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[photo by Andre Tew — thanks!]

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[ a sampling of winning poems by Gregory Lobas, Hannah Ringler, Chapman Hood Frazier, Scott Owens, Lora E. Hawkins  – May 16, 2026 at Weymouth Center ]
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Moon Over Gaza
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is not the moon over me.
I have had my supper,
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and now I watch a swift scissor the air,
wings shaped like lunar crescents,
one rising, one setting
as it flips on its axis
in pursuit of its evening
meal, dusk-colored plumage
bleeding into a southern summer night.
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Half a world away, my son
distributes food in a land
that is hard to love,
among people who do not love him,
a land where locusts no longer
swarm in a biblical effusion of life,
but flies amass through a prodigy
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of death, and survivors teem
over palettes of aid boxes
driven to the edge of insect-
frenzy, children gleaning
lentils spilled into the dirt
like lots cast to see
who lives and who dies.
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Soldiers of another stripe
fire machine guns
into the pre-dawn sky,
echoing across the landscape
like a call to prayer. A reminder
of the governance of the absolute.
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Buildings bleed
into rubble. Rubble bleeds
into dust. Dust into hunger.
Hunger into gall clinging
to the back of the throat,
the body’s taste of sorrow.
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And, above it all, the moon hangs
like one severed wing of a swift.
My son (I imagine him facing homeward)
would see it set into the barren hillocks
that lie humped beyond his camp
like so many sheet-covered bodies,
while I face east to watch it rise
over a grassy meadow alive
with the scratch of katydids,
the tilted crescent bleeding
its pale light over all the earth
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Gregory Lobas
Poet Laureate Award
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✾  ✾
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Gregory Lobas’ book, Left of Center, won the 2022 Dogfish Head Poetry Prize. A 2026 Best of the Net nominee, his work can be found in New Ohio Review, Tar River Poetry, Cimarron Review, Vox Populi, Susurrus, and many other journals.
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❀    ❀    ❀
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tents hawking fireworks
these missiles, at least, only sound
and weeping stars
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Hannah Ringler
Bloodroot Haiku Award; Honorable Mention
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✾  ✾
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Hannah Ringler is a poet, gardener, freelance editor, and preschool mom living in Durham, North Carolina. She composes poetry at red lights and standing at the kitchen sink. By night, she is the State Coordinator for the Poetry in Plain Sight Program of the North Carolina Poetry Society.
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Our 50th Solstice
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Our wedding rings two spirals in opposite directions.
Each defining the other, each apart together.
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I first followed you through the back field, your hair golden
as broom straw in sunlight beneath a cloudless southside sky.
 . 
Even then I knew it was you I had to live with. Love at first sight
I had always thought a stupid myth I now had come to believe in.
 . 
On our first Thanksgiving, you crossed the Appalachians with your sister
to my apartment where we were first alone together.
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The scent of heliotrope left on the pillow and sandalwood
on the braided leather bracelets we exchanged.
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I followed the roadmap of your body from the green undulating waves
of the Outer Banks to the narrow cobblestone back streets of Rome.
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Each child’s birth a seeded light of our ancestors, growing through us like
winter ivy or an ocean wave rising towards some inevitable shore.
 . 
I massaged your back in the dim-lit hospital room as you birthed our son
and steadied you as our daughter slipped into this world.
 . 
A slow learner, now after 50 years, I’ve finally realized that love is a seed of
mitochondrial light, something I carry from those who’ve come
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before. It shines through this oculus of our lives, a commitment
that opens time’s spiral until a death parts us. This is the heart of solstice
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beyond the known into the unknown. The time after as before
when we may find each other again in an afterlife not of our making.
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Chapman Hood Frazier
Carol Bessent Hayman Poetry of Love; First Place
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✾  ✾
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Chapman Hood Frazier’s The Lost Books of the Bestiary was published in 2023. His work has appeared in The Virginia Quarterly Review, The Southern Poetry Review, The South Carolina Review and other publications. Currently a Professor Emeritus from James Madison University, he lives in Rice, Virginia.
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❀    ❀    ❀
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Churchyard Playground, Cokesbury SC
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Beneath the trees the children play
surrounded by the swirl of leaves.
They waste another careless day
spending time doing as they please,
unafraid what things may fall away.
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Please do not scold, please nothing say
of the loss that we feel today.
Such knowledge will fill no need
for those beneath the trees.
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Leave them to it! Let them play!
Give them peace at least another day.
They do not need to know that though their days
go slow, they go. Don’t make them see
that days will come when they will be
still beneath the trees.
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Scott Owens
Charles Edward Eaton Award, Sonnet or Traditional Form; Honorable Mention
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✾  ✾
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Poet Laureate of Hickory, North Carolina, Scott Owens is author of twenty-four poetry collections, recipient of awards from the Academy of American Poets and the Pushcart Prize Anthology, among others. He is Professor of Poetry at Lenoir Rhyne University, owns and operates Taste Full Beans Coffeehouse, and coordinates Poetry Hickory.
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❀    ❀    ❀
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The Second Law of Thermodynamics
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In 11th grade
I am told
by Austin Roberts,
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that according to physics,
there is no concept
of cold,
simply an
absence
of heat.
 . 
1,500 miles,
two decades,
and several
heartsmashings later,
 . 
my hand finds its way
under the covers to the small
of my husband’s bare back.
 . 
Oh, it’s cold
he says
scootching away.
Not cold,
I think, as an echo
of a half-remembered
thought.
 . 
My hands
just lack
the heat of you.
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Lora E. Hawkins
In Defense of Science Award; Second Place
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✾  ✾
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Lora Hawkins is an assistant professor at Appalachian State. Most recently, her work has appeared in English Journal, Anthology of Kansas City Writers, In the Black and in the Red, Pinesong, Poets for Peace, and The Nature of Our Times. She holds credentials from Columbia, Brown, and Warren Wilson College.
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❀    ❀    ❀    ❀    ❀
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All selections are from PINESONG 2026, Volume 62, the annual anthology of the North Carolina Poetry Society. © 2026 NCPS.
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The North Carolina Poetry Society is an inclusive, expansive community of writers, readers, teachers, and friends that spans the state’s 100 counties and extends throughout the United States. Its mission is to support, promote, and celebrate poetry. Thank you to the entire Board of NCPS – it takes all of you to bring these contests, gatherings, and publications into being. Special thanks to Sherry Thrasher, Pinesong Editor and Adult Contest Coordinator; Kim Lane, Student Contest Coordinator; Kevin Watson and Press 53, interior layout and cover design for Pinesong as well as sponsor of the Poet Laureate Contest; Kashiana Singh, NCPS President and behind-the-scenes magic elf who makes sure warp and weft are woven into beauty; Chad Knuth, program planner; and all the proof readers, copy editors, book schleppers, goody providers (I’m looking at you, Joan) and enthusiastic supporters of Awards Day each May.
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[photo by Andre Tew]

