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Posts Tagged ‘Hilda Downer’

 . 
[ poems by Robert Hass, Debra Kaufman, Hilda Downer, 
Richard Wilbur, Paul Karnowski ]
 . 
The Image
 . 
The child brought blue clay from the creek
and the woman made two figures: a lady and a deer.
At that season deer came down from the mountain
and fed quietly in the redwood canyons.
The woman and the child regarded the figure of the lady,
the crude roundnesses, the grace, the coloring like shadow.
They were not sure where she came from,
except the child’s fetching and the woman’s hands
and the lead-blue clay of the creek
where the deer sometimes showed themselves at sundown.
 . 
Robert Hass
selected by Debra Kaufman
 . 
I love how this poem speaks to the creative spirit and how the basic elements of the earth inspire and sustain us. There is here a delicate, a reverent, interdependence. Had the creek and earth not made the clay, had the child not brought the clay to the woman, had the deer not visited the creek, had the poet not observed the wonder of it all, the spark that inspired the poet would not exist, and we would not have this poem. I admire the brevity and apparent simplicity of the poem, knowing that the poem, like the clay, had been worked over so that every line (as every curve of the figure) is a work of art. A gift. A wonder.
— Debra
 . 
 . 
Off-White
 . 
This Sunday the sky is an eerie
off-white, as if dawn began rising,
then stood still, reluctant to let
the day begin. And no wonder.
I read of collapsing buildings,
 .      . 
people scurrying for shelter,
burning oil fields, smoke and ash
roiling toward heaven. But heaven
refuses our cruelty:
The clouds do not budge.
 . 
I believe, we used to recite,
in the Holy Spirit, and although I could
only picture it as a tattered cloud,
I did believe, as easily as I believed
in God, in America, hand over heart.
 . 
To believe made my small heart soar.
I’d skip home singing This Little Light of Mine.
I had a crush on Jesus, with his
soft brown eyes, who said, Be ye kind
and Suffer the children to come unto me.
 . 
The clouds begin to shred. Any prayer
I might offer dissolves on my tongue.
My body says time to move.
Today, the second day of spring,
will be uncommonly hot.
 . 
Debra Kaufman
 . 
 . 
❀ ✿ ✾ ❁
 . 
— Drill, Baby, Drill
 . 
Drill because the rich get richer
and the rest get drilled.
 . 
Drill us in your own image
a colander that can’t hold water,
farms caving in drained sink holes beneath.
Drill until amalgams turn our teeth grey,
our bones fracked and fractured.
 . 
Drill it in
that billionaires are a superior race
because we still don’t get it.
Drill our skulls into frontal lobotomies,
milling our brains with the inane premise
that veterans don’t deserve healthcare
and the elderly don’t deserve
funds they worked for.
 . 
We know there are more than the two genders
of white male and Stepford wife.
 . 
Drill it into normalcy—
the military unleashed on its own people,
the masked orange taco gestapo
as they go from field to field,
door to door.
 . 
Then, drill some more.
Put us on mute—
multimedia censorship.
Undermine libraries and public schools.
We already knew history repeats itself—
on two sides of the penny bitcoin.
The indigenous, forbidden to speak their language,
kept their power alive behind closed doors.
The enslaved, not allowed to read or write,
followed the signs sewn into quilt patterns.
Monarchs and oligarchs,
books burning, bullets drilling
in revolution, civil war, world war—
we will find another way, a better way.
Erase history if you can.
Erase the mentally ill, the homeless,
the poor, the disabled, the elderly,
those on a spectrum,
those bona fide with a genius IQ,
the artists, the writers, musicians
except for an American band
to play for your disgusting dance
like that of a tick before
jumping on its prey.
Oh, what a day
for supporters who hate melatonin
more than felons and pedophiles!
 . 
DOGE data drilling might locate
and make us disappear,
but memory only fosters our courage.
We will remember.
We will not be remembered for our fear.
What more will you be remembered for?
 . 
Drill until you hit rock bottom,
blaming Canada for Fentanyl.
Drill until you come out in China.
Drill until you try to buy
a Nobel Peace Prize
by trading Alaska to Russia
for an interim cease fire
during your term.
Drill and chisel
a moonscape across Earth
to better view your golf courses
and Gaza Resort
safely from your starship
in outer space,
while we get grilled.
 . 
Your fake resuscitation
with a syringe of adrenaline
drilled into the heart of Appalachia.
