Posts Tagged ‘Southern writing’
Passage – Earl Huband
Posted in family, tagged Dix Hill Blues, Earl Huband, family, imagery, Main Steet Rag, nature photography, NC Poets, poetry, Southern writing on March 20, 2026| 5 Comments »
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[ with 3 poems by Earl Huband ]
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Cocoon-spinner, straining / to engineer the risk out of life.
from Rites of Passage
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A Sister’s Presents
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Across the table
two goggle-eyed owls,
my pepper and salt,
hoot at me. Wise to
a bric-a-brac heart,
my sister Mary
surprised me with them
many meals ago.
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And here she is still,
cheering me through these
efforts to add spice
to this saucepan life.
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Earl Carlton Huband III
from The Dix Hill Blues, Main Street Rag Enterprises, Edinboro PA; © 2026
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The Pavilion of the Old Chinese Poets
— for Priscilla
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Leaves resist the ground.
The ground calls to the trees.
The trees slowly nod their heads
and leaves fall to the ground.
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The canoe is propelled
through the parting waves.
Island water whispers;
the canoe rocks.
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Here the winds caress
the flanks of the island.
Here the lover caresses
the arms of the beloved.
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The moon hides its face
behind fingers of cloud.
Lover, close your eyes
at the touch of love.
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Earl Carlton Huband III
from The Dix Hill Blues, Main Street Rag Enterprises, Edinboro PA; © 2026
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Lost
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Do not condemn this granite.
Become one with the stone
and weep as water trickles
down the cracks in its face
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Look for your reflection
in the pool of moving water
at the bottom od the stone.
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Earl Carlton Huband III
from The Dix Hill Blues, Main Street Rag Enterprises, Edinboro PA; © 2026
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Years ago, during one of my longer visits, my mother had me sit for a portrait. I watched the back of the canvas, smelled the linseed oil, while she worked ochre into the surface for an hour. Her technique was to create the subject’s shape and dimensions in monochrome, then remove pigment to add detail. Later she would dip into her entire palette to finish the portrait. Only on another visit when the oils had dried did I realize that for this painting she had folded the canvas and painted me on the right half. She opened the hidden side to reveal beside mine another man’s face with Mephistophelean goatee and declared, “I’m calling it ‘Saint and Sinner.’”
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How to respond to the idea that my mother considered me a saint? Oldest child, studious, diligent, following the straight and narrow passage through life? I will smile a little that Mom evidently drew some comfort from that image. Only to myself do I confess every thoughtlessness, unkindness, misstep, outright mistake and fuckup I’ve every committed, all those demons that throng three AM when I can’t fall back to sleep. Sins of omission and commission. That is the real passage, straights and turbulence beneath but only untroubled waters showing. On canvas, my mother could create reality from her artist’s imaginings. I ask myself today, is this the life I imagined for myself? My imagination was clearly not sufficient. Short on wisdom, insight, compassion.
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Earl Huband’s imagination does the heavy lifting of recreating the reality of his life’s passage in Dix Hill Blues. There are no softened edges in these stories, no cheerful hues to the palette. The first two sections of the book capture the struggles and failures of his family through the generations and paints them into a montage which narrates Earl’s own passage through life. One might at certain points use the term sin, or one might simply call this truth. Earl as poet, however, touches each person and each event with benediction. Yes, we are all human, fallible, broken; yes, love can still enter here. These poems need to be read as a whole to grasp the hopefulness that survives even darkest nights.
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The third and fourth sections of the collection are a deep and cleansing breath. A bit of humor from a wry observation, the other side of a dreadful story, a moment of joy: Earl’s imagination is not short on wisdom, insight, compassion. He unwraps his own failings and I am comforted that we are brothers. The poet can be healed by the telling. Perhaps none of the saints that surround me have such a straight and unerring passage as would seem apparent. Perhaps tomorrow will be the day I glean a little wisdom. Perhaps I will pick this book back up and read again from the beginning.
