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Posts Tagged ‘Zoo Poetry’

Wilderness is essential in the lives of children. I mean essential,
like edible food, drinkable water, breathable air. I cannot imagine
a decent, sane and healthy life without it.
Edward Abbey

When our grandson Saul was born we bought a framed poster for his nursery: mother and child giraffe, very similar to the photos we’re seeing from the NC Zoo of Juma (born July 6).  We actually thought it might be a little scary for a small child, the huge animal bending to lick the head of the youngster, and we were actually a little surprised that Allison and Josh hung it directly over Saul’s crib.  It’s still there.

Last week I was playing with Saul, now four, in the living room while Linda prepared to go to the grocery store.  She had her hand on the front door when she looked back over her shoulder and called to us to come QUICK!  A four-foot long black rat snake was undulating across the dining room (Pantherophis obsoletus, I think – I didn’t really handle it to examine the finer details).  It froze when it sensed her.  Until Saul and I came running in, that is, when it tried to escape back down the basement stairs.

I should have come to the Zoo two weeks ago, because there’s a poster at the Streamside installation that diagrams how to get a snake out of your house.  I cornered it with a broom while Linda brought me a plastic bucket.  The snake actually seemed quite relieved to be in a dark, enclosed space with a bucket over it.  I scooped bucket and all into the end of a cardboard box, and then we made a little expedition down the block to the edge of the woods.

Saul stood right beside me while I slowly lifted the bucket.  The snake climbed the side of the box easily, its body extending a full foot or more before it cascaded down into the grass.  Saul remarked at how the tall grass moved from side to side as Mr. Snake slithered out of sight into the woods.  A four-year old naturalist.

When Allison came to pick Saul up that evening we weren’t really intending to inform her about the adventure (would she ever accept an invitation to dinner again?), but Saul is Mr. Story-teller. Once the truth was out his Mom asked him, “Were you afraid?”

“No!  My favorite animals are giraffes, kitties, and snakes!”

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Augury

Tonight my father cupped his hands and blew
into their hollow sphere and brought to life
the long wild resonant cry
of country boyhood, owl-haunted evenings
and the dark modulations of distant hounds,
fluttered his fingers throbbing into memory
those sobbing whistles hunting down the rails
my childhood dreaming in the restless city.

And as my children wondered cupping their hands
to capture that primeval mimicry
of all that haunts and heightens our precarious sense
of living rooted in immemorial time,
I saw my father new, and shared his knowing
the secret of our give and take of breath:
live long enough to know that we are dying,
hand on with tenderness and dignity
our resonant art
the long learned call
of trumpeter man.

 Ann Deagon

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In a few minutes I’m heading down to the soon to be completely renovated KidZone in the Zoo.  I’m presenting a lunch time poetry workshop for the staff – we’re going to each write a “persona poem,” in first person in the voice of an animal we love or identify with.  An imagination stretcher.  It’s the same workshop I’ll be doing with children tomorrow.  Who will be most convincing at assuming the persona of an animal?  On the other hand, who hasn’t taken the voice of the Three Bears or the Big Bad Wolf or other Wild Things when reading to son, daughter, niece, nephew?  What’s the opposite of “anthropomorphize?”  Here’s an opportunity not only to be a spectator to wildness but to express the wildness within ourselves.  I cannot imagine a decent, sane, and healthy life without it.

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In her bio in the anthology Word and Witness, Ann Deagon remarked that she didn’t begin writing until she was forty, “when that three-headed dog love death and poetry took me in its teeth and shook me.”  She subsequently published six collections of poetry and has written fiction and plays.  She taught Classics at Guilford College and has been the recipient of a National Endowment for the Arts Literary Fellowship.

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 Keep a green tree in your heart and perhaps a songbird will come.
Chinese Proverb

It’s five o’clock.  The waterbuck and Thomson’s gazelle single-file it to their nighttime holding. Moms with strollers and jostling teenagers single-file it for Akiba exit.  I lean against the railing at Rhino as the breeze freshens and a suggestion of thunder growls to the south.  The last guest in the Park ignores his cell and joins me.