X marks the rot
where oil and coal
are still dead.
 . 
Drill until the bowels of Appalachia erode
creeks and rivers with toxic sludge.
Deforest the temperate rain forest
by way of tropical hurricane from climate change.
 . 
We already learned from coal mine strikes
and strategic planning at Highlander
how to organize—
protest songs on standby,
“Which side are you on?”
When you start deporting our people,
“We shall not be moved.”
 . 
Spill out Bibles that spell out
the commandments you break,
that the meek shall inherit the Earth.
Go ahead. Drill, Baby, drill.
We see clearly still—
through each hole
drilled long ago into these lands
and through Christ’s hands.
 . 
Those first four years
were just a drill.
 . 
This is not a Drill.
I repeat. This is not a Drill:
 . 
children under school desks,
hands covering heads.
Hands off what’s in and out of their heads!
From redwood forests to blue ridge mountains,
children too hungry to learn,
hands off Head Start,
14-year-old girls,
and countless young women.
You can no longer drill.
 . 
Hilda Downer, High Country Poet Laureate
 . 
Joseph Bathanti passed your call onto me as he knows I am Appalachian through and through. I live about 50 miles from where I grew up beside the oldest mica mines in the world. Mitchell County is mineral laden, and now threatened by AI’s demand. When I wrote this poem, I was only thinking about the greed behind the use of fossil fuels, decimating the environment, and denying global warming. Now, the demon is sniffing at the windows of my home. Thank you for considering this highly political poem I read at the first Hands Off Rally in my town of Boone, NC. However, I am sure you might be expecting something more like the second poem I am sending you, Mother Tree.
— Hilda
 . 
 . 
Mother Tree
The way the Mother Tree cares for the forest
makes me ashamed of selfish humans.
The tall Mother Tree can harvest more sun
though holes leak light from her leaf-knit shawl
to showcase a pink lady’s-slipper here
or pat a moss draped root there.
Through phototropism and photosynthesis,
she toils harder than the rest
to produce excess carbon and sugar
for sharing not only with her saplings
but also with other species,
both deciduous and conifer.
She can recognize her own kin
but serves the whole community.
Her roots spread far, symbiotic with fungi
that network with other trees.
If one is sick, she sends healing nutrients.
If one is in danger, she warns them all.
Loggers that cut the big trees
allow frail ones to grow,
leaving the forest to pine
without diversity.
Think of the old growth forest
where the Mother Tree lay dying.
Think of the roads cut through.
Just one house is built,
and gone is the sharp, dark smell of black walnut.
Gone is the wizened Carolina hemlock, twisted at its base.
Think of the trees felled,
replaced by utility poles
for communication far inferior
to the Mother Tree’s instinctive telepathy.
I think of my own mother, gone now,
her mind gone long before.
What traditions still bind us?
After my grandmother passed,
aunts, uncles, and cousins no longer met in Bandana
for a fried chicken dinner after church
or made an apple stack cake for the Buchanan reunion
after the Decoration at Silver Chapel Church.
We all grew up playing house under the umbrella shade of laurel,
disclosing angry crawfish under creek rocks,
and plummeting from grapevine swings.
How do we recognize our kinship
or ourselves
if not in the chapel of the woods?
The entrance hugs us
with the wide-open arms of orange azalea.
Our traditions rest upon a log pew
cushioned with the clean scent of moss and musky mushrooms,
centered by autumn’s kaleidoscope;
flanked by crepuscular rays
filtered by the Mother Tree.
 . 
Hilda Downer, High Country Poet Laureate
 . 
 . 
❀ ✿ ✾ ❁
 . 
A Wood
 . 
Some would distinguish nothing here but oaks,
Proud heads conversant with the power and glory
Of heaven’s rays or heaven’s thunderstrokes,
And adumbrators to the understory,
Where, in their shade, small trees of modest leanings
Contend for light and are content with gleanings.
 . 
And yet here’s dogwood: overshadowed, small,
But not inclined to droop and count its losses,
It cranes its way to sunlight after all,
And signs the air of May with Maltese crosses.
And here’s witch hazel, that from underneath
Great vacant boughs will bloom in winter’s teeth.
 . 
Given a source of light so far away
That nothing, short or tall, comes very near it,
Would it not take a proper fool to say
That any tree has not the proper spirit?
Air, water, earth and fire are to be blended,
But no one style, I think, is recommended.
 . 
Richard Wilbur
selected by Paul Karnowski
 . 
