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Posts Tagged ‘Bradley Strahan’

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[ 4 poems from Brillig ]
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Mooned
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Moon at my window wants to come in.
She has a beautiful black gown,
silky dark tresses gemmed with stars.
Moon-faced and pale with longing
she whispers with the tide
that slides up silent estuaries
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I’m lonely up here all by myself.
Your astros came but wouldn’t play.
Frightened of my beauty they flew away.
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What will I tell her, that my falling
silver hairs are mooncoins,
that my gray unkept robe is wolfskin
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just right for me to howl her praises?
But, oh, she’s wise to me, too many
faded lovers already to take another on.
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She slides a fan of cloud over her eyes
but just before, she winks at me.
Hey, poet, stay open for me another night.
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Bradley R. Strahan
from Brillig, Winter/Spring 2026. Created by Deborah Doolittle.
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An Elegance of Swans
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The predawn green-grown lawn filled with swans,
snow-soft swells or so they seemed. Subtle
as first fall of frost, wings wind-weathered,
the flock massed on the grass. Moon-tethered,
they began to glow. Feathers supple,
at home here as if they’d never flown.
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On this bright cold night,
one goose across the full moon.
Are we both alone?
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Paul Jones
from Brillig, Winter/Spring 2026. Created by Deborah Doolittle.
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Interior Gear
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Travel before light.
Keep maps
of trails to overlooks
palm-sized, folded,
creases smoke-blackened.
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By firelight,
get around to writing
those letters to people
who like you,
but you refused to believe.
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Tell them absolute darkness
does not exist.
Everything moves.
Our bodies give off
infinitesimal radiation.
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Rob Merritt
from Brillig, Winter/Spring 2026. Created by Deborah Doolittle.
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cloudbound
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an imagined collaboration of Lafcadio Hearn and Matt Snyder
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the place
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business trip
the departures board lists
my hometown
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of the issuing clouds . . .
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alma mater
I chat up the beggar
about his t-shirt
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graves on a mountain
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stones
in the fog
in the potter’s field
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Matt Snyder
from Brillig, Winter/Spring 2026. Created by Deborah Doolittle.
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IMG_9468
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Brillig is created twice a year by Deborah Doolittle. Not only does she gather the poets and poems into a small universe where the lines can speak each other from dream into reality, but Deborah also prints and cuts and folds and glues to fabricate each small booklet that will become that season’s offering of Brillig. Each edition is a different theme, each episode is a different style of small hand-crafted booklet. Each creation of wordly imagery also joins with artistic imagery – woodcut, line drawing, collage – to unfold into the final amazing artifact within your hands. Marvelous!
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Hold a limited edition copy of Brillig in you own hands by using this order form. And consider submitting your own poetry for consideration: 3-5 previously unpublished poems, any subject, any style, 20 lines or fewer. Submit as a single .DOC attachment to brillig.mlm@gmail.com, or mail to BRILLIG: a micro lit mag / 103 Jean Circle / Jacksonville, NC 28540. Include a 3-4 sentence bio and postal address. And visit this earlier post featuring Brillig.
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Additional poetry at Verse and Image by:
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Matt Snyder
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.
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If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
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If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
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Thanks again for joining the conversation.
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– Bill
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2020-11-03a Doughton Park Tree
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The journey is . . .

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Saturday morning readers share:
Bradley Strahan
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To My Father, as He Should Be in Paradise
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Surely there’s a baseball diamond there
where you could be the pitcher you were meant to be.
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And Marilyn, not Mom, must be on your arm,
sexy as the picture you kept on your shop wall.
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There would be beaches with ice cream stands
and real hot dogs with gobs of mustard leaking out.
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No bills you can’t pay, no demands you can’t meet . . . .
You’d have your ’55 two-tone Chevy back, bright as new.
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Oh, and that odd sense of humor would have those angels
rolling in heavenly aisles at your mangled puns.
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There’d be tons of swinging there, and not just chariots:
Benny’s boys and Glen and Tommy too, all playing just for you.
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Funny, I never saw you dance but I know you could.
Cut a rug Dad! And those pennies from heaven are all yours too.
