Archive for the ‘Imagery’ Category
Speak Tree
Posted in Ecopoetry, Imagery, tagged Bill Griffin, ecology, Ecopoetry, imagery, Maura High, nature, nature photography, nature poetry, NC Arboretum, NC Poets, poetry on September 20, 2024| 9 Comments »
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I think of soul as anything’s ultimate meaning which is held within. Soul is the blueprint inside of every created thing telling it what it is and what it can become. When we meet anything at that level, we will respect, protect, and love it.
While calling ourselves intelligent, we’ve lost touch with the natural world. As a result, we’ve lost touch with our own souls. I believe we can’t access our full intelligence and wisdom without some real connection to nature.
The Soul of Nature, Fr. Richard Rohr, OFM
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[with poems by Ted Kooser, Maura High, Mary Oliver]
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Turkey Vultures
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Circling above us, their wing-tips fanned
like fingers, it is as if they are smoothing
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one of those tissue-paper sewing patterns
over the thin blue fabric of the air,
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touching the heavens with leisurely pleasure,
just a word or two called back and forth,
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taking all the time in the world, even though
the sun is low and red in the west, and they
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have fallen behind with the making of shrouds.
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Ted Kooser
from Delights and Shadows, Copper Canyon Press; © 2004
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You’ve seen those vultures, haven’t you, up there in the summer sky? You know you have – soaring in great circles, effortless, never a single flap. How their wings cant upwards, how they tip one wingtip down to begin a spiral, how they splay their primaries to feel the updraft, like fingers reaching to gather it in, or like the blades of great shears ready to snip the endless blue. Shepherds of the dead, preparing our funeral shrouds.
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Is this a Nature poem? A Human Nature poem? A Death poem?
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However you may want to label it, I can’t imagine Ted Kooser writing this poem without spending hours outdoors, on one of his many daily walks, looking up, paying attention to those turkey vultures. Just paying attention until he sees the poetry of their existence.
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Paying attention. Observing. Noticing. That’s the first task. If I were to remind you of all four tasks of the naturalist, would you sit up straight and exclaim, “Hey, but aren’t those the very things that poets do?” Here they are according to my reckoning, the four tasks of the naturalist:
++Pay Attention+–+Ask Questions+–+Make Connections+–+Share
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Naturalists embrace the Earth and everything that fills the Earth in the hope of bringing their companion human beings to join that same embrace. And don’t poets as well, through their noticing and questioning, also hope to connect their fellow beings within our shared existence?
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We Woods
+++Dry-mesic oak-hickory forest on a ridge along the north bank
+++of Bolin Creek, central Orange County, North Carolina
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Yes be a color—nos & maybes,
++++ like drab.
Shrug, like slough-off,
peel, mould & mildew,
winterkill,
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sometimes we surprise ourself
++++ & sprout.
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Tell ourself, this stem this leaf, vine,
++++ oak, spindle, sucker, upstart hickory—
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spring! we lagging over the redbud
(pink the redbud
++++ & green leaf-leaf
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dogwood), &
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troublemaker
honeysuckle: they pull-us-down vines
++++ pale, rampant.
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++++ Yes, we someplaces sick, crack, split,
stump & burl, rootballs what
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gave up hanging in, dragged themself out & fell
++++ ++++ ++++ ++++ up.
We woods, anyways: our down-
++++ ++++ leaf & needlefall,
seedhoard, twiggery, sprig windfall,
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they good, the earth approve,
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let us rootway through dirt & stone.
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Maura High
from the forthcoming manuscript Field as Auditorium
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If I speak in the tongues of men and of angels, but have not love, I am only a resounding gong or a clanging cymbal. [1 Corinthians 13:1]
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Who will speak in the voice of those whose language is yellow leaves rattling and releasing each fall? Whose sleepy muttering is the squeak of limb upon limb in a winter breeze? Whose whispered promise of love is sweet sap rising in columns every spring? Who, and how, to speak tree?
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My first weeks as an exchange student are still shrouded in fog. I did not hear another person speaking English except for one hour each weekday, English class for the German students in the high school I attended. Gradually, steadily, however, I steeped in vocabulary and grammar – by Christmas I was fully connecting with my host parents and siblings and had become part of the family. Steeping ourselves in the foreign languages that surround us – Maura High instructs us in this by translating the voices of trees into poetry. Ecopoetry.
