sister that lay down before we bought this place forty years ago. The old tree is almost returned to earth; the newly fallen still clings to a few black leaves. Up the hill, in full sun, another sister is at least double their size, heaving our driveway, flaunting her strange orange-yellow flowers a hundred feet high, prodigal with her seedlings.

I am old. Seventy soon. God speaks that tuliptree’s name in the space it fills, in jadegreen leaves and roots that smell of musk and camphor. How difficult is it for me to imagine my name also on God’s lips, imagine some webline of my self will extend its existence onward when the frame that supports it collapses, when the blood, the electricity cease to flow? Dutchman Creek will still complain after heavy rain. The twigs will twist to find their places. Light will fill a new day and expect to be drunk. Every drop.

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now all’s empty, a bone bubble, a blown-out eggshell

 

De Rerum Virtute
[The Virtue of Things]
++++ Robinson Jeffers (1887-1962)

++++ I
Here is the skull of a man: a man’s thoughts and emotions
Have moved under the thin bone vault like clouds
Under the blue one: love and desire and pain,
Thunderclouds of wrath and white gales of fear
Have hung inside here: and sometimes the curious desire of knowing
Values and purpose and the causes of things
Has coasted like a little observer air-plane over the images
That filled this mind: it never discovered much,
And now all’s empty, a bone bubble, a blown-out eggshell.

I believe the first living cell had echoes of the future in it

++++ II
That’s what it’s like: for the egg too has a mind,
Doing what our able chemists will never do,
Building the body of a hatchling, choosing among the proteins:
These for the young wing-muscles, these for the great
Crystalline eyes, these for the flighty nerves and brain:
Choosing and forming: a limited but superhuman intelligence,
Prophetic of the future and aware of the past:
The hawk’s egg will make a hawk, and the serpent’s
A gliding serpent: but each with a little difference
From its ancestors—and slowly, if it works, the race
Forms a new race: that also is a part of the plan
Within the egg. I believe the first living cell
Had echoes of the future in it, and felt
Direction and the great animals, the deep green forest
And whale’s-track sea; I believe this globed earth
Not all by chance and fortune brings forth her broods,
But feels and chooses. And the Galaxy, the firewheel
On which we are pinned, the whirlwind of stars in which our sun is one dust-grain, one electron, this giant atom of the universe
Is not blind force, but fulfils its life and intends its courses. “All things are full of God.
Winter and summer, day and night, war and peace are God.”

the sun will be strangled among his dead satellites, remembering magnificence

++++ III
Thus the thing stands; the labor and the games go on—
What for? What for? —Am I a God that I should know?
Men live in peace and happiness; men live in horror
And die howling. Do you think the blithe sun
Is ignorant that black waste and beggarly blindness trail him like hounds,
And will have him at last? He will be strangled
Among his dead satellites, remembering magnificence.

I believe that man too is beautiful

++++ IV
I stand on the cliff at Sovranes creek-mouth.
Westward beyond the raging water and the bent shoulder of the world
The bitter futile war in Korea proceeds, like an idiot
Prophesying. It is too hot in mind
For anyone, except God perhaps, to see beauty in it. Indeed it is hard to see beauty
In any of the acts of man: but that means the acts of a sick microbe
On a satellite of a dust-grain twirled in a whirlwind
In the world of stars ….
Something perhaps may come of him; in any event
He can’t last long. —Well: I am short of patience
Since my wife died … and this era of spite and hate-filled half-worlds
Gets to the bone. I believe that man too is beautiful,
But it is hard to see, and wrapped up in falsehoods. Michael Angelo and the Greek sculptors—
How they flattered the race! Homer and Shakespeare—
How they flattered the race!

the beauty of things means virtue and value in them

++++ V
One light is left us: the beauty of things, not men;
The immense beauty of the world, not the human world.
Look—and without imagination, desire nor dream—directly
At the mountains and sea. Are they not beautiful?
These plunging promontories and flame-shaped peaks
Stopping the sombre stupendous glory, the storm-fed ocean? Look at the Lobos Rocks off the shore,
With foam flying at their flanks, and the long sea-lions
Couching on them. Look at the gulls on the cliff wind,
And the soaring hawk under the cloud-stream—
But in the sage-brush desert, all one sun-stricken
Color of dust, or in the reeking tropical rain-forest,
Or in the intolerant north and high thrones of ice—is the earth not beautiful?
Nor the great skies over the earth?
The beauty of things means virtue and value in them.
It is in the beholder’s eye, not the world? Certainly.
It is the human mind’s translation of the transhuman
Intrinsic glory. It means that the world is sound,
Whatever the sick microbe does. But he too is part of it.

De Rerum Virtute
by Robinson Jeffers (1887-1962)

collected in The Wild God of the World, An Anthology of Robinson Jeffers, Selected, with an introduction, by Albert Gelpi, Stanford University Press, 2003

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it means that the world is sound

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I
now all’s empty, a bone bubble, a blown-out eggshell

II
I believe this globed earth not all by chance and fortune brings forth her broods, but feels and chooses

I believe the first living cell had echoes of the future in it

III
the sun will be strangled among his dead satellites, remembering magnificence

IV
I believe that man too is beautiful

V
the beauty of things means virtue and value in them

Robinson Jeffers, the Poetry Foundation

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