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Posts Tagged ‘A. R. Ammons’

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April 22, 2024
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Whatever attributes we claim as unique to the human species, such as our propensity for art and science and spirituality – these are gifts of the ground. Curiosity and exploration and awe require a world – a ground – to grow up from and in conversation with.
++++++ Eileen Crist, ecologist, 4/22/24, in The Sun, December 2020
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❦ ❦ ❦
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In Memoriam Mae Noblitt
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This is just a place:
we go around, distanced,
yearly in a star’s
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atmosphere, turning
daily into and out of
direct light and
 . 
slanting through the
quadrant seasons: deep
space begins at our
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heels, nearly rousing
us loose: we look up
or out so high, sight’s
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silk almost draws us away:
this is just a place:
currents worry themselves
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coiled and free in airs
and oceans: water picks
up mineral shadow and
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plasm into billions of
designs, frames: trees,
grains, bacteria: but
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is love a reality we
made here ourselves—
and grief—did we design
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that—or do these,
like currents, whine
in and out among us merely
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as we arrive and go:
this is just a place:
the reality we agree with,
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that agrees with us,
outbounding this, arrives
to touch, joining with
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us from far away:
our home which defines
us is elsewhere but not
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so far away we have
forgotten it:
this is just a place.
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A. R. Ammons (1926 – 2001)
from A Coast of Trees by A.R. Ammons. Copyright © 1981 by A.R. Ammons.
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Shared by Jane Hazelman, Elkin, NC, who writes:
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My only comments would be… and it’s interesting, now that I think carefully about it…
This poem caught me at time when I was grieving the loss of my father who died the same week my family moved to NC…. I felt the ground beneath my feet dropping away… I needed an anchor and somehow the poem nudged me to connect my spirit to the natural world of spider silk, streams and trees, breezes – that comfort was all around me, holding me to its self.
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++++++ Jane
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Erase the lines: I pray you not to love classifications.
The thing is like a river, from source to sea-mouth
One flowing life.
++++++ Robinson Jeffers
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Klondike Lake Dam, mural by Eva Crawford

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The Beauty of Things
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To feel and speak the astonishing beauty of things—earth, stone and water,
Beast, man and woman, sun, moon and stars—
The blood-shot beauty of human nature, its thoughts, frenzies and passions,
And unhuman nature its towering reality—
For man’s half dream; man, you might say, is nature dreaming, but rock
And water and sky are constant—to feel
Greatly, and understand greatly, and express greatly, the natural
Beauty, is the sole business of poetry.
The rest’s diversion: those holy or noble sentiments, the intricate ideas,
The love, lust, longing: reasons, but not the reason.
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Robinson Jeffers (1887 – 1962)
from Poetry, Vol. 77, No. 4, Jan., 1951
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Shared by Catherine Carter, Cullowhee NC, who writes:
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I’ve selected this one because lately I’ve been thinking a lot about paying attention as a holy act, maybe THE holy act, and, if not “the sole business” of poetry, at least a large part of it.  So much of what we lose and destroy is because we won’t or can’t give attention; we think of the tree we cut as “ordinary”, as “just” a tree, of the insects we poison as just flaws in our experience of the world, as if our experiences of the world were all that mattered. 
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Along those lines, I’m also including the final poem from my book, Larvae of the Nearest Stars, “The Promise”.  That poem first appeared in Still: The Journal, October 2017, and was then reprinted in the collection.  Its tone is very different, and I certainly wasn’t thinking about “The Beauty of Things” when I wrote it…but it’s basically promising to do what Jeffers is talking about—paying attention to what’s all around us, what we sweep away or walk right over or destroy without ever knowing it because we think it’s “ordinary.”  And I thought of this one, Bill, because of your wonderful post about the tiny, tiny flowers.
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+++++++ Catherine
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The Promise
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Life-root, blazing out in your golden rags.
