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Posts Tagged ‘Maura High’

Bear Crop 02

Artist – Linda French Griffin

 . 
[ poems by Les Brown, Maura High, Walter de la Mare, Jane Western, 
Jennie Boyd Bull, Sam Barbee, Julia Nunnally Duncan ]
 . 
The Bear
 . 
The black bear lies beside
our green plastic picnic table,
sprawled on the grass like a Labrador.
Her pale brown muzzle,
tipped by black twitching nose,
rests on her massive paw.
 . 
She is dark. Her two-inch
claws curl from rough
gray pads haloed with long hair.
Her midnight coat is smooth,
with a hint of brown
shining in the early morning sun.
 . 
Her ears are round and soft,
erect and dark inside, armed to hear
the rustling of mice, vole or rabbit.
Her relaxed core is ready to wake,
to pounce her massive frame
upon the furry morsels.
 . 
Her sense of smell
acute for finding gnawing
grub, tender roots, ripe
huckleberries on distant bushes.
She knows her mate
by his musky marks.
 . 
She will rise and wander
the forest into the night,
under the dense laurel canopy,
travel to meadows and cliffs
under Ursa major in the indigo sky
and drink in reflected moonlight.
 . 
Unlike Calisto who was placed
among the stars, she is not safe
as she returns to the deep woods
to live with baying dog,
and men in camouflage
cheating the natural order.
 . 
Les Brown
 . 
This poem came from seeing a bear lying outside our window in the mountains where it taught us to remove our bird feeders. I was reflecting on the peaceful majestic bear and the dangerous world it had to return to.
— Les
 . 
❀ ✿ ✾ ❁
 . 
Native
 . 
There’s Merrill
with his binoculars
in the Holly Shelter Game Land
in high pocosin with birds
 . 
so many birds
with their songs silhouettes plumage
perch and flight patterns
 . 
as in the trees and sky
over Paradise
patterns
created and evolving
before the Great Naming
 . 
he names them
in languages that birds fly through
 . 
tsi’squa song sparrow ti’nti’wa Passiformes
among the pond pine and titi
greenbrier gallberry
sundew pitcher plants
calling
 . 
chitter chek-check tweet
warblers cardinals finches
call
and he calls back to them
 . 
one by one
as if they were kin and he was glad
to be among them again
 . 
Maura High 
 . 
It was hard to choose just one poem that celebrated the Earth, but this one, “Native,” comes closest to demonstrating what’s so important about conserving our heritage landscapes and how vital the people are who protect and guide us through them. I visited this 64,000-acre game land on a field trip and was inspired not only by the land but also by the person who features in the poem, by his delight, knowledge, respect, and sense of connection with this environment. 
— Maura
 . 
bird
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❀ ✿ ✾ ❁
 . 
The Listeners
 . 
‘Is there anybody there?’ said the Traveller,
 .  . Knocking on the moonlit door;
And his horse in the silence champed the grasses
 .  . Of the forest’s ferny floor:
And a bird flew up out of the turret,
 .  . Above the Traveller’s head:
And he smote upon the door again a second time;
 .  . ‘Is there anybody there?’ he said.
But no one descended to the Traveller;
 .  . No head from the leaf-fringed sill
Leaned over and looked into his grey eyes,
 .  . Where he stood perplexed and still.
But only a host of phantom listeners
 .  . That dwelt in the lone house then
Stood listening in the quiet of the moonlight
 .  . To that voice from the world of men:
Stood thronging the faint moonbeams on the dark stair,
 .  . That goes down to the empty hall,
Hearkening in an air stirred and shaken
 .  . By the lonely Traveller’s call.
And he felt in his heart their strangeness,
 .  . Their stillness answering his cry,
While his horse moved, cropping the dark turf,
 .  . ‘Neath the starred and leafy sky;
For he suddenly smote on the door, even
 .  . Louder, and lifted his head:—
‘Tell them I came, and no one answered,
 .  . That I kept my word,’ he said.
Never the least stir made the listeners,
 .  . Though every word he spake
Fell echoing through the shadowiness of the still house
 .  . From the one man left awake:
Ay, they heard his foot upon the stirrup,
 .  . And the sound of iron on stone,
And how the silence surged softly backward,
 .  . When the plunging hoofs were gone.