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One aspect that sets Ecopoetry apart from Nature Poetry, of which it is a distinct subset, is the willingness to listen to and learn languages other than human. Ecopoetry makes audible the voices we might otherwise ignore and walk right past. Ecology is the science of living things in community, whether a subalpine spruce fir community on Kuwohi in the Smokies (formerly Clingman’s Dome) or the community of bacteria, viruses, parasites, and fungi living in your colon. Ecopoetry as well is focused on community, connections, interdependencies.
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In the grand spectrum of diversity of life on this planet, Homo sapiens is a single thin line. For Ecopoetry, the human is not necessarily the locus of all significance and importance. We rampant humans might even be the bad guys. We are woven into the communal whole, our skills and our gifts, our consumption and our neglect, for good and ill, and the continuing strength of our threads depends on the warp and weft of every other living thing, not to mention geology and hydrology and meteorology and . . . well, have I quit preaching and gone to meddling?
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May poetry lift voices that have the power bring us all together as one.
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Sleeping in the Forest
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I thought the earth
remembered me, she
took me back so tenderly, arranging
her dark skirts, her pockets
full of lichens and seeds. I slept
as never before, a stone
on the riverbed, nothing
between me and the white fire of the stars
but my thoughts, and they floated
light as moths among the branches
of the perfect trees. All night
I heard the small kingdoms breathing
around me, the insects, and the birds
who do their work in the darkness. All night
I rose and fell, as if in water, grappling
with a luminous doom. By morning
I had vanished at least a dozen times
into something better.
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Mary Oliver
collected in Devotions: The Selected Poems of Mary Oliver, Penguin Press; © 2017 by NW Orchard LLC
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In the end we will conserve only what we love. We love only what we understand. We will understand only what we are taught.
Baba Dioum, Senegalese environmentalist
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If you would like to explore this subject further, try The ECOPOETRY Anthology
Ann Fisher-Wirth, Laura-Gray Street, editors; Trinity University Press, Austin TX; © 2013, 2020
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Spontaneous
Posted in family, Imagery, tagged Bill Griffin, imagery, In the Palms of Angels, nature photography, NC Poets, poetry, Press 53, Southern writing, Terri Kirby Erickson on August 30, 2024| 19 Comments »
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[with 3 poems by Terri Kirby Erickson]
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Heaven
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You wake in a sun drenched room
with knotty pine walls and open windows,
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white curtains billowing. The warm,
salt-scented breeze carries
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the sound of waves, the laughter of children,
the cry of gulls. Somewhere
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inside the house, bacon sizzles in a pan,
coffee drips into a pot – and there are voices,
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familiar voices – your grandmother,
your brother, your best friend. It’s been
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so long since you have seen them.
So you sit up in bed, stretch your strong,
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supple limbs. There is no pain,
no stiff shoulders and creaky joints.
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There is no weight of sorrow or regret –
only a kind of soaring joy that lifts
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and circles inside you like a kit.
And when you move across the floor,
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it feels like floating, as if your body is made
of light and air – but solid when
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they reach for you, when their arms
open wide and you walk in.
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Terri Kirby Erickson
from In the Palms of Angels, Press 53, Winston-Salem NC; © 2011
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Spontaneous combustion – when a ten-year old reads about such a thing of course he’s going to think, Fire! Cool! My friends and I weren’t allowed to play with matches (although we could have swiped some from our Dads, all smokers, and we certainly smoldered plenty of stuff with our magnifying glasses during the Memphis summers). So fire blossoming up all on its own?! We scrounged an old t-shirt, sopped up some oil that had leaked from a lawn mower, and stashed the rags in a dark corner of Mike Slattery’s garage. And waited. I moved away from that neighborhood two years later and I have yet to hear that the garage burned down.
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I have a friend with a gift. She can wake up in the morning first thing and fire off to the rest of us in the writers group what has just flowed from her pen into her journal. “Can” as in willing and able and unrestrained. Ten lines or twenty, she shares something always fresh, light breaking, a window open to her soul. Meanwhile, I’ve re-written this paragraph three times in my head, twice on paper, and six times on the screen. I need the t-shirt my brother-in-law Skip wears: “Hold on a minute while I overthink this.”
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Now I’m stashing stuff in the car for this morning’s drive to Winston, errands to be accomplished for Dad: laptop, check; Power of Attorney docs, check. Wait, I was thinking of taking Dad some flowers from the front yard today. No, too tired. Next time.
