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[an essayette by poet Ross Gay and a poem by Bill Griffin]

Joy is Such a Human Madness: The Duff Between Us

Or, like this: in healthy forests, which we might imagine to exist mostly above ground, and be wrong in our imagining, given as the bulk of the tree, the roots, are reaching through the earth below, there exists a constant communication between those roots and mycelium, where often the ill or weak or stressed are supported by the strong and surplused.

By which I mean a tree over there needs nitrogen, and a nearby tree has extra, so the hyphae (so close to hyphen, the handshake of the punctuation world), the fungal ambulances, ferry it over. Constantly. This tree to that. That to this. And that in a tablespoon of rich fungal duff (a delight: the phrase fungal duff, meaning a healthy forest soil, swirling with the living the dead make) are miles and miles of hyphae, handshakes, who get a little sugar for their work. The pronoun who turned the mushrooms into people, yes it did. Evolved the people into mushrooms.

Because in trying to articulate what, perhaps, joy is, it has occurred to me that among other things–the trees and the mushrooms have shown me this–joy is the mostly invisible, the underground union between us, you and me, which is, among other things, the great fact of our life and the lives of everyone and thing we love going away. If we sink a spoon into that fact, into the duff between us, we will find it teeming. It will look like all the books ever written. It will look like all the nerves in a body. We might call it sorrow, but we might call it a union, one that, once we notice it, once we bring it into the light, might become flower and food. Might be joy.

from The Book of Delights, Ross Gay, Algonquin books of Chapel Hill, © 2019

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My daughter Margaret gave me this book by Ross Gay for my birthday in 2020 and it’s been waiting patiently with its companions on the to-be-read-someday shelf until this month. I flipped it open and read a couple of the daily musings on delight (a page or two, observations and reflections that Ross decided half-way through the project to call essayettes). They are like a Whitman’s Sampler – once you’ve opened the box you know you’re going to eat every one.

So I’ve left the book beside the couch and picked it up when random minutes offered themselves unfilled. It’s hard to read just one or two, though – coffee has cooled and soup has threatened to boil over.

This particular entry, though, stopped me in my tracks. I read it over and over. Not only because it followed the amazing interview with Merlin Sheldrake I had just discovered in the May issue of The Sun, all about mycorrhizal networks and sentient fungi and the meaning of life and everything, but because of the way Ross Gay interweaves joy and sorrow and delight and death. Maybe he is right, as many of his essayettes seem to suggest – if we face the one thing we all share in common, which is death, and even God forbid talk about it, maybe we can discover that it is possible to step past the fear into a space that reveals joy – delight – every day.

Which is to say: Hey, life is suffering – along the way let’s you and I share a little delight.

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Rule #1 No Hurting

I tell you this while you whack me
with your little plastic hammer: what I mean
is no hurting other people, not that you
could really damage me
with those little boy hands I love
but sometimes it does sting. Maybe I’m worried
about your buddies at playschool: hitting
begets automatic time out. Or do I mean
your Mom and Dad: see their tears
when you fall? When you are bruised?
And pain you can’t see: someday
you are bound to bruise their hearts.

How we do hurt each other, and how
could it be otherwise, two souls
all entangled while we stumble,
lash out, grab for help, and I
won’t tell you now but I know this:
you will hurt me too, although I
will have handed you the knife
of loving you and hoping
life won’t leave its scars.
But this is what Rule #1 doesn’t mean:
No hurting inside. I’m sorry, Grandson,
no platitudes about for your own good
you will suffer because you too
are human and our world makes no
distinction. Just remember Rule #2:
I will cry with you.

Bill Griffin

from Tar River Poetry, Vol. 55, Nr. 2; Spring, 2015

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Additional links for Ross Gay:

Review of The Book of Delights

Books

The On Being Project

 

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[with poems by Joan Barasovska and Kathy Ackerman]

Everything or nothing. The radio is off. The screen is frozen. The refrigerator snores. The clock won’t tick any faster, any slower. In an hour we leave for Raleigh to see our grandson (backyard, distanced, masked) but right now nothing is happening

I’m no good at nothing. If I wake in the dark my brain whirls venom trying to bite its tail. Where is dawn’s blessed peace? If I take deep breaths, watch the feeder, daily agendas begin to scroll down the back of my cornea. How many seconds after emptying myself before I fill back up with everything?