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The North Carolina Poetry Society conducts twelve contest for adults each year. The submission period opens on December 1, with a deadline of February 1. Winners are invited to attend and read their poem at Sam Ragan Awards Day at Weymouth Center for the Arts and Humanities (Southern Pines) each May. Check HERE for contest guidelines and details.
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Winning poems are published in the anthology Pinesong. If you would like to purchase a copy ($10), or if you are a NCPS member and would like to request your complimentary copy, please contact Membership Vice President Joan Barasovska:  msjoan9@gmail.com.
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The NCPS Adult Contests are:
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Poet Laureate Award
Sponsored by Press 53; Final Judge: NC Poet Laureate Jaki Shelton Green. Open to poets currently residing in North Carolina.
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Alice Osborn Award
Sponsored by Alice Osborn; Poems in any form, any style, written by adults for children 2 to 12 years of age.
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Carol Bessent Hayman Poetry of Love Award
Endowed by David Manning; Any form, any style, on the theme of love.
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Katherine Kennedy McIntyre Light Verse Award
Sponsored by Kashiana Singh; Light verse in any form, any style, including limericks
Mary Ruffin Poole American Heritage Award
Endowed by Pepper Worthington; Any form, any style, on the theme of American heritage, sibling-hood, or nature.
Poetry of Courage Award
Endowed by Ann Campanella; Any form, any style, on the theme of courage or crisis
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Bruce Lader Poetry of Witness Award
Sponsored by Doug Stuber; Any form, any style, addressing contemporary events or issues
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Jean Williams Poetry of Disability, Disease, and Healing Award
Endowed by Priscilla Webster-Williams; Any form, any style, on the theme of disability, disease, and healing.
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Bloodroot Haiku Award
Sponsored by Bill Griffin; Contemporary English language haiku (untitled).
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Charles Edward Eaton Award
Endowed by an anonymous friend of Charles Edward Eaton; Sonnet or other traditional form, maximum of 50 lines.
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Robert Golden Award
Endowed by Nexus Poets and Linda Golden; Any form, any style.
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In Defense of Science Poetry Award
Sponsored by Garrett Sharpe; Any form or style that engages with scientific ideas across all disciplines—climatology, oceanography, microbiology, chemistry, physics, astronomy, biology, and beyond.
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.
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If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
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COMMENTS@GRIFFINPOETRY.COM
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Thanks again for joining the conversation.
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– Bill
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Doughton Park Tree 2025-07-10

