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Posts Tagged ‘NC Poets’

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[with 3 poems by Terri Kirby Erickson]
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In the Midst of Grief, a Heron
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Healing begins with the blue heron hunting
in the frigid water of a shallow pond.
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Wings folded, neck tucked into its feathered
breast, it stands motionless in a shelter
 . 
made of branches, alone save for its shadow.
What would it hurt to loosen our grip
 . 
on grief? To allow the soft gray-blue
of a heron’s body to soothe our eyes, tired
 . 
of shedding tears? This day will never come
again and the heron will soon fly. Already,
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the light is fading, taking with it all the time
that has ever passed. Let this peace soak
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into our skin like medicine, remain with us
long after the heron is gone.
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Terri Kirby Erickson
from Night Talks, New & Selected Poems, Press 53, Winston-Salem NC; © 2023
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Mike and Johnny Slattery would have been there, from three doors down on Marcia Road. My little brother Bobby, of course. I can picture the house right now as if standing there, the shape of our living room in that L-shaped ranch in the square-grid new-built neighborhood in Memphis. There’s the door that leads into Mom’s kitchen, to the right the little hallway to the front door, outside another ten steps to the carport and driveway where we played marbles or rode our bikes down to the street. Beside me is the corner cupboard Nana gave us, before me the cherry table Dad broke last year when he fell.
 . 
Most everything else from my nine-year old birthday party has faded. How many other boys Mom invited and gathered in from the homes around, what kind of cake, the candles and singing – all now clouded and indistinct.
 . 
One moment, though, remains untarnished. It’s been polished these sixty years hence by recollection and reflection. Mom thought to include one boy the rest of us didn’t play with very often. Maybe there was something a little different about him. To this day I can’t tell you his name. As the other boys present their gifts, brightly wrapped in colorful paper, he gives me a big smile and hands me his – a lump of crumpled tin foil. I peel it apart. Inside are six quarters.
 . 
I don’t remember any of the other presents I received that day. Why has this one stuck with me? I can testify I was surely no less selfish and self-absorbed than any other nine-year old, but with some vague child’s awareness I realized in that moment the boy was giving me all he had. Maybe he didn’t have a mom with time to go to the store or wrap a present. Maybe he’d never been invited to a birthday party. Today, writing these lines, I still feel a strange heaviness when I think about his gesture, a forlorn sadness but also a rich touch of awe and gratitude.
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That smile – he was so happy to hand me that gift. From him to me. Thank you, thank you, little boy.
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The Letter
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Northing is ordinary – not condensation on a pane
of glass – that streak of sunlight, yellow
as lemons, in the neighbor’s backyard. Trees
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are rustling tender new leaves, and our lawn
is as thick as a wool rug. Even the scent of coffee
 . 
wafting from the kitchen is a miracle,
a woman walking her little dog down the sidewalk,
its leash as taught as rigging. Yet, every house
 . 
hides something that hurts, even as we call to one
another, good morning, good morning
 . 
our faces open as a letter lying on a table, the kind
that makes our hands shake when we find it
in the mailbox, that we only read once.
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Terri Kirby Erickson
from Night Talks, New & Selected Poems, Press 53, Winston-Salem NC; © 2023
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❦ ❦ ❦
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We can be generous giving money and things, and this week in the USA we generously give thanks, but where else does generosity slip in? Generous with advice, oh my yes aren’t we all, and woe to those who don’t take it. Generous with encouragement and acceptance, and who gets to decide what’s worthy of encouragement and what acceptable? Apparently it’s actually quite easy to be giving without being generous at all. We’ve had to make a rule at our house to keep the after-school peace: Pappy doesn’t try to eat Amelia’s snacks. Last week, though, Amelia had a sweet she really wanted to finish herself but offered me a bite. Generosity – it doesn’t have much to do with deserving or keeping score; it has more to do with making sacrifices and sharing the joy.
 . 
I think of myself as a reasonably generous person, and then I read Terri Kirby Erickson’s poetry. These people, these moments remembered and shared, these talks over breakfast or long into the night that leave each speaker that much richer, these also leave me richer, fuller, more human. In Night Talks, Terri presents about sixty new poems along with grateful selections from her six previous books, combined and swirled like the best layer cake you ever set fork to, perfect for morning on the porch with coffee or with evening lamplight leaning back into the sofa.
