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[ with 3 poems by David Poston from Letting Go,
Fernwood Press, Newberg OR © 2026 ]
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Disobedience
To think about God is to disobey God.
—Alberto Caeiro
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For a few moments each night before I fall asleep,
I lie in my bed and think about God,
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about that old God-with-Thunder calling softly
to young Samuel in the night,
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about Elie Wiesel rebuking that God or his betrayal
on a flame-licked night at Auschwitz.
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One theologian says the Enlightenment led to Auschwitz,
while an open window led to penicillin,
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but what led Fleming to bring forth penicillin
from a moldy dish but his mind,
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the same mind that imagines monkeys typing Hamlet?
Who could have imagined children in America
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caged by lockdown, watching a red-blooded American
storm the Capitol in a Camp Auschwitz T-shirt?
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Though I was raised to dare not think of disobeying God,
Wiesel showed me questions are belief’s ripening,
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and I want to ask what Jesus wrote in the sand before
he looked up and spoke words that made a mob
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drop their stones and walk away one by one, oldest first,
leaving him alone with the shamed woman.
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Each Gospel describes the feeding of the five thousand, but none
count the children or their mothers quietly providing.
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Alas, poor Hamlet, when you shuffled off this mortal coil
where were the women to mourn for you?
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I’m not Samuel, though I’ve spent time as child and man
alone with my questions in a lonely bed,
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but alone or not, like the boy Samuel, I lie here each night
and listen until I fall asleep.
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David E. Poston
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❀    ❀    ❀
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She, Being Holy Ghost
 .  . 
Past Rock City and the cattle on a thousand hills,
broken trees poke through the gray wool
of the late-winter mountainside waiting for
rapture to seize the dogwoods below them.
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Stones lie scattered like pillows in whitewater
bleeding out into the calmness spooling
under the footbridge across the Davidson,
where trout float all day in the shadows,
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facing upstream toward Pisgah, and beyond,
the backcountry called Shining Rock,
thick with bears. And she, being Holy Ghost,
is neither hawk nor wind under wing,
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is not turn of leaf in laurel thicket
nor any of the thousand shades of green
shadowed by clouds rolling over balds,
nor any shadow passing swiftly across the land.
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She is not bear or scent of bear,
nor chill prickling the hiker’s neck at
seeing the hunched shape too big to be dog.
She is not the pause between the spondees
 . 
of the quickened heart nor the synapses
firing muscles for flight. Not the dimple
in the water where the mayfly lands, nor
the shimmer of the rising trout.
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She is neither baby’s cry nor moss on tombstones,
neither the darting nor the dimming of eyes.
Yet without her, there is no telling.
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David E. Poston
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❀    ❀    ❀
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questions are belief’s ripening . . .
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There is a huge imagination at work here. At work and at play. David Poston casts his net wide into the sea of human experience and draws it forth sparking and squirming. Culture, literature, music, art, the shining fish that define and enlarge us, all are schooling within these poems. And most of all religion: faith and doubt, questions whose answers have come unstrung and drift away while we chase after them like gossamer from a dandelion. Will we discover new answers to take their places?
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As I read page by page through Letting Go, its world opens before me. It meanders and climbs, it explores and discovers. In my conversation with the poems and the poet, I ask myself what I have let go, and what I must yet let go. The faith of a child – will it lead only to emptiness and despair, or can there still be a wellspring of joy in this angry world? People I have loved – can they still live in my heart? In the book’s closing poem, a trapeze artist lets go at the apogee of her incredible graceful soaring. In complete trust, she releases. What comes next? No, don’t ask, live only in the beauty of this moment if you can. Live for a moment in the beautiful precision of lanuage, the poems’ grand imagination. Live in poetry’s welcome invitation to the next question, and the next.
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❀    ❀    ❀
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Something Beautiful
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Last month,
as the Fourth of July barrage
dissolved into the night
and people around me
gathered camp chairs and blankets
for the slog through everyone’s trash
back to their cars,
I stood there in the dark
waiting for one more
bright flowering
I knew would never come.
 . 
Now, lying alone
just before dawn
waiting for the Perseids
to flare across
the edge of sight
as the sky begins to pale
behind a rumple of mist
where the dark lake waits,
I shouldn’t worry about
which faint streaking
will be the last.
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I’m remembering
my ninety-year-old father
bursting into laughter
at the Dairy Queen
as he ate a banana split,
and what was so funny to him
was the sudden thought—
he said this—
that it might be
the last one he ever ate,
and what could I do
but laugh with him
and remember later
that he was right?
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David E. Poston
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❀
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David Poston’s Letting Go is available from Fernwood Press. David grew up in rural North Carolina and still calls the Tar Heel State home. He has received awards from the Writer’s Workshop of Asheville, Charlotte Writers Club, and Southeastern Writers’ Association. His poetry and book reviews have appeared widely, including the NC Literary Review, and he is a former editor of the anthology Kakalak.
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❀    ❀    ❀    ❀    ❀
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or more poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
 . 
 . 
If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
 . 
– Bill
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2016-05-08a Doughton Park Tree
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[I originally posted this essay, including two poems by Katherine Stripling Byer, on October 24, 2020. Now I’m packing for another trip to the Smokies, the Tremont Writers’ Conference. Enjoy this trip through the archives as we journey through Autumn. — Bill]
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❀    ❀   ❀
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Appalachian Trail near Clingman’s Dome, 2003