The trees in Wilbur’s woods remind us that we all live together, and each of us, big or small, has an important role to play.
— Paul
 . 
 . 
Gaze
 . 
How to spend my days,
and where to fix my gaze?
 . 
Out a wistful window,
to soar with swirling swallows,
brushing wings against
the summer sky.
 . 
Or at the misty mirror,
looking at a lump of flesh
tethered to the ground,
no feathers to be found.
 . 
Paul Karnowski
first published in Grey Sparrow Journal, January, 2026
 . 
❀ ✿ ✾ ❁
 . 
Health is the capacity of the land for self-renewal. Conservation is our effort to understand and preserve this capacity.   
— Aldo Leopold
 . 
A thing is right when it tends to preserve the integrity, stability, and beauty of the biotic community. It is wrong when it tends otherwise.     
— Aldo Leopold
 . 
Thank you for celebrating the month of April with International Earth Day (April 22) and National Poetry Month. And thank you, Readers, who have selected poems to share that connect us to our planet and each other. We will continue posting EARTH POETRY throughout the month of April – and beyond April as well, of course, since EVERY DAY is EARTH DAY!
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 . 
Thank you for visiting Verse and Image: If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
 . 
— Bill
 . 
❀ ✿ ✾ ❁
 . 
Doughton Park Tree 2020-11-22
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[#Beginning of Shooting Data Section]<br /> Nikon CoolPix2500<br /> 0000/00/00 00:00:00<br /> JPEG (8-bit) Normal<br /> Image Size: 1600 x 1200<br /> Color<br /> ConverterLens: None<br /> Focal Length: 5.6mm<br /> Exposure Mode: Programmed Auto<br /> Metering Mode: Multi-Pattern<br /> 1/558.9 sec - f/4.5<br /> Exposure Comp.: 0 EV<br /> Sensitivity: Auto<br /> White Balance: Auto<br /> AF Mode: AF-S<br /> Tone Comp: Auto<br /> Flash Sync Mode: Front Curtain<br /> Electric Zoom Ratio: 1.00<br /> Saturation comp: 0<br /> Sharpening: Auto<br /> Noise Reduction: OFF<br /> [#End of Shooting Data Section]

 . 
[with 3 poems from Had I a Dove]
 . 
Grief for These Trees
 . 
Nearly half, we’re told, downed by wind,
wrenched from river-flooded ground.
 +++ Clogging streets, parks, schoolyards,
 . 
blocking our hiking trails. Our town is dank
as a worn graveyard, branches and brambles
 +++ strewn among marble stones.
 . 
 +++ So what to do with the haunt
of these crippled trees? My muse would say
go to the woods, hike the trail anyway.
 . 
And I will. But before lacing my boots,
let me honor what we’ve learned of nature,
 +++ how in mystery
 . 
trees speak to one another – give support
 +++ and shade, share water and sun.
And like old friends, mourn when one dies.
Let me rub my fingers into the wound
 +++ of this tulip poplars’s bark,
nod to the beetles and lichen who thrive.
 . 
Smell the sweet air of pine sap.
 +++ Scrunch my body
over broken bones of oaks and willows,
 . 
cling to the dead the way I’d cling
as a kid to our sugar maple
 +++ next to Daddy’s tomato patch.
 . 
Limbs holding me safe,
 +++ a flutter of breeze through leaves
always whispering my name.
 . 
Let me linger here in the trees I”ve known,
the ones now gone, the ones
 +++ still upright and grieving.
 . 
Barbara Conrad
from Had I a Dove: Appalachian Poets on the Helene Flood, edited by Hilda Downer. Redhawk Publications, Hickory NC; © 2025
 . 
❦ ❦ ❦
 . 
It was cold enough to frost last night but I hear music outside my bedroom window and raise the sash. A sparrow is calling, perched on a branch just a few feet from the house. He swivels his head west-south-east and at each turn chirps a metallic almost musical tink. He means business. He is not just any little brown bird – he’s a White-Throated Sparrow, migrated here from Canada to spend the winter. And his perch is not just any tree – it’s a native dogwood. It holds onto color, its coppery leaves, while the tuliptree and maple are already browning in the road. This tree holds onto life when so many of its kinfolk have been taken down by blight.
 . 
Tink, tink, tink. I am here. Brassy foliage and scarlet berries. I am here. We are here for each other.
 . 