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After returning to this book over and over, I can finally name the spirit that suffuses Terri’s work and that warms the reader – generosity. There is harm and hazard in Terri’s writer’s life, there is grief and loss and no denying them. These poems look into the darkness and discover light, even if only the pinpricks of stars overhead. These poems never overlook a radiant dawn – they always expect it. And it doesn’t hurt a bit that Terri is the impresario of image, the titan of the turn of phrase: summer wants [to] / hitch a ride on the back of a broad-winged hawk / to places where the stars feel like chips of ice / sliding down September’s throat.
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How does her poetry restore and replenish its deeply generous spirit on every new page? Try on this bit of spiritual etymology: From gratitude comes generosity; from generosity comes giving. With recollection and reflection, let me polish up my gratitude. Let’s see where it take me.
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Moon Walk
++++ for my brother
 . 
Sunburned, bellies full of fried pompano, sweet
corn, and garden tomatoes purchased at a roadside
stand manned by a farmer with more fingers than
teeth—my family huddled around a rented black
and white TV set the shape and size of a two-slot
toaster, watching Neil Armstrong and Buzz Aldrin
hop like bunnies on the rough surface of the same
waxing moon that shone through our beach cottage
windows. I was eleven years old, bucktoothed and
long-legged—my brother a year younger and, most
days, followed his big sister like Mercury orbiting
the sun. Mom and Dad sat side by side on the faux
leather, sand-dusted couch, and Grandma, never one
to hold still for long, stood by her grandson’s hard-
backed chair, her hair a nimbus of silver from the soft
glow of a television screen where a miracle unfolded
before our eyes. But grown men wearing fishbowls
on their heads, bouncing from one crater to the next,
seemed less real to my brother and me than Saturday
morning cartoons. And all the while, we could hear
waves slapping the surf and wind whipping across
the dunes—and the taste on every tongue was salt
and more salt. So when I picture the summer of ’69
at Long Beach, North Carolina, as history rolled out
the red carpet leading to a future none of us could
foresee, my heart breaks like an egg against the rim
of what comes next. But let’s pretend for the length
of this poem, that my brother’s blood remains safe
inside his veins, Grandma’s darkening mole as benign
as a monastery full of monks, and our parents, unable
to imagine the depth and breadth of grief. Here, there
is only goodness and mercy, the light of a million stars,
and the moon close enough now for anyone to touch.
 . 
Terri Kirby Erickson
from Night Talks, New & Selected Poems, Press 53, Winston-Salem NC; © 2023
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 . 
Night Talks, New & Selected Poems, by Terri Kirby Erickson, is available at Press 53 in Winston-Salem NC along with five other collections by Terri.
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[with 3 poems by Melinda Thomsen]
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11. Colorado Springs
 . 
In a breath, the sun emerges unfurled
behind the hangar, and the sky turns gold.
It burns like an ore, as nearby grasses roll
in a breeze, and rows of sunflowers twirl
 . 
and flex. The Queen Anne’s lace slowly maps
the sun’s route west. A magpie somewhere
near the playing field squawks. Dawn appears
in shades of granite wearing a mica cap.
 . 
Let me put on the sky’s sapphire chains
and earth’s necklace of headlights from the cars
winding to Denver in their jeweled train.
 . 
When headlamps dim, sunshine shoots like stars
off the cargo bays of arriving planes,
and daybreak shows its wealth by reaching far.
 . 
Melinda Thomsen
from Dropping Sunrises in a Jar, Finishing Line Press, Georgetown KY; © 2024
[this poem is one segment of the poet’s sonnet redoublé]
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❦ ❦ ❦
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The sentinel sugar maple stationed above us on the roadway is first. Each day we park at the track and look up to its expansive globe outstretched in meditation. Preceding all other trees, it affirms change. In the swelling conflict of its upper limbus butterscotch and sulfur, sweet and harsh become the beginning of leaving behind the green of summer. Green we might have convinced ourselves to be eternal and foundational. But all things flow. You can never stand twice beneath the same tree.
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 . 
Last night a brief gusty squall; this morning the lone sugar maple has relinquished all but a few scattered flags and tatters. As we enter the woods, however, all the other trees in this progressive congregation are industrious in their competition. Who can display the brightest color? Who the most varied, the most novel? The southern slant of sun penetrates as if through stained glass; streaming light proclaims its gospel of chlorophyll, abscission, anthocyanins, carotenoids. Linda and I drop our worries along the trail like a trail of breadcrumbs – we can at least hope that the birds and chipmunks will devour them all in the hour before we return this way.
