Feeds:
Posts
Comments

Posts Tagged ‘Richard Widerkehr’

 . 
[with 4 poems from I-70 Review]
 . 
Bears Active in This Area
 . 
++++ warning sign in my mountain cabin
 . 
This time, others have seen you,
treading circles on the gravel drive,
shouldering through grapevine tangles.
The possibility of you was always here,
in the night-mouth of the cave that gapes
below my porch, in dark boulders
hulking along the trail.
 . 
Your presence countermands silence –
I chatter and sing as I walk the open road,
snatches of carols, toddler songs –
and shy from the path that meanders
to a sunlit filed strewn with windfalls
from long-neglected trees. I imagine
you keeping pace, just out of sight,
your huffs mocking my jabber,
your heavy steps a counterpoint
as I scurry past thickets, scan uneasily
the curving trail ahead, intruder
in a world that was never mine,
though you are the first to insist
that I acknowledge it.
 . 
Rebecca Baggett
from I-70 Review, Eighteenth Edition, 2024
 . 
❦ ❦ ❦
 . 
What would a toddler remember about moving away? The apartment in Niagara Falls is a dream of stairwells and windows and darkness outside; the new house in the new subdivision with no grass at all is a neighbor’s dog named Bishy. Or was Bishy the neighbor’s toddler I played with?
 . 
I am four when we move away again, from New York to Tennessee, and I remember plenty about Marion Road: Bob and I watching Little Rascals until Mom declares, “You’re going to turn into rascals!”; our little sun room Aunt Ellen fitted up as a bed-sit while she attended Memphis State, and we kids hiding giggling under her covers until she came home each afternoon; the neighbor boy who introduced us to the word butt and we thought we were the first humans ever to utter something so outrageous. Memories of the neighborhood, yes, but memories of moving there? Packing and unpacking? Worrying that Puppy would get lost in the shuffle or that somehow Mom wouldn’t be there when we arrived? None of that remains.
 . 
Our family makes one more inconsequential move just blocks away when I am six, but then when I’m twelve the Big Away arrives. Up until this what a tranquil 1950’s childhood: I walk to Colonial Elementary every morning with my friends and play with the same friends every evening until the streetlights come on. Serene. Now I’m midway through sixth grade, still coasting, when the bomb drops. Did I protest when Dad announced in January we were leaving Memphis to move to Delaware? Maybe, I don’t recall; that memory is muddy, but this one is sharp as crystal – I walk into class in my new school and my new classmates all turn to look. My clothes aren’t right, my accent is a joke (literally – within about sixty seconds I will have the nickname “Memphis,” which sticks), and I have a different teacher for every subject. And then in just six more months we will move to Michigan. Just over a year beyond that, two months into eighth grade, we move to Ohio.
 . 
So, my friend, is it any wonder that some sixty years later I have trouble remembering your name until the fourth or fifth time we meet? That as we converse in a group you notice me smiling and nodding and slowly drifting off into space? That I would rather write this blog into the wee hours than drop by your house for coffee? I want to be a good friend to you, and in fact I like you and this hug from me to you is real, but ah, it’s risky. There’s always that possibility, without warning and with no desire on my part, that someday soon I might be moving away.
 . 
 . 
It never occurred to me to wonder how Dad felt about all those moves. The moving was his fault, after all, necessary for his promotions and advancement with DuPont, for whom he worked all his life. I can scarcely imagine the million details he had to sift through to put his family into boxes and take them out again hundreds of miles away. I’m not surprised that as I clean out his house I find drawers full of lists on yellow pads, on the backs of junk mail, on bills and receipts. Half the time when he calls me, it’s to add something to the shopping list. And then there are still those boxes in the attic labeled Allied Van Lines.
 . 