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NCPS at Cary Arts Center (2)

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Has this old Cary High School building ever before been filled with such light and creativity? Standing just inside the high windowed doors, I see Joan Barasovska and Kathy Ackerman greeting arrivals. In a moment they will look up at smile at me. To my left Deb Doolittle stands in quiet contemplation of the long table where authors display their books. A few meters behind Joan, beside the large coffee tureen, is the lavish spread of fruit and pastries Chad Knuth has prepared – I wish I hadn’t eaten that protein bar during the 2+ hour drive from Elkin. All around me people are coming together and dispersing only to regroup, old friends and new acquaintances simmering with excitement and joy. It is already a great morning for poetry.
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Each September at its fall meeting the North Carolina Poetry Society features readings by the winners of the following contests:
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Brockman-Campbell Book Award: for the best book of poetry published by a North Carolina author in the preceding year.
Lena Shull Manuscript Award: for a manuscript by a North Carolina author; the winning book is published by NCPS.
Susan Laughter Meyers Poetry Fellowship: an annual residency and honorarium offered to one North or South Carolina poet.
Randall Jarrell Poetry Prize (sponsored by North Carolina Writers’ Network): for an individual poem by a North Carolina author.
Jaki Shelton Green Performance Poetry Award (co-sponsored by North Carolina Literary Review at East Carolina University and NCPS): for an individual poem recited / performed.
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In 2023 the September meeting was held at the NC Museum of Art in Raleigh, in 2024 at the NC Arboretum in Asheville, and this year’s meeting on September 13 was at the Cary Arts Center. Since 1939 the building served as the (former) Cary High School and is now on the national registry of historic places. Today’s and last Friday’s post feature some of the poetry shared by the 2025 winners; see the post from September 26 for more photos and poetry offerings!
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❦ ❦ ❦
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The Way I Love Him in Durham
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Now, when we argue, he yells,
Why don’t you love me the way you did in Rome?
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He means: the way we got lost
in the Gallery of Maps on the way
to the Sistine Chapel, how we’d drink
Aperol at breakfast, filled our days
with too many Caravaggios and Berninis.
The way my mouth was so open
to his at the Vatican. How we explored
the Forum and imagined the games
of the Colosseum: venationes, naumachia.
How we stuffed our bellies
with black ink pasta, ox, and marrow.
The way we escaped a thunderstorm
under an awning and kissed
while lightning lit the Pantheon.
Our joy buying a wool hat
in the Campo de’ Fiori at the stone
feet of the first martyr of science.
How our bodies fit as we descended
into the Capuchin’s crypt of pelvises,
the dark ossuary that left us humble and mortal.
How crossing the Tiber to Trastevere
meant we’d soon make love in our cellar
apartment below young drunk revelers.
 . 
The way I love him in Durham
is washing sheets and dishes,
grocery shopping and cooking,
waiting until dinner to uncork wine.
A slow dance on the patio to The Smiths
under the crisscross of air traffic.
The commutes and kids tiring our libidos,
watching him fall asleep to sci-fi.
I know the pink scars over his heart
as if they were my monogram.
 . 
We wait for the sign, the burning
of our bread, of our ballots,
for which color smoke rises out of us.
 . 
Claudine Moreau
from Demise of Pangaea, Main Street Rag Publishing, Charlotte NC, © 2024; finalist for the Brockman Campbell Book Award of the North Carolina Poetry Society.
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Claudine Moreau teaches physics and astronomy at Elon University and also serves as faculty director of a first-year student neighborhood. Someday she hopes to retire on a mountaintop where the sky is dark enough to see the Milky Way. She has also published the chapbook Dark Machines, Fugitive Poets Press, ©  2012.
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Claudine Moreau

