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[with 3 poems by Terri Kirby Erickson]
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In the Midst of Grief, a Heron
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Healing begins with the blue heron hunting
in the frigid water of a shallow pond.
 . 
Wings folded, neck tucked into its feathered
breast, it stands motionless in a shelter
 . 
made of branches, alone save for its shadow.
What would it hurt to loosen our grip
 . 
on grief? To allow the soft gray-blue
of a heron’s body to soothe our eyes, tired
 . 
of shedding tears? This day will never come
again and the heron will soon fly. Already,
 . 
the light is fading, taking with it all the time
that has ever passed. Let this peace soak
 . 
into our skin like medicine, remain with us
long after the heron is gone.
 . 
Terri Kirby Erickson
from Night Talks, New & Selected Poems, Press 53, Winston-Salem NC; © 2023
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❦ ❦ ❦
 . 
Mike and Johnny Slattery would have been there, from three doors down on Marcia Road. My little brother Bobby, of course. I can picture the house right now as if standing there, the shape of our living room in that L-shaped ranch in the square-grid new-built neighborhood in Memphis. There’s the door that leads into Mom’s kitchen, to the right the little hallway to the front door, outside another ten steps to the carport and driveway where we played marbles or rode our bikes down to the street. Beside me is the corner cupboard Nana gave us, before me the cherry table Dad broke last year when he fell.
 . 
Most everything else from my nine-year old birthday party has faded. How many other boys Mom invited and gathered in from the homes around, what kind of cake, the candles and singing – all now clouded and indistinct.
 . 
One moment, though, remains untarnished. It’s been polished these sixty years hence by recollection and reflection. Mom thought to include one boy the rest of us didn’t play with very often. Maybe there was something a little different about him. To this day I can’t tell you his name. As the other boys present their gifts, brightly wrapped in colorful paper, he gives me a big smile and hands me his – a lump of crumpled tin foil. I peel it apart. Inside are six quarters.
 . 
I don’t remember any of the other presents I received that day. Why has this one stuck with me? I can testify I was surely no less selfish and self-absorbed than any other nine-year old, but with some vague child’s awareness I realized in that moment the boy was giving me all he had. Maybe he didn’t have a mom with time to go to the store or wrap a present. Maybe he’d never been invited to a birthday party. Today, writing these lines, I still feel a strange heaviness when I think about his gesture, a forlorn sadness but also a rich touch of awe and gratitude.
 . 
That smile – he was so happy to hand me that gift. From him to me. Thank you, thank you, little boy.
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❦ ❦ ❦
 . 
The Letter
 . 
Northing is ordinary – not condensation on a pane
of glass – that streak of sunlight, yellow
as lemons, in the neighbor’s backyard. Trees
 . 
are rustling tender new leaves, and our lawn
is as thick as a wool rug. Even the scent of coffee
 . 
wafting from the kitchen is a miracle,
a woman walking her little dog down the sidewalk,
its leash as taught as rigging. Yet, every house
 . 
hides something that hurts, even as we call to one
another, good morning, good morning
 . 
our faces open as a letter lying on a table, the kind
that makes our hands shake when we find it
in the mailbox, that we only read once.
 . 
Terri Kirby Erickson
from Night Talks, New & Selected Poems, Press 53, Winston-Salem NC; © 2023
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❦ ❦ ❦
 . 
We can be generous giving money and things, and this week in the USA we generously give thanks, but where else does generosity slip in? Generous with advice, oh my yes aren’t we all, and woe to those who don’t take it. Generous with encouragement and acceptance, and who gets to decide what’s worthy of encouragement and what acceptable? Apparently it’s actually quite easy to be giving without being generous at all. We’ve had to make a rule at our house to keep the after-school peace: Pappy doesn’t try to eat Amelia’s snacks. Last week, though, Amelia had a sweet she really wanted to finish herself but offered me a bite. Generosity – it doesn’t have much to do with deserving or keeping score; it has more to do with making sacrifices and sharing the joy.
 . 