But what about the rest of us? Did Dad wake sweating in the middle of the night worrying how moving away would affect his family? Just one time he blinked: after I was married and gone but Mary Ellen was still at home, a junior in high school, Dad turned down a promotion so she could graduate with her class. A sacrifice that stalled his career for a decade.
 . 
Tomorrow is Dad’s last moving day. Since Mom died in July, Dad has agreed to move closer to us. For a week I’ve ferried boxes and duffels, checked off my lists and then made new ones, and tomorrow after lunch I’ll drive Dad to a nursing center just two miles from our house. He says he’s willing to move as long as the food is good (it is). We’ve hung portraits of the grandkids, pastels by Mom. His Duke pillow is on the recliner and his new Duke banner hangs on the door of room 507 to welcome him. God knows I’ve been waking in the middle of the night sweating the million details. Let us hope that after 98 years of moving, Dad will discover in this new and final home a place to rest.
 . 
 . 
❦ ❦ ❦
 . 
Porta Nigra   *
 . 
++++ Trier, Germany
 . 
The breath of sun and rain
only darkens on my face.
The cat-claws of millennia,
the graffiti of tourists,
fade into my walls.
 . 
I, who guarded this city so long,
sit truncated now.
My frieze the sweaty flesh
of lovers on cool bare stones.
 . 
Catch me in another thousand years,
your eyes as hard and dark as mine.
See if these holes will match
the mysteries of death
and flesh on blackened stone.
 . 
Bradley Strahan
from I-70 Review, Eighteenth Edition, 2024
 . 
* a gate in the remaining piece of Trier’s old Roman wall
 . 
❦ ❦ ❦
 . 
The 2024 issue of I-70 Review arrived in last week’s post. Besides many wonderful voices new to me, I discovered within its pages several old friends who’ve agreed to let me reprint their poems.
 . 
I-70 Review, Writing and Art from the Middle and Beyond is based in Kansas, USA, but publishes poetry, short fiction, and art from around the world. They also sponsor the annual Bill Hickok Humor award for poetry.
 . 
Submission guidelines HERE
Purchase a copy HERE
 . 
 . 
❦ ❦ ❦
 . 
Messenger in Early November
 . 
++++++ – in memory of Jay Klokker
 . 
Driving past Agate Bay, I catch a glimpse
of this deer in a splotch of sun and shadow –
the brown-tail’s flanks on the edge of the road
in yellow leaves, thin branches. Las May
after your death, a bear cub loped beside my car
like a lost Labrador, seemed to disappear
under my front bumper. Slamming on the brakes,
I felt no thud, heard nothing. Amazing, the cub
as if uninjured, clambered up the ditch-bank.
Only later, after your memorial, did I reread
your last poems, that black bear nosing
at your sleeping bag in the camp site
in Arizona; recalled marmots whistling
in the pillow basalt near Mt. Baker; the grouse
thumping its tail near our driveway,
feasting on red hawthorn berries.
You noticed. I cannot believe you said no
to another go-round on the cancer wish machine,
you called it, completed your book First Stars.
On you last hike, you raced downhill
in your wheelchair, shouting. You must
be in these sun spots, mottled shadows.
Too excellent a camouflage, my friend –
thin, flickering branches, a few gold leaves,
before all the color goes away.
 . 
Richard Widerkehr
from I-70 Review, Eighteenth Edition, 2024
this poem will appear in Richard’s new book, Missing The Owl (Shanti Arts Press)
 . 
❦ ❦ ❦
 . 
The Other
 . 
Last night coyotes laughed
at the neighbor’s bulked-up lab restrained
behind his chain-link, his fearful bark,
their yips of liberty and mild derision;
 . 
are coyotes such demons, or just particular
about whom they allow to know them?
Or are they perhaps spirits of the other,
avatar of all we hominids in our marrow
 . 
know to fear? How to live beside that feeling?
Afraid of attack I stab; afraid of pain I cause it.
 . 
In the woods before daylight willingly lost,
soft tread, a twist in the trail then face to face –
perhaps she and I look into each other’s eyes
for two seconds, perhaps the rest
 . 
of my life; coyote impassive,
considerate, measures our distance,
our closeness, then softly pivots
and pads away, prudent, fearless,
 . 
willing to allow the two of us
to share the universe.
 . 
Bill Griffin
from I-70 Review, Eighteenth Edition, 2024
 . 
❦ ❦ ❦
 . 
 . 
❦ ❦ ❦
Doughton Park Tree 2020-09-08b