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B.R. Strahan
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Bradley R. Strahan is best known to North Carolina writers and readers as the long time editor and publisher of the poetry journal Visions International. His creative influence, however, spans continents, with a worldwide following for his work since 1976. His publications include several books of poetry and over 500 poems in journals in North America, the UK, Ireland, Belgium, and Korea. He has been anthologized in numerous collections and translated into French, Spanish, Dutch, Serbian, Macedonian, Korean, etc.. He has lectured and read his work in America, Europe and Asia; is a former Fulbright Professor of Poetry & American Culture; taught poetry at Georgetown University; for over 20 years sponsored a series of international poetry readings at Rock Creek Gallery in DC and other venues; and in 2001 replaced John Ashbery as the American poet at the “Literaire Podia Amsterdam” in Holland.
NOTE: Brad has a few copies left of his book “A Parting Glass.” See the link below from 2022 for sample poems. If you would like a copy contact him at brs.poetry@gmail.com; $5 to cover postage and a bit of the printing.
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Additional poetry by Brad Strahan at Verse and Image:
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VISIONS INTERNATIONAL featured at Verse and Image:
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Cookie & Wilson

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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . Saturdays I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
 . 
 . 
If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
 . 
– Bill
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Doughton Park Tree -- 5/1/2021
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[with 4 poems from I-70 Review]
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Bears Active in This Area
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++++ warning sign in my mountain cabin
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This time, others have seen you,
treading circles on the gravel drive,
shouldering through grapevine tangles.
The possibility of you was always here,
in the night-mouth of the cave that gapes
below my porch, in dark boulders
hulking along the trail.
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Your presence countermands silence –
I chatter and sing as I walk the open road,
snatches of carols, toddler songs –
and shy from the path that meanders
to a sunlit filed strewn with windfalls
from long-neglected trees. I imagine
you keeping pace, just out of sight,
your huffs mocking my jabber,
your heavy steps a counterpoint
as I scurry past thickets, scan uneasily
the curving trail ahead, intruder
in a world that was never mine,
though you are the first to insist
that I acknowledge it.
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Rebecca Baggett
from I-70 Review, Eighteenth Edition, 2024
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What would a toddler remember about moving away? The apartment in Niagara Falls is a dream of stairwells and windows and darkness outside; the new house in the new subdivision with no grass at all is a neighbor’s dog named Bishy. Or was Bishy the neighbor’s toddler I played with?
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I am four when we move away again, from New York to Tennessee, and I remember plenty about Marion Road: Bob and I watching Little Rascals until Mom declares, “You’re going to turn into rascals!”; our little sun room Aunt Ellen fitted up as a bed-sit while she attended Memphis State, and we kids hiding giggling under her covers until she came home each afternoon; the neighbor boy who introduced us to the word butt and we thought we were the first humans ever to utter something so outrageous. Memories of the neighborhood, yes, but memories of moving there? Packing and unpacking? Worrying that Puppy would get lost in the shuffle or that somehow Mom wouldn’t be there when we arrived? None of that remains.
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Our family makes one more inconsequential move just blocks away when I am six, but then when I’m twelve the Big Away arrives. Up until this what a tranquil 1950’s childhood: I walk to Colonial Elementary every morning with my friends and play with the same friends every evening until the streetlights come on. Serene. Now I’m midway through sixth grade, still coasting, when the bomb drops. Did I protest when Dad announced in January we were leaving Memphis to move to Delaware? Maybe, I don’t recall; that memory is muddy, but this one is sharp as crystal – I walk into class in my new school and my new classmates all turn to look. My clothes aren’t right, my accent is a joke (literally – within about sixty seconds I will have the nickname “Memphis,” which sticks), and I have a different teacher for every subject. And then in just six more months we will move to Michigan. Just over a year beyond that, two months into eighth grade, we move to Ohio.
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So, my friend, is it any wonder that some sixty years later I have trouble remembering your name until the fourth or fifth time we meet? That as we converse in a group you notice me smiling and nodding and slowly drifting off into space? That I would rather write this blog into the wee hours than drop by your house for coffee? I want to be a good friend to you, and in fact I like you and this hug from me to you is real, but ah, it’s risky. There’s always that possibility, without warning and with no desire on my part, that someday soon I might be moving away.
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It never occurred to me to wonder how Dad felt about all those moves. The moving was his fault, after all, necessary for his promotions and advancement with DuPont, for whom he worked all his life. I can scarcely imagine the million details he had to sift through to put his family into boxes and take them out again hundreds of miles away. I’m not surprised that as I clean out his house I find drawers full of lists on yellow pads, on the backs of junk mail, on bills and receipts. Half the time when he calls me, it’s to add something to the shopping list. And then there are still those boxes in the attic labeled Allied Van Lines.