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❦ ❦ ❦
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Our History Revealed
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The foundation of our nation is built on the backs and bones of African Americans
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Our Heart, Hands, Blood, Sweat, Tears and Intellect all serving as fertilizer to a burgeoning country
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Our Ancestors’ Grave Sacrifices and Noble Contributions must be Revealed and Recognized
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Consequently we employ the Power of the Fine Arts
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As palette is to canvass
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Documenting Our Pain
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Commemorating Our Achievements
and Celebrating Our Triumphs
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Because History, like the Arts is a Living, Breathing entity
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Unceasing and Beautiful when the Majesty of all the Shades and Tones of the African Diaspora, are TRULY Represented
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Dionne D. Hunter
Performed at Cary Arts Center on September 13, 2025; Second Place Winner in the 2025 Jaki Shelton Green Performance Poetry Award.
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As a United States Navy Veteran, mother of two, and grandmother of four, Dionne Hunter has gravitated to Spoken Word as an expression of her emotions and ideals. Her work has been included in anthologies published by Writing Knights, The Poet’s Haven, and Crisis Chronicles Press. Contact: http://www.dionnehunter.com
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Dionne Hunter

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Other winners of this year’s JSG awards are JeanMarie Olivieri, Marcial CL Harper, and (not pictured) Asthma Olajuwon. (Contest guidelines here.)
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JeanMarie Olivieri

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Marcial CL Harper

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❦ ❦ ❦
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Core
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Papa, you tailor your trousers with spider silk.
So many bottled nectars on bronze carts
flank your marble table, pour down
the slender throats of your petal-gowned women.
 . 
Papa, I am a stemless apple.
 . 
Papa, no ice and alcohol
could help me drizzle a glass.
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Papa, you open my skull with an Alaskan blade.
So many blossoms crammed there,
Papa, and they will fly out in the perfumed,
string-quartet wind and I will be
a dark bowl of bone.
 . 
Papa, there is pollen on your hand.
That hum is not your pale-haired companion.
Papa, the bees are coming.
 . 
Becky Nicole James – finalist for the Lena Shull Manuscript Award
Core first appeared in Gingerbread House, (June 2022)
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Becky Nicole James holds an MFA from Queens University. Her poetry and fiction have appeared in many publications including MARGIE, Echo Ink Review, Illumen, and Moon City Review. Contact: https://beckynicolejames.com/
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Becky Nicole James

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❦ ❦ ❦
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Toolbox
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Tan leather scraps
cover brass grommets,
rusted finishing nails,
 . 
a small bag of thumbtacks
bound by sea-green rubber
band,
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single-edge Gem blades,
a boxed emery stone:
Use only light machine oil.
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Deeper –
bristly twine,
household cord,
looped and neatly bound
 . 
like his favorite
sky-blue tie,
knotted four-in-hand.
 . 
Charles Wheeler – finalist for the Lena Shull Manuscript Award
Toolbox is from his unpublished manuscript East of Candor, and was first published in Pinesong 2016, the annual anthology of North Carolina Poetry Society contest winners.
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Charles Wheeler