Read Full Post »

[with 3 poems by Richard Widerkehr]

Cold March drizzle makes Hepatica nod and droop. Nevertheless, the twelve accompany me undaunted on a naturalist hike along Elkin Creek. What will we discover? Here are the last few Hepatica blossoms of the year; their sister plant opened her first bloom along this trail on February 7, five weeks earlier. Now a single flower on each silky hairy scape looks down at its feet, the winter-pocked liverleaves also fading ahead of summer’s foliage. It’s cold this morning and the vernal equinox is still three days off.

But cheek by jowl with old Hepatica are fresh patches of its second cousin, Rue Anemone. No drooping at all! Both from the same family (Buttercup, Ranunculaceae), the two flowers share many features and from a distance look similar – our crew’s task is to learn to tell them apart. Both are easily overlooked, pale blooms only a cm. or so in diameter, with 6-10 petals and a jostle of stamens crowding multiple pistils clumped in the center. Even color is not a reliable clue: the pale Hepatica in this neutral soil is only one shade of lavender removed from Anemone’s white. Rue Anemone’s smooth slender flower stem is one giveaway, and then of course the leaves, Anemone’s fine clusters like little paws climbing toward the bloom, contrasted with Hepatica’s broad, basal, waxy lobes, each like a liver. What some might casually mistake for a clump of sameness, in haste undifferentiated, what we ourselves might at first glance have misidentified have now become familiar, individual: each uniquely itself.

❦ ❦ ❦

A Sabbath of Complete Rest

I’ve been thinking what that might mean, so I listen
to the wind in the fir trees outside our red house –
how the trees stand almost like horses asleep on their feet,

how their roots touch crevices in soil, how at night
their branches, blacker than the sky, must not forget
yellow forsythias, summer, their own dark needles,

how they wait, how they’ve waited. This is no psalm
of light, Chloe, no song of white horses in the sun.
The root of the word Shalom means complete.

Richard Widerkehr
from At the Grace Café, Main Street Rag Publishing, Charlotte, NC, © 2021

❦ ❦ ❦

How does a poem draw you in? How does it invite you to live in the world it creates? Place must be one way. Just a few pages into At the Grace Café, I realize I’m damp and about to shiver in the Pacific Northwest. Not that it’s raining absolutely all the time – the great dark firs lifting their heavy sleeves also propel me into the landscape. A trail through clouds and mist leads me. A swirling lake shore is mysterious and at once consoling.

Personality is another thread that weaves through these poems and entangles me: the writer’s sister, her mental illness an elusive and threatening animal that speaks wild into every situation; his mother, reminding us that each of us must live a portion of our lives in denial; and the personality of the writer himself, illuminated by recurring heartbreak in his work as counselor and by longing for stability and resolution. Personalities approach and retreat, promise to reveal just as they again withhold – all I can do is hold on and join the dance.

Finally there is joy. Not waiting beyond all conflict or at the conclusion of all sorrows, rather joy that emerges from and lives within these troubles that we all, confess it, share. A fleeting moment with one’s beloved, a brief lifting of fog, moon on snow – a simple singular presence can form us into fellow sojourners. The poem can make us family. The poem may grant us grace.

❦ ❦ ❦

Pay Attention, You Say

No, I haven’t read updates about the orca
+++ nursing her dead calf. I try not to get
upset about too many things. Lately,

I write these poems for my sister –
+++ I can’t spare the least insect or angel,
she says. Yes, plankton lined with oil

covers some sea beds. I’ve seen orcas
+++ breach the surface, black and white,
their bodies like mountain sides

sliding under. When we were kids,
+++ my sister and I caught a tiny fish –
she cried, and our mother threw it back.

Yes, there’s the sadness of plankton,
+++ the orcas, snow fields at night.
Last evening on this mental health unit

where I work, a patient I’ll call Carla –
+++ she’d cut her left wrist – she said,
Some scars are mercy and justice.

I let out my breath. At least my sister
+++ no longer sleeps with the moon
in her cardboard box. Now

you point out two otters on the bank
+++ of No Name Slough, how they
their small black eyes on us.

Richard Widerkehr
from At the Grace Café, Main Street Rag Publishing, Charlotte, NC, © 2021

❦ ❦ ❦

Crane Flies
O for a Life of Sensations rather than of Thoughts! – John Keats

In late August, the crane flies
come back, nervously feeling their way
up windows, trying to get out. They flutter
like huge, scatter-brained mosquitoes,
scraping this way and that, sometimes just
hanging as they flex their long
front legs like feelers, emitting
a dull, frustrated buzz.
++++++++++++++++++ Is it light
they want, the world outside?
They can’t get used to glass, its cool
way of whispering about the uselessness
of struggle, also its dry comments
on their death flights.

Each time I sweep these nutty insects
out the window, more fly in, as if
I were the absence they brush against,
their life of sensations
come to an end.

Richard Widerkehr
from Disappearances, The Wind Room Series #4, Radiolarian Press, © 1996, 2003

rue anemone

❦ ❦ ❦

Richard Widerkehr has a new book from Shanti Arts Press, Night Journey. Richard has taught writing in the Upward Bound Program at Western Washington University and has worked as a case manager for the mentally ill.

❦ ❦ ❦

IMG_0880, tree

Read Full Post »