We are entering the season of nothing. The azalea may feint a few off-season blossoms but will we ever bloom again? We are in the season of waiting. Where is the so fragrant earth we lost so long ago? Where is the muscle and spunk of summer that convinced us we might carry through? The season of turning. What justice like waters, what righteousness like an ever-flowing stream? When? How do these shortened days stretch so long?

In the woods, something is happening. Orchids are making sugar. How have I missed that? One species will bloom in May, the second in August, but their leaves are now. Their delicate little tenacious tough-ass corms swell all winter waiting to rocket up a spike of summer flowers into a leafed-out overshaded world.

Something is always happening. Something is deeper than those scrolling agendas. Something in the world and something behind my optic chiasm in deep matter. Something that maybe wants me to be still and notice. Something to hope for, to wait for, to go forth and meet.

There is no nothing. It’s all everything.

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These two poems are from Kakalak 2020, the annual anthology of Carolina poets. It is an eclectic volume – conversational, confessional, contemplative. Not as many COVID poems as I expected but wait until 2021.

The poems by Joan Barasovska and Kathy Ackerman speak to me of the winding thread that connects our past to our present. Knots and tangles, yes, but also a lashing to secure us in the lashing storm. The something that is happening every day is us becoming human.

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Cranefly Orchid, Tipularia discolor

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Her Breath

Mike and I exchange a glance
over her cooling body.
Our eyes are dry.
Elsie wears a faded housedress
with a pattern of flowers.
Thirty minutes ago
an aide crossed
her swollen hands.

All morning we sat waiting
while Death rattled her.
She died in the afternoon
while we were out walking.
Our mother took a slow
rollercoaster ride to this day,
dragging us with her on
every shivery dip and climb.

Back from the dead,
Mike said when she woke
from a coma, angry to find herself
in a clean hospice room.
She raged until he put her back home.
Frail, sick, ninety-three, hanging on
ten hears after Dad’s death.
She scolded me yesterday.
I was late for lunch.
I had forgotten to pick up her mail.

Their old bed had been replaced
by a narrow hospital bed
rolled in the hospice workers
while she fumed in the living room
and I boiled water for tea.
Now her jaw is slack,
her last silent treatment.
Above her head hangs
a sad-eyed portrait of me at nine,
painted in blues and grays.

Mike and I are limp with relief.
the secret of Elsie’s anger died with her,
but it was probably sadness.
We are second-generation Americans,
inheritors of the sadness seed.

This mother
lying flat between us
birthed me sixty years ago.
With her last breath,
She’s in a better place
and so am I.

Joan Barasovsaka, Kakalak 2020, Main Street Rag Publishing Company

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Adam-and-Eve Orchid, “Puttyroot,” Aplectrum hyemale

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Misnomer
for Goliath, my father

i.
This story begins when I believed every word my daddy said.
Honeysuckle, he called them, tending the cuttings
that go all the way back to Rock Creek 50 years,
Aunt Gracie’s yard in the hills where I never lived.

Honeysuckle was all I had to root me to that ancient soil,
so every home I bought I planted some
from Daddy’s supply, rooted in plain clear water.
I wondered why it had no scent, was not a vine,
was pink, for crying out loud.

Now shopping for plants for house #5,
I see the truth in 5-gallon pots before me:
Weigela.

I imagine old Aunt Gracie shooing my father away
from her quilting or canning or sitting alone.
Go cut back that honeysuckle
before it swallows up the outhouse.

Later, seeing his mistake, she didn’t correct him –
a name is just a name –
Grace just glared at tiny Goliath
so proud of his mound of pink and green
already wilting

while the roof of the outhouse
still plushed with yellow sweetness
he’d confuse for 80 years
with a plant that belongs
to the same family, after all,
but so much harder to say.

ii.
Start me some honeysuckle, Daddy, I blurt out
in one of awkward lulls.
I want to imagine his hands on the branch,
the snip of sprigs of coal country
where Gracie’s old feist
barked me all the way to the outhouse and back
when I was too small to know
how hard it is
to keep what lives alive.