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❦ ❦ ❦
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Thicket
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– Guilford Courthouse National Military Park, NC, 2021
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Cutting crosswise through the battlefield
on narrow trails I realize I’m lost, not lost
but can’t tell where I am, the smooth
dotted and dashed lines on my folded map
untranslatable to this hill, this stream, this woods.
The bright moment, a leaf twirling down, a lurch
of tiny fear and I think then, on this very ground,
they couldn’t see the line that was coming,
only they knew it was. I’ve gone to ground
in my new world, as if I hoped to glimpse myself
in the quiet face of some particular earth,
or as if the trace of those distant lives
might slide wide like a curtain. . . . But I get lost
every time, until I wonder if disorientation
is my true condition. I think disoriented:
unable to find the east. Still I found my way here,
homed but unfamiliar, a southern campaign
of red dirt and magnolia. Meeting my own mind
again in the vital thicket. What did those men
watch and listen for, to steady them? What call
do I wait for now, what drumbeat, what rising?
 . 
Anne Myles – finalist for the Susan Laughter Meyers Poetry Fellowship
Thicket first appeared in Pinesong 2022, the annual anthology of NC Poetry Society contest winners, and in Anne’s book Late Epistle, Sappho’s Prize, Headmistress Press, 2023.
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Anne Myles is Professor Emeritus of English at the University of Northern Iowa and holds an MFA from the Vermont College of Fine Arts. Originally from New York, she lives in Greensboro with her greyhound and cats. She has also published What Woman That Was: Poems for Mary Dyer, Final Thursday Press, 2022. Contact: http://annemyles.com.
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Anne Myles

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❦ ❦ ❦
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A grieving of a tree
 . 
When the chainsaw begins,
I sit at our small round kitchen table
over a bowl of oatmeal, alone
with only the whir of fridge, view
of backyard grass, bushes, pine straw.
At the buzzing, I know they’ve come
for the Bradford pear tree next door.
Invasive species, spreads in forests,
these trees aren’t helping anything.
But, this tree is glorious today,
its death day. White flowering branches
drape over the sidewalk, cascade
over the street. The neighbor told me
twice, that our tree, the one eight feet away
from this one to be taken out, will be
happier. Trees who grew up together,
who must have known each other
for a couple of decades, at least.
Two days ago, I pat the tree to be downed,
thanked it, and yesterday too, but today,
I walked right by it without saying
anything at all, thinking about how
I woke up crying about all that the dark
does and does not hold. I didn’t pat the tree
this third day, the very day the saw sound began
and I wished I had. I knew the sound
was coming and I wonder if the tree
knew its fate as we sometimes know things.
In the height of its flower, each branch falls
with an odd grace, like the most beautiful dance,
by a dancer whose arms are being cut off
one after another until petals litter the asphalt
as if it were a wedding not a funeral.
A buzzing. A buzz. Until the tree
becomes wood stacked just feet
from its cut trunk. Branches full of light, gone,
as if they had never been there, as if their glory
had been a prayer taken with the breeze.
 . 
Liza Wolff-Francis – finalist for the Susan Laughter Meyers Poetry Fellowship
First published online at Braided Way on October 21, 2024, this poem is part of the collection submitted in application for the fellowship.
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Liza Wolff-Francis, the 8th Poet Laureate of Carrboro, North Carolina, holds an M.F.A. in Creative Writing from Goddard College. She is a feminist ecopoet and has taught creative writing workshops for over a decade. Her most recent book is 48 hours down the shore, Kelsay Press, 2024. Contact: https://www.lizawolff.com
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Liza Wolff-Francis

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This year’s NC Writers’ Network Randall Jarrell Poetry Prize is awarded to Molly Bolton for her poem Still Deer Ballad, with runner-up Janis Harrington for Ode to Our Last Prepubescent Summer and Ross White as Honorable Mention for Ship of Theseus. Bolton’s poem will be published in poetrySouth.
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More information about the winners and the contest at NC WRITERS’ NETWORK 
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Molly Bolton

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Jan Harrington

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Chad Knuth, NCPS VP of Programs

