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Posts Tagged ‘Sam Ragan’

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[5 poems by winners of NC Poetry Society student contests]
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Fear
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There I stood upon the water
Looking out to foreign lands
Separated by the oceans
I take a breath and clench my hands
I take a step and close my eyes
And jump across to the other side
I land in all the sandy rubble
And I looked back and saw a puddle!
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Juliet Geracitano
5th grade, Audrey W. Garrett Elementary School, Mebane, NC
Third Place, Travis Tuck Jordan Award of NC Poetry Society
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❦ ❦ ❦
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It is impossible to convey the enthusiasm and joy that radiates from these students as they step up to the microphone to read their poems. Some of them have to climb a rostrum to be visible behind the lectern. Some of them have arrived cloaked in adulthood. All of them lean in, open to the page which holds their lines, and when they have finished, look up at us with a glorious victorious smile. And they see us smiling right back as we applaud.
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Each year the North Carolina Poetry Society sponsors five different contests open to students stratified by grade level, from 3rd grade through college undergraduates. Winning poems are published in the annual anthology Pinesong, and each May the Society holds Sam Ragan Awards Day at Weymouth Center for the Arts & Humanities to give these winning poems voice. The poems reprinted here are a small sampling of those read by their winning authors on May 10, 2025. Contact this site (comments@griffinpoetry.com) if you would like to purchase Pinesong, which also includes the winners of the eleven adult contests
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❦ ❦ ❦
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The Reservoir
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The sky has emptied itself, curving in cloudy
porcelain over the few dwellers, here,
trembling
and the small pieces of bare water
settle beneath.
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Beside the bridge to Highway 73
(we’ve driven by it every week this November)
a heron bends double
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with the draggled trees, ribs of logs soft with rot,
over everything the film of silk like
skin, exposed.
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The reeds
and the heron’s feathers
and what’s left of the water
flutter with the dark wind.
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The sky cannot protect them from this –
a huddling in the newly foreign crevices beneath
the upturned bowl.
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Sometimes I think that the world pours out
all that it has – all of itself – on us
and still it is not enough.
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Lillian Skolrood
9th grade, Sparrow Academy, Cornelius, NC
Third Place, Joan Scott Environment Award of NC Poetry Society
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❦ ❦ ❦
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Pat Riviere-Seel served as this year’s judge of the Sherry Pruitt Award for students in grades 10 through 12. Besides her own numerous publications and writing awards, Pat has been a forceful and relentless supporter of the literary arts for decades. She offered this challenge to these students and to all of us:
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I’m wearing several hats today, but the most important one is the one as your cheerleader. As I read the more than one hundred poems in the high school student contest, I realized just how fortunate we are in this state, in this country, to have a new generation of poets who use their poems to tell their truth, to shine a light on what is often a dark and disturbing time. Some of the poems were overtly political; others were intensely personal. All contained important truths and are necessary.
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At this time in our country when the arts are under attack, when books are being banned, and our nation’s history and culture are being perverted by a political agenda of hate, please know this: Your words matter. Your poems matter. You are not alone. For every poem that you write, know there are at least a dozen more people who will find themselves in your words-their joys, their sorrows, their fears, their hopes and dreams. You-each one of you-are the only one who can write your poems. If you do not write them, no one will. And that would be a big loss.
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The politicians and the performers will not save us. They may have political power at the moment, but words-your words-also have power. And that power-unlike political power-is lasting.
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Poetry cleanses.  Poetry gives us back our soul, both individually and collectively. Keep writing. Be fearless. Do not ever let anyone censor or silence you.
– Pat Riviere-Seel
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❦ ❦ ❦