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And now we’ve reached the last straight segment before the walking trail offers to climb the ridge and lead back down to the river. We can see the turning where it beckons. Before we reach it we will cross the high bridge over Crooked Creek and look down to see if our fat water snake is sunning herself among the south-facing rocks as usual. Just beyond the bridge we will enter the final high vaulted cathedral. Overleaning trunks and branches, pointed arches familiar in the minds of trees long before Sumeria or Samarra, clad with brass and jade, they invite us now to share this space in reverence.
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 . 
This cathedral of flux. The never-changing God this world worships is the God of Changes. The crimson Michaux lilies that celebrated here in August today merely nod a few dry, creased, tri-partite pods, but what do they hold? A celebration of seeds. And beneath the springy duff the roots gone dormant have not forgotten their desire to rise again next April.
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Linda and I stand here for a moment, in the moment. The memory of red blossoms is not what we worship. The anticipation of future blooming is not what we worship. Right here right now is the only real thing – the only real thing is all things that have come before and all that may yet become. We hold a single thought, we hold all thought. For one brief moment approaching joy we are engulfed, we merge with the flux.
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Panta rhei. All things flow.
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❦ ❦ ❦
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Dropping Sunrises in a Jar
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When daybreak edged the earth,
++++ I would roll over – unlike the birds.
It was as if we lived in separate jars.
++++ Wrens whistle and chirp about flames
blooming into a ball at sunrise
++++ then hush with the sun’s full burning.
 . 
I used to sleep through the daily burning
++++ for I didn’t care much how the earth
rotated itself into another sunrise.
++++ But years later, I wondered why birds
got so excited about a horizon in flames.
++++ So much time, I’ve spent within a jar.
 . 
The birds, too, live in a sort of jar,
++++ but they focus outward and seem to burn
with a gratitude that fans their inner flame.
++++ See pelicans fly about the earth?
They dip and lift until the idea of bird
++++ becomes a winged embrace at sunrise.
 . 
When I traveled, I watched every sunrise
++++ to see night leave its door to morning ajar,
and in its wake, I heard the calls from birds.
++++ Each place began with its horizon burning,
though, and I worry our Goldilocks earth
++++ is ending. We choose to go in flames,
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or up in smoke like a moth drawn to flame
++++ when just right gets too hot, but each sunrise
still unleashes warbling tenors upon the earth.
++++ For we don’t see birds flying into bell jars
or coal mines, do we? While forests burn
++++ in the west, in the east, squirrels and birds
 . 
gear up for hurricanes. Notice how birds
++++ of a feather fly from floods and flames?
Instead, I wake to the sky’s daily burning
++++ in these – my sunset – years to collect sunrises.
One by one, I drop then in a jar
++++ like candies gathered from my forgiving earth.
 . 
But this burning keeps flushing out the birds,
++++ who welcome the earth as if an old flame
and add their sunrise songs to its tip jar.
 . 
Melinda Thomsen
from Dropping Sunrises in a Jar, Finishing Line Press, Georgetown KY; © 2024
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❦ ❦ ❦
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Melinda Thomsen lets no sunrise escape her. While the eye notices light returning to the world and the ear may welcome the first emphatic burst of wrensong, the soul delves deeper to discover that the light has never left. Some place where I can untangle myself through flashes of beauty – this is Melinda’s journey and her destination. And as we travel with her across the world and through the universe of Dropping Sunrises in a Jar, this might be the promise we hope to fulfill – One day you’ll shape yourself into the bird your soul holds.
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 . 
These poems are woven with recurring images of sunrise and sky, birdsong and sunflowers, but in addition to these enticements Melinda’s use of formality has ensnared me. I am a sucker for a good sestina; this collection’s title poem is a great one. I had pretty much assumed it’s impossible to actually write a Heroic Crown of Sonnets (sonnet redoublé) but here Melinda has mastered it. In just 31 pages, this sequence elevates us and carries us into new worlds.
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Purchase Dropping Sunrises in a Jar at Finishing Line Press.
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❦ ❦ ❦
 . 
The Zoetrope Sunrise of the Taihang Mountains
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Waking in a sleeper car, bunked
with three strangers, I raise the shade
 . 
to watch the sunrise, a pale peach glow,
among the snoring. Cornfields stretch
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beneath gauzy clouds as our train enters
a tunnel and metal sounds reflect
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off its stone interior. As we exit,
the ochre sky lightens, then another
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tunnel and again a waterfall of noise.
Now, the sun glows behind mountain
 . 
peaks, and mist rests in the Taihang
valley of lush shrubbery when a tunnel
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eclipses that view. The train
travels through tunnel after tunnel,
 . 
but between glimpses, the sun rises
and we emerge into a village
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with streams edging the foothills
framed with cornfields and box houses.