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And when might that next time arrive? Snipping zinnias, marigolds, anise hyssop, coaxing their stems into an old bread bag with a wet paper towel in the bottom, fitting the fresh bouquet into my cup holder – oh, my! Flames of purple and scarlet and bright orange, scent of mint and musky asters – pulling out of the driveway, how spontaneously I combust!
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Sunflowers
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In our well-manicured yard
where a clover can’t show its face
or risk dire consequences, a row
of sunflowers sprang up by the bird
feeder, claiming the kitchen
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window for their own. Such thick
stalks and heavy flowers belong
in children’s stories, where
gardens bloom in shapes
and colors seldom imagined
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and mushroom grow as big
as houses. With great dark eyes
surrounded by yellow lashes,
they follow the sun on its daily
journey – a bevy of bold young
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girls in love with the same boy.
Dazzling beauties all, showing
up our prim blades of grass
and trimmed bushes like hula
dancers in a room full of pilgrims.
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Terri Kirby Erickson
from In the Palms of Angels, Press 53, Winston-Salem NC; © 2011
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clouds cast shadows across the ground like whales swimming through clear water
a bevy of bold young girls in love with the same boy [sunflowers]
the yellow-haired girl whose hands rested in her lap like fresh-picked lilies
her fingers dancing over tubes of lipstick as if they were piano keys, and she, learning a new song
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Terri Kirby Erickson’s poems delight in the perfect image, the lance of daylight that makes shadows radiant. She populates her lines with characters from every neighborhood and every family, her own included, and she reveals their secrets, unknown sometimes even to them, but she does it with language so airy and effortless that I imagine her raising her pen like a lightning rod and drawing to it from heaven a bright spark of inspiration. Spontaneous, emerging fully formed from the heart. The rest of us bail the bilge as we adhere to the adage, “Writing is re-writing,” while Terri is skipping stones across the water.
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In the Palms of Angels by Terri Kirby Erickson is available at PRESS 53
More by Terri at Verse & Image HERE
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Grandmother’s Lamp
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In the quiet stillness of a snowy evening,
the earth is white as angel wings and the sky
purple as lilacs pressed against the window
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pane. The soft glow of Grandmother’s lamp,
with its yellowed shade and pattern
of porcelain roses, falls on the antique tabletop
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and the picture of my mother, the ballet
dancer, posing. From the street,
it’s just another lamp in a long row of lighted
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windows, but to me, it is the sweet comfort
of my grandmother’s face, bent earnestly
over her needle point, or patiently putting together
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another scrapbook of memories, pasted just so
on the page. It is her quiet certainty that this, too,
shall pass, that God hears our prayers,
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and the heaven is not the stuff of fairy tales
woven to quiet our fears, but as real as the lamp
she left for me, to light my way there.
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Terri Kirby Erickson
from In the Palms of Angels, Press 53, Winston-Salem NC; © 2011
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Treats
Posted in Imagery, Photography, tagged Adam in the Garden, AE Hines, Bill Griffin, Charlotte Lit, family, imagery, nature, nature photography, NC Poets, poetry, Southern writing on August 2, 2024| 10 Comments »
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[with 3 poems by AE Hines]
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A foot of new snow
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and down the middle
+++++ of our icy street
a dawn congregation
+++++ of ravens, all blue-black
and wing, hunch
+++++ in their strange bureaucracy,
as if arrived to divide
+++++ the daily assignments. Even
at this age, I still see signs. Even
+++++ a gathering of black birds
on a snow-covered road,
+++++ a Rorschach test
that conjures a warning
+++++ in my anxious machinery:
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an assembly of plague doctors –
+++++ with folded feather arms, dark
nodding heads. I wonder what
+++++ they are here to tell me.
None of us is promised green lights
+++++ and straightaways, but sometimes
the bloodwork comes back
+++++ quietly, the tumor
benign. Sometimes, just up the road
+++++ from where you lie in bed,
brakes give way and barrel
+++++ a terrified trucker across four
frozen lanes into your
+++++ could-have-been path.
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AE Hines
from Adam in the Garden, Charlotte Lit Press, Charlotte NC; © 2024
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Imagine you really like to eat. No, I don’t mean you enjoy sitting down at the table, plate in front of you, bite by bite, chew & swallow, push away and say, “That was good!” What I’m talking about is when your eldest son calls and asks, “How’re you doin’?”, the first thing out of your mouth is, “For supper I had . . .”