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NCPS Program VP Chad Knuth

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NC Poetry Society at the Cary Arts Center
[poetry by award winners Mark Cox, Michael Hettich, and more]
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All Right
 . 
The boy doesn’t know what to do. He’s only twelve. And he’s never seen adults weep, not like this at least, so distraught, disconsolate. He can see his grandmother from the kitchen, through her bedroom doorway. Prisoner of her dementia, the old woman lies fully clothed atop the chenille bedspread, her floral house dress faded, her shoes scuffed and worn, light from one window cutting her in two. Her good dishes have disappeared, the piano is still in the old farmhouse, the cows need to be milked, her young sons are still in France at war. The boy sits at the breakfast table, adrift in a sunlit swirl of dust motes. He understands none of this is true, but how is he to help? What can anyone say? To live is to leave, the boy thinks; we make our way, but lose something always and wherever we go. Our shoe soles wear down, our hair thins, our bodies diminish and so we travel always through galaxies of our own shed lint and skin, the leavings of once known things. Finally, at a loss, he just lies down next to her, his sneakers alongside her purpled ankles. He knows nothing ever is going to be all right, but he says it anyway.
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Mark Cox
from Knowing, winner of the 2025 Brockman-Campbell Book Award of the North Carolina Poetry Society
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 . 
Mark Cox is chair of the Department of Creative Writing at University of North Carolina, Wilmington. He also teaches in the Vermont College of Fine Arts MFA Program. His six previous books include Sorrow Bread: Poems 1984-2015 (2017) and Readiness (2018). Read more about Knowing and purchase your copy at Press 53 HERE.
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Claudine Moreau is second place finalist for the 2025 Brockman-Campbell Award, for her book Demise of Pangaea. Visit this site on October 3 for more about her book and a sample poem.
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Mark Cox

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Each September at its fall meeting the North Carolina Poetry Society features readings by the winners of the following contests:
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Brockman-Campbell Book Award (NCPS): best book of poetry published by a North Carolina author in the preceding year
Lena Shull Manuscript Award (NCPS): for a manuscript by a North Carolina author; the winning book is published by NCPS
Susan Laughter Meyers Fellowship (NCPS): a one week residential fellowship at Weymouth Center for the Arts and Humanities for one North or South Carolina poet
Randall Jarrell Poetry Prize (sponsored by North Carolina Writers’ Network): for an individual poem by a North Carolina author
Jaki Shelton Green Performance Poetry Award (co-sponsored by North Carolina Literary Review at East Carolina University and NCPS): for an individual poem recited / performed
 . 
For information about North Carolina Poetry Society contests VISIT HERE:
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In 2023 the September NCPS meeting was held at the NC Museum of Art in Raleigh, in 2024 at the NC Arboretum in Asheville, and this year’s meeting on September 13 celebrated the Cary Arts Center, formerly the Cary High School (1939), listed on the national registry of historic places. Today’s and next Friday’s posts feature some of the poetry shared at the meeting by the 2025 contest winners; return to this site on October 3 for more offerings!
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The Meadow
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++++ I woke in a tall-grass field at first light,
and listened to the birds, and hummed with a dream
 . 
++++ ++++ I made up from wisps
++++ that ran through my body
++++ ++++ shivering marrow, making me notice
 . 
++++ the dew that dampened
my face and the spider webs
++++ starting to shimmer the trees.
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Everything was breathing; the long night echoed
++++ in the dawn-light: stars
++++ ++++ and vast migrations
 . 
++++ as the breeze stuttered a moment, then stilled.
++++ Across the field, my companion was singing
++++ ++++ her own perfect song, which was silence. Still
++++ ++++ ++++ I could hear her somehow, so I got up and set off
 . 
++++ ++++ ++++ ++++ to thank her for sharing this beautiful place
++++ ++++ ++++ she’d known all her life, this place where she’d always
++++ ++++ ++++ ++++ felt happy, the place she yearned to stay
 . 
++++ ++++ as long as she breathed. And then, she’d told me,
++++ she’d turn into something more perfect: the vast
sky, so blue it hurt the eyes,
++++ or a meadow like this one, that stretched to the horizon.
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Michael Hettich
from Waking Up Alone, winner of the 2025 Lena Shull Manuscript Award of the North Carolina Poetry Society, to be published later this year by Redhawk Publications.
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Michael Hettich

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After years in New York, Colorado, Florida, and Vermont, Michael Hettich now lives in Black Mountain, North Carolina. He holds a Ph.D. from the University of Miami and taught for many years at Miami Dade College where he was awarded an Endowed Teaching Chair. Over five decades he has published more than two dozen books of poetry and received numerous honors, including several Individual Artist Fellowships from the Florida Division of Cultural Affairs, The Tampa Review Prize in Poetry, the David Martinson/Meadowhawk Prize, and a Florida Book Award.
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Additional Finalists for this year’s Lena Shull Award are Becky Nicole James and Charles Wheeler.
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Michael Hettich