Kathy Ackerman, Kakalak 2020, Main Street Rag Publishing Company

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Let justice roll down like waters, and righteousness like an ever flowing stream.
Amos 5:24

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2019-02-09 Doughton Park Tree

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Southern Harebell, Campanula divaricata, Campanulaceae (Bellflower) family

[with two poems by Lola Haskins]

I sat in the ophthalmologist’s office reading Lola Haskins and wondering. I’ve put off this visit due to COVID and I’m overdue, seeing Dr. Bondalapati for the first time. She is new here, just moved to Elkin from Chapel Hill with her family last summer. Most of her staff I’ve known for years, although it is still welcoming to be recognized behind the mask.

All of us masked. Wondering. Are our precautions enough? Is it OK to be together like this?

Isn’t it remarkable how much eyes alone can communicate? Eyebrows bobbing, winky lids, wrinkly skin of brow and temple, lovely corrugator muscles. I left the office happy to have seen my new doctor and Deanna, Karen, all the others.

Bridge the separations. Make community. Take nothing for granted.

I am also restored and innervated by Lola Haskins’s poems. I heard her read several years ago and just bought her collection, how small, confronting morning (Jacar Press, 2016). Isn’t it remarkable how much a few words and a few lines alone can communicate? Seeing through another’s eyes. Another’s voice in my ears . . .

. . . like happiness // it materialized so gradually / that I never even for a moment // saw it coming

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The Cabin at Fakahatchee Strand

by morning the water has turned such
silver I want to put it on i know

it would only flutter off my skin
like a bird too quick to follow

but i don’t care i want it anyway
and i want that tangle of cattail

and black rush too the way i want
to be perpetually waking to

yet another gift like the single gator
stretched out on the muck

where pond has begun to thicken
to swamp like happiness

it materialized so gradually
that i never even for a moment

saw it coming

.

Lola Haskins, from how small, confronting morning (Jacar Press, 2016)

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Flight

if i eat feathers asks the child
will i be able to fly?

you already can says her mother
any night
the lightness in you my lift you
from your cot
that’s why i close the windows

when i get old enough the child
wonders

will you open them? oh yes
comes the answer

(sorrowing) that’s what
mothers do

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Lola Haskins, from how small, confronting morning (Jacar Press, 2016)

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Haskins writes with the startling freedom and grace of a kite flying, and with the variety and assurance of invention that reveal, in image after image, the dream behind the waking world.
W.S.Merwin, winner of the Pulitzer Prize and former U. S. Poet Laureate

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[with two poems by Malaika King Albrecht]

The lesson you need is the one you weren’t looking for.

The lesson you keep is the one you didn’t want.

Our final exercise is to sit. Not in the open air pavilion where we’ve weathered hours of presentations and discussion. And not by any means moving along the trails we’ve hiked for hours encountering a new species every minute. Now at the close of our weekend naturalist course on plants of the Smokies we are instructed to stop, settle, sit. We are to find a green thing we don’t know or one we’ve have ignored and sit for half an hour. Pay attention. Become intimate.

I choose to sketch a bryophyte not much bigger than my thumb. Perhaps I’ll never know its true name – starmoss? sphagnum? – but we could become friends. I won’t even give it a name. Be satisfied sometimes simply to explore, to know first with all my senses, that is what I’m learning. Where does it like to lie and spread? Whom does it choose for neighbors? How does it make its living? Naming can come later.

Moss with Doghobble leaf

Look at us all, scattered like toadstools across this mountain glade quietly noticing. For now the birds and insects get to make all the noise. Eventually our quiet must end and we gather one last time for closing and summarizing and making sense. Now Tonya has a surprise. A worm snake, while she sat, has burrowed, well, wormed into her open sandals and curled around her toe. She untangles it and cradles it for us all to see while it tries to bite her with its mere slit of a mouth, better suited for eating slugs. If we were quiet, if we paid attention, if we sat long enough would we be reclaimed by moss and crawling things and become a haven for all that is small and necessary?