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Earl Huband lives with his wife Priscilla Webster-Williams, also an accomplished poet, in Durham NC. I have met him many times at various poetry events and never seen him without a warm and welcoming smile. Dix Hill Blues is his third collection and is available HERE
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . every Saturday I present one or two poems submitted by YOU, my readers.
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If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
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If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
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If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
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COMMENTS@GRIFFINPOETRY.COM
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Thanks again for joining the conversation.
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– Bill
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Creation and Desecration — Liza Wolff-Francis
Posted in ecology, Ecopoetry, tagged 48 Hours Down the Shore, Ecopoetry, Kelsay Books, Liza Wolff-Francis, nature poetry, NC Poets, poetry, Southern writing on February 13, 2026| 3 Comments »
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[ 3 poems by Liza Wolff-Francis ]
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The land before we came
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i.
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My friend Shelly gets a text
from a woman she’s dating
down south with a picture
of a bullfrog the size of my
hand, caught in a bucket.
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Its circle ear, a tympanum,
its habitat, the sound of a waltz,
its body, green camouflage.
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As a teenager, I wore combat boots,
though never camouflage.
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Camouflage for people is military wardrobe.
Parts of Atlanta were like battlefields,
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people fist fighting about race, others
hobbling along asking for spare change.
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To walk through those streets, I needed
combat boots, to run, to kick, to escape,
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but, as part of the natural world,
I don’t camouflage well into city.
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I could make a list of all the ways
people get by
and all the things to change.
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The bullfrog doesn’t live well on asphalted land.
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We are meant to be in connection with each other,
where no one is spare.
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ii.
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I imagine the land before we came.
Acres of thicket, trees and bramble.
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Humans measure all of this by acreage,
kilometers, miles, rather than
the jump reach of a bullfrog,
rather than the size of its tympanum
and whether it is larger than the eye.
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Wheelchair in Sand
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Even in this cool air,
a woman in a magenta
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bathing suit, unable
to stand alone, is held,
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at the edge of ocean,
by a man her height.
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Water billows and turns.
He stands her up as if
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he plans to stand her up
over and over again.
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Ocean pulls her into tide,
swallows her with mouth
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of whale. Her legs dangle
like bait, she is steady
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in his arms and I think
he must be a man with
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the heart of a whale. A young
woman yells Hold on Mama,
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runs for the chair, drags
its robot wheels through
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beach and saltwater until
it’s behind her and they push
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against swelling ocean
and sinking sand.
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Atlantic City’s Great Black-Backed Gulls
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Each one like an animal
++++ you could spoon or cradle if they wouldn’t fly away.
They stand facing the wind, lined up
++++ away from the ocean.
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Even people who’ve never seen the ocean, I think,
must know its waves, like a rhythm of Earth
that water must know even without knowing,
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just as grass knows sun,
like desert cactus know rain.
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It’s different just beyond the gulls.
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Shiny baubles and buildings,
casinos and their flashing lights,
siren sounds, bell-clanging promises,
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oohs, and ahhhs.
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Perfume brings back my grandmother.
A gasoline smell reminds me of riding
on a boat on a Georgia lake.
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I could never know a casino in my body
in the same way as I know
how thirst is quenched with water.
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If there were a hurricane here, like
the one headed toward Florida,
I would sense it in my muscles,
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my legs, my head, the heaviness
heaving my body into the menace.
I know that feeling, knew it once,
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don’t think it every completely left me.
Shape of storm pushes at all of nature—
and I feel it within me,
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like Earth feels it’s coming.
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I learn it at every threat of destruction.