[with two poems by Kathryn Stripling Byer]

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Summer has skimmed the high ridge like a chimney swift, rarely perching for long. Now on September mornings you can see your breath. First frost certainly won’t dally. Above 6,000 feet you wonder, Where is the South in Southern Appalachians?

And what about these bleached spines and gnarled knucklebones? This phalanx of snags that palisades the highest elevations against the green upon green below? The balsam wooly adelgid arrived on Clingman’s Dome in 1957. By the 1980’s the tiny insect invader from Europe, order Hemiptera, had destroyed more than 90% of the Fraser Fir in Great Smoky Mountains National Park.

This year, though, the Park Service has declared a tenuous truce. Some of those dead snags are forty years old but younger trees spared by the adelgid have matured and are making fertile cones. The very oldest trees, with thicker bark, also seem less susceptible. The insects are still around but you have to hunt for them, whereas during the earliest infestations biologists described the branches covered in wooly bugs as if they had been “whitewashed.”

What is the fulcrum of this new equilibrium? Perhaps the adelgid found easy pickings among whole communities weakened for decades by acid deposition, bad air. Coal-burning power plants up the Appalachian ridge to Canada have added scrubbers. The red spruce that had stopped growing in the ‘80’s are laying on new rings of cambrium. Leave a patch of ground alone long enough and it will grow into what it is meant to be.

Or will it? Depends on what you mean by leave alone. The fir that survive are a little more resistant to the insect, a little more acid tolerant. But what happens as their subalpine microclimate becomes less like Canada and more like Atlanta? Scrubbers remove the nitrogen and sulfur that oxidize to form acids but when you burn carbon you get carbon dioxide. Can’t scrub that out. How many degrees of warming can Fraser fir tolerate? Go higher, it gets cooler. Here in the Park you can’t go any higher than Clingman’s Dome.

Mountain Angelica, Angelica triquinata (Apiaceae - parsley family)

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Last week I shared two poems from Kathryn Stripling Byer’s first book (1986). The two poems that follow here are from her final book, Trawling the Silences, published in 2019 two years after her death.

Kay Byer takes me into wild places and she brings me home. She names the earth, just naming a thing is a prayer, and she leaves nameless the mysteries that mist from her verses into my soul. She has left this earth, and she has left this earth to me to hold close for the days I will remain. Notice. Learn. Cherish. Tell it.

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Three for My Trail Guide
for Jim

1.

Ascent

Before I can catch
my breath you right away
start to identify

Wild Ginger,
Mayapple,
Bloodroot.

I’m dizzy with switchbacks
I see rising into
the hardwoods you hail

Sarvis,
Sycamore,
Tulip Tree.