 . 
Walter de La Mare
selected by Jane Western
 . 
I think the poems [presented this month for Earth Day] clearly shine a light on “place,” the setting, humans on the earth, and how it is that we are solitary individuals yet never alone…. These paths we walk do guide us toward deep connections.
— Jane
 . 
 . 
Morning Prayer
 . 
Let us pray in the name of the Father, Son and Holy Spirit.  Amen.
Most powerful Lord of all Creation,
We praise you in the movement of the Universe:
in the great spinning Galaxy,
in every tiny particle quivering with your Spirit,
in the gentle breeze and the forceful hurricane.
 . 
We praise you in the foundations of the Earth:
from the towering mountain ridges
to the low soft sandy beaches.
The living desert declares your majesty.
 . 
We praise you, O Creator, in the miracle of living water:
Sustainer of all life; without it, there is nothing.
In the falling rain, trickling streams, muddy rivers,
calm lakes and crashing oceans, your power humbles us.
In the cool quenching of our thirst, we praise your name!
 . 
We praise you in the comforting glow of the firelight:
where, throughout  the millennia, your people have safely gathered
sharing nourishment and preserving your ancient stories.
 . 
Kindle this same flame in our hearts now.
Spark our self-awareness,
that we can confess our own transgressions.
Burn away our sins of the past.
Purify our hearts that we may humbly accept your forgiveness.
Release in us the flame of forgiveness toward others.
 . 
Fill us with Your Love, O God:
Hear our prayers of intercession for those who cannot help themselves.
Transform our hearts into vessels of mercy, into wells of living water,
that we may become your disciples in service to your world.
 . 
We offer thanks to you for claiming us as your own.
We thank you for who we are and all we have.
It is your spirit in us, around us, and your love poured out for all humanity,
through the sacrifice of your Son Jesus,
for which we are grateful beyond measure.
 . 
Now, with open hearts, we set our minds on trusting you alone.
Position us according to your perfect will
that your love will overflow through us
to all we serve in your Holy Name, from this day forward.
 . 
And so it is, in the name of the Father, the Son and the Holy Spirit.  Amen.
 . 
Jane Western
 .  . 
❀ ✿ ✾ ❁
 . 
Bird Play
 . 
Birds outside my window
flit to feeder
peck at seeds
perch on railing,
Brilliant cardinal pair
feeds beak to beak
seed to seed.
Woodpecker trundles backward down trunk
nuthatch descends headfirst
titmice and chickadees cavort.
Mourning doves flock below
juncos scratch for seed
song sparrow scavenges.
All play together in home of
sun and wind
leaf and twig
moon and dew.
 . 
Jennie Boyd Bull 
 . 
❀ ✿ ✾ ❁
 . 
Garden Variety
 . 
Treated timbers frame your raised garden.
Herb boxes: oregano beside mint, and other zest
for your kitchen. Beds burgeoned by your fingers,
raring, seeds rumbling to yield sprigs.
Recommended watering to energize sectors of pods.
 . 
But marring an impeccable walk we bricked-in last year,
familiar weeds flower, screech among your grids.
Each tract sprouts spoils, silver and waxen.
Frilly buds flare, trespass against your grace.
Sour flavors to defile delicate pallet. Invasive
 . 
spines to pilfer sun showers. Corrupt our vision!
Lamb’s ear erupts. Dandelions rage along loam edges.
You react, wring roots. Bristly leaves weep wicked screams.
Defending nature’s zeal, benign growth asserts leniency.
Plead amnesty for each frilly cousin, likewise sun-born.
 . 
Sam Barbee
 . 
“Garden Variety” addresses how we would have nature praise our efforts vs. nature’s essence. Even pesky weeds are part of the natural design.”
— Sam
 . 
❀ ✿ ✾ ❁
 . 
Nature
 . 
Yesterday I saw a sharp-shinned hawk
grasping a sparrow in its talons
as it flew toward the woods.
The small bird’s feathers sprinkled the air
as the hawk carried it away.
Later, my husband explained to me
that the hawk would have eyases
in a nest now
and was taking food to her young.