We eat our lunch along the trail, we travel back to Tremont, we pack our cars. At the parking lot I congratulate Tonya upon completing her final course and receiving her Naturalist Certification. I tell her, I’m still only half way through.

Tonya turns to me. She sets down her pack. She is solid, present, her eyes deep and full as a hardwood cove. Help the new ones, she pleads. Share what you know.

And during the five hour drive back to my foothills what image recurs? Not family characteristics that differentiate Brassicaceae, Lamiaceae, Asteraceae; not frond morphology and sorus distribution. No, the image I can’t escape is of the two first-timers in our course turning a leaf over and over in their hands, turning the leaves of a guidebook, excited, figuring things out. And of me a pace or two removed, watching them, adding nothing.

Sometimes I think I have the perfect temperament and skill set to be a moss-covered log slowly digested by fungal mycelia. Ah, the long and placid observations I would make. But that’s not the lesson I need or the lesson I will keep. Instead, this: don’t imagine you know so much. But know that what you do know has value when you share it. Know that its only value is in the sharing. You have joined the circle of seekers. Now open the circle wide.

Rudbeckia lacianata; Cutleaf Coneflower; Asteraceae

Rudbeckia lacianata

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A week ago I shared here two poems by Malaika King Albrecht from her most recent book. I’m not finished with her. Something about this collection of poetry has become very necessary for me as I continue to pile and compile the lessons from my most recent course in the Southern Appalachian Naturalist Certification Program at Great Smoky Mountains Institute at Tremont. The quantity of information itself is just shy of infinite. I’m working through a book titled, Botany in a Day, which would more realistically be In a Couple of Years. Just the new vocabulary reminds me of starting Med school (that was 1974 – what am I doing here?!) or maybe of being smacked with a breaker at Fort Macon beach.

But being overwhelmed with information is the trees, it is not the forest. That is why I need poetry. I will study the taxonomy but poetry will teach me the connections. I will feel like I can never know enough but poetry will teach me to live with and love the mystery. I will work on what to know but poetry will teach me how to know.

Malaika’s collection is just the solace and challenge and promise needed. Her poems can be grounded in the senses but spiral into the imagined and unimagined. I would say her poems make connections but even more they open me to make connections. It can be the difference between burying myself in the Field Guides and opening myself to the field.

Thanks again, Malaika!

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Following the Wind

Everything leaves a mark:
dull grass in the morning where the raccoon
ambled away full of cat food,
antler scratches along the willow oak,
and tracks and scat everywhere.

I know what stirs in this forest:
Deer nosing the horse path,
red fox slitting the tall switch grass,
rabbit bounding, freezing, and hopping again.

At the edge of Loftin Woods, I fall
for the wind, the way it parts the grass,
makes branches speak
and vultures glide their shallow V’s.

If sky holds our dreams,
then earth, our memories,
and wind, only the now
of this moment calling,
calling from everywhere.

Elephantopus carolinianus; Elephant Foot; Asteraceae

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Praise Song for What Is

Praise the frozen rain, the icicles daggering
the trees, the gray snow sludge. Praise
the shiver, the wet wind cutting through clothes,
the frozen water troughs. Blessed be
the hard frost, the frozen pond,
the apple sapling snapped in half.

Praise autumn and spring, the hot then cold
then hot again. Praise the corn mazes,
the haystacks, the reaping what we’ve sown.
Blessed be the fig tree, the honeycomb, the hive.
Praise the kudzu, the poison ivy,
the forsythia shouting yellow at a fence.

Praise the mosquito, the itch,
the scratch. Praise the heat waves,
the asphalt, the stopped
highway traffic. Blessed be
the dusty, the wilted, the dry
husks of corn in summer drought.

Praise the possum lumbering
into the chicken coop,
the fox slinging the wood’s edge.
The owl, the hawk, blessed be
their swift descent to prey.
Praise the failures, the losses. Blessed be
the broken path that brought me here.