Killdeer, skimming the soccer field,
pealing the glad word of May.  Soft lamb’s
quarter, powdered with pewter dust
that might’ve come from the Horsehead
Nebula, putting spinach to shame
with your mineral riches.  Wood
thrush trilling your deep flute-
notes from the high canopy, almost never
seen.  Tiny henbit, more glamorous
and sexy in your freckled orchid pink
than Marilyn Monroe’s…et cetera.
Et cetera.  The list goes on longer
and deeper than any human voice,
and how many hear any of you
over the clamor of ego and ad,
how many know you were ever
here? Nor can I save you
when they come with the mowers,
the poisons, nor make the world
plant milkweed for its true-born monarchs.
What I can do is what I am
doing:  look for you. Listen
as you proclaim your many
names in all the tongues
of earth.  Speak those names back:
as long as lichens
star this mountain’s boulder-bones
in flat seaglass rosettes, so that even the rock
blooms some wordless joy
into the day’s high air,  I will
not cease.  I will go on
doing my work in this world.
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Catherine Carter
from Larvae of the Nearest Stars, LSU Press.© 2019
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Both from an ecological perspective and from Genesis’ point of view, goodness resides in the community, the web of life, in the relations of the whole biosphere.
++++++ Rabbi Ellen Bernstein
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Look at the animals roaming the forest: God’s spirit dwells within them. Look at the birds flying across the sky: God’s spirit dwells within them. Look at the tiny insects crawling in the grass: God’s spirit dwells within them.
++++++ Pelagius (4th century Celtic theologian)
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Miracles
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Why, who makes much of a miracle?
As to me I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love, or sleep in the bed at night with any one I love,
Or sit at table at dinner with the rest,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive of a summer forenoon,
Or animals feeding in the fields,
Or birds, or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown, or of stars shining so quiet and bright,
Or the exquisite delicate thin curve of the new moon in spring;
These with the rest, one and all, are to me miracles,
The whole referring, yet each distinct and in its place.
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To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every foot of the interior swarms with the same.
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To me the sea is a continual miracle,
The fishes that swim—the rocks—the motion of the waves—the
        ships with men in them,
What stranger miracles are there?
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Walt Whitman (1819 – 1892)
Collected in The Golden Treasury of Poetry ; in the public domain.
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Shared by Nancy Barnett, Eustis FL, who writes:
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My brother Tom was a wonderful gift giver. We had lost our brother Frank in June 1962 when I was 11 years old. Tom gave me a book during that time by Louis Untermeyer, The Golden Treasury of Poetry (1959). 
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When I went back to school in the fall our 6th grade teacher Mrs. Heinlein asked the class to bring something to read aloud and I chose Miracles from Untermeyer’s collection. I loved the image of nature and the hopefulness of life being seen as a miracle. I knew nothing about Walt Whitman then. (The version in The Golden Treasury of Poetry was somewhat sanitized for the young reader.)
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The Poet Laureate Joy Harjo noted that her love of poetry was fostered by the very same book.
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++++++ Nancy
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Indeed, one outcome of my watch at the mandala has been to realize that we create wonderful places by giving them our attention, not by finding ‘pristine’ places that will bring wonder to us.
++++++ David George Haskell
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from The Forest Unseen: A Year’s Watch in Nature, in which Dr. Haskell spent a year visiting almost every day a small circle of ground in the southern Appalachian forest, his mandala, and simply opened himself to its presence.
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Crane Migration, Platte River
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I am in danger of forgetting the cranes,
their black wavering lines in the sky,
how they came as if from the past,
how they came of one mind,
wheeling, swirling over the river.
I am in danger of losing
the purling sound they make,
and the motion of their long wings.
We had stopped the car on the river road
and got out, you and I,
the wind intermittent in our faces
as if it too came from a distant place
and wavered and began again, gusting.
Line after line of cranes
came out of the horizon,
sliding overhead.
The voices of cranes
harsh and exciting.
Something old in me answered.