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Fly Me to the Moon
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There’s war in Ukraine, chaos in Gaza,
while I sit at the piano, looking at the keys.
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It’s just practice, nothing to worry about, but
my eyes start to burn. I think of leaving, not
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coming back. I look at the pages and look
at the teacher, ready to move on. I try
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to sight read but can’t shape my hands
fast enough, left in the notes and chords.
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The tempo is too fast, the piece once sung
by Sinatra. No tears come as I find the notes.
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In another sky, I know there are missiles,
to destroy concert halls and opera houses.
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After, I walk through a desert into the dark
abyss, shot by starlight, to a melancholy song.
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Vicky Teng
10th grade, Marvin Ridge High School, Waxhaw, NC
Third Place, Sherry Pruitt Award of the NC Poetry Society
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❦ ❦ ❦
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I Would Bleed
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I want to be a wild thing
And soar high on feathered wings
I want to scar the dirt with heavy claws
And watch a vulture feed
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I want to be untamable
And bite the hand that feeds
I want to escape this poison air
And I want to scream
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I want to be the loudest beast
And roar louder than a waterfall sings
I want to stomp and dance without rhythm
And I want to breathe
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I will be a guardian
And keep the tall grass green
I want to see the stars again
And for that I would bleed
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Sam Kawalec
10th grade, R. J. Reynolds High School, Winston-Salem, NC
Honorable Mention, Sherry Pruitt Award of the NC Poetry Society
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❦ ❦ ❦
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Pelmeni / Russian Dumpling
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It is New Year’s Eve, and I am making pelmeni and thinking only of you.
Russian dumplings, I used to watch my mother fold them; delicately and properly.
She never let me do it.
I fold the flour into the dough, and it swirls in a cloud, landing on my shirt.
I am nineteen, but with this powdered coating, I am seven, and ten, and twelve again.
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How do I love you?
I never learned it. It was not something I could watch my mother do.
I did not watch her and know how to touch. How to hold your hand, to grab you and say
I love I love you I love you; can you feel it?
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I blunder through, an attempt to be gentle, but I am butchering it.
The meat is falling out of the dough, red against white. Flesh-like.
Is this what my heart looks like to you? Exposed, Unnatural?
My mother said if I don’t pinch the corners hard enough the entire pelmen will explode.
Let me patch it back up. Let me hide it away.
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I place the finished ones onto a plate. They sit with a resoluteness that seems final.
‘Yes, here is my place on this plate.’
Oh, little dumpling, if you only knew the boiling pot that waits to greet you!
You will hiss as you enter and sink silently to the very bottom.
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I plop the dumpling in, and a droplet of boiling water flies out and lands on my arm.
I jerk it away, instinctual.
How do the pelmeni do it? Hiss, and die, and resurface?
How much bravery in one small pocket?
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I do not know how to ask for you.
I sit, pelmen-like, waiting for you to read my thoughts.
Waiting for you to understand the extent of my want.
How deep is it buried? At the very bottom of the pot?
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Masha Dixon
Sophomore, University of North Carolina, Chapel Hill, NC
Second Place, Undergraduate Award of the NC Poetry Society
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❦ ❦ ❦
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The Student Contests of the North Carolina Poetry Society open for submissions each year on November 1, with a deadline of January 31. Check HERE for guidelines and details.
Travis Tuck Jordan Award for students in Grades 3 – 5.
Endowed by Dorothy and Oscar Pederson
Joan Scott Memorial Award for poems about the environment, students in Grades 5 – 9.
Endowed by contributions in memory of Joan Scott and by the Board of the NC Poetry Society.
Mary Chilton Award for students in Grades 6 – 9.
Sponsored by Tori Reynolds
Sherry Pruitt Award for students in Grades 10 – 12
Endowed by Gail Peck
Undergraduate Award for students attending a North Carolina college or university or whose parents or guardians live in the state of North Carolina .
Endowed by the Judith C. Beale Bequest
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North Carolina Poets for Christmas