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From The Stumble Fields, Malaika King Albrecht. Main Street Rag Publishing Company, Charlotte, North Carolina. © 2020.

Botany in a Day, The Patterns Method of Plan Identification; Thomas J. Elpel; HOPS Press, LLC; © 2018; An Herbal Field Guide to Plant Families of North America

Wildflowers of Tennessee the Ohio Valley and the Southern Appalachians; Dennis Horn and Tavia Hathcart; Partners Publishing © 2018; The Official Field Guide of the Tennessee Native Plant Society

 

 

 

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[with two poems by Malaika King Albrecht]

Charismatic Megafauna is what people hope to see when they visit Great Smoky Mountains National Park. If traffic barely creeps approaching Cades Cove there must be a black bear feeding near a pullout; if traffic stops altogether Mama has cubs. And if cars are pulled over for a mile along the prairie verge leading to Oconaluftee Visitor Center it means elk are grazing the pasture.

From the center lane I saw the big bull with six-foot rack and a harem of twenty and I slowed but I didn’t stop: the gate into Tremont would only be open from 4:00 to 5:00. It takes at least an hour up and over New Found Gap down to Sugarlands and on west into the Park. Fifteen of us will be arriving for a naturalist course on this final weekend in August, hoping to get personal with that other charismatic Kingdom – Plantae.

Lobelia cardinalis; Cardinal Flower; Campanulaceae

Trees, ferns, and flowers certainly draw many to the Smokies, if only for the deep summer shade and restorative air. Some people are even known to kneel. As winter unscrews her frozen vice we hurry to see ephemerals – trailing arbutus, hepatica, bloodroot. Then arrives the princess of spring’s reign, Trillium, including uncommon Catesby’s and Vasey’s. As we wind through the seasons we lust for phacelia, fringed orchids, lady’s slippers. But what about now at the tail end of summer?

Summer, the season of yellow: asters, wild sunflowers, goldenrod (19 species in the Park), but driving west on I-40 didn’t every weedy median present us with all these and more Asteraceae? Solid gold at 70 mph. Time to slow down. The hour for Latin and Linnaeus is after vespers with our books and guides. In this moment the growl of Harleys on Little River Road can’t penetrate the glade. The rumble of the river into its Sinks reaches us only as subsonic reassurance through our soles. All light has slipped bent drifted through tuliptree and hemlock to recline with us among shaggy green. We are crouched among the ferns.

Botrychium dissectum; Common Grape Fern; Ophioglossaceae

So many different kinds of ferns. Notice blade and stipe, dimensions and symmetries. We “frondle” them to read the hieroglyphics of their spores. We smell them. We struggle to know their names.

But here’s another fern-like frond, toothed and divided but with a tell-tale: a spike of yellow flowers like sequins in the wildwood. Lean closer. Five-petaled, many threads of stamens, Rose family. Agrimonia, harvestlice, swamp agrimony, but let us name it rose-among-the-ferns. Let us name ourselves sit-and-notice. Call us one-more-among-all-small-things. Look closely. Kneel. The least among the most is what we have come here to discover.

Agrimonia parviflora; Harvestlice Agrimony; Rosaceae

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Before, during, and after my summer visit to Great Smoky Mountains Institute at Tremont I have been reading Malaika King Albrecht’s newest book of poetry, The Stumble Fields. If a work of art could be a facial expression her book would be a quiet, welcoming smile – the kind that lets you know she is about to share a great confidence. Her poems are revealing in the way sitting patiently in a quiet glade will gradually begin to reveal its true life.

And the spirit that often winds among her lines is, to me, that same spirit that leads us to desire to live truly in this world. Not to skip along its edges but to draw fully and be drawn deeply into it, discovering our selves as we discover the truths of our co-travelers. It is the naturalist urge – to find our connections at every stratum and station.

I am thankful to be connected to Malaika through her words.

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Lactuca floridana; Florida Blue Lettuce; Asteraceae

Loftin Woods

I’ve wanted to be a single story,
so I could tell you a happy ending
but every breath’s different.
In these woods I’m lost enough
to notice but not lost enough to care.
I find my body when the barred owl
startles the air. I find
my body where white trillium
catches light. I find my body
in the music of cantering horses
singing to sky. Today I could fall
right through this fabric of grass.