 . 
A man feeds his donkey.
The child in our cabin coughs.
 . 
For the Chinese, the road over
Taihang means the frustrations of life.
 . 
Where the sun rises through slits,
this zoetrope carries me home,
 . 
or some place where I can untangle
myself through flashes of beauty.
 . 
I had to get out through stillness;
until bit by bit, the womb opened.
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Melinda Thomsen
from Dropping Sunrises in a Jar, Finishing Line Press, Georgetown KY; © 2024
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[zoetrope: An optical toy, in which figures made to revolve on the inside of a cylinder, and viewed through slits in its circumference, appear like a single figure passing through a series of natural motions as if animated or mechanically moved. – – – bg]
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Three aphorisms attributed to Heraclitus (Greek, ca. 500 BC) declare change and conflict as the fundamental characteristics of reality:
On those who step into the same rivers, different and different waters flow.
We both step and do not step into the same river, we both are and are not.
It is not possible to step into the same river twice.
The central tenets of Heraclitus’s philosophy are the unity of opposites and the centrality of flux (change) as encapsulated in the phrase Panta rhei, all things flow.
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 . 
[with 4 poems from I-70 Review]
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Bears Active in This Area
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++++ warning sign in my mountain cabin
 . 
This time, others have seen you,
treading circles on the gravel drive,
shouldering through grapevine tangles.
The possibility of you was always here,
in the night-mouth of the cave that gapes
below my porch, in dark boulders
hulking along the trail.
 . 
Your presence countermands silence –
I chatter and sing as I walk the open road,
snatches of carols, toddler songs –
and shy from the path that meanders
to a sunlit filed strewn with windfalls
from long-neglected trees. I imagine
you keeping pace, just out of sight,
your huffs mocking my jabber,
your heavy steps a counterpoint
as I scurry past thickets, scan uneasily
the curving trail ahead, intruder
in a world that was never mine,
though you are the first to insist
that I acknowledge it.
 . 
Rebecca Baggett
from I-70 Review, Eighteenth Edition, 2024
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❦ ❦ ❦
 . 
What would a toddler remember about moving away? The apartment in Niagara Falls is a dream of stairwells and windows and darkness outside; the new house in the new subdivision with no grass at all is a neighbor’s dog named Bishy. Or was Bishy the neighbor’s toddler I played with?
 . 
I am four when we move away again, from New York to Tennessee, and I remember plenty about Marion Road: Bob and I watching Little Rascals until Mom declares, “You’re going to turn into rascals!”; our little sun room Aunt Ellen fitted up as a bed-sit while she attended Memphis State, and we kids hiding giggling under her covers until she came home each afternoon; the neighbor boy who introduced us to the word butt and we thought we were the first humans ever to utter something so outrageous. Memories of the neighborhood, yes, but memories of moving there? Packing and unpacking? Worrying that Puppy would get lost in the shuffle or that somehow Mom wouldn’t be there when we arrived? None of that remains.
 . 
Our family makes one more inconsequential move just blocks away when I am six, but then when I’m twelve the Big Away arrives. Up until this what a tranquil 1950’s childhood: I walk to Colonial Elementary every morning with my friends and play with the same friends every evening until the streetlights come on. Serene. Now I’m midway through sixth grade, still coasting, when the bomb drops. Did I protest when Dad announced in January we were leaving Memphis to move to Delaware? Maybe, I don’t recall; that memory is muddy, but this one is sharp as crystal – I walk into class in my new school and my new classmates all turn to look. My clothes aren’t right, my accent is a joke (literally – within about sixty seconds I will have the nickname “Memphis,” which sticks), and I have a different teacher for every subject. And then in just six more months we will move to Michigan. Just over a year beyond that, two months into eighth grade, we move to Ohio.
 . 
So, my friend, is it any wonder that some sixty years later I have trouble remembering your name until the fourth or fifth time we meet? That as we converse in a group you notice me smiling and nodding and slowly drifting off into space? That I would rather write this blog into the wee hours than drop by your house for coffee? I want to be a good friend to you, and in fact I like you and this hug from me to you is real, but ah, it’s risky. There’s always that possibility, without warning and with no desire on my part, that someday soon I might be moving away.
 . 
 . 
It never occurred to me to wonder how Dad felt about all those moves. The moving was his fault, after all, necessary for his promotions and advancement with DuPont, for whom he worked all his life. I can scarcely imagine the million details he had to sift through to put his family into boxes and take them out again hundreds of miles away. I’m not surprised that as I clean out his house I find drawers full of lists on yellow pads, on the backs of junk mail, on bills and receipts. Half the time when he calls me, it’s to add something to the shopping list. And then there are still those boxes in the attic labeled Allied Van Lines.