Poets who survived hurricane Helene mourn their trees. The poems in Had I a Dove bear witness – trees uprooted, splintered, tumbled down mountainsides, tangled in rivers. Trees crushing houses and blocking roads, trees wiped from entire ridgelines, and with every fresh breeze our own reborn fear of trees falling. We being a species which can grasp large numbers, we try to calculate. How many trees destroyed by wind and flood? Millions? Dozens of millions? It becomes unimaginable. At the loss of even one tree, the heart suffers. That big hickory that shaded the garden. The righteous oak that lifted and held the kids’ tire swing. The dogwood where sparrows perched.
 . 
Hurricane Hugo roared through Charleston in 1989 and felled thousand-year old cypresses in the blackwater swamps, then stomped on up the Appalachian chain to leave behind downed trees all the way to Ohio. Near our home a hundred year old oak blocked Flat Rock Ridge trail where it winds from Basin Cove up to the Blue Ridge Parkway. An anonymous Park Service volunteer with a huge chain saw cleared the trail, and into the face of that massive stump he carved “Hugo 9-21-89.” I have paid homage every time I hike past, until a couple of years ago I had to stop and cast about to find the stump. Rot and lichen and a thick beard of moss had cloaked the inscription. Overhead, the canopy had closed as fellow trees shouldered their way in. In the midst of grief and loss, we hold onto life.
 . 
 . 
❦ ❦ ❦
 . 
I could not hear the trees fall
the morning that yowling she-wolf,
Helene stormed up from Florida,
sank blood-stained fangs into Appalachia,
her torrential mad-drool rain,
drowning wide river valleys,
and all those skinny little hollers.
 . 
From a kitchen window I watched
her lay into a neighboring ridge, her super-charged
breath knocking down magnificent oaks,
colossal hickories, and hundreds of tall pines
which dominoed one by one by one.
She left nothing standing in the upper hillside grove.
 . 
The next day, after that noisy bitch moved on,
I heard an immense tree fall somewhere
close by. There was a crack,
a ghostly groan, a swoosh of leaves,
then, as it met the ground, a tremendous bellow.
And I whispered a prayer for the passing.
 . 
Suzette Clark Bradshaw
from Had I a Dove: Appalachian Poets on the Helene Flood, edited by Hilda Downer. Redhawk Publications, Hickory NC; © 2025
 . 
❦ ❦ ❦
 . 
Barbara Conrad has lived in North Carolina all her life and in Asheville since COVID. She edits Waiting for Soup, an anthology created by her writing group with houseless folks.
Suzette Clark Bradshaw lives in western North Carolina, writes and sculpts, and is employed by her county to manage Helene recovery projects and FEMA grants.
Molly Bolton lives in Foscoe, North Carolina, and upholds the spiritual practice of collective liberation with weekly posts at enfleshed.com.
Had I a Dove: Appalachian Poets on the Helene Flood, an anthology collected and edited by Hilda Downer, includes a preface by Joseph Bathanti. More than 80 poets, voices as various and deep as those wild mountain ridges and hollers, share the night that hurricane Helene’s “thousand year” flooding and gales devastated the mountain counties of North and South Carolina, Georgia, and Tennessee. They share the days and weeks and now months that have come after, the scars and healing. Available from Redhawk Publications at Catawba Valley Community College Press in Hickory, NC.
 . 
 . 
❦ ❦ ❦
 . 
somehow bloodroot
 . 
For Western North Carolina & Gaza
 . 
still blooms, the same
spot as last year
at the crumbling edge
 . 
of the driveway
in the seam
of march and April
 . 
under the body
of a fallen elder oak
each flower coming up
 . 
wrapped around
its stem like a windless
white flag.
they say
among the rubble
there will be dancing –
 . 
beautiful people
in ancient lands
tending fires
 . 
while they are hunted
ghosts unsurprised
by the power of greed
 . 
to route bombs towards
children, a hurricane
to the mountains. my sister
 . 
had to come get me
through maze of
washed-out roads &
 . 
Here
I am, still alive
same spot as last year
 . 
bumming a cigarette outside
the todd community square dance
just to watch smoke rise
 . 
from the creaky porch
past the blown-open riverbank
to the cold white stars.
 . 
Molly Bolton
from Had I a Dove: Appalachian Poets on the Helene Flood, edited by Hilda Downer. Redhawk Publications, Hickory NC; © 2025
 . 
2016-05-08b Doughton Park Tree
 . 
❦ ❦ ❦
 . 
2015-06-15Doughton Park Tree
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