Yet the image of the bird
trapped in the hawk’s clasp
has haunted me
like the memory of the crow
that stole a baby robin from the nest
in our maple tree,
so brazenly carrying the naked creature
through the air
while the parents frantically fluttered about,
chirping in distress.
I watched helpless and horrified
and wanted to kill the crow.
Robert Frost once observed that
nature was cruel,
and when I see the predators around me,
I have to agree.
 . 
Julia Nunnally Duncan
from When Time Was Suspended (Redhawk Publications, 2024)
 . 
I witnessed these incidents involving a hawk and a crow. These were sights that disturbed me, which I express in the poem. The cruelty of nature is my theme, although I understand that animal nature, the desire to survive, feed the young, etc., is nothing unusual. Since I observed the crow seizing the  baby bird and felt anger toward the crow, I have come to respect crows through observing their habits and researching them for my essay “Watching Crows.” In my research, I learned of their intelligence and fierce loyalty to family.
— Julia
 . 
*  eyas — the unfledged or nestling young of a raptor such as falcon or hawk
 . 
 . 
❀ ✿ ✾ ❁
 . 
What I know of the Divine sciences and Holy Scriptures, I learnt in woods and fields. I have had no other masters than the beeches and the oaks. Listen to a man of experience; thou wilt learn more in the woods than thou canst acquire from the mouth of a magister.
— St. Bernard of Clairvaux
 . 
If you would know God be not therefore a solver of riddles. Rather look about you and you shall see Him playing with your children. And look into space; you shall see Him walking in the cloud, outstretching His arms in the lightning and descending in rain. You shall see Him smiling in flowers, then rising and waving His hands in trees.
— Kahlil Gibran, The Prophet
 . 
Thank you for celebrating the month of April with International Earth Day (April 22) and National Poetry Month. And thank you, Readers, who have selected poems to share that connect us to our planet and each other. We will continue posting EARTH POETRY throughout the month of April – and beyond April as well, of course, since EVERY DAY is EARTH DAY!
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 . 
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 . 
Thanks again for joining the conversation.
 . 
— Bill
 . 
❀ ✿ ✾ ❁
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[ 2 poems by Maura High ]
 . 
Excursions in Moss
+++++ — for Barbara
 . 
They were here, all this time,
in this same world,
here for the seeing:
 . 
green shag and starfield, clumps, pinheads,
frilled with lichen,
 . 
and poking up through them the green
first leaves of violet, wood sorrel,
for example, among the ephemera —
 . 
here, in the piedmont of North Carolina,
all the greens in creation:
a landscape within landscapes,
slow as,
quiet as,
 . 
as back along
the rims of lakes and drainages in the early Cambrian.
In this same old world:
the same creep and cling
and drill into the surface
 . 
with their fragile rhizoids, into rock fissures,
now bark, now exposed root,
 . 
into the Anthropocene and still
green between paving stone,
on verges, stuck fast
 . 
to rocks along the banks of Bolin Creek,
down a grit-and-gravel driveway.
 . 
A green gift
my friend gave me:
moss scrapings, from her yard
 . 
over in the next county;
in late summer
 . 
the waggly spore capsules
pop open, and a million spores float
off and up into whatever wind.
 . 
❀    ❀    ❀
 . 
Reprise
+++++ — for Frances
 . 
One leaf falls from the hickory
+++++ outside my window—
 . 
+++++ a slow loop right,
an about turn, and squiggle—
 . 
so cursory a gesture, it looks
+++++ like something written
 . 
+++++ in an alphabet of leaves:
a charm against insects
 . 
and woodpecker; a plea
+++++ for all the leaves that fall,
 . 
+++++ blacken, and rot, and leach
into the earth, and rise again
 . 
to new petiole, new leaf,
+++++ singing the green song of desire
 . 
+++++ and the brown of thrift;
the whispery, creaky name
 . 
the tree gives itself;
+++++ or the name we have given it,
 . 
+++++ full of ourselves and our own
histories, as a child
 . 
writes her given name and sees
+++++ herself there, her first self-portrait.
 . 
Maura High
from Field as Auditorium, Redhawk Publications, The Catawba Community College Press; Hickory NC; © 2025.
