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[ poetry by Michael Hettich ]

Waking Up Alone

—Colleen Ahern-Hettich, 1955-2025

[from section 11]

Though it can’t be true, I imagine I’ve been in love
since before I was born; and because it can’t be true,
I imagine the same is true of her, my true love.

As a child, before I knew her, I was moving toward the day we’d meet.
As a young man, confused, I ws moving toward that day,

even as I met other women and seemed
to find myself with them, or nearly, I was really
moving toward her, my true love.

Now I don’t know anything about anything at all.
Not even where I am. Every morning

I move another stone from the creek bed to the path
I’m building through the broken woods, toward her. I don’t know
who I am otherwise, and the stones are heavy.

I stumble a little as I lift and put them down.

•

Once I was a girl, she shays now. I didn’t know you.
Once, before that, I was earth, I was air.

Once, before I knew you, someone took a breath of me,
someone drew a path up the mountain, above the trees
and slept there for years, like nothing really can

and survive. I survived in the gleaming.

Once I was a shadow, the shape of a sleeping
body in the grass, in the morning. Next morning
the grass stood straight again. There was no trace of me.

•

I’m tring to write only of what seems essential now,
though I don’t know what that is. I’m trying to find it

like a man in the dark of a motel room somewhere
trying to locate his keys.

[from section 12]

Sometimes I can only write about Colleen
without writing about her, just as I can only
say what needs to be said by telling
a story: Yesterday, I sat on a hillside
and waited for something. It was sunny. I was not
hoping for an animal or a change in the weather.
No, instead something like a letting-go of language,
forgetting the person I’ve made of myself.

I could crawl inside your body, my love, and disappear
like most memories. You were here; then you were gone
and never gone. The wind through the young trees
moving as though it remembered the old ones,

their massive trunks, their canopies and vast root systems,
their voices. Then it falls silent.

Michael Hettich
from Waking Up Alone, Redhawk Publications, The Catawba Valley Community College Press, Hickory, NC. © 2026. Winner of the 2025 Lena Shull Book Award of the North Carolina Poetry Society.

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Insomnia

If I could remember to breathe the way
you breathed beside me, sleeping, I might
slip into the absence you left me

and sleep, myself, inside the rhythms
your dreaming embodied—not the dreams
themselves but the deep in-and-out of your sleeping
beside me.

 . . . . . .   So I lie here, in the bedroom we loved in,
under the roof of the house we loved,
under the stars and moon, the clouds
and migrating birds, the winds and all

I’ve forgotten, and I try to match the rhythms
of my breath to yours, my love, absent
but still here beside me in the darkness.

Michael Hettich
from Waking Up Alone, Redhawk Publications, The Catawba Valley Community College Press, Hickory, NC. © 2026. Winner of the 2025 Lena Shull Book Award of the North Carolina Poetry Society.

 

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Although it is quiet this morning here on the porch, somewhere rain lashes at sharp angles and a thrashing tree threatens to fall on a house. Although here the morning birds have settled themselves in the rising heat and only one cicada is singing, I can hear in the distance the low hum of an engine. Men and women are working, children are getting bored with summer, everyone is wading through life in this silence. Maybe for a moment, as they look through their windshields or at their screens, as they look at their mother making a sandwich or their co-worker so intent, maybe for a moment they also look inside. What do they discover there?

Michael Hettich’s Waking Up Alone is stillness and storm. It is confusion and stumbling insight. It is looking back and looking inside, but mostly it is silence. Awakening to days when dreams do not relinquish their hold as the sheets fall aside. Nor nightmares. But also waking into the continuous tangle of story and dream and memory that gradually resolves itself into recognition. Waking up One but not really Alone.

Few books of poetry have so gathered me up and taken me into the mind of the poet. So into the poet’s heart. These poems, and especially the extended titular poem that is the center of their universe, urge me out of my distractedness. They open a space for me to encounter my own silence. The smoke and ashes of my own dreams rise to swirl and struggle into life around me. Perhaps a mark of the most insightful poetry is how it prompts the reader into contemplation and insight of their own. Writer and reader join together on the journey of awakening.