I think of myself as a reasonably generous person, and then I read Terri Kirby Erickson’s poetry. These people, these moments remembered and shared, these talks over breakfast or long into the night that leave each speaker that much richer, these also leave me richer, fuller, more human. In Night Talks, Terri presents about sixty new poems along with grateful selections from her six previous books, combined and swirled like the best layer cake you ever set fork to, perfect for morning on the porch with coffee or with evening lamplight leaning back into the sofa.
 . 
After returning to this book over and over, I can finally name the spirit that suffuses Terri’s work and that warms the reader – generosity. There is harm and hazard in Terri’s writer’s life, there is grief and loss and no denying them. These poems look into the darkness and discover light, even if only the pinpricks of stars overhead. These poems never overlook a radiant dawn – they always expect it. And it doesn’t hurt a bit that Terri is the impresario of image, the titan of the turn of phrase: summer wants [to] / hitch a ride on the back of a broad-winged hawk / to places where the stars feel like chips of ice / sliding down September’s throat.
 . 
How does her poetry restore and replenish its deeply generous spirit on every new page? Try on this bit of spiritual etymology: From gratitude comes generosity; from generosity comes giving. With recollection and reflection, let me polish up my gratitude. Let’s see where it take me.
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❦ ❦ ❦
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Moon Walk
++++ for my brother
 . 
Sunburned, bellies full of fried pompano, sweet
corn, and garden tomatoes purchased at a roadside
stand manned by a farmer with more fingers than
teeth—my family huddled around a rented black
and white TV set the shape and size of a two-slot
toaster, watching Neil Armstrong and Buzz Aldrin
hop like bunnies on the rough surface of the same
waxing moon that shone through our beach cottage
windows. I was eleven years old, bucktoothed and
long-legged—my brother a year younger and, most
days, followed his big sister like Mercury orbiting
the sun. Mom and Dad sat side by side on the faux
leather, sand-dusted couch, and Grandma, never one
to hold still for long, stood by her grandson’s hard-
backed chair, her hair a nimbus of silver from the soft
glow of a television screen where a miracle unfolded
before our eyes. But grown men wearing fishbowls
on their heads, bouncing from one crater to the next,
seemed less real to my brother and me than Saturday
morning cartoons. And all the while, we could hear
waves slapping the surf and wind whipping across
the dunes—and the taste on every tongue was salt
and more salt. So when I picture the summer of ’69
at Long Beach, North Carolina, as history rolled out
the red carpet leading to a future none of us could
foresee, my heart breaks like an egg against the rim
of what comes next. But let’s pretend for the length
of this poem, that my brother’s blood remains safe
inside his veins, Grandma’s darkening mole as benign
as a monastery full of monks, and our parents, unable
to imagine the depth and breadth of grief. Here, there
is only goodness and mercy, the light of a million stars,
and the moon close enough now for anyone to touch.
 . 
Terri Kirby Erickson
from Night Talks, New & Selected Poems, Press 53, Winston-Salem NC; © 2023
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 . 
Night Talks, New & Selected Poems, by Terri Kirby Erickson, is available at Press 53 in Winston-Salem NC along with five other collections by Terri.
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 . 
[with 3 poems by Frank X Walker]
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Grove
 . 
This was the first time
we really look at each other
and not be able to tell
who master the cruelest
who sorrow the deepest
who ground been the hardest to hoe.
 . 
We was lined up like oaks in the yard
standing with our chins up,
proud chests out, shoulders back,
and already nervous stomachs in.
 . 
We was a grove wanting to be a forest,
ready to see what kind of wood we made from.
 . 
The only thing taller or straighter
than us be the boards
holding up the barracks at our backs,
 . 
though most our feets feel pigeon-toed
and powerful sore
from marching back and forth, every day,
for what seem like more miles
than we walked to get here.
 . 
It take more than pride to stand still
‘neath these lil’ hats not made for shade.
 . 
Soldiering ain’t easy, but it sure beats
the bloody leaves off a bondage.
 . 