 . 
 . 
❀    ❀    ❀    ❀    ❀
 . 
Maura High speaks the language of wild. She writes in an alphabet of leaves. Her poems sometimes withdraw entirely from the touch or consideration of human presence and become encompassed entirely by field, by forest – crownbeard setting seed in the wilding meadow, Bolin Creek about its business of undercutting a bank of clay, moss creating soil from stone. Maura translates for us the deep language of life and of time. Where did this come from? Where are we going?
 . 
As I read Maura High’s poetry, I consider the many lives I have overlooked, forgotten, ignored. I am reminded to listen for the soft peeps of sparrows and finches settling into the shrubbery at sunset. Listen closer – the seep of water in the dirt beneath my feet and the striving of rootlets and mycelia. Closer yet – the movement of seasons, long connections across time, encircling connections gathering life and nudging forward. From careful observation and contemplation of the unremarkable features of a creek, a tree, a flower, Maura creates an opportunity for us, her readers, to participate in the most remarkable story of all.
 . 
 . 
Maura High was born in Wales but grew up on Planet Earth. She has established tender rhizoids in piedmont North Carolina but the wind is apt to blow her to distant climes at any moment. These two poems are from her newest book, Field as Auditorium, from Redhawk. She has also published The Garden of Persuasions, winner of the Jacar Press chapbook contest (2013), and Stone, Water, Time in collaboration with artist Lyric Kinard, Lyric Art Publishing (2019). Sample more of her poetry at MauraHigh.com.
 . 
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❀    ❀    ❀    ❀    ❀
 . 
Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . every Saturday I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
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If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
 . 
– Bill
 . 
Doughton Park Tree 2021-10-23
 . 

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I think of soul as anything’s ultimate meaning which is held within. Soul is the blueprint inside of every created thing telling it what it is and what it can become. When we meet anything at that level, we will respect, protect, and love it.
While calling ourselves intelligent, we’ve lost touch with the natural world. As a result, we’ve lost touch with our own souls. I believe we can’t access our full intelligence and wisdom without some real connection to nature.
The Soul of Nature, Fr. Richard Rohr, OFM
 . 
[with poems by Ted Kooser, Maura High, Mary Oliver]
 . 
❦ ❦ ❦
 . 
Turkey Vultures
 . 
Circling above us, their wing-tips fanned
like fingers, it is as if they are smoothing
 . 
one of those tissue-paper sewing patterns
over the thin blue fabric of the air,
 . 
touching the heavens with leisurely pleasure,
just a word or two called back and forth,
 . 
taking all the time in the world, even though
the sun is low and red in the west, and they
 . 
have fallen behind with the making of shrouds.
 . 
Ted Kooser
from Delights and Shadows, Copper Canyon Press; © 2004
 . 
❦ ❦ ❦
 . 
You’ve seen those vultures, haven’t you, up there in the summer sky? You know you have – soaring in great circles, effortless, never a single flap. How their wings cant upwards, how they tip one wingtip down to begin a spiral, how they splay their primaries to feel the updraft, like fingers reaching to gather it in, or like the blades of great shears ready to snip the endless blue. Shepherds of the dead, preparing our funeral shrouds.
 . 
Is this a Nature poem? A Human Nature poem? A Death poem?
 . 
However you may want to label it, I can’t imagine Ted Kooser writing this poem without spending hours outdoors, on one of his many daily walks, looking up, paying attention to those turkey vultures. Just paying attention until he sees the poetry of their existence.
 . 
Paying attention. Observing. Noticing. That’s the first task. If I were to remind you of all four tasks of the naturalist, would you sit up straight and exclaim, “Hey, but aren’t those the very things that poets do?” Here they are according to my reckoning, the four tasks of the naturalist:
++Pay Attention++Ask Questions++Make Connections++Share
 . 
Naturalists embrace the Earth and everything that fills the Earth in the hope of bringing their companion human beings to join that same embrace. And don’t poets as well, through their noticing and questioning, also hope to connect their fellow beings within our shared existence?
 . 
 . 
❦ ❦ ❦
 . 
We Woods
+++Dry-mesic oak-hickory forest on a ridge along the north bank
+++of Bolin Creek, central Orange County, North Carolina
 . 