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Feathers
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When September slips in the window like a forgotten lover,
Reaching for me from my burrow
+++++++++++++++++++++ With its hands of feathers
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In the early morning croak of crows, and I can smell
That someone has lit a fire,
+++++++++++++++++++++ An utterance of feathers,
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Such that I can’t remember if I’m seven, in a log house my father built,
And he’s kindled the first autumn fire,
+++++++++++++++++++++ Fanned the feathers,
 . 
Or I’m twenty-five in the wooded hollow alone
But for the cats, dogs, and calls of coyotes, having lit the fire myself
+++++++++++++++++++++ That spanned feathers,
 . 
But no, when you roll over
In a twist of sheets,
+++++++++++++++++++++ In a band of feathers,
 . 
And I hear a young tail thump softly on the floor, a brief whine-
When someone else’s woodsmoke slips through the window
+++++++++++++++++++++ Like sanded feathers,
 . 
And I am here with you, and we’ve struck our own match-
When you reach across and slip your arm around my waist,
+++++++++++++++++++++ With the sustenance of feathers-
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Narya Rose Deckard
from her debut poetry collection Wolfcraft (Broken Tribe, © 2025), available from Bookshop.org
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Narya Rose Deckard

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Narya Rose Deckard teaches writing at Lenoir-Rhyne University, where she earned her MFA in poetry at the Thomas Wolfe Center for Narrative. Originally from the mountains of Maryland, she currently lives in Valdese, NC with her husband, dog, five cats, and a few chickens, but she also spent ten years in Asheville studying literature and philosophy at UNCA. As winner of the 2025 Susan Laugher Meyers Fellowship, she receives an honorarium and one week writing residency in Southern Pines at Weymouth Center for the Arts and Humanities.
 . 
Susan Laughter Meyers was a widely published Carolina poet who mentored many rising poets and promoted literature across the South for decades. She served at different times as president of both the South Carolina and North Carolina Poetry Societies. Her family, friends, students, and other admirers of her life’s work have endowed this Fellowship in her name for the North Carolina Poetry Society. Many thanks to Weymouth Center, as well, for donating space and support for the poet residency.
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❦ ❦ ❦
 . 
Begin With Me
 . 
I got up
off the ground
near some graves—I share
the last name with.
 . 
I begin,
with what I was handed,
a mama, a daddy I saw a few times,
because he hid
in the hues he knew.
 . 
My little brother full of love
like the corner store in heaven. I knew
his lying like I knew our daddy’s lying,
same song, but a higher key.
My mama taught me to
 . 
ask my dead plenty of questions—
to let the moon touch me on the mouth,
to ring my black bell.
 . 
Tyree Daye
from a little bump in the earth, Copper Canyon Press, © 2025
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Tyree Daye

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Tyree Daye led the writing workshop for the afternoon session of this NCPS meeting, He focused on breath: within and around a poem; what it might reveal and what it might hide. The writer can strive to become more conscious of their own breath as they splice syllables and thump out the poem’s rhythm. The reader can strive to slow down and feel their own breath as they silently speak the words. Breath can hold the meaning and feeling that the poem wants to birth into the world. Hold it, and let it out.
 . 
Tyree Daye grew up in Youngsville, North Carolina. He is the author of three poetry collections, including River Hymns (winner of the APR/Honickman First Book Prize), Cardinal, and most recently a little bump in the earth. He has been a 2017 Ruth Lilly Finalist and Cave Canem fellow. He serves as Assistant Professor at the University of North Carolina, Chapel Hill. Tyree Daye teaches. Not just reading and writing, not just poetry – he teaches what it means to be human, a human with a past and with a future. One reaction to his new book: Poem by poem, Daye is honoring the people of Youngsville and “bringing back the dead.”
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❦ ❦ ❦
 . 
Tune in next week, folks . . . in our October 3 post we will continue to celebrate the riches of this September 13 meeting in Cary with poetry by Claudine Moreau, Becky Nicole James, Charles Wheeler, and more.
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Tyree Daye

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❦ ❦ ❦
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Joan Barasovska and Kathy Ackerman, Membership VP and NCPS Secretary

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