What did it say? Maybe it said Kneel.
I almost forgot the ancient sound,
back in time, back, and back.
The road, the two of us at the guardrail,
low scraggle of weeds flattening and rising
in wind. This is what I must retain:
my knees hit the damp sand of the roadside.
This is what I remember:
you knelt too. We were wordless together
before the birds as they landed on the sandbars
and night came on.
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Marjorie Saiser
from The Woman in the Moon, University of Nebraska Press, Backwaters Series, © 2018
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Shared by Michael Beadle, Raleigh NC, who writes:
The opening line to this poem from the anthology The Wonder of Small Things: Poems of Peace and Renewal is a call to us all:  against forgetting. Against ignoring the beauty that startles us. It dares us to step deeper into the mystery, turns us into wide-eyed children again as we look up at the heavens, peer into a clear lake, gaze across a field or behold a magnificent tree or bird. This poem reminds us that nature is within range, that it has not disappeared (yet), though we humans are doing our damnedest to foul up the sky, poison the waters, plunder the earth for profit. This poem is about holding ourselves still in that moment of awe, stopping our busy lives to listen to the wind, to the flap of wings, to the crunch of gravel, the swish of tall grass. In such moments of grace and wonder, we are, quite literally, brought to our knees as we show respect for the world around us, the world that breathes into us, the world we have to be reminded of from time to time that was here long before we were and will be here long after we are gone. 
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++++++ Michael
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I go to Nature to be soothed and healed, and to have my senses put in tune once more.
++++++ John Burroughs, naturalist
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I believe that there is a subtle magnetism in Nature, which, if we unconsciously yield to it, will direct us aright.
++++++ Henry David Thoreau, fromWalking
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Teach the children. We don’t matter so much, but the children do. Show them daisies and the pale hepatica. Teach them the taste of sassafras and wintergreen. The lives of the blue sailors, mallow, sunbursts, the moccasin-flowers. And the frisky ones – inkberry, lamb’s-quarters, blueberries. And the aromatic ones – rosemary, oregano. Give them peppermint to put in their pockets as they go to school. Give them the fields and the woods and the possibility of the world salvaged from the lords of profit. Stand them in the stream, head them upstream, rejoice as they learn to love this green space they live in, its sticks and leaves and then the silent, beautiful blossoms. Attention is the beginning of devotion.
++++++ Mary Oliver
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To celebrate EARTH DAY 2024 we are featuring seven posts of poems submitted by readers – poems by William Blake to Walt Whitman, Robinson Jeffers to A.R.Ammons to Linda Pastan, and by a number of contemporary poets. Check in every day or two – connect to the earth and to each other!
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IMG_0880, tree

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[with 3 poems by A. R. Ammons]
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Quibbling the Colossal
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I just had the funniest thought: it’s the
singing of Wales and whales that I like so
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much: you know, have you heard those men’s
groups, those coal miners and church people in
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Wales singing: to be deeply and sweetly undone,
listen in: and the scrawny rising and
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screechings and deep bellowings of whales,
their arias personal (?) and predatory at
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love and prey – that makes up mind for us as
we study to make out mind in them: the reason
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I can’t attain world view or associational
complexity is that when I read I’m asleep by
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the second paragraph: also, my poems come in
dislocated increments, because my spine between
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the shoulderblades gets to hurting when I type:
also my feet swell from sitting still: but
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when the world tilts one way it rights another
which is to say that the disjunctiveness of my
 . 
recent verse cracks up the dark cloud and
covering shield of influence and lets fresh
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light in, more than what little was left, a
sliver along the farthest horizon: room to
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breathe and stretch and not give a shit, room
to turn my armies of words around in or camp
 . 
out and hide (bivouac): height to reach up
through the smoke and busted mirrors to clear
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views of the beginnings high in the oldest
times: but seriously you know, this way of
 . 
seeing things is just a way of seeing things:
time is not crept up on by some accumulative
 . 
designer but percolates afresh every day like
a hot cup of coffee: and Harold, if this is
 . 
an Evening Land, when within memory was it
otherwise, all of civilized time a second in
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the all of time: good lord, we’re all so
recent, we’ve hardly got our ears scrubbed,
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hair unmatted, our teeth root-canaled: so,
shine on, shine on, harvest moon: the computers
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are clicking, and the greatest dawn ever is
rosy in the skies.
