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Posts Tagged ‘Redhawk Publications’

“Black Vulture” – Clayton Joe Young – http://www.joeyoungphoto.com

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[poems by Scott Owens, photos by Clayton Joe Young]
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Buzzard
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Always
when you look up
at white clouds, blue sky,
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you see
that hyphen of a bird,
not flying but floating,
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silently
keeping two worlds
you imagine apart, together,
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connecting
earth to sky,
life to death.
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Closer,
we see the hunched neck,
bald head, vulture stoop
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as something that gives us
chills.
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Scott Owens
from An Augury of Birds, forthcoming from Redhawk Publications; poems by Scott Owens, photography by Clayton Joe Young
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❦ ❦ ❦
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The naturalist Robert Lynd is quoted as saying, “In order to see birds it is necessary to become a part of the silence.” How often do we actually pause and participate in silence? Become part of it? Sunday afternoon Linda and I had hiked a couple of miles along the Mountains-to-Sea Trail when we came face to face with friends we hadn’t seen since before COVID. They were hiking in from the opposite direction but our destination was the same: the Forest Bathing trail along Grassy Creek.
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We continued on together. We outpaced noisier hikers; they turned back and left us in solitude. The thrum of voices at the winery and of pickups on Route 21 receded. We stopped – a gentle murmur of water flowing over the new beaver dam. Stopped again – breezes swishing through fresh Joe Pye Weed along the creek. As the trail led us up and away from the water, we left the laurel and holly and entered a glade of slender young tuliptree still recovering from logging. Our friend stopped us once more. She had taken off her sandals to feel the earth. Late afternoon sunlight streamed slant among the saplings and we were part of the silence. A vireo sang. She raised her arms and said, “This is what I came here for.”
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If we create silence, within us and around us, air and earth will magnify the silence with beauty. Birds will complete the silence with wing whirr and song. Here’s an invitation to silence, offered to us in the poems and photographs of An Augury of Birds. Scott Owens and Clayton Joe Young reward our held breath and contemplative approach with their avian celebration. They make these feathered creatures our companions – individual, distinctive, ripe with purpose. And Augury is such an apt title. Wasn’t Rachel Carson’s prophecy of a silent spring the spark that ignited our current fire of conservation and environmentalism? Noticing birds is a gateway to noticing the universe. Lift the latch, enter these pages, become part of these lives – If you close your eyes / you can hear the cosmos opening.
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“Northern Mockingbird” – Clayton Joe Young – http://www.joeyoungphoto.com

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All There Is to Say
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If it happens that you find yourself
at the front of a room full of people
listening to all you have to say
about what you think you know
and suddenly you hear
from an open window
you hadn’t even noticed was open
the voice of a mockingbird
as clear as the voice of God
singing in every language at once
you owe it to yourself
and all with the possibility of hearing
to stop in the almost silence
and say out loud, Listen
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Scott Owens
from An Augury of Birds, forthcoming from Redhawk Publications; poems by Scott Owens, photography by Clayton Joe Young
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Hiwassee
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Long fingers of catalpa trees,
Green globes of apples
Hang low over Licklog Road.
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White crowns of Queen Anne’s lace,
Orange umbels of butterfly weed
Fill a field where flycatchers
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Dart from limb to grass
and back, consuming
Whatever rises. Swallows
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Carve endless angles across
The tops of weeds let go.
Brown headed cowbirds
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Follow white-faced cows
Near a lake surrounded
By mountains in a place
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Where everyone waves
And everyone remembers
What it means to live.
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Scott Owens
from An Augury of Birds, forthcoming from Redhawk Publications; poems by Scott Owens, photography by Clayton Joe Young
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❦ ❦ ❦
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An Augury of Birds will be published by Redhawk Press in 2024. Check HERE for ordering information.
Scott Owens enlarges the community of creativity. He is professor of Poetry at Lenoir Rhyne University, former editor of Wild Goose Poetry Review and Southern Poetry Review, and he owns and operates Taste Full Beans Coffeehouse and Gallery where he coordinates innumerable readings and open mics, including POETRY HICKORY.
Clayton Joe Young is the Director and Senior Professor for the Photographic Technology Program at Catawba Valley Community College in Hickory, NC. He has won numerous awards for his photography and has published several books, including other collaborations with Scott Owens and with poet Tim Peeler, featuring rural North Carolina, especially Catawba County.
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“Chickadee” – Clayton Joe Young – http://www.joeyoungphoto.com

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All the Meaningful Noise
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How can you be on this earth
and not close your eyes on occasion
and listen to leaves give voice to wind,
hear the laugh of crow,
annunciation of blue jay,
moan of mourning dove,
all the meaningful noise
of another spring day?