Sam Ragan ++++++++.+.+. (1915-1996)
Carol Bessent Hayman ++.+ (1927-2017)
Reynolds Price ++           ++.(1933-2011)
Anthony S. Abbott ++++……. (1935-2020)

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Winter Watch

In those winter fields
Where only the dead grass
Hides the movement of mice
And the loping fox long away
From hunters, horn and dog,
Walking and watching wind bend
Bare branches at the wood’s edge.
This then is the beginning,
The walk and the waiting,
Winter is a time of waiting,
The pause, the slowed feet,
The watching, the waiting.

Sam Ragan
from Collected Poems of Sam Ragan, St. Andrews Press, Laurinburg NC, © Sam Ragan 1990

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Nativity

If, when a tree falls in a forest green
There is no one to hear, is it not true
The tree still sounds its ancient shattering
Of silence as its heart is rent in two?

If no one notices the calendar,
Or decorates, or shouts a glad refrain
is Christmas lost? Will that make Christmas less
Or nullify the birthday of a King?

Deep in the secret places of each heart,
Like groves of forests, quietly aware,
we reach the coming of the Gift within
And each alone must find that He is here.

Carol Bessent Hayman
from Images and Echoes of Beaufort-By-The-Sea, © 1993 Carol Bessent Hayman

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A Christmas Night

It was a cold night
And there was ice on the road,
Our car started to slide
As it moved up the small hill,
And the headlights caught the old man
In a thin jacket
Pushing a cart filled with sticks.
There were some bundles and a package
Piled on top, and the old man
Grinned and waved at us
As he pushed the cart
Into the yard of the ligglt house
Where a single light shone.
The tires gripped the road
And we drove on into the darkness,
But suddenly it was warm.

Sam Ragan
from Collected Poems of Sam Ragan, St. Andrews Press, Laurinburg NC, © Sam Ragan 1990

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A Heron, A Deer – A Single Day

A dull tin noon and, struck down on us
From the crest of pines, a heron – the one
That’s brought me each winter solstice
For twenty-six years now whatever code

I’ve earned for the past year, need for the next:
Vast as a stork in a child’s old reader
And fierce in the head as a demon deputed
To pluck out human eyes in vengeance,
Bolt them down hot.
++++++++++++++++ Yet our two faces
Broaden – eased, assured once more
Of witness at least: our names a precise
Address still known to Guidance Central.

Midnight mist and roaring cold,
We roll toward home from Christmas-eve dinner;
And there in the glen, frozen at the verge,
A six-point buck, young in eye
And grace of joint but flat-eternal
In steady witness. We slow to spare him –
Or think to spare a soulless thing.

He spares us. Sustaining our glare
A long instant of still composure,
His eyes consume whatever we show.
Then in a solemn choice to leave,
He melts a huge body, graceful as girls,
Through two strands ov vicious barbed-wire

We pass unscathed, drive in silence
A last slow mile, then both laugh sudden
At the sight of home. Seen, well-seen
But spared to pass.

Reynolds Price
collect in Word and Witness: 100 Years of North Carolina Poetry, Carolina Academic Press, © North Carolina Poetry Society 1999

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The New Magi

It is dusk. The sun has tipped backward
behind the old town hall. Inside the patterned
windows of the church, candles not to candles
until it seems the world is only light
and festive voices singing, “Silent Night.”

Out of the dark the siren wails, once,
twice, a third time, and grinding ears
disturb the “all is bright,” while somewhere
in another town a black man in a stocking cap
folds quilts around himself to stop the night.

Out of the dark the siren wails ans somewhere
in another town a woman flushes yesterday’s news
from under the rest room door and a red-haired girl
with shrouded eyes holds out her hand
to strangers walking through the station’s

swinging doors. Where is the star that calls you,
black man? Where is the star that seeks you,
woman? Where is the star that lifts you, shrouded
girl? Walk to us, now, over the battered highways.
Walk to us slowly over the rutted roads.

Walk to the siren’s wail, and the grunting sound
of fire in the night. Throw open the church’s door.
Walk with your papers and your quilts and the sorrow
in your eyes, bringing your gifts past the carpet
of our candles to the manger’s straw. Kneel and turn

And bid us follow with our light up the long aisle
out, out into the grace of the beckoning night.

Anthony S. Abbott
from New & Selected Poems, 1989-2009, Lorimer Press, Davidson NC, © Anthony S. Abbott 2009

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In a Bus Station on Christmas Eve

There are still travelers
Even at this late hour.
A radio is playing “Joy To the World.”
They sit and stare,
Clutching packages
Wraped as they are wrapped,
With some of the corners torn

Sam Ragan
from Collected Poems of Sam Ragan, St. Andrews Press, Laurinburg NC, © Sam Ragan 1990

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Sam Ragan served as NC Poet Laureate from 1982 until his death in 1996. He had a long career in journalism at various publications and from 1969 to 1996 was owner, publisher, and editor of The Pilot in Southern Pines, NC. Sam received about every possible NC literary award, including the North Carolina Award in Fine Arts, the Roanoke-Chowan, Parker and Morrison Awards; the North Caroliniana Society Award; and has been inducted into the North Carolina Journalism Hall of Fame and North Carolina Literary Hall of Fame.