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++++++++++ CAST THE OVERCAST
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A. R. Ammons
from Bosh and Flapdoodle, W. W. Norton & Company, New York, NY; © 2005
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❦ ❦ ❦
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January 1: The big round thermometer on the back porch reads 35 degrees Fahrenheit. A long thin coiled spring of two facing layers: each face different metals which contract differently when cooled: the spring’s central attachment a little axle free to rotate: on the axle a needle, a pointer that is able to inscribe an arc three-quarters of a circle: -40 to 140 degrees, currently 35. In 2024 when we can simply inquire of our phone, are we really meant to believe this dubious mechanical contraption?
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My ear lobes, the back of my neck, and my nose hairs believe it. I zip up, pull my cap lower, and walk down the hill toward the river. Jason has pulled in and unlocked the gate. Soon more layered and downed figures arrive. Here we go, twenty-five of us, on our First Day Hike along this newest little section of the Mountains-to-Sea Trail beside the Yadkin River in Surry County.
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First Day Hikes have sprung up all over, parks and neighborhoods, greenways and rail trails. About half of this morning’s walkers have never before attended an Elkin Valley Trails Association event. Something new to show this old muddy river. Fresh coyote tracks on a sandy bank. In a rotting stump, a big square pileated woodpecker hole that wasn’t here 3 days ago when Jason scouted. Still-moist chips at the base of a girdled tree and bright incisor marks from the beaver.
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Now we’re crossing a meadow with waving heads of last summer’s asters, dry and higher than our own heads. I’m pulling goldenrod and wingstem seeds to sow on newly bare ground around the new crossing over Dutchman Creek. Dee remarks on the beauty of particular airy feathered fronds – dog fennel, no summer eye-catcher but striking in its winter browns and grays.
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Old? New? Or just a continuous flow of moments like these? I’ll turn away from my mirror. I won’t query my knees. I’ll unzip my jacket, because now we’re moving and I’m plenty warm. I’ll  enjoy a big inhale of the river-moist air. I’ll listen to the chatter of hikers and the whistle of white-throated sparrows. I’ll make myself ready to notice the next new thing before us.
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❦ ❦ ❦
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Hooliganism
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Once (there was a time when) I was attracted
to, if not attractive to, everybody, starlet
 . 
and streetlet, athlete and bellybag: afire,
I burned anything, including myself: kneedeep
 . 
in ashen brush, even some simmering fagots, I
tried to separate the heat from the flame but
 . 
gave up, pouring it all into the love of a wife
now nearly half a century old – the wife a
 . 
little older: most of those old flames (sweet
people) have flickered away except for the
 . 
corner of my mind where lively they live on in
honor, honorary doctorates circling their
 . 
laureled heads – what schools they founded!
taking what pains, with what tears, they taught
 . 
me how, roaring possibilities and tenderest
glows: love, love, one learns to love, it is
 . 
not easy, yet not to love, even astray, leaves
something left for the grave: burnt out
 . 
completely is ease at last, the trunk honeyed
full as a fall hive: when the light dies out
 . 
at last on the darkening coals, the life
turns to jewels, so expensive, and
 . 
they never give the sparkle up: this was
a fancy, and not half fancy enough and somewhat
 . 
lacking in detail but ever true.