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But what about the rest of us? Did Dad wake sweating in the middle of the night worrying how moving away would affect his family? Just one time he blinked: after I was married and gone but Mary Ellen was still at home, a junior in high school, Dad turned down a promotion so she could graduate with her class. A sacrifice that stalled his career for a decade.
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Tomorrow is Dad’s last moving day. Since Mom died in July, Dad has agreed to move closer to us. For a week I’ve ferried boxes and duffels, checked off my lists and then made new ones, and tomorrow after lunch I’ll drive Dad to a nursing center just two miles from our house. He says he’s willing to move as long as the food is good (it is). We’ve hung portraits of the grandkids, pastels by Mom. His Duke pillow is on the recliner and his new Duke banner hangs on the door of room 507 to welcome him. God knows I’ve been waking in the middle of the night sweating the million details. Let us hope that after 98 years of moving, Dad will discover in this new and final home a place to rest.
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Porta Nigra   *
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++++ Trier, Germany
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The breath of sun and rain
only darkens on my face.
The cat-claws of millennia,
the graffiti of tourists,
fade into my walls.
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I, who guarded this city so long,
sit truncated now.
My frieze the sweaty flesh
of lovers on cool bare stones.
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Catch me in another thousand years,
your eyes as hard and dark as mine.
See if these holes will match
the mysteries of death
and flesh on blackened stone.
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Bradley Strahan
from I-70 Review, Eighteenth Edition, 2024
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* a gate in the remaining piece of Trier’s old Roman wall
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The 2024 issue of I-70 Review arrived in last week’s post. Besides many wonderful voices new to me, I discovered within its pages several old friends who’ve agreed to let me reprint their poems.
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I-70 Review, Writing and Art from the Middle and Beyond is based in Kansas, USA, but publishes poetry, short fiction, and art from around the world. They also sponsor the annual Bill Hickok Humor award for poetry.
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Submission guidelines HERE
Purchase a copy HERE
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Messenger in Early November
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++++++ – in memory of Jay Klokker
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Driving past Agate Bay, I catch a glimpse
of this deer in a splotch of sun and shadow –
the brown-tail’s flanks on the edge of the road
in yellow leaves, thin branches. Las May
after your death, a bear cub loped beside my car
like a lost Labrador, seemed to disappear
under my front bumper. Slamming on the brakes,
I felt no thud, heard nothing. Amazing, the cub
as if uninjured, clambered up the ditch-bank.
Only later, after your memorial, did I reread
your last poems, that black bear nosing
at your sleeping bag in the camp site
in Arizona; recalled marmots whistling
in the pillow basalt near Mt. Baker; the grouse
thumping its tail near our driveway,
feasting on red hawthorn berries.
You noticed. I cannot believe you said no
to another go-round on the cancer wish machine,
you called it, completed your book First Stars.
On you last hike, you raced downhill
in your wheelchair, shouting. You must
be in these sun spots, mottled shadows.
Too excellent a camouflage, my friend –
thin, flickering branches, a few gold leaves,
before all the color goes away.
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Richard Widerkehr
from I-70 Review, Eighteenth Edition, 2024
this poem will appear in Richard’s new book, Missing The Owl (Shanti Arts Press)
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The Other
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Last night coyotes laughed
at the neighbor’s bulked-up lab restrained
behind his chain-link, his fearful bark,
their yips of liberty and mild derision;
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are coyotes such demons, or just particular
about whom they allow to know them?
Or are they perhaps spirits of the other,
avatar of all we hominids in our marrow
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know to fear? How to live beside that feeling?
Afraid of attack I stab; afraid of pain I cause it.
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In the woods before daylight willingly lost,
soft tread, a twist in the trail then face to face –
perhaps she and I look into each other’s eyes
for two seconds, perhaps the rest
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of my life; coyote impassive,
considerate, measures our distance,
our closeness, then softly pivots
and pads away, prudent, fearless,
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willing to allow the two of us
to share the universe.
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Bill Griffin
from I-70 Review, Eighteenth Edition, 2024
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Doughton Park Tree 2020-09-08b

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