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Posts Tagged ‘Redhawk Publications’

 

[with 4 poems by Joan Barasovska]

In just a few days our home planet will reach that point in its yearlong circumsolar peregrination at which it will feel the maximum effect of its 23 degree axial tilt off the perpendicular. In other words, today is way too close to the solstice for us to have waited until 3:30 to begin our 5 mile hike.

Byrd’s Branch to Grassy Creek and out to the far terminus of Forest Bathing: when we turn at last to retrace our steps we see that the shadows have lengthened into no shadows at all. Splitting the utter stillness as we skirt Klondike Lake, fifty geese suddenly spook and lift and wheel over us. The urgency of their wings is the sound night makes when it is falling too fast. As we leave the creek and climb up from the shadowy vale, we do regain a bit of skyglow from the western horizon, that thin chill winter platinum that can’t penetrate between the gray trunks closing around us but which persists in the pale leaves covering the path. Light still leads us on.

Serenely quiet here. No breath of breeze, no quarreling crows, no road noise. The squirrels have hushed their startled rattling up the hickory trees. We can’t see into the cloaked woods; we imagine we’re entirely alone until our last companion calls. A Towhee sings his plaintive two-note motet, his mate answers, and they ferry us along the trail.

Here’s the road crossing, isolated rural lane. Only another mile to our car – a mile through Mr. Byrd’s close-planted white pine woodlot. Shall I describe the pathway leading down into the embrace of those lowering dense-woven needled boughs?

It’s dark!

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Sore Throat

The best light in our rowhouse on St. James Street
is from the tall front windows in the living room.
I wait by the window in my pajamas for Dr. Barol
to ring the doorbell and for his jolly voice.
I’m to sit on the piano bench where he can see best,
his black leather bag beside me, its jaw wide open.
He stands above me in horn-rimmed glasses and bow tie,
shakes down the mercury in his glass thermometer.
He tells me to say AH and says, Open wide.
My tonsils are infected again, he tells my mother.

I want him to convince her to pity me.
Tell her I must stay in bed for a week.
Tell her to be nicer when she talks to me.
Don’t tell my mother that sickness
is what I crave most of all.
I’m sure he can tell. He’s shined a light
in my throat and ears so many times
he must know my trick.
I’m a little girl who believes she can
make herself sick just by being sad.

The nurse at school, Mrs. Marx, knows me well.
She rolls crinkly paper down the padded leather
table so I can rest with her if no one else is there.
She plays the opera music she loves on her radio.
I know she knows my secret, but maybe
she forgives me. From the bottom of my being
I want the gentleness that only sickness gets you.

But it doesn’t really work that way.
My throat is so sore. My mother’s angry
that I’m sick again. She has too much to do.
She makes me Cream of Wheat
with brown sugar. She pours medicine
from a brown bottle into a spoon.
She takes my temperature, gives me baby aspirin,
puts cool washcloths on my forehead, changes
the sheets. She does all that she should do.
I need what I can’t name.

Joan Barasovska
from Orange Tulips, Redhawk Publications, The Catawba Valley Community College Press, Hickory NC, © 2022

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Darkness. It creeps to overtake you whether you mark its arrival or not. Once surrounded, engulfed, overwhelmed, you may imagine that the darkness is all. That there is no way out, that there is nothing other than darkness.

Joan Barasovska’s Orange Tulips, a memoir in narrative verse, is a path into darkness. The world of this girl child opens with joy but already hints of inexplicable sadness; the adult journeys through suffering, doubt, pain, the wrenching temptation of hopelessness. Despair is palpable.

But no life is a single arc. There are many stories and their outcomes are not foreordained. An unexpected door may open into light. The arc of another person entwines with our own and we are touched, changed. As memoir, Joan’s story begs to be read cover to cover, front to back in a single sitting. I am lifted into the promise of light by the possibility of healing and redemption in its final pages. I am finished with the book, but it is not finished with me.

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1963

I’m a merry Girl Scout in green uniform
and felt beret. My troop is walking east across
the Schuylkill River Bridge. It’s an old bridge,
prickly sandstone under our palms.

You can sit on the ledge if you’re brave.
You can stand on the ledge if you’re foolish.
We look between the columns way down ito the water.
How deep is it? Miss Kelly doesn’t know.