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A. R. Ammons
from Bosh and Flapdoodle, W. W. Norton & Company, New York, NY; © 2005
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❦ ❦ ❦
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My friend Anne gave me Bosh and Flapdoodle. A. R. “Archie” Ammons wrote the collection of poems in 1996, five years before his death, and his son and friends had it published in 2005, all of the poems, as they say, “exactly as Ammons wrote them.” I am always surprised by Ammons. Throughout his life as a writer he demonstrates that poetry is everywhere, and everything. There is nothing mundane or unworthy of being noticed. That itself can be surprising, especially if you have the idea that poetry exists on some elevated plane, but I’m also often taken off guard, like a snow ball to the face, by his sudden deep connections that reveal the reality of our existence.
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from Mouvance
. . . so if you are to get any passion out
 . 
of life, you’ll have to dig it out of narrow
spaces or squeeze all you have into slender,
 . 
if deep, circumstance: I myself have never
known what to do about anything: as I look
 . 
back, I see not even a clown but a clown’s
clothes flapping on the clothesline of some
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tizzy: . . .
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A. R. Ammons and Fred Chappell have been my enduring poetic inspirations. They are alike in that their poetry can be complex and difficult, but they both always return to the earthy assurance of our humanity. Perhaps because they both grew up in rural North Carolina, Archie in the sandhills and Fred in the mountains? This book, more than most any Ammons collection I’ve read, is personal and intimate, and of course as always irreverent, but even more than usually hilarious. He demolishes any grand notion of his greatness (he, one of the greatest 20th century American poets). He crushes any sentimentality about aging or his own approaching death. He invites, I guess he requires, his reader to just look around and really look within and stop for a minute to think about what’s going down. Yeah, it’s bosh and flapdoodle. Yeah, it’s life.
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More about Archibald Randolf Ammons HERE
Purchase Bosh and Flapdoodle from Bookshop.org HERE
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Way Down Upon the Woodsy Roads
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Don’t you think poetry should be succinct:
not now: I think it should be discinct: it
 . 
should wander off and lose its way back and
then bump into a sign and have to walk home:
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who gives a hoot about those big-Mack trucks
of COMPRESSION: what are the most words for
 . 
the least: take your cute little compact and
don’t tell me anything about it: just turn me
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loose, let me rattle my ole prattle: poetry
springs greatest from deepest depths: well,
 . 
let her whistle: how shallow can anything
get: (rhyming on the front end): I do not
 . 
believe that setting words to rhyme and meter
turns prose into poetry, and having written
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some of the shortest poems, I now like to
write around largely into any precinct (not
 . 
succinct) or pavilion (a favorite word) I fall
in with: I have done my duty: I am a happy
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man: I am at large: life sho is show biz:
make room for the great presence of nothing:
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do you never long to wander off: from the
concentrations: for it is one thing to fail
 . 
of them and another never to have intended
them: the love nest, men becomes a solid
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little (mortgaged) colonial: duty become your
chief commendation: the animal in you, older
 . 
than your kind, longs to undertake the heavy
freedom of going off by himself into the wide
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periphery of chance and surprise, pleasure or
terror: oh, come with me, or go off like me,
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if only in the deep travels of your soul, and
let your howl hold itself in through all the
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forests of the night: it’s the shortest day:
the sun is just now setting behind the branch
 . 
of the crabapple tree it always sets behind
this day of the year. . . .
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++++++++++ DRAB POT
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A. R. Ammons
from Bosh and Flapdoodle, W. W. Norton & Company, New York, NY; © 2005
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2020-03-07 Doughton Park Tree
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[with poems by John Brehm (and A. R. Ammons)]
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Songbird
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Even thou I have not seen it,
I know how it could be,
how when the skylark flees
from a falcon’s quick pursuit
 . 
it will turn sometimes and begin
to sing, as if to say, “Being
eaten by a falcon is the last thing
in the world I’m worried about.
 . 
You cannot catch me, Tra, la, la.
I’ve got breath enough to waste
on a song like this, which you
may as well enjoy before I vanish
 . 
into air.” And the raptor know
it’s true, knows that anyone
foolish enough to sing in such
a circumstance is quite beyond
 . 
ever being caught, and that for all
his hunger he’ll be given just
a song, tumbling through the air,
as the body he desires disappears.