❀

Purchase Waking Up Alone from Redhawk Publications HERE

More about the NC Poetry Society Lena Shull Award HERE

Other poetry by Michael Hettich at Verse and Image

https://griffinpoetry.com/2026/04/20/poetry-and-earth-night/
https://griffinpoetry.com/2025/12/26/a-sharper-silence-michael-hettich/
https://griffinpoetry.com/2025/09/26/poetry-at-cary-arts-center/
https://griffinpoetry.com/2024/09/27/anticipate/
https://griffinpoetry.com/2023/07/14/magic/
https://griffinpoetry.com/2023/07/07/catch-fire/
https://griffinpoetry.com/2023/03/17/archetype/

 

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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.

If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:

https://griffinpoetry.com/about/

If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.

If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to

COMMENTS@GRIFFINPOETRY.COM

Thanks again for joining the conversation.

– Bill

 

IMG_0880, tree

 

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[ 4 poems from Brillig ]
 . 
Mooned
 . 
Moon at my window wants to come in.
She has a beautiful black gown,
silky dark tresses gemmed with stars.
Moon-faced and pale with longing
she whispers with the tide
that slides up silent estuaries
 . 
I’m lonely up here all by myself.
Your astros came but wouldn’t play.
Frightened of my beauty they flew away.
 . 
What will I tell her, that my falling
silver hairs are mooncoins,
that my gray unkept robe is wolfskin
 . 
just right for me to howl her praises?
But, oh, she’s wise to me, too many
faded lovers already to take another on.
 . 
She slides a fan of cloud over her eyes
but just before, she winks at me.
Hey, poet, stay open for me another night.
 . 
Bradley R. Strahan
from Brillig, Winter/Spring 2026. Created by Deborah Doolittle.
 . 
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 . 
An Elegance of Swans
 . 
The predawn green-grown lawn filled with swans,
snow-soft swells or so they seemed. Subtle
as first fall of frost, wings wind-weathered,
the flock massed on the grass. Moon-tethered,
they began to glow. Feathers supple,
at home here as if they’d never flown.
 . 
On this bright cold night,
one goose across the full moon.
Are we both alone?
 . 
Paul Jones
from Brillig, Winter/Spring 2026. Created by Deborah Doolittle.
 . 
 . 
❀    ❀    ❀
 . 
Interior Gear
 . 
Travel before light.
Keep maps
of trails to overlooks
palm-sized, folded,
creases smoke-blackened.
 . 
By firelight,
get around to writing
those letters to people
who like you,
but you refused to believe.
 . 
Tell them absolute darkness
does not exist.
Everything moves.
Our bodies give off
infinitesimal radiation.
 . 
Rob Merritt
from Brillig, Winter/Spring 2026. Created by Deborah Doolittle.
 . 
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 . 
cloudbound
 . 
an imagined collaboration of Lafcadio Hearn and Matt Snyder
 . 
the place
 . 
business trip
the departures board lists
my hometown
 . 
of the issuing clouds . . .
 . 
alma mater
I chat up the beggar
about his t-shirt
 . 
graves on a mountain
 . 
stones
in the fog
in the potter’s field
 . 
Matt Snyder
from Brillig, Winter/Spring 2026. Created by Deborah Doolittle.
 . 
IMG_9468
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 . 
Brillig is created twice a year by Deborah Doolittle. Not only does she gather the poets and poems into a small universe where the lines can speak each other from dream into reality, but Deborah also prints and cuts and folds and glues to fabricate each small booklet that will become that season’s offering of Brillig. Each edition is a different theme, each episode is a different style of small hand-crafted booklet. Each creation of wordly imagery also joins with artistic imagery – woodcut, line drawing, collage – to unfold into the final amazing artifact within your hands. Marvelous!
 . 
❁
 . 
Hold a limited edition copy of Brillig in you own hands by using this order form. And consider submitting your own poetry for consideration: 3-5 previously unpublished poems, any subject, any style, 20 lines or fewer. Submit as a single .DOC attachment to brillig.mlm@gmail.com, or mail to BRILLIG: a micro lit mag / 103 Jean Circle / Jacksonville, NC 28540. Include a 3-4 sentence bio and postal address. And visit this earlier post featuring Brillig.
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 . 
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❁
 . 
Additional poetry at Verse and Image by:
 . 
Matt Snyder
 . 
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 . 
Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
 . 
 . 
If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
 . 
– Bill
 . 
2020-11-03a Doughton Park Tree
 . 