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Behind the finishing plant
just off the run-down road
between failing furniture towns,
a field is bursting with purple flowers.
If you close your eyes
you can hear the cosmos opening.
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Scott Owens
from An Augury of Birds, forthcoming from Redhawk Publications; poems by Scott Owens, photography by Clayton Joe Young
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2020-06-11a Doughton Park Tree
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[with 3 poems by Debra Kaufman]
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Walking Westerly, My Shadow Precedes Me
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She does not hear a warning
in the wren’s song,
+++++++++ as I do,
or see the ghost moon as an omen.
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She appears to have a jauntier step,
wilder hair, longer, slimmer limbs.
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Perhaps she is the me
I once was –
waitress, dancer, diary keeper.
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Nothing bad
has happened yet.
+++++++++ Soon
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she will trail a dangerous
fragrance, be sniffed out,
tracked, pinned down.
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Wind trembles the beech leaves.
The wren calls again.
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I step toward the past,
she into the future
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Debra Kaufman
from Outwalking the Shadow, Redhawk Press, Hickory, NC; © 2023.
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❦ ❦ ❦
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If you believe that everything is connected;
if you believe that matter and energy are conserved (not to mention angular momentum);
if you believe that the breath you’ve just taken into your body, its oxygen reddening your corpuscles, worked its way up the hill from the great red oak not tumbled in last spring’s tornado, and that when you release it a second from now it will begin to wisp its way back down to wait for the asters you’ve sowed on wind-scoured earth;
if you believe that your body is stardust, its phosphorus and calcium and that fleck of selenium, every element which is heavier than air;
if you believe that no distance is too far and no time too long a thread to tie everything together and extend the connection,
++++++++++ then believe this:
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when that wisp of a woman sitting on the couch beside your father and his baby sister, white-haired tiny flit of a woman no more substance than moonbeam, when she smiles it will light up the string of a million smiles stretching back so far that every smile since must take its cue, all the way back to the very first smile twenty-five years (less thirteen days) before you were born.
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Recall those smiles you can and hold onto them — you dancing while she plays Mozart on the piano and laughs; she holding the cake while you take a deep breath to blow; beaches and playgrounds, jokes and canasta, weddings and first smiles of your own babies shared with her. Most smiles have flown to continue their cycle, petal of a flower she will notice, bug she’ll try to pick up from the carpet, a noise or a vision in some other creature’s thread of existence . . .
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. . . but some precious few smiles are preserved in silver. Layers of atoms on glossy paper. Here’s one that her niece, your cousin, has just handed you, holding its connection to the others over seven decades in the bottom of a carton waiting for your gathering today. You hold it close for her to see and she smiles again.
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Look! Today’s smile! When you see it, recognize its provenance, its taxonomy, its lineage and inheritance from all that have preceded it. Accept its assurance. So much lost, so much consigned to this or that flimsy drawer in the cupboard of memory (yours) and so many keys to so many drawers misplaced (hers), but still firmly by that long and winding thread as tenuous as breath connected. Every wisp connected.
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The last time my mother
 . 
spoke words I heard
I saw her see me in a flash:
You’re my daughter!
We walked the hall,
a circumference
around the single rooms.
Round and round.
Each time we passed
the common room
she’d point to the Christmas lights.
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On her bed lay a book
of her wedding photos.
I named the names, some small comfort.
I sang “Jacob’s Ladder”
and she smiled in that puzzled way.
 . 
I meant to rub lotion on her legs –
her skin dry, tissue-paper thin –
but they were calling her
for supper. I kissed her cheek.
She kissed my hand,
did not want to let it go.
 . 
I hoped we’d see a few sparrows
out her window, but
dark coming early, I saw only
our ghostly selves reflected there.
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Debra Kaufman
from Outwalking the Shadow, Redhawk Press, Hickory, NC; © 2023.
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❦ ❦ ❦
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Yet if we do not stare despair in its face
(I hear you say) how will we recognize
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the silver sliver of moon
when it hangs suspended like a dream?
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++++++++++ from Bearing / Witness
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Moonrise this past Monday was 2:37 PM in Elkin, North Carolina, USA. Waxing gibbous, we spot her on the one clear afternoon without rain. We won’t have to worry about finding our way through the darkened house at bedtime. Light will precede us, follow us, attend us. We can’t summon the moon or assign her course; we can only watch and trust she will return. We can only recognize and be grateful.
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I didn’t want to get out of bed that Monday morning. All the motivations and machinations of the preceding week – phone calls, site visits, family conferences – had cooled and dissipated. Who says energy is conserved? I sat at my desk, the to-do list accruing and scrolling in my head, not knowing how to begin. And then there was Debra Kaufman’s new book waiting patiently at the top of the pile. I opened to the first poem. The clamp on my innards released and breath returned.