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John Brehm
from Sea of Faith, winner of The Brittingham Prize in Poetry, University of Wisconsin Press, © 2004
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❦ ❦ ❦
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For the past two months I am an ant whose dead moth has been lofted by an unseen hand. Go this way, go that way, it’s got to be around here somewhere. Tornado, no power for three days, driveway blocked, hundreds of trees down in our neighbors’ yards and a dozen in ours. Check the roof with the adjuster, walk the property with the arborist, wake up and go to bed with chainsaws and cherry pickers. We’ve lived in this house for forty years and the oak, hickory, maple, tuliptrees where already mature when we moved in. We’ve been used to one deep green engulfing embrace all summer, every summer. Now everything has changed.
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I took a “break” this month, as I’d promised them last winter, to serve as primary caregiver for my nonagenarian parents while they spent a fond bit of time at their beach house. The first thing I noticed when Linda pulled back into our driveway the evening I returned was . . . WEEDS! Holy cow, fallow earth so used to deep shade must have been preserving this seed cache forever! Pokeberry, pilewort, hawkweed, fleabane, despised mimosa, uncounted escaped purple basil a friend gave me three decades ago – they’re everywhere and BIG! The invasion is overwhelming. As if life weren’t overwhelming me already.
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After supper I walked out front to check the progress of a volunteer pumpkin that has grown up into the azaleas. Maybe I shouldn’t have instructed Linda to water it twice a week. The black-eyed susans have finally completed their conquest of our borders. Plants – they do enjoy sunlight. I stop in the middle of the roadway and turn to look back at our property. Is this the first time in two months I’ve looked up? Above and behind and around our house – sky. Empty sky. How long before the remaining trees fill it? How long until I lose this dread feeling that nothing will ever be the same?
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A number of years ago I read an anthology that I often return to: The Poetry of Impermanence, Mindfulness, and Joy, edited by John Brehm. When life is overwhelming and being in the moment is about to set my last few hairs on fire, I open to any page. There is no judgement here. No finger-wagging that I am not doing “enough.” There are no spiritual prescriptions or required agendas. I know as I read I’ll simply be sharing with a companion, another human being. It’s nice to be just one human among other humans, from Basho to Billy Collins and Saigyō to Shakespeare, friends all. I am an ant who feels no anxiety for his moth.
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Then one day my issue of The Sun arrived I discovered these two by John Brehm himself:
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Wanting Not Wanting
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I wish I didn’t
want things
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to be other
than they are
 . 
but wanting
to be some-
 . 
one who
doesn’t want
 . 
things to be
other than
 . 
they are is
just another
 . 
way of wanting
things to be
 . 
other than
they are —
 . 
and I don’t
want that.
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 . 
On Turning Sixty-Four
 . 
The slowing down
is speeding up.
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John Brehm
from The Sun. Chapel Hill NC, June, 2020
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Oh my. Ohhhh my. I photocopied the page and kept it taped the wall beside my desk for months. Eventually I said to myself, “This John Brehm fellow has gotten into my head. I’d better get to know him better now that we’re friends.” I ordered Sea of Faith and was immediately floored (or exalted?) by the inscription: To the memory of A. R. Ammons ( 1926-2001). Oh my, here’s my other perennial poetry inspiration. So to come full circle I share with you another poem which I resemble intimately, this Ammons poem that appears in The Poetry of Impermanence.
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Old Geezer
 . 
The quickest
way
to change
 . 
the
world is
to
 . 
like it
the
way it
 . 
is.