Trillium sweeps down
the hillside like angel wings
come to rest creekside.

You chanting hepatica,
stonecrop, anemone,
we climb until

we reach the summit,
where underfoot
some stubborn lichen

you can’t name
has already claimed
the best view.

2.

Star Grass

You name it
and there it is
at the edge
of the outcropping
over the Gorge.

Not to worry,
I placate the ravens
that harry us,
we won’t be lingering
long in your aerie.

See? Even now we are
striding away
into star grass,
its small spikes of clear
recognizable light.

3.

Galax

Squatting behind bushes,
I smell it nearby, neither bear scat

nor carrion vine, to which naturalists
liken its scent, but the breath

of an old woman lowering herself
to her chamber pot, sighing

as I heard her sigh while I tried
not to listen. Hoisting my backpack

I leave her behind in the underbrush,
glad to be back on the trail

with you, sidestepping tree stump
and blowdown, splashing through

creek bed, striding from switch back
to switch back toward sky we see,

step by step, open its window,
when, almost to summit, I stop.

Breathing hard. The scent
of her following me.

Kathryn Stripling Byer, from Trawling the Silences (Jacar Press, 2019)

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Silvery Glade Fern, Deparia acrostichoides (Dryopteridaceae - Wood Fern Family)

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Trawling the Silences

This end-of-March day, I’d rather watch hawks surf the
thermals than contemplate what lies ahead.
Or behind in its wake. In the few hours left, let me keep
my doubts shut, my windows wide open, their sheer curtains
billowing. It’s March, after all, having come in
a lamb and departing a lioness, stalking my back yard,

leaving her paw prints alongside the patient ephemerals
rising again out of leaf litter. Squirrel corn. Spring beauty.
The first rue anemone. Today I would rather
read field guides, repeating the whimsical names
of our nice-dwelling mussels about to be wiped out by backhoes
and bulldozers. Pimpleback, Snuffbucket. Monkeyface
Pearlymussel. Don’t let their names be forgotten,
I’d pray if I prayed, though just naming a thing is a prayer,

wrote Simone Weil, turning her face to the almighty
silences. The silences. Where would we be
without them, what were we, what will we be, oh to be,
and again be, that damn linking verb. I’d rather be tracking
my lioness up to the rim of that mountain top,
I’d rather let be and let go. Let the anemone
cling, the hawks soar, the lioness squander another day
trying to find what she’s looking for. Give her another day,
I ask the Almighty. Give the birds one more day
scolding the rapscallion squirrels stealing birdseed.
I rest my case, carapace, my own little voice trawling
the silences, the bully wind boasting its presence in present-tense,
no linking verb to shut down the show. Let
my lioness lounge in the sally grass. Licking her paws.

Kathryn Stripling Byer, from Trawling the Silences (Jacar Press, 2019)

 

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Spruce-Fir forests covered vast areas of the Southeast when glaciers reached their southernmost extent 18,000 years ago. As the glaciers retreated north the Spruce-Fir communities also retreated to higher elevations and now remain only along the highest peaks and ridges above 4,000 feet elevation, mostly higher. Clingman’s Dome at 6643 feet is the highest point in Great Smoky Mountains National Park and indeed along the entire Appalachian Trail. Its impressive swath of Spruce-Fir is also home to the rare Jordan’s Red-Cheeked salamander (Plethodon jordani) found only in the Park. The naturally acid soil and severe climate limit biodiversity compared to lower elevations, but other distinctive high elevation species include mountain ash (Rose family), mountain wood sorrel, mountain asters, glade fern. After sixty years the Fraser Fir seem to be surviving the balsam wooly adelgid invasion, air pollution, acid rain; it remains to be seen how long they will remain in the face of advancing climate change.

from SNAKE DEN RIDGE, A BESTIARY, illustration by Linda French Griffin

from SNAKE DEN RIDGE, A BESTIARY, illustration by Linda French Griffin

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Photos by Bill Griffin from Southern Appalachian Naturalist Certification Program; Southern Appalachian Ecology, September 2020, Great Smokies Institute at Tremont; instructors Jeremy Lloyd and Elizabeth Davis.