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Liza Wolff-Francis
from 48 Hours Down the Shore, Kelsay Books, American Fork UT; © 2024
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Three writer friends escaping the grinding dailies for a few days together: on the one side ocean, mystery and seduction, infinite expanse of watery planet; on the other side greed and tinsel and different seductions, the exploited and the exploiting. Liza Wolff-Francis’s poems can be arms spreading wide cymbals of glass before they clash and shatter, or arms that lift again the creature in its brokenness and wish for healing. During 48 hours down the shore, as one says in New Jersey, Liza celebrates love and kindness and the dignity of surf and sea-creature. Never, though, does she overlook the struggle all around us, of person and of planet. She describes herself as ecopoet. I feel in these poems not only the ecology of our threatened and suffering earth, but also the social ecology, cultural ecology, human ecology so twisted and strained, so threatened and threatening that it is easy to become overwhelmed.
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What to do when overwhelmed? My reptilian hindbrain is more likely to retreat than lash out. Close your eyes, close your ears and ignore the impending destruction. Or do lash out – hurt someone before they can hurt you. Or look there – a man is introducing his crippled lover to the surf. Listen – gulls are laughing with you as much as at you, and the waves’ approach and retreat murmur . . . you belong here. Small acts will save our planet, a million small acts of love, a billion. A poem is just such a small act of invitation. You are invited to advance rather than retreat. To embrace rather than to strike. Each act of love declares we are not giving up.
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Liza Wolff-Francis is the 8th Poet Laureate of Carrboro, North Carolina, USA. She teaches creative writing workshops, has written plays and reviews, and whatever is happening around the world or down the street, she never looks away. 48 Hours Down the Shore is available from Kelsay Books. More about Liza at http://www.lizawolff.com.
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . every Saturday I present one or two poems submitted by YOU, my readers.
.
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
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If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
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If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
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COMMENTS@GRIFFINPOETRY.COM
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Thanks again for joining the conversation.
.
– Bill
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Saturday Share – Ben Stinson
Posted in Imagery, tagged Ben Stinson, Cosmic Okra, NC Poets, poetry, Saturday readers share, Southern writing on February 7, 2026| 6 Comments »
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Saturday morning readers share:
Ben Stinson
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Cosmic Okra
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With a low,
warbling harmonica
and a banjo pluck intro
We fade into Jim,
he’s got a beard
like a startled badger,
and I,
well,
I’m wearing mismatched socks, again.
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We’re staring up,
at a sky so black,
like a cosmic inkwell spilled.
Jim says, “You know, the nearest star,
it’s, like, a zillion miles away,
give or take a Tuesday.”
I say, “Yeah,”
and remind him,
“that’s just
the neighbor’s
backyard bug zapper.”
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Sitting on his porch swing,
the rusty springs creaking like a chorus of old robots.
We’re eating pickled okra,
(because,
well,
why not?),
While pondering the sheer,
unadulterated,
mind-bending,
eyeball-melting,
banana-hammock-wearing,
vastness of it all.
Galaxies spiraling,
black holes slurping,
quasars burping out light
like a drunken dragon.
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And here we are,
Jim and I,
two blips,
two specks,
two slightly damp,
okra-flavored consciousnesses,
witnessing the cosmic freak show.
Like two white squirrels
at a symphony,
trying to figure out
if the conductor’s hat
is edible.
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We’re here,
we’re aware,
we’re mildly confused.
And Jim just asked if the moon is made of cheddar.
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The universe,
it doesn’t care about our socks,
or our pickled okra,
or our existential dread.
It just keeps spinning,
expanding,
doing its thing,
like a giant,
cosmic washing machine,
set on “infinite rinse cycle.”
And we’re here,
watching the suds,
wondering
if we left the dryer running.
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And Jim just burped,
saying profoundly,
“That’s probably a supernova.”
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I am a sculptor and poet living in the mountains of NC. I find inspiration from all the bounty that nature provides. — Ben
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❀ ❀ ❀ ❀ ❀
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . every Saturday I present one or two poems submitted by YOU, my readers.
.
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
.
.
If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
.
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
.
COMMENTS@GRIFFINPOETRY.COM
.
Thanks again for joining the conversation.
.
– Bill
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Thanks Les. Witness to the pain and the joy. ---B