Frank X Walker
from Load in Nine Times, Liveright Publishing Corporation (W. W.Norton), New York, NY; © 2024
[based on a photo taken at Camp Nelson, Kentucky, of troops standing at attention outside the Colored Soldiers Barrack]
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❦ ❦ ❦
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1861      One month after Confederate forces fire on Fort Sumter, South Carolina, Kentucky’s Governor issues a formal proclamation of neutrality, but he retreats from any denunciation of slavery, which he believes is not a “moral, social, or political evil.” Four months later Kentucky decides to end neutrality and enters the Civil War on the side of the Union; 200 delegates vote to secede from the rest of the state and form a separate Confederate Kentucky with Bowling Green as capital.
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1862      Abraham Lincoln’s EMANCIPATION PROCLAMATION declares freedom for all enslaved persons in states which are in rebellion against the United States. This leaves slaves in Union-aligned Kentucky still the property of their masters, however.
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1864      The U.S. government’s progress towards making universal emancipation a war aim has caused support for the war and the government among White Kentuckians to dwindle. Military recruitment ebbs. On June 13, U.S. SPECIAL ORDER NO. 20 allows enslaved persons to enlist in the U.S. Army without their owner’s consent and be granted their freedom, the first pathway to legal emancipation in Kentucky. That summer and fall, 14,000 Black men enlist.
 . 
Only Black men who are fit for military duty are emancipated, however. If they are ineligible, they are returned to enslavement, and there is no offer of freedom for their families. Camp Nelson, Kentucky’s largest recruitment and training base, becomes a haven for refugees from slavery, whether escaping from Tennessee, Virginia, and North Carolina or arriving with their newly enlisted Kentucky husbands or fathers. Freedom seekers from the South are considered “contraband of war” and granted freedom, but slaves of White Kentuckians remain legal property of their masters with no formal protections.
 . 
On November 22, 1864, in the midst of a winter storm, Brigadier General Speed S. Frye orders all refugees surrounding Camp Nelson expelled and their shacks destroyed. Of 400 people immediately displaced without shelter or recourse, at least 102 die of exposure and starvation. Frye’s order is quickly rescinded by his superiors in Kentucky but headlines cause an outcry across the States. On December 15, Adjutant General L. Thomas issues ORDERS NO. 29 to require that “all camps enlisting Negroes provide suitable housing and provisions for their families.”
 . 
Within months, the War Department creates the Home for Refugees at Camp Nelson. On March 3, 1865, the US Congress passes laws to emancipate the wives and children of United States Colored Troops soldiers.
 . 
Camp Nelson, Kentucky, is now a National Monument, and includes a memorial obelisk to honor the 102 African Americans who perished in The Expulsion.
 . 
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❦ ❦ ❦
 . 
We Will Prove Ourselves Men
++ Sewn on the regimental flag
++ of the 127th U.S. Colored Troops
 . 
I don’t look the stars and stripes
nor the eagle for mustard
 . 
like the white officers
and some of my free brothers do.
 . 
I think on the slender fingers
that stitched our proud colors
 . 
snapping in the wind,
the same steady hands
 . 
that last held me close,
and pray they hold me again.
 . 
That’s why I’m willing
to trade bullets in a cloud.
 . 
Some confuse our bravery and courage
with our love for our women,
 . 
but many of us just eyeing that flag
and trying our best to get back home.
 . 
Frank X Walker
from Load in Nine Times, Liveright Publishing Corporation (W. W.Norton), New York, NY; © 2024
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❦ ❦ ❦
 . 
My Grandpop died when he was 67 and I was 5. Our families lived hundreds of miles apart – we in New York, then Tennessee, he and Nana in North Carolina – so we visited only two or three times a year. I can’t recall the sound of his voice, I’m not sure if he ever hugged me, but I know a story about him and me that I have retold myself so many times that it is tangibly real. Totally, unquestioningly, personally real:
 . 