 

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[ 4 poems from Brillig summer/fall 2026 ]
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Peas are Wild Things
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In their tangle, the disrepair of the world seems new.
I sleep, only in fits; they grow all night without sound.
They make a mesh for themselves and my children
find in the green tent trellis a place of refuge,
shade as soft as wood duck down where they lay down,
where crows, those sailing shadows, come closer.
These peas are wild things. yet, they build a civilization
without acknowledging the grief ahead of them:
the dry rattle at summer’s end, the killing encasement
by the first hard frost. At this moment, their shelter
is a place of grace, of freedom, of mysteries.
 . 
Paul Jones
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❀    ❀    ❀
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New Trail
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Two days after my divorce is final I see a vision. Pepsodent
smile, red hair, overgrown beard, strong legs, ragged sorts,
scuffed leather boots. We’re trailwork volunteers. He’s worn
that insurmountable barrier ten years; doesn’t own a razor.
I can’t imagine a kiss.
 . 
“Mom! You don’t do beards.”
“I do now.”
 . 
Patricia Darcy
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❀    ❀    ❀
 . 
En Passant
 . 
Sodden he trudged through the downpour.
Whether heedless or hopeless, who knew?
In no hurry, his head down and dripping,
one more shower within the deluge.
 . 
A girl in a green sedan passed him,
slowing down not to spray, turned aside,
“Would you like an umbrella?” she called to him.
“I’ve an extra” “Why, thank you,” he said.
 . 
As the girl raised her window, the walker
opened her tiny shelter and waved.
She resumed her slow drive through the thunder,
and wondered what difference it made
 . 
to reach out to a stranger in passing,
for her kindness left him no less wet.
Yet he stood a bit straighter beneath it
and began to take care where he stepped.
 . 
Ed Robson
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❀    ❀    ❀
 . 
Flashback
 . 
Does he recall their courtship?
His ardent bow. Her frenzied curtsies.
How she squeezed through metal mesh,
tore luminescent wing, to dance for him.
 . 
The green ballerina shimmered and twirled.
 . 
He demanded a tango, chased, caught her.
 . 
A singeing kiss. A fiery flutter. A crackle.
 . 
Beholding cinders at dawn, does the candle
remember the moth?
 . 
Jennifer Weiss
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❀    ❀    ❀    ❀    ❀
 . 
I am standing at a long table heaped and strewn with books. A rank of glass doors on two sides of the room pours Sandhills light across the table, while darkness from old paneled and patterned walls pushes back, antique shadows in opposition. It is a room that has hosted Southern literary luminaries for dinners around that table, followed no doubt by fantastical conversations long into the night, but this morning’s luminaries are the books. Poetry books. New poetry books. Authors of those books hanging in the wings to see who will be attracted to these shining colorful seductive books, books, books. I pick one up.
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This book is smaller than most. Square. Slim. Hand crafted and oddly folded such that it opens itself into an organic creature in my hands. I read a poem. I exclaim, “Oh frabjous day!” A laugh behind my shoulder. I turn to find Deborah Doolittle, she whose book I am holding. She who has selected the poems in the book, curated and arranged, applied them to the pages that her own hands have also decorated, folded, sewn. Brilliant and big. I look forward to every new issue, and when I discover the envelope in my mailbox I know it will be another frabjous day.
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❀
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Paul Jones has been inducted in to the NCSU Computer Science Hall of Fame.
Patricia Darcy is partial to orange cats, crocheted cowls, and the Oxford comma.
Ed Robson celebrated his 73rd birthday by paragliding in Guatemala.
Jennifer Weiss is passionate about childhood literacy and reading to children out loud.
Also featured in the summer/fall 2026 edition of Brillig are J.T. Bryson, Peggy Heitmann, and Mary Spadoni.
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❀
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Also at Verse and Image by Paul Jones;
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Also at Verse and Image by Jennifer Weiss:
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❀    ❀    ❀    ❀    ❀
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or more poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
 . 
 . 
If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
 . 
– Bill
 . 
 . 

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