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Prunella vulgaris; Heall All; Lamiaceae

Silver Tangle of Brambles at Midnight

Late night you remember God’s first language
is silence. The space between heart beats,

the pause before someone says, Yes,
a brief moment before ebb becomes flow.

So you say, Fine. Don’t talk to me
like God’s a stubborn ghost.

You say, I’ll hear messages
whether you speak or not.

Every closed-door signals detour,
and each broken heart demands

sitting quietly for a time.

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From The Stumble Fields, Malaika King Albrecht. Main Street Rag Publishing Company, Charlotte, North Carolina. © 2020.

Vernonia flaccidifolia; Tennessee Iron Weed; Asteraceae

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Let’s meet at Grandview above the New River Gorge while the sun is still working its way through the pine and bare hickory. The hardcore birders left from Shelter #4 hours ago but we will follow the same course down the abandoned mining road to the River. We will follow the wild flowers. We will walk into Spring.

We don’t see a lot blooming up here at the end of April, elevation 2,500 feet in the West Virginia Appalachians. Beneath the trees and in the sunny patches the landscape is still mostly brown, but that doesn’t hold for long. Trailing arbutus and trout lily greet us in the first quarter mile, wake robin and four more species of trillium pop up along the course of the trail, wild iris and asters appear by the time we’ve descended 1,000 feet to river’s edge – all of Spring blooming in one morning.

And just in case we miss something we have a guide: my wife’s sister Jodi French-Burr, National Park Service ranger, naturalist, and interpreter. She’ll be kneeling in the duff gently parting the leaves so we can see the wild ginger blossoms. She’ll have at the tip of her tongue the name of every growing thing we discover. She’ll tell us the history of this winding trail and point out relics and landmarks along the way. And she will usually laugh at my jokes.

Come and convince yourself that the earth is filled with beauty.

Bring water and a snack. RESERVATIONS requested by April 21, 2020: 304-465-2632 or jodi_french-burr@nps.gov.

[UPDATE 3/23/2020 — due to the COVID-19 Pandemic many NPS and New River Gorge activities may have to be canceled or rescheduled. Be sure the check this site for the latest info:

https://www.nps.gov/neri/planyourvisit/wildflower-weekend.htm

BUT . . . outdoor activities with family and small groups (maintaining your social distancing) are just what THIS doctor orders! Get out into nature! Viruses hate sunlight! . . . . . . . . Bill G  ]

 

Erythronium americana — Trout Lily (Dog-tooth Violet, yellow adder’s tongue, fawn lily)

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Deborah H. Doolittle has created a unique botanical and poetic experience with her collection Floribunda, a true garden of verse. The focal point of each poem is a particular flower, from Cowslip to Gardenia, but the speaker or the style of each poem is a giant of literature, from William Blake and Lewis Carroll to Sylvia Plath and Wallace Stevens. To wander the garden path of Deborah’s poetry is to smell the fragrance and delight in the colors but also to abide in the company of great writers, Deborah H. Doolittle not the least of them. Open to any page and converse.

[all selections are from Floribunda, © Deborah H. Doolittle, Main Street Rag Publishing Company, 2017]

Hepatica americana — Round-lobed Hepatica

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Emily Dickinson’s Wild Flowers

The way she dressed a flower was
just that extravagant.
The haute couture of wild flowers!
wild flowers! her element.

To that pale cheek she called petal,
she pressed both stem and leaf –
the lupine, like crinoline; sweet
clover, tight Damascus weave.

She had played the part of Botanist,
a child’s specialty.
Swamp candles shed no brighter light
in Latin for the bee.

Grasses of Parnassus, skullcap
of the tiny laces,
she pressed herself soft as a moth
treading through her pages.

Antennaria solitaria — Solitary Pussytoes

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Henry David Thoreau and the Sunflower

Who among us has not followed the sun
and hated the clouds that hid its shining face?
Who else but us can claim that we have traced
across the sky the very path it runs?