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Moon, and of course shadow, are recurring images in Outwalking the Shadow. It is no coincidence that metaphor and metamorph are nearly homologues. Images may shift their shapes and meanings, may stand in for any number of times and spaces, but moon and shadow link arms, weave a net, cast it out and draw us in. Debra does more than create contrasts. Her poems are not satisfied to simply cast light into the dark umbra of grief. Enter her lines and welcome the shadow, relive it, discover how and who it has made you. Recognize that light blinds when it glares but enlightens when it glimmers, slivers, almost ephemeral as dream.
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Recognize that each of us lives with our shadow, and that even moonlight may cast one. Debra’s book is dedicated to her mother, Kathleen, and many of the poems explore her life, their life together, her final days, thereafter. Debra’s poems encompass much, much more than grieving, however. In many of her lines, I hear her speaking the very phrases I have needed to speak to my own heart. Perhaps you, too, have had mornings when you found it a burden to take even one step, when you felt empty and powerless and alone. These poems admit that. We are human and we carry our shadows. But these poems surprise themselves with sudden flashes and connections – a summoning of crows, a lesson learned, a visitation by spirits. Every time I turn another page, I discover more of what I need. Come, let us walk out together. There may still be joy if we open ourselves.
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More about Debra Kaufman, Outwalking the Shadow from Redhawk Press, and how to purchase HERE
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Let my heart swing open
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like French doors to a garden of blowsy flowers,
saloon doors where Kitty serves shots of rye,
a screen door with a farm wife waving you in,
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or let my heart be a picture window
through which I see everyone I have ever loved,
my breath steaming the glass, come in,
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we’ll turn up the party lights,
show all the passersby we’re dancing,
or better yet, let’s all spill out into the street,
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my heart a village music festival –
welcome teachers, firefighters, cashiers, nurses,
shysters and spinsters, salsa dancers a skateboarders,
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cat lovers, detasselers, twirlers and high-steppers,
come in you scuffed shoes, rhinestones, flannels,
I’ll be a mirror reflecting all y’all’s kindness,
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your clumsy moves and broken bits,
your sad patience and patient wildness,
your generosity, crankiness, haunted dreams –
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I’ll be the hostess sprinkling blessings like petals,
saying, The universe is here and so are we – 
champagne for everyone!
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Debra Kaufman
from Outwalking the Shadow, Redhawk Press, Hickory, NC; © 2023.
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❦ ❦ ❦
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2016-10-17a Doughton Park Tree

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[with 3 poems by Ana Pugatch]
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My Mother’s Visit
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The woman sensed that I now
looked down on her. That the earth
had turned slowly
 . 
into night. That her kin would only be
a distant moon. She watched
shards of light slice through the bamboo
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thicket, the stars’ edges harden
and cool. In daytime she marveled
at the strength of a water buffalo, how
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it shoulders could shift continents.
But I knew it would never be
enough.
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We looked down
from the bamboo raft, and below
the glass surface saw
 . 
what flickered in turbid
darkness. Like my mother I thought
of the day when the river
 . 
would freeze over –
and how I’d give up everything
to feel its final stillness.
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Ana Pugatch
from Engrams, Seven Years in Asia, winner of the 2022 Lena Shull Book Award of the North Carolina Poetry Society; Redhawk Publications, Hickory, NC; © 2023
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Above the river a west-facing ridge, protected, always cool and moist, and a narrow rustic trail that veers from the main — this is the path I take the day after Christmas. Winter brown, mossy stones and lichen, these are all I expect today, but here and there are premonitions. Ruddy toothed leaves, foamflower will bloom in March; bright green variegated heartleaf hides beneath pine needles today but soon will hide its own little brown jugs. So much muted beauty to share, but what is this! Hepatica is blooming!
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Right here along this little path is the first place I ever discovered native hepatica in Elkin. (I still clearly remember where I was standing when I added my first bird to my life list decades ago, a chestnut-sided warbler — do normal people hold onto these sorts of memories?) But this is December — the earliest we ever see hepatica in bloom is late February, preceding even the rush of trout lilies. Nevertheless here is one plant with a flower and two swelling buds. Too, too early. Winter too warm. I can’t say I’m filled with happy thoughts for our planet.
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A few days later I’m back with a camera. I can’t say I’m filled with happy thoughts of botany and phenology. Last night my brother and sister and I had a lengthy conference about our Mom’s decline. Tomorrow I’ll be sitting down with her and Dad to discuss a palliative care consultation and possibly moving to a higher level of care. I have to watch my footing carefully on parts of this trail – exposed stones, roots, erosion. Going downhill is when you’re most likely to fall. Mom’s descent has been steady for years, gradual, but the path ahead appears much steeper.