What I care about, in one breath, is the impact of a fall.
The magnet of the gray river. The sick.
I don’t ask Miss Kelly why people jump.
She knows about hikes, knots, campfires.
Starting today, I’m the authority on jumping.

Merit badges, saddle shoes, jokes I am famous for.
I am nine, maybe ten.
Now I have a secret so strong it makes me dizzy.
On my honor, for God and my country,
it’s 1963 and I have fallen down.

Joan Barasovska
from Orange Tulips, Redhawk Publications, The Catawba Valley Community College Press, Hickory NC, © 2022

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All Wrong

Done so many things wrong
I don’t know if I can do right.
+++++++++++++ – Tracy Chapman

The built world defeats me.
My apartment, the building
where I answer phones,
the sidewalks I walk on,
have all done great things
to my nothing at all.

If I were in charge
this city would be empty,
wind blowing soot.
Just look at me!
A shandah, disgrace,
such a smart girl,
dropout, breakdown,
breakup, crackup.

I am twenty.
I read long novels.
I walk and walk.
I only feel well
on trains and buses.
I draw odd diagrams
in small books.

I don’t wonder
why I’m done for.

I only want to be
as useful as a sidewalk,
to hammer one nail straight.

Joan Barasovska
from Orange Tulips, Redhawk Publications, The Catawba Valley Community College Press, Hickory NC, © 2022

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The Day I Walked on Fire

it wasn’t fire
it was gingko leaves
the sun lit them yellow
they were juicy with heat

the day I walked on ginkgo leaves
I imagined they were fire
that my shoes were melting
that my feet were burning

and I felt no pain
on that autumn day
when I burned to be
a holy woman

Joan Barasovska
from Orange Tulips, Redhawk Publications, The Catawba Valley Community College Press, Hickory NC, © 2022

❦ ❦ ❦

2017-02-11 Doughton Park Tree

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[with poetry by Alana Dagenhart]

Here, take some with you. You’re not likely to leave my Dad’s presence without hearing these words. It could be a little plastic tub of leftovers from the meal I just brought him and Mom; maybe cookies or a chocolate; a couple of apples – he says he and Mom can’t eat them all. You’ll definitely be carrying the stack of New Yorkers and Sunday funnies he’s been saving. Just try leaving empty handed after visiting my Dad, just try.

Here, take some. How many years before I realized he always has and always will say this? How long have I been trying to analyze why he does? Does anyone ever really understand their father (or their son, for that matter)?

Here, take. It can be too easy to overlook Dad’s deep, even urgent, desire to give. He may seem stubborn and commandeering (just like me, although I prefer “assertive”). He takes charge of every conversation (probably because he literally can’t hear anyone talking but himself; maybe he thinks he’s just filling an awkward lull). Admit it, he acts like a Dad – so let me cut him some slack and open my eyes to the source of his generous essence.

Dad grew up during the Depression in the rural South – just imagine. World War II paid for him to go to Duke. He worked for the same huge company from the time I was four until he retired; he always seemed to be traveling and working at home nights & weekends. Because of Dad’s promotions we moved three times in two years while I was in Junior High (origin of my many quirks, no doubt), but then he declined promotions so my little sister didn’t have to move midway through High School.

Dad saw to it that I graduated from university and med school with no more debt than I could manage. When Linda and I got married and our old boat of a car couldn’t bear the load, Dad towed a trailer from Ohio to North Carolina to meet us after our honeymoon. All these years I can’t recall him spending money on himself, except maybe golf clubs every few decades, but Dad will keep shelling out whatever it takes to maintain the old beach house so all his grandkids can go on enjoying it after he and Mom are gone.

Don’t you want some more? Oh yeah, that’s the other thing Dad says. I hope he can hear me when I reply, “Thanks, Dad, it’s been plenty.”

 

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All the Silver Space

Fire pops and burns blue, Sunday morning
October in the Blue Ridge Mountains.
Hiss and hum, the constant roaring –
wood is changing,
solid to light,
before my eyes
like you, Dad
muscle to sacks of dry ice.
We both know.

I walk the mountain top trail
yearning for afternoon heat,
your sun in my bones

Sunset: the inside of a buttercup
empty at the horizon.
The sky fades like a tie-dyed tee-shirt,
from canary to lizard
gravel to irises to ocean.
The underbellies of clouds
are streaked in cotton candy.