Yes be a color—nos & maybes,
++++ like drab.
Shrug, like slough-off,
peel, mould & mildew,
winterkill,
 . 
sometimes we surprise ourself
++++ & sprout.
 . 
Tell ourself, this stem this leaf, vine,
++++ oak, spindle, sucker, upstart hickory—
 . 
spring! we lagging over the redbud
(pink the redbud
++++ & green leaf-leaf
 . 
dogwood), &
 . 
troublemaker
honeysuckle: they pull-us-down vines
++++ pale, rampant.
 . 
++++ Yes, we someplaces sick, crack, split,
stump & burl, rootballs what
 . 
gave up hanging in, dragged themself out & fell
++++ ++++ ++++ ++++ up.
We woods, anyways: our down-
++++ ++++ leaf & needlefall,
seedhoard, twiggery, sprig windfall,
 . 
they good, the earth approve,
 . 
let us rootway through dirt & stone.
 . 
Maura High
from the forthcoming manuscript Field as Auditorium
 . 
 . 
❦ ❦ ❦
 . 
If I speak in the tongues of men and of angels, but have not love, I am only a resounding gong or a clanging cymbal.    [1 Corinthians 13:1]
 . 
Who will speak in the voice of those whose language is yellow leaves rattling and releasing each fall? Whose sleepy muttering is the squeak of limb upon limb in a winter breeze? Whose whispered promise of love is sweet sap rising in columns every spring? Who, and how, to speak tree?
 . 
My first weeks as an exchange student are still shrouded in fog. I did not hear another person speaking English except for one hour each weekday, English class for the German students in the high school I attended. Gradually, steadily, however, I steeped in vocabulary and grammar – by Christmas I was fully connecting with my host parents and siblings and had become part of the family. Steeping ourselves in the foreign languages that surround us – Maura High instructs us in this by translating the voices of trees into poetry. Ecopoetry.
 . 
One aspect that sets Ecopoetry apart from Nature Poetry, of which it is a distinct subset, is the willingness to listen to and learn languages other than human. Ecopoetry makes audible the voices we might otherwise ignore and walk right past. Ecology is the science of living things in community, whether a subalpine spruce fir community on Kuwohi  in the Smokies (formerly Clingman’s Dome) or the community of bacteria, viruses, parasites, and fungi living in your colon. Ecopoetry as well is focused on community, connections, interdependencies.
 . 
In the grand spectrum of diversity of life on this planet, Homo sapiens is a single thin line. For Ecopoetry, the human is not necessarily the locus of all significance and importance. We rampant humans might even be the bad guys. We are woven into the communal whole, our skills and our gifts, our consumption and our neglect, for good and ill, and the continuing strength of our threads depends on the warp and weft of every other living thing, not to mention geology and hydrology and meteorology and . . . well, have I quit preaching and gone to meddling?
 . 
May poetry lift voices that have the power bring us all together as one.
 . 
❦ ❦ ❦
 . 
Sleeping in the Forest
 . 
I thought the earth
remembered me, she
took me back so tenderly, arranging
her dark skirts, her pockets
full of lichens and seeds. I slept
as never before, a stone
on the riverbed, nothing
between me and the white fire of the stars
but my thoughts, and they floated
light as moths among the branches
of the perfect trees. All night
I heard the small kingdoms breathing
around me, the insects, and the birds
who do their work in the darkness. All night
I rose and fell, as if in water, grappling
with a luminous doom. By morning
I had vanished at least a dozen times
into something better.
 . 
Mary Oliver
collected in Devotions: The Selected Poems of Mary Oliver, Penguin Press; © 2017 by NW Orchard LLC
 . 
 . 
❦ ❦ ❦
 . 
In the end we will conserve only what we love.  We love only what we understand.  We will understand only what we are taught.
Baba Dioum, Senegalese environmentalist
 . 
 . 
If you would like to explore this subject further, try The ECOPOETRY Anthology
Ann Fisher-Wirth, Laura-Gray Street, editors; Trinity University Press, Austin TX; © 2013, 2020
 . 
❦ ❦ ❦
 . 
 . 
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Doughton Park Tree 2020-09-08b

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