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It’s a blessing that Dad likes to eat. My experience from forty years of geriatric practice is that once you lose your appetite you’re going to have a tough time ever finding it again. The first thing Dad usually brings up when we talk is what he needs me to pick up at the store. He’s thinking two meals ahead, tonight’s supper, tomorrow’s breakfast. He can’t walk as far as the kitchen any more, he can’t rummage through the cupboards or the fridge, in fact there may not be many things left in life for him to enjoy, but he can think about something good to eat.
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That’s why this morning I’m poking around in the freezer and shifting unidentifiables in the back of the refrigerator, holding a shopping list and a yellow pad. Besides chucking out the old and vaguely greenish, I’m making Dad a list. A “MENU” I’ll leave at his bedside. There’s a column for meals in the fridge, a column for freezer, and at the bottom is that most important header of all: TREATS. I found four kinds of cookies in the pantry. Four flavors of pudding we originally bought for Mom. Chocolate brownies with M&M’s his cousin June brought by. Some zucchini bread a neighbor dropped off (and it is good). Please don’t forget the Trader Joe’s Vanilla Ice Cream.
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From here, then, it’s off to Harris Teeter. I’m sure I’ll see some more things Dad would like as I cruise the aisles. They say the olfactory sense is tightly cross-linked to the hippocampus – a familiar smell instantly evokes vivid memories of old associations. I suspect for Dad the gustatory sense is equally evocative. Maybe he needs a little country ham with red eye gravy. Maybe spoon bread or hushpuppies. Maybe I can find the recipe for Mom’s famous German chocolate cake.
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In our final days, may we all treat ourselves to what brings us joy.
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Eden
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I recall placing ripe plantain on the lowest
branch of eucalyptus, and the tree
filling with small wings: toucans
and motmots, a flock of miniature finches
dusted with pale blue chalk. There are so few
days I would – if I could – set on repeat
and live over and over:
+++++++++++++++++ Here, the man
I love, sight of him a reviving breath,
carrying plates of chorizo and fried eggs.
Then the two of us reclined in dappled grass,
drinking hot chocolate from a single,
chipped cup beneath prehistoric ferns
that tower and sway just as they must have
with the world still new.
+++++++++++++++++ I like to pretend
then too – didn’t I? – that we were the first
and last of our kind, a multitude
of wings beating the air under a sun
that never set, our queer, middle-aged bodies
never a day older.
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AE Hines
from Adam in the Garden, Charlotte Lit Press, Charlotte NC; © 2024
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Some quiet evenings I go out / to sit with them, all the men / I’ve been . . .
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When has there ever been an evening that quiet? A space filled with invitation and empty of demands? When has my mind ever been that pliant, willing to contemplate such things much less able? Is there a garden somewhere waiting for each of us, waiting for our return?
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Adam in the Garden by AE Hines offers no simple answers but it certainly invites questions. These poems span many years and many situations; even more so they span the many conditions of one human person. Broken and reborn, dead and exalted – you nor I are not one immutable creature, none of us an unvarying beam transiting the years allotted to our individual existence. If we discover a quiet moment and stop to think, we may discover the many persons we have been and are being.
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Where could there be such a quiet space? Turn the page. Again. The poet invites us to join him here. He makes himself vulnerable to our gaze. He makes no other demand on us than to enter the quiet with him, to be with him and with our selves. And truthfully, I confess that I need this! I need the quieting of all those voices, external but really mainly internal, the quieting which is required to read a poem. Not to escape myself but to sit down with myself. Thank you for the invitation and for the welcome. Thank you for the sharing. It is, I assure you, a treat.
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Adam in the Garden by AE Hines is published by Charlotte Center for the Literary Arts, Inc., through Charlotte Lit Press.
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Green Satin
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++++++++++++++for Ginny
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Perhaps, it’s not the drugs
when you tell me you plan
to come back as a tree, wearing
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green satin gowns and scarves
made of wind. No more ridiculous,
you say, than dying, or your wig
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teetering from the nightstand.
Last night, a cypress lifted its dark
roots from the earth, and lay down
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Like a great, leafy-maned beast
across your yard, making room
for more morning
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to flood your window, dawn
a spotlight across a hospice bed
where you labor over breathing,
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a potter over clay, spinning
and kneading the mud of yourself
into finer and finer pieces.
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“It must be time,” you tell me,
with summer’s sun shining
and sparrows flinging
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shadows on your walls.
When even the cypress lies down
and points the way home.
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AE Hines
from Adam in the Garden, Charlotte Lit Press, Charlotte NC; © 2024
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