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insect
 . 
[ 3 poems by Grey Brown ]
 . 
Costume
 . 
I am five, maybe six,
and my mother
is taking pictures of me
in my costume.
I stand statue still
before the hearth,
sneakers on,
plastic pumpkin in hand,
ready.
 . 
I have chosen a princess dress
and a witch hat.
I like the way I look in purple
and pink, but I need the hat.
 . 
My teenage brother walks by
and announces that
I cannot be both
a princess and a witch.
Because of the hat
I am bold and remind him
that he is too old for Halloween
and that no matter what I am,
witch, princess or sister,
he will not be getting candy.
 . 
My mother does not say a word
but cocks an eyebrow
the way she does
when she is reading a good book.
Then, as a princess,
I bow.
 . 
Grey Brown
from Communion, Redhawk Publications, The Catawba Valley Community College Press. Hickory, NC; © 2026
 . 
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 . 
On Belief
 . 
My daughter learns of constellations,
the unfinished dot-to-dot
of Andromeda and Cassiopeia,
 . 
the poor mother and baby bears
headless, missing paws.
She dreams of planets
 . 
and their rings,
adoring moons
that spin and sing.
 . 
Stargazing, we find our way
to a dark, empty field
to view the comet.
 . 
My daughter imagines
bold strokes, a ball of light
with a vivid, streaming tail,
 . 
cartoon crisp and lively colored.
But she finds only
a blurred hairball of dust and ice.
 . 
more chaos than divine creation,
at best, the whorled thumbprint
of some god, preoccupied.
 . 
Grey Brown
from Communion, Redhawk Publications, The Catawba Valley Community College Press. Hickory, NC; © 2026
 . 
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 . 
I Hate October
 . 
I just seem to lose family and friends
as the light angles down—
my grandmother to colon cancer,
the neighbor’s daughter
who just overdosed,
my dearest friend tucked in a shawl,
the book falling from his hand.
They all seem to let go,
as daylight wanes
and a cool hand disturbs the earth.
 . 
I talk more to my mother
at this time of year,
but she is of little help,
so bad at living herself,
her drinking and smoking.
 . 
She passed in the fall
of her fifty-ninth year.
She was an ardent fan
of witches and ghosts,
pumpkins and gourds.
I still decorate for her
trying to do my best
with the darkness.
 . 
Grey Brown
from Communion, Redhawk Publications, The Catawba Valley Community College Press. Hickory, NC; © 2026
 . 
 . 
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 . 
Last week I caught a portion of an interview with an avant garde artist describing his latest installation. The interviewer asked what message the artist intended his art to convey. The artist replied, “A bad poem descends into meaning.” Well, that is certainly one statement that has opted not to descend into meaning. What is a good poem, then? Incomprehensible?
 . 
Maybe a good poem does hold meaning, but close, cupped in its hands. The reader, craning for a glimpse, is encouraged to open his or her own hands and discover what meaning may be found within. The good poem is not a meal cut into bits for a toothless child; it is an enticement for the complex palate. And reading a poem is no dry exercise in wheedling out the poet’s intent; it is savoring, experiencing. The poem doesn’t descend into meaning. The reader does.
 . 
Grey Brown’s poems in Communion, taken one by one, do not descend – they hover. Each one flashes into existence, the sudden arrival of a hummingbird. It pauses in flight and for a moment we can count every exquisite feather of its crimson gorget, but its wings are still whirring too fast to see. And then the next poem arrives. Line by line, page by page, the reader begins to perceive what is cupped in the poet’s hands. A sacrament that promises grace and life? A keen blade to mingle the blood of both reader and writer alike?
 . 
The book’s introduction defines communion as the sharing or exchange of intimate thoughts and feelings, especially when the exchange is on a mental or spiritual level. These poems are precisely such a serial exchange, linked in sequence of unfolding awareness, joined together not only by the progression of years and generations but also by the uncertainty, disappointment, and revelation that are inherent in one’s personal search for meaning. With the turn of each page, I find myself reflecting on my own fears and failures. Is there any hope for salvation? The poet grants a glimpse: none of us ever really survive, / but we get by.
 . 
❀
 . 
Grey Brown (Chapel Hill, NC) is the founder of the Literary Arts Program of the Health Arts Network at Duke and served as director for 25 years. Communion is her second full length poetry collection and is available from Redhawk Publications.
 . 
Additional poetry by Grey Brown at Verse and Image:
 . 
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 . 
Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . some Saturdays I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
 . 
 . 
If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
 . 
– Bill
 . 
Doughton Park Tree, 2022-05-17B
 . 
 . 

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