Moon again, full and daring
around pine and rock.
Your blue eyes
not saying what we know
to be true. Back

cover first.
I knew to look,
bottom corner,
last page of the book,
your handwriting
small and faint.
You didn’t even want to leave a mark.

Alana Dagenhart

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Alana Dagenhart’s Yellow Leaves is not a narrative time line, it is a lyrical collage of visions and visitations interwoven with the relentless thread of her father’s death. We enter her dreams, intrusive but illuminating; we get to know ancestors imagined and remembered; we are invited to share Alana’s days most mundane and most profound. The thread of family tangles and unspools, knots and releases, and what could be dark, somber, a burden too heavy, becomes another bright morning, all the colors of revelation, a yellow leaf whirled and unsettled finally discovering its place of rest.

All today’s poems are from Yellow Leaves, Alana Dagenhart, Redhawk Publications, Hickory, NC. © 2022

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Yellow Then, Will Fly to Every Eave

The blackest bruise
of our human trauma may
not heal completely through.
Some lingering yellow stays.

But Nature’s first green is gold,
her hardest hue to hold,
and what was yellow once and bold
fades in time in form and folds.

Blue will tend the sky of day,
and black will stay the night,
but yellow always leaves again
when sun is out of sight.

Death’s second self, made up of all
the dark the Earth contains,
snuffs bright yellow out, till
none but veiled despair remains.

Then violence bangs
& cuts us to our knees,
blooded-violet searing pain,
rooted between burning trees,

Coral dies, and chestnuts’ blight,
and green is gone –
all gone to dust and yellow leaves.

Unless a poet writing through the night,
will pen an echo fluttering of light
and yellow the, will fly to every eave
and someone late will read from time-tinged leaves

a verse or tow that speaks to them alone
a shelter of thatched pages, like a home.

Alana Dagenhart

Nature’s first green . . . from Robert Frost’s Nothing Gold Can Stay; Death’s second self from Shakespeare Sonnet 73.

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What Yellow Light

illuminates the fields of the dead?
What fevered hue burns hot
on the faces of our beloved?

What lime? What straw?

What platinum beam cast triangles
on the oak board floors
of the room they wait
beyond this spectrum?

The Yellow Submarine blaring loud
COMCRUDESLANT command
where sailor scrub-shine metal
and Navy top brass smile big teeth
behind sunglasses?

The neon yellow of the pick-up truck
where my brother and I rode
our backs against the cab
in October, Boone, the Blue Ridge
with our legs under a patchwork quilt?

Th old gold of historic hallways
restored in the color of statesmen?

The palest lemonade sides
of papa’s house, squash in the filed
a buckwheat horse?

The sure blonde of my towheaded little brother?

What frequency has that light?

Is it far from here?

Alana Dagenhart

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POSTSCRIPT: Dad at age 95 says some scary stuff, too. The most anxiety provoking = I have complete confidence in my ability to drive. The ability part is scary enough but the confidence is terrifying.

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2016-10-17a Doughton Park Tree

 

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[with 3 poems by Scott Owens]

Which came first? Separate a few of the living creatures in the photo above and see what you can identify: the distinctive mottled leaf of Saxifrage; beneath it a glimpse of moss, its diminutive creeping green; a big hairy leaf, I should know that one but I don’t. Down in the damp there’s bound to be a little township of bacteria, waterbears, wormy things, arthropods.

And what’s that right in the center? A little stemmed goblet corroded like verdigris growing out of that patch of gray-green flakes (squamules)? Center stage – lichen, probably Cladonia pyxidata. Its tiny cup is pebbled within by extra lichen bits growing there (more squamules!) and some of the rough and powdery appearance may be an obligate lichen-loving fungus taken up residence. So which came first in this little community of many kingdoms and phyla?

Most likely the lichen comes first. It can hold onto bare rock where nothing else lives. It gathers moisture into itself out of the very air and how could a wandering moss spore resist? Anything drifting by may land and latch. Plus that little lichen chemical factory can break down rock so that others may use the minerals. Pretty soon a Saxifrage seed finds just enough earth to sprout and enough wet to grow and wedge its roots further into rock (saxifrage = rock-breaker). Everything discovers what they need; everyone adds to the life of the community.