We are in the dining room of his house that overlooks Bogue Sound. He, a surgeon, is holding my fingers in his. In the pressure of his fingers I am aware of the bones beneath my skin, and he is teaching me: Carpals, Metacarpals, Phalanges.
 . 
I have many photos of Grandpop, his enigmatic smile. I have copies of articles he published, things he crafted with his hands, an oil painting. I have photos he took of me, even an old 35 mm. silent movie. But the most real, the most present, is this story I keep and hold. Perhaps the artifacts helped me create the story. Perhaps hearing the story as it was told to me by Nana and Mom. However the story comes into being, into life, it brings reality with it.
 . 
So it is with Frank X Walker and his poems in Load in Nine Times. Frank was already deeply involved in resurrecting and creating the stories of Black Civil War soldiers in Kentucky and their families, using scant artifacts to create short biographies and allow these men and women to live (for a project at Reckoning.com). Then he thought to ask the archivist to research a possible relative of his own. And the sky opened.
 . 
Frank’s dedication for the collection of some 100 poems reads thus: For my ancestors, Mary and Randal Edelen, 125th U.S. Colored Infantry and Elvira and Henry Clay Walker, 12th U.S. Colored Troops Heavy Artillery. These folks speak and are joined by dozens of others who lived and suffered and sometimes triumphed. Through poetry they have all come to life, along with the middle decades of 19th century Kentucky. Slave and slave owner, soldier and widow, parent of despair and parent of hope – Frank has honored them and exposed them, judged them and sometimes forgiven them, given them sharp tongues and sharp features and brought their years into sharp, sharp focus.
 . 
And our years as well. What did I know about Civil War Kentucky, USA? As soon as I laid down the book I had to know more. More! Frank educates with timelines and resources but his greatest gift is to enlighten me, in the sense of casting light into dark corners where I had never thought to look. When I discover online some of the photographs he must have used for his own inspiration, those slightly blurred faces now suddenly stand out to me – real men, real women. We each owe it to ourselves to continue to tell our stories and to listen to new ones. Somehow, in this harsh and enervating world, perhaps this is the way we will become more real to each other.
 . 
 . 
Read the excellent interview with Frank X Walker by Jacqueline Allen Trimble as she explores with him the creation of Load in Nine Times, in the Oct 19, 2024 edition of Salvation South.
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❦ ❦ ❦
 . 
A Black Father Dreams a Son
++ Brig. Gen. Charles Young,
++ 9th U.S. Cavalry Regiment
 . 
It was twelve miles to Maysville and the Ohio River and another
ten to Ripley. A runaway could escape from Mays Lick,
at night, head north, follow the smell of the river and make
the entire distance and crossing by sunrise. A determine one,
on horseback, like Gabriel Young, could make it in half the time.
 . 
Ignoring racism at West Point was easier knowing
my father survived slavery. He joined the 5th and risked his life
so our people would know freedom. I risk mine to protect it.
 . 
If his sacrifice and commitment freed my body, my mother’s books
free my mind. Her skirt was my first classroom.
Every big and small thing I’ve done began at their feet.
 . 
Though born into slavery in Kentucky, I learned to play piano
and violin, speak French and german, before becoming a teacher,
before graduating from West Point, before a career in the military,
and public service.
 . 
Growing up in Ripley showed me what this country could be.
What my parents instilled in me, and Wilberforce proved it.
 . 
I am America’s promise, my mother’s song,
and the reason my father had every right to dream.
 . 
Frank X Walker
from Load in Nine Times, Liveright Publishing Corporation (W. W.Norton), New York, NY; © 2024
[Charles young, born in 1864 into slavery to Gabriel Young and Armenta Bruen in Mays Lick, Kentucy, was the first Black man to achieve the rank of colonel in the Unites States Army, and the highest ranking Black officer in the regular army until his death in 1922. In 2022, in recognition of his exemplary service and barriers he faced due to racism, he was posthumously promoted to brigadier general.]
[these addenda are taken from the Author’s notes]
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 . 
[with 4 poems from I-70 Review]
 . 
Bears Active in This Area
 . 