 . 
But what about the rest of us? Did Dad wake sweating in the middle of the night worrying how moving away would affect his family? Just one time he blinked: after I was married and gone but Mary Ellen was still at home, a junior in high school, Dad turned down a promotion so she could graduate with her class. A sacrifice that stalled his career for a decade.
 . 
Tomorrow is Dad’s last moving day. Since Mom died in July, Dad has agreed to move closer to us. For a week I’ve ferried boxes and duffels, checked off my lists and then made new ones, and tomorrow after lunch I’ll drive Dad to a nursing center just two miles from our house. He says he’s willing to move as long as the food is good (it is). We’ve hung portraits of the grandkids, pastels by Mom. His Duke pillow is on the recliner and his new Duke banner hangs on the door of room 507 to welcome him. God knows I’ve been waking in the middle of the night sweating the million details. Let us hope that after 98 years of moving, Dad will discover in this new and final home a place to rest.
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Porta Nigra   *
 . 
++++ Trier, Germany
 . 
The breath of sun and rain
only darkens on my face.
The cat-claws of millennia,
the graffiti of tourists,
fade into my walls.
 . 
I, who guarded this city so long,
sit truncated now.
My frieze the sweaty flesh
of lovers on cool bare stones.
 . 
Catch me in another thousand years,
your eyes as hard and dark as mine.
See if these holes will match
the mysteries of death
and flesh on blackened stone.
 . 
Bradley Strahan
from I-70 Review, Eighteenth Edition, 2024
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* a gate in the remaining piece of Trier’s old Roman wall
 . 
❦ ❦ ❦
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The 2024 issue of I-70 Review arrived in last week’s post. Besides many wonderful voices new to me, I discovered within its pages several old friends who’ve agreed to let me reprint their poems.
 . 
I-70 Review, Writing and Art from the Middle and Beyond is based in Kansas, USA, but publishes poetry, short fiction, and art from around the world. They also sponsor the annual Bill Hickok Humor award for poetry.
 . 
Submission guidelines HERE
Purchase a copy HERE
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Messenger in Early November
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++++++ – in memory of Jay Klokker
 . 
Driving past Agate Bay, I catch a glimpse
of this deer in a splotch of sun and shadow –
the brown-tail’s flanks on the edge of the road
in yellow leaves, thin branches. Las May
after your death, a bear cub loped beside my car
like a lost Labrador, seemed to disappear
under my front bumper. Slamming on the brakes,
I felt no thud, heard nothing. Amazing, the cub
as if uninjured, clambered up the ditch-bank.
Only later, after your memorial, did I reread
your last poems, that black bear nosing
at your sleeping bag in the camp site
in Arizona; recalled marmots whistling
in the pillow basalt near Mt. Baker; the grouse
thumping its tail near our driveway,
feasting on red hawthorn berries.
You noticed. I cannot believe you said no
to another go-round on the cancer wish machine,
you called it, completed your book First Stars.
On you last hike, you raced downhill
in your wheelchair, shouting. You must
be in these sun spots, mottled shadows.
Too excellent a camouflage, my friend –
thin, flickering branches, a few gold leaves,
before all the color goes away.
 . 
Richard Widerkehr
from I-70 Review, Eighteenth Edition, 2024
this poem will appear in Richard’s new book, Missing The Owl (Shanti Arts Press)
 . 
❦ ❦ ❦
 . 
The Other
 . 
Last night coyotes laughed
at the neighbor’s bulked-up lab restrained
behind his chain-link, his fearful bark,
their yips of liberty and mild derision;
 . 
are coyotes such demons, or just particular
about whom they allow to know them?
Or are they perhaps spirits of the other,
avatar of all we hominids in our marrow
 . 
know to fear? How to live beside that feeling?
Afraid of attack I stab; afraid of pain I cause it.
 . 
In the woods before daylight willingly lost,
soft tread, a twist in the trail then face to face –
perhaps she and I look into each other’s eyes
for two seconds, perhaps the rest
 . 
of my life; coyote impassive,
considerate, measures our distance,
our closeness, then softly pivots
and pads away, prudent, fearless,
 . 
willing to allow the two of us
to share the universe.
 . 
Bill Griffin
from I-70 Review, Eighteenth Edition, 2024
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Doughton Park Tree 2020-09-08b

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