We’ve traveled much through Concord, you and I.
The widest fields are fenced and most contain
cattle or corn or the stock of kitchen
gardens. The farmers never wonder why

your seeds proliferate upon their grounds.
I know how the wind blows the smallest crumb
and how the bees and birds know where to come.
The two of us, like them, know no such bounds.

The hedgerows and stonewalls can’t grow taller.
The sun is but a star and you’re its flower.

Sanguinaria canadensis — Bloodroot

.     .     .     .     .     .     .

Sylvia Plath and the Impatiens

Unlike my empty hands,
it does not just lie there
with its flowers opening

upon white bed linen.
All its seeds jettisoned,
its future guaranteed

for at least another
season, this jewel-weed,
asks for nothing that I

cannot give it. It basks
in my sunlight, breathes in
my exhalations as fast

as I can breathe them out,
again. Still, we are both
waiting for the nurses

to make their rounds, the sun
to rise up, then subside,
for the moon and the stars

to appear and disappear,
for winter’s frost to turn
us into limp black rags.

Asarum virginicum – Heart-leaf Ginger (Little Brown Jugs)

.     .     .     .     .     .     .

The other way to walk into Spring, although it takes a month or two, is to stroll along the same trail every day. Linda and I walk the Elkin Valley Trail Association Nature Trail along Big Elkin Creek at least three days a week. First appears trout lily, hepatica close behind, then every day or two there’s a new species in sequence: pussy-toes, wild ginger, bloodroot, rue anemone, star chickweed. In a month there will be foamflower, bellwort, jewel-weed, jack-in-the-pulpit. The photos in this post were all blooming on the same day, March 16, 2020.

Anemonella thalictroides — Rue Anemone

.     .     .     .     .     .     .

Deborah H. Doolittle moved from her birthplace in Hartford, Connecticutt through many different landscapes and gardens before settling in Jacksonville, North Carolina. She has an MA in Women’s Studies and and MFA in Creative Writing and teaches at Coastal Carolina Community College. She serves on the Board of the North Carolina Poetry Society and she loves flowers.

Stellaria pubera – Star Chickweed

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June 1, 2012

This is Dan Lawler at Great Smoky Mountains National Park.  May I speak to Bill Griffin?

Hi, I’m Bill.

Listen, Bill, it’s about your back country permit.  You’re not going to be able to stay at Cosby Knob Shelter on June 9.

What is it? Too many hikers?

No, too much bear activity.  A bear tore up a couple of hikers’ . . . packs.  We’re closing the shelter for a month or two until he gets the message and moves on.  Those Cosby Creek bears – ha, ha – they give us problems every spring.

Ah . . . well . . . that’s fine.  I’m not all that fond of sleeping with bears.

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.     .     .     .     .

July 23, 2000

Today Mary Ellen and I embarked on the Great Sibling Bonding Adventure.  My sister and I spent a week backpacking the Appalachian Trail from Springer Mtn., GA to Deep Gap, NC, something shy of 100 miles.  Growing up separated in age by six years we never spent much time together, never had a lot in common.  Now we’re sweating up every steep ridge together, eating out of the same pot, sleeping in the same little tent.

Along the way we count the birds and name the wildflowers, and make up names if we don’t recognize them.  We make supper in pitch dark at Gooch Gap.  We make up funny songs (“Nothing Like a Log” to the tune of “Nothing Like a Dame”).  We make it to Muskrat Creek Shelter on our last night and celebrate Mary Ellen’s thirty-eleventh birthday with a stale cake I’ve stashed in my pack all week.  We make friends.

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.     .     .     .     .

June 8, 2012

Now it’s Friday morning and we’re cinching up our hip belts at Big Creek ranger station to head into the back country again.  Last month Mary Ellen called me and said she was overdue for some big brother quality time.  We broke out the trail maps and chose a non-old-guy-destructive three-day loop in GSMNP.  Since we’ve been shut out of Cosby Knob by the bears, we’ll hike 5 1/2 miles to Walnut Bottom and spend both nights there, Big Creek chuckling beside us.  On Saturday we’ll hike a ten-mile loop that takes us up to the AT and right past the bear-haunted trail shelter (and while we fill our bottles from the spring there we’ll keep whistling the entire time).