The great horned beasts are standing now, three of them in the distance across the browning field, the vast male turned profile to us.  First time I’ve actually seen them move – today’s rain popped July’s hot bubble and the rhinos now seem willing to forsake their shade.  The man eyes my camera.  “Bet you can really zoom in on them with that lens.”

“No, it’s not really much of a telephoto.  I got a good look with these, though.”  I fish my binoculars out of my pack and hand them to him.

He thanks me and sighs.  “I love the rhinos.  I came just to see them.  Oh, I love all the animals, but I really wanted to get a good look at the rhinos.”

Now all three are moving across our field of vision, a slow parade for the man who loves them.  He watches them out of sight.  At last he returns the binocs, thanks me again, and hustles toward the exit.  Tomorrow he and his family are on to Wilmington, but today he’s had his moment.

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It was raining this morning, but I couldn’t go back to sleep.  I called Zoo Com and got permission to enter the Park early.  By 7:30 I had walked past bellowing alligators in the cypress swamp and crept to the edge of marsh (just below North America Plaza).  It was still sprinkling.  A yellowthroat sang.  Barn swallows perched at the tips of tall reeds in between their insect forays. Then in the world of muted green and gray something larger moved.

A green heron was perched on the lowest branch of a dead bush at marsh’s edge.  No, two green herons!  The lower one assumed hunting posture while the second, perched higher, preened.  My camera doesn’t have much of a telephoto; I would just have to watch them.  It was all I could do.  Bullfrogs and leopard frogs played a counterpoint duet.  The yellowthroat sang and sang from low in the water grasses.  Swallows flashed their ruddy chins and forked tails.  And the two herons acted as if their rapier bills, their fencer’s stance, and their plumage, hunter green and bronze, were just the most natural things imaginable.

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Pine Lake at Twilight

Whispering Pines, NC 1975

In the afterglow of February sundown
I hear the honking of two migrating ducks
over-flying our home –
fore-flyers of the flocks to come.

They swoop down over the pine-rimmed lake,
land on water, join the wintering mallards,
the pintails and widgeons feeding here
on the corn we spread at water’s edge.

The air tonight is soft as the lapping water,
sweet with songs of indefinable
pre-spring waking, quiet as the maples
lining the inlet to the pine-rimmed lake,

their branches reddening, swelling to liven
with starbursts of strange red-brown
tree flowers.  Something of last year’s
dying is in the air, swelling to ripen anew.

Even as we do.  We go from one year,
one love, one life, to another,
knowing spring will unfold us, summer
fly us, autumn flay us, till our veins

burst with longing to understand,
and we drop down – to lie with mosses
and fungi – under layers of leaves,
flexing our muscles on stone.

Mary Belle Campbell

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Mary Belle Campbell was a devoted supporter of poetry in North Carolina, influencing a generation with her teaching, her encouragement, and her support of the NC Poetry Society and its endeavors.  She endowed the NCPS Brockman-Campbell Award, which has been bestowed upon such notable poets as A.R.Ammons, Charles Edward Eaton, James Applewhite, Fred Chappell, and many others.  When Peg, as she is known, was in her nineties she made a donation to become a lifetime member of the NC Poetry Society.  Our memories of her thrive.

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“I love all the animals.”  I believe you, rhinocerous-loving man.  I do, too.  But the birds I can just watch and watch.  There are Eastern Bluebirds nesting beneath the eaves just outside my window at Schindler Learning Center.  I hear the cheeping each time they bring an insect to the nestlings (like every five minutes); sometimes one parent will perch on the Handicapped Parking sign with a beakful while waiting for the other to finish at the nest.

This drizzly morning at Dragonfly Pointe I heard a familiar gravelly rattle across the water and spotted a Belted Kingfisher ascending to his surveillance vantage in a dead snag.  In just a minute or two he swooped down and caught a small fish; he carried it to the far shore of the lake to eat while swallows accompanied him.  Harassing?  Fighter escort?  They gave up when he reached his perch.

Yesterday at Oak Hill (a picnic area above Hippo Beach) I heard a Red-Shouldered Hawk with a somewhat tentative call.  Hmmm . . . suspicious.  Sure enough, soon enough two Blue Jays flew out of the huge white oak, one of them assuredly the mimic.