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This is interesting – a single clump of pinstriped leaves, Adam-and-Eve Orchid. And Cranefly Orchid with its magenta underleaf is plentiful here. When the surrounding trees lose their leaves these orchids make sugar from winter sun. Their own leaves will fade and disappear before spikes of tiny flowers appear  mid-summer. Similar for the hepatica: last year’s flecked and nibbled liver-lobed leaves are making way for new green even now. Diminished light, cold and frost, life makes what it can of every season. I bend lower for a better look at each delicate yet resolute little family of leaves. Not a single flower to be found today.
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The Nightjar
+++ for S.
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In the evenings you fold your wings
in a hammock on the porch.
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your jaw clicks in imitation
of car locks. Your hair grows dark
to form a nest, twilight clouds:
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a puff of throat. Mangrove roots
of a slow entanglement; filaments of stars
hang above us.
 . 
Don’t forget you say with the fan-eyes
of your tail as you fly away
 . 
each morning. You’re known
to frequent other lives, exhale their smoke,
catch tiny deaths on the temple’s
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low wall. You’re known
for your camouflage, the concealment
of thoughts in daylight.
 . 
But I’ll still hold you, hoping
you’ll stay. Even if your ones are hollow,
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fragile – I know one day you’ll roost
on steady ground.
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Ana Pugatch
from Engrams, Seven Years in Asia, winner of the 2022 Lena Shull Book Award of the North Carolina Poetry Society; Redhawk Publications, Hickory, NC; © 2023
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❦ ❦ ❦
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Where does a memory live? Where does its root take hold, where is its safe repository? The sudden intake of breath at one sepia photo slipped from a pile of many others? A brief waft of scent upon opening a long-closed drawer? A word spoken in an unknown language ferrying meaning beyond its meaning? A phrase written in a notebook long misplaced? A dream?
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Perhaps our memories are truly embedded in biochemical engrams deep in our hippocampus, hard-wired each in its own bud of synapse, but where is the map to its local address? Ana Pugatch knows to follow the narrow alleys and unmarked streets. Her poems are visions, aromas, sensations that may chill or warm. That may be fearful and unsettling or openly inviting. Her memories weave a world for me. Her world opens me to my own alleys, dim at times but becoming brighter; she opens me to streets I had forgotten. Or have yet to travel.
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Is it because the world is so big and there are so many of us in it that we react by closing ourselves and retreating? Are we threatened by the rush and clamor of ideas, practices, cultures? Is that why we draw a line around our tribe and push all others away? We imagine that to survive we must deny, even destroy, everything outside our comfortable patch of expectations. To my mind, humankind’s survival depends on just the opposite. We can’t close the door but most open it. Perhaps we do feel frightened when confronted with anything that challenges our assumptions, whether a person, an artifact, an idea. Perhaps. And perhaps responding to novelty with imagination rather than rebuff is what allowed Homo sapiens to expand while Homo neanderthalensis dwindled and disappeared (except for the handful of Neanderthal genes we’ve acquired and still carry!).
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Within poetry is concealed the map to our local memories. And in poetry we encounter shared memory and experience, doorways that may lead us out of our cloister and into the embrace of the different, the foreign, the alien, the frightening. As I read Ana Pugatch’s sensitive and sometimes ephemeral visions of her years in China and Thailand, and now of her presence in North Carolina, I am not an impartial observer watching a travelogue. I connect with those struggles. We are human, she and I and all the people she encounters. From the strangeness I feel a common thread winding around my heart. May that thread continue to pull me forward, and outward.
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Engrams, Seven Years in Asia is available from Redhawk Publications.
The Lena Shull Book Award for a full length poetry manuscript is sponsored annually by the North Carolina Poetry Society. Submission period opens June 15, 2024.
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Unfurnished
 . 
I would write down the date if I knew
which day it was.
It’s Tuesday, I think,
and the baby cries upstairs.
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I’ve never seen the family;
I only know them by
the red and gold characters posted
on their door.
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Their laundry hangs
on the lines above mine;
Cantonese echoes through
my empty rooms.
 . 
We share the same view of Zhuhai.
We share that space of sky and trees
and we open our doors
when it rains.
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Ana Pugatch
from Engrams, Seven Years in Asia, winner of the 2022 Lena Shull Book Award of the North Carolina Poetry Society; Redhawk Publications, Hickory, NC; © 2023
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2018-02-09 Doughton Park Tree

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