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A. R. Ammons (1926-2001)
from The Poetry of Impermanence, Mindfulness, and Joy. Wisdom Publications, Somerville MA, © 2017
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❦ ❦ ❦
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The Blasted Tree
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Of all of them along the path
that curved for twenty miles
through thickest forest, it was
the blasted tree I loved
best. Among thousands of firs
risen beyond the eye’s reach,
among colossal cedars
with their bark soft
as humid earth, among
groves of slender birches that
filtered winds cast across
these hills from Asia,
among even the hemlocks, gripped
in rocky ground and holding
two hundred years of darkness
in each leaf, among all these
it was the blasted oak
I loved best. Just as the path
turns and ascends, it stands
in a little clearing, like
a signpost to the walker
who would go on farther, as if
to say there is some price
to be paid, or only
the stricken may enter here.
Perhaps because it stood alone
the lightning bolt found its way
to it, the branch that would
have arched above and shaded
the meadow, torn off in a
brilliant flash of the sky’s
violence, ripped cleanly
from the trunk, though you can
still see the black scorched
teeth of the wood where
it broke and let
the limb fall to earth.
It must have been a ghastly
sound and a sight heart-
breaking to behold, the perfect
symmetry and elegance gone
in an instant. And now
a piece of sky no one would
ever have seen from here
come clearly into view,
empty and lue and cleaner
than before because of
the branch’s vivid absence.
I loved the damaged grandeur
of that tree, how it bore
its loss with such composure,
and kept on growing, lop-
sided, irreparable, beautiful,
the catastrophe of its history
written on its body.
And though I am not one
who’s been appointed to say
what trees may mean, it was
no mystery why it could hold
me so still, compel my eye
to such study, whenever
I passed that way.
 . 
John Brehm
from Sea of Faith, winner of The Brittingham Prize in Poetry, University of Wisconsin Press, © 2004
 . 
 . 
❦ ❦ ❦
 . 
Signs and Wonders
 . 
I’m not entirely in favor of summer,
what with its drop-dead heat,
its shallow unbothered
 . 
air of fullness beyond ending or
enduring. Sure I like to see
half the world disappear
 . 
behind this velvet green pulled from
the magician’s hat of the month
of May just like everybody
 . 
else. And I’m aware of the sun’s
unbearable importance because
why would we have ever
 . 
stood upright if not to get the sun
off our backs when we dropped
from the trees onto
 . 
the burning savannas five million
years ago? Now we can scan
the horizon, carry things
 . 
in our hands, give and take things to
and from one another. From
which all history
 . 
follows. Still, I wonder whether
swinging wordlessly from
branch to branch
 . 
might be better. I don‘t fell all
that thankful towards the
sun for bringing us
 . 
here or staging this big production,
this overwritten text in which
every meaning contains its
 . 
opposite – the furious tenacity
of life calling forth the sev-
ering response of death,
 . 
etc. Just last night I was walking
home thinking is my lover
going to leave me?
 . 
when a dead bird plummeted
from the sky, slammed onto
a car hood and rolled
 . 
onto the sidewalk beside me.
I’m as un-Homeric as the
next person, but Jesus,
 . 
I said, this cannot be a good
sign. Did it have a heart
attack mid-flight, Or
 . 
was it dropped from the talons
of a predator? Or knocked
out of the sky by an
 . 
airplane? Or thrown down by
the god assigned to watch
over and comment on
 . 
my various questions and pre-
dicaments? If we’d stayed
in the cool shade of
 . 
the forest no birds would ever
fall on us, or if they did we
wouldn’t kill ourselves
 . 
trying to decipher what they
might foretell. And this
morning coming up
 . 
the 34th Street subway I passed
a young Russian man hand-
ing out pamphlets, saying,
 . 
“Jesus is alive. Jesus loffs you.”
I don’t think so but I don’t
know anything, only
 . 
that it’s hot and we don’t belong
here and our hands betray us
and you’re gone.
 . 
John Brehm
from Sea of Faith, winner of The Brittingham Prize in Poetry, University of Wisconsin Press, © 2004
 . 
 .
 . 
❦ ❦ ❦
You
 . IMG_1783
 . 

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