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For an hour or so this evening after all the visitors had vacated the Park I sat and wrote these comments.  It was after 6:00 when I left – as I passed Forest’s Edge, a raccoon was hunkered down in the giraffe’s high-mount feeding trough.  He looked quite sheepish when he realized I’d spotted him.

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Saturday I was talking to a friend who lives in the woods.  I mean really in the woods.  From his kitchen window he can watch the pristine little creek twenty yards down the hill. Every so often a blue heron wades past.  Where an old tree has blown down a gray fox crosses the creek.  Pretty wild.  And yet as we were talking he noted his regret that he never sees whippoorwills any more.  Hasn’t heard one in ten or fifteen years.

Yesterday morning I left Elkin at 6:30 to get to the Zoo plenty early.  They’ve just finished a year-long project widening a stretch of 421 through Winston-Salem, and you know how a fresh roadway cut looks: planed-off angle of clay sown with chemicals and sprouting grass monoculture.  Just before the new exit ramp, at 7:15 in the morning as the city revved up, a female wild turkey strolled blithely along finding the odd beetle or something worth bending over for.

Pretty wild.

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Today I was privileged to meet with Dr. David Jones, Director of the NC Zoological Park.  Before assuming the post here in Asheboro he was director of the London Zoo.  He has worked with animals in more countries than I know the names of.  His photographs of Africa appear in many of the interpretive displays around the Park.  And the curators and staff he has assembled are equally impressive.

This evening Dr. Jones presided over the dedication of a new outdoor sculpture (installed along the trail up to Sonora Desert).  Piedmont Totem is a pottery tower created by students and instructors at Montgomery Community College, a series of nineteen cylinders stacked into a column.  Each piece intertwines native piedmont creatures and plants, beginning at the bottom with tadpole, fish, roots and culminating at the top with eagle and owl.  As Dr. Jones pointed out, when viewed as a whole the work embodies the interconnected web of life.  And as he emphasized, the primary mission of the Zoological Park is to have visitors discover those interconnections, and to feel themselves connected as a part of the web as well.

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I blame people’s cats for the loss of whippoorwills, ground-nesters who depend entirely on camouflage for survival.  Then again, maybe the raccoons are eating the whippoorwills’ eggs because the raccoons’ predators have been extirpated as varmints (may we hope that the coyotes that have moved into the countryside will eat the raccoons?!).  Or maybe it’s all the skunks’ fault, since  the only thing that will eat a skunk is a great horned owl, and I haven’t been hearing nearly as many owls lately, either.

Or maybe this whole interwoven web is so complex that every thread we disturb leads to three more unravelings.  Who’s to say we can do without any of them?

But I still wish you’d keep your cats indoors, damn it.

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The Clouded Leopards of Cambodia and Viet Nam

They are gone, almost, into the music of their name.
The few that are left
wait high and hesitant as mist
in the tallest trees where dawn breaks first.

Their color of mourning kindles
to patterns of stark white, random
and sudden as hope or daydream.
Moving, they could be mirrors of the sky,
that play of masks
behind which the ancient burning continues
to dwindle and flee.

Thousands of years in their bones
leap blameless as lightning toward us.
To come close to what they know
would feel like thunder and its silent afterword.
We would turn slowly on our shadows, look up
again to tame the shapes of the world:
monkey, temple, rat, rice bowl, god,
images echoed in the smoke of village cookfires,
in the drift of memory on the faces of elders.
We would stand in the clean footprints of animals,
holding like an offering our hope
for the lives of a handful of people,
a rain that is only rain.

Betty Adcock

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Asked in an interview what she hoped for in her poetry, Betty Adcock replied “to tell the truth and find that it is music.” Living all her writing life in North Carolina, she as won many literary awards including the Brockman-Campbell Award of the NC Poetry Society, the Roanoke-Chowan Award, the Sam Ragan Fine Arts Award, the Raleigh Fine Arts Award, a Fellowship in Poetry from the National Endowment for the Arts, and a North Carolina Individual Artist’s Fellowship.  Her most recent volume is Slantwise (LSU Press, 2008).

http://bettyadcock.com/links.html

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