We’ll name every flower, tree and shrub — in twelve years damn if Mary Ellen hasn’t learned them all, right down to the Latin binomials.  After supper we’ll hang our food up high, and while dusk settles into Walnut Bottom we’ll sit on mossy creek boulders, sip mint tea with powdered milk, and wonder if the bears have discovered unattended dinners on the Tennessee side of the ridge.  Or if at this very moment they’re watching us from within the dog hobble and rhodies, just waiting for full dark . . .

.     .     .     .     .

Bear

If you hear me, it will be a nut falling
from the buckeye.  If you hear me,
it will be a dry branch
seeking earth,
it will be slender fingers
of mountain ash waving praises
to the ridgelined sky.

If you see me, it will be a shadow
only one breath deeper
than twilight.
If you see me, it will be the twist
of heart that skips
a beat, the stark
of pupils gone abruptly wide.

I am mist that enfolds the laurel.
I am stone that reclines beneath black hemlocks.
I am a rumor at Maddron Bald,
a tremor at Mt. Guyot.

Raven is mistaken – this Ridge is mine.

And if you hear me, it will be the rising chest
of the mountain and its timeless slow
exhale,
and if you hear me
it will only be because
I didn’t hear you first.

.     .     .     .     .

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Afterword

In some twenty years of backpacking the Southern Appalachian mountains and Great Smokies, I’ve encounered a bear exactly once.  Mike Barnett and I were hiking without the noisy accompaniment of teenagers.  We’d set up camp one evening and I had walked back up the trail to spot some birds.  I’d been standing completely still for about twenty minutes, waiting for a Pileated Woodpecker I’d been hearing to show itself, when I heard a soft crack behind me.  I figured it was a buckeye falling.  Crack again.  I turned.  Slowly.  Twenty feet from me a large black mass with a pointed nose was staring towards camp where Mike was fixing supper.

And where did that happen?  Cosby Knob shelter.  That night I wrote the first draft of Bear in the AT log book and next morning left it in the shelter.

.     .     .     .     .

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and a p.s. . . .

Hey Sister — I’m looking closer at all the wildflower photos we took and I believe we saw BOTH lesser and greater purple fringed orchids!   (Platanthera psychodes and grandiflora).    —    your Bro

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[Bear first appeared in the journal Cave Wall, and was the first poem I wrote in the collection Snake Den Ridge, a Bestiary (March Street Press, 2009.]

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Today the bloodroot is blooming along Brookwood Drive in Elkin – its leaf an unfolding hand, its 10-point star of petals. Every Spring I wonder if I will find it again, or will it be overcome by the the choke of invasives. Every Spring it rises. Tenacious, faithful, humble, generous, this April it gives the gift of itself to the earth making new.

Just once I watched a naturalist dig one up (from an extensive spread). He sliced into the rhizome like a nubby finger; one then another drop of thick red-orange life juice bled onto his palm. One small plant, all metaphor.

Bloodroot

Watch mid-April for the liver-lobed leaves,
a week later the flower that rises from duff,
a star, lace bonnet, last memory of snow;

this patch of blossoms grows smaller each spring
overtaken by honeysuckle and poison ivy –
I wonder how long it can go on blooming.

Each year our lives grow smaller as well,
overgrown by everything we thought made us strong,
thatch of vines spelled should and shall

too dense to admit the April sun.
How long until we stop imagining spring,
’til indifference sucks us dry as winter?

I want to free this flower, lift from strictures
to spread its rhizomes across a dozen wild places
wider than I can begin to discover,

but won’t my touch break its delicate stem?
Fear is the red-orange drop that oozes
out from the heart that hesitates.

Help me to feel the truth of roots
thrust like blood into earth’s desire;
make me believe dead branches bud, then

take my fingers where warmth begins –
this webwork of birth has grown so light
raising it will require two hands.

[first appearance in Changing Woman, Main Street Rag Publishing, 2006; also published in in HeartLodge Vol. 3, 2007]

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