Carol Bessent Hayman was the first Poet Laureate of Carteret County and the city of Beaufort, NC. She was a 50-year member of the National League of American Pen Women, served as Southeast editor for their national publication, The Pen Woman, and was a member of the National Board. She was a member of the founding board of N.C. Writers Network, taught many workshops, and published hundreds of poems and five books of poetry.

Reynolds Price, a native of Macon, NC, taught literature at Duke University for 53 years and was James B. Duke Professor of English. In 1962, his novel A Long and Happy Life received the William Faulkner Award. He went on to publish fiction, poetry, essays, and plays and is equally known as the venerated educator of generations of Duke students. For the last third of his life he was confined to a wheelchair due to paralysis resulting from complications of a spinal tumor; his memoir A Whole New Life: An Illness and a Healing has been an inspiration to thousands.

Tony Abbott was a beloved professor of modern drama and American literature at Davidson University (NC). He touched many lives with his deep compassion and spiritual seeking, not only the lives of his students but of everyone who knew him, worked with him, read with him, read his work. His first book of poems, The Girl in the Yellow Raincoat, was nominated for a Pulitzer Prize. He went on to write three novels, four books of literary criticism, and eight volumes of poetry, his last, Dark Side of North, published posthumously in 2021 by Press 53. His tenure on the Board of Directors of the NC Poetry Society has left an influence of creativity, collegiality, and craft that continues today.

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.   .   .   Think of the wren
and how little flesh is needed to make a song. 

from Why Regret?,  Galway Kinnell

Brown-Headed Nuthatch

Sitta pusilla

The Grandson and I are playing with Legos on the back porch. Above the constant chitter of the goldfinch kaffeeklatsch shines a sudden clear bright whistle. “Listen, Saul. That’s a Carolina Wren.”

After a few minutes of silent cogitation, a few more minutes of Lego cars brmmm-brmming across the planks, we hear the bird again. Saul remarks, “He’s saying Senner-pede, Senner-pede.”

“You mean centipede, the little crawly thing with a hundred legs?”

“No, Senner-pede.” Brmm, brmm. “I made that up.”

And the moral of the story: Encountering the logic of the philosopher, even if only six years old, it’s probably best to listen.

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The Carolina Wren is one of my favorites, feisty little troglodyte whose voice is 30 decibels too big for his 30 grams of fluff. Listen to enough wren song and you discover the birds can be quite individual. Scolds, chatters, and so many variations on that 2- or 3- or 4-note whistle: just when you think you know them all someone new moves into the neighborhood.

Fred Chappell is one of my other favorites. He’s one of the writers that inspired me about twenty years ago to rediscover the dark forest of Poetry. I carried a typescript copy of his poem Forever Mountain around in my wallet until it wore through and I’d about memorized it. As I sort through the piles on my shelves I think it’s safe to say I’ve bought every one of his books. The epigrams, the complex forms, the backsass, the cat poems . . .

. . . and just when you think you know his song someone new moves into the neighborhood. At this year’s Sam Ragan Poetry Festival Fred revealed to us that he’s now writing fables, poems that tell a story with a moral. His voice just keeps getting bigger and bigger. And you can bet that a Fred Chappell fable is going to stretch your intellect and then bite you on the ass.

Feisty, yes; troglodyte, no.

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Fox and Bust by Fred Chappell; read at Sam Ragan Poetry Festival,
Weymouth Center for the Arts and Humanities in Southern Pines, NC, on March 21, 2105

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Every year the North Carolina Poetry Society sponsors the Sam Ragan Poetry Festival, named for our state’s third and longest-serving Poet Laureate.  Sam was succeeded by Fred Chappell as our fourth Poet Laureate, illuminating that post from 1997-2002. In 2004 Fred collaborated with philanthropist and poet Marie Gilbert, assisted by William Jackson Blackley and a volunteer board, to create the Gilbert-Chappell Distinguished Poet Series.  Each year since then three notable NC poets have been selected to serve as mentors, each to 3 or 4 students middle school to adult, to create and critique a body of poems, followed by public readings in libraries throughout the state.  Fred is still a guiding light for this endeavor, which celebrated its tenth anniversary at this year’s Sam Ragan Poetry Festival in Southern Pines on March 21, 2015.

The photos and poems from this and the five preceding GriffinPoetry posts commemorate that event.

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Weymouth Woods

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Doughton Park Tree #1

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