++++ warning sign in my mountain cabin
 . 
This time, others have seen you,
treading circles on the gravel drive,
shouldering through grapevine tangles.
The possibility of you was always here,
in the night-mouth of the cave that gapes
below my porch, in dark boulders
hulking along the trail.
 . 
Your presence countermands silence –
I chatter and sing as I walk the open road,
snatches of carols, toddler songs –
and shy from the path that meanders
to a sunlit filed strewn with windfalls
from long-neglected trees. I imagine
you keeping pace, just out of sight,
your huffs mocking my jabber,
your heavy steps a counterpoint
as I scurry past thickets, scan uneasily
the curving trail ahead, intruder
in a world that was never mine,
though you are the first to insist
that I acknowledge it.
 . 
Rebecca Baggett
from I-70 Review, Eighteenth Edition, 2024
 . 
❦ ❦ ❦
 . 
What would a toddler remember about moving away? The apartment in Niagara Falls is a dream of stairwells and windows and darkness outside; the new house in the new subdivision with no grass at all is a neighbor’s dog named Bishy. Or was Bishy the neighbor’s toddler I played with?
 . 
I am four when we move away again, from New York to Tennessee, and I remember plenty about Marion Road: Bob and I watching Little Rascals until Mom declares, “You’re going to turn into rascals!”; our little sun room Aunt Ellen fitted up as a bed-sit while she attended Memphis State, and we kids hiding giggling under her covers until she came home each afternoon; the neighbor boy who introduced us to the word butt and we thought we were the first humans ever to utter something so outrageous. Memories of the neighborhood, yes, but memories of moving there? Packing and unpacking? Worrying that Puppy would get lost in the shuffle or that somehow Mom wouldn’t be there when we arrived? None of that remains.
 . 
Our family makes one more inconsequential move just blocks away when I am six, but then when I’m twelve the Big Away arrives. Up until this what a tranquil 1950’s childhood: I walk to Colonial Elementary every morning with my friends and play with the same friends every evening until the streetlights come on. Serene. Now I’m midway through sixth grade, still coasting, when the bomb drops. Did I protest when Dad announced in January we were leaving Memphis to move to Delaware? Maybe, I don’t recall; that memory is muddy, but this one is sharp as crystal – I walk into class in my new school and my new classmates all turn to look. My clothes aren’t right, my accent is a joke (literally – within about sixty seconds I will have the nickname “Memphis,” which sticks), and I have a different teacher for every subject. And then in just six more months we will move to Michigan. Just over a year beyond that, two months into eighth grade, we move to Ohio.
 . 
So, my friend, is it any wonder that some sixty years later I have trouble remembering your name until the fourth or fifth time we meet? That as we converse in a group you notice me smiling and nodding and slowly drifting off into space? That I would rather write this blog into the wee hours than drop by your house for coffee? I want to be a good friend to you, and in fact I like you and this hug from me to you is real, but ah, it’s risky. There’s always that possibility, without warning and with no desire on my part, that someday soon I might be moving away.
 . 
 . 
It never occurred to me to wonder how Dad felt about all those moves. The moving was his fault, after all, necessary for his promotions and advancement with DuPont, for whom he worked all his life. I can scarcely imagine the million details he had to sift through to put his family into boxes and take them out again hundreds of miles away. I’m not surprised that as I clean out his house I find drawers full of lists on yellow pads, on the backs of junk mail, on bills and receipts. Half the time when he calls me, it’s to add something to the shopping list. And then there are still those boxes in the attic labeled Allied Van Lines.
 . 
But what about the rest of us? Did Dad wake sweating in the middle of the night worrying how moving away would affect his family? Just one time he blinked: after I was married and gone but Mary Ellen was still at home, a junior in high school, Dad turned down a promotion so she could graduate with her class. A sacrifice that stalled his career for a decade.
 . 
Tomorrow is Dad’s last moving day. Since Mom died in July, Dad has agreed to move closer to us. For a week I’ve ferried boxes and duffels, checked off my lists and then made new ones, and tomorrow after lunch I’ll drive Dad to a nursing center just two miles from our house. He says he’s willing to move as long as the food is good (it is). We’ve hung portraits of the grandkids, pastels by Mom. His Duke pillow is on the recliner and his new Duke banner hangs on the door of room 507 to welcome him. God knows I’ve been waking in the middle of the night sweating the million details. Let us hope that after 98 years of moving, Dad will discover in this new and final home a place to rest.
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❦ ❦ ❦
 . 
Porta Nigra   *
 . 
++++ Trier, Germany
 . 
The breath of sun and rain
only darkens on my face.
The cat-claws of millennia,
the graffiti of tourists,
fade into my walls.
 . 
I, who guarded this city so long,
sit truncated now.
My frieze the sweaty flesh
of lovers on cool bare stones.
 . 
Catch me in another thousand years,
your eyes as hard and dark as mine.
See if these holes will match
the mysteries of death
and flesh on blackened stone.
 . 
Bradley Strahan
from I-70 Review, Eighteenth Edition, 2024
 . 
* a gate in the remaining piece of Trier’s old Roman wall
 . 
❦ ❦ ❦
 . 
The 2024 issue of I-70 Review arrived in last week’s post. Besides many wonderful voices new to me, I discovered within its pages several old friends who’ve agreed to let me reprint their poems.
 . 
I-70 Review, Writing and Art from the Middle and Beyond is based in Kansas, USA, but publishes poetry, short fiction, and art from around the world. They also sponsor the annual Bill Hickok Humor award for poetry.
 . 
Submission guidelines HERE
Purchase a copy HERE
 . 
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❦ ❦ ❦
 . 
Messenger in Early November
 . 
++++++ – in memory of Jay Klokker
 . 
Driving past Agate Bay, I catch a glimpse
of this deer in a splotch of sun and shadow –
the brown-tail’s flanks on the edge of the road
in yellow leaves, thin branches. Las May
after your death, a bear cub loped beside my car
like a lost Labrador, seemed to disappear
under my front bumper. Slamming on the brakes,
I felt no thud, heard nothing. Amazing, the cub
as if uninjured, clambered up the ditch-bank.
Only later, after your memorial, did I reread
your last poems, that black bear nosing
at your sleeping bag in the camp site
in Arizona; recalled marmots whistling
in the pillow basalt near Mt. Baker; the grouse
thumping its tail near our driveway,
feasting on red hawthorn berries.
You noticed. I cannot believe you said no
to another go-round on the cancer wish machine,
you called it, completed your book First Stars.
On you last hike, you raced downhill
in your wheelchair, shouting. You must
be in these sun spots, mottled shadows.
Too excellent a camouflage, my friend –
thin, flickering branches, a few gold leaves,
before all the color goes away.
 . 
Richard Widerkehr
from I-70 Review, Eighteenth Edition, 2024
this poem will appear in Richard’s new book, Missing The Owl (Shanti Arts Press)
 . 
❦ ❦ ❦
 . 
The Other
 . 
Last night coyotes laughed
at the neighbor’s bulked-up lab restrained
behind his chain-link, his fearful bark,
their yips of liberty and mild derision;
 . 
are coyotes such demons, or just particular
about whom they allow to know them?
Or are they perhaps spirits of the other,
avatar of all we hominids in our marrow
 . 
know to fear? How to live beside that feeling?
Afraid of attack I stab; afraid of pain I cause it.
 . 
In the woods before daylight willingly lost,
soft tread, a twist in the trail then face to face –
perhaps she and I look into each other’s eyes
for two seconds, perhaps the rest
 . 
of my life; coyote impassive,
considerate, measures our distance,
our closeness, then softly pivots
and pads away, prudent, fearless,
 . 
willing to allow the two of us
to share the universe.
 . 
Bill Griffin
from I-70 Review, Eighteenth Edition, 2024
 . 
❦ ❦ ❦
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❦ ❦ ❦
Doughton Park Tree 2020-09-08b

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