What gifts may I add to my little community? A bit of cautious optimism and encouragement. An appreciation for all living things (OK, yes, that does extend to human beings, at least I’m trying my best). Appreciation of a good joke and appreciation as well of the folks who tell bad jokes. Curiosity and a sense of wonder. The world’s best recipe for Nutty Fingers.

We all need something but we all bring something. Who knows, maybe what I’ve got is just what you need. When one really gets down to it, all the stuff growing in that photo looks pretty haphazard and messy. Just like a real community. Just like life.

And if you know what that hairy leaf is, please tell me!

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In the Cathedral of Fallen Trees

Each time he thinks something special
will happen, he’ll see the sky resting
on bent backs of trees, he’ll find
the wind hiding in hands of leaves,

he’ll read some secret love scratched
in the skin of a tree just fallen.
Because he found that trees were not
forever, that even trees he knew

grew recklessly towards falling,
he gave in to the wisteria’s plan
to glorify the dead. He sat down
beneath the arches of limbs reaching

over him, felt the light spread
through stained glass windows of leaves,
saw every stump as a silent altar,
each branch a pulpit’s tongue.

He did not expect the hawk to be here.
He had no design to find the meaning
of wild ginger, to see leaves soaked
with slime trails of things just past.

He thought only to listen
to the persistent breathing of tres,
to quiet whispers of leaves in wind,
secrets written in storied rings.

Each time he thinks something special
will happen. He returns with a handful
of dirt, a stone shaped like a bowl,
a small tree once rootbound against a larger.

Scott Owens
from Sky Full of Stars and Dreaming, Red Hawk Publications, © 2021

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I’ve admired Scott Owens for many years, not only as a poet but even more so as a builder of community. Scott’s writing wields its openness, its wonder, its unflinching honesty to invite us to realize we are all part of one human family. As in his poem, Words and What They Say: the hope we have / grows stronger / when we can put it into words. Not only words – in everything else he does Scott is building as well. He teaches, he mentors, he makes opportunities happen for the people around him. Perhaps his poems are a window into why he values people as he does, and why he works so hard to make hope a reality.

Sky Full of Stars and Dreaming is Scott Owens’s sixteenth poetry collection. He is Professor of Poetry at Lenoir Rhyne University, former editor of Wild Goose Poetry Review and Southern Poetry Review, and he owns and operates Taste Full Beans Coffeehouse and Gallery where he coordinates innumerable readings and open mics, including POETRY HICKORY, and enlarges the community of creativity.

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The Possibility of Substance Beyond Reflection

I didn’t see the V of geese fly overhead in the slate gray sky as I sat waiting for a reading in my Prius in front of the Royal Bean Coffee House & Gift Shop in Raleigh, NC.

What I saw was the V of geese presumably flying overhead in the slate gray sky reflected in the slate gray hood of the Honda CRV parked before me in front of the Royal Bean Coffee House & Gift Shop in Raleigh, NC.

And they took a long time to travel such a short distance, up one quarter panel, across one contoured crease, then the broad canvas of the hood’s main body, down the other crease and onto the edge of the opposite quarter panel before

disappearing into the unreflective nothingness beyond, where even they had to question just how real they were or just how real they might have been.

Scott Owens
from Sky Full of Stars and Dreaming, Red Hawk Publications, © 2021

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Sharing a Drink on My 55th Birthday

Sharing a drink on my 55th birthday,
my son, his tongue firmly planted
in his cheek, asks what advice I have
for those not yet as old as I,
and I, having had too much to drink,
miss his humor and tell him
always get up at 5
as if you don’t want to miss
any part of any day you can manage.
Clean up your own mess
and don’t clean up after those who won’t.
Take the long way home,
hoping to see something new,
or something you don’t
want to not see again.
Stay up late, drink in as much
of every day as you can.
Be drunk on life, on love, on trees,
on mountains, on spring,
on rivers that go the way
they know to go,
on words, on art, on dancing,
on poetry, on the newborn
fighting against nonexistence,
on night skies, on dreams, on mere minutes,
on the ocean that stretches beyond
what you ever imagined forever could be.
And when someone asks you
what advice you have, give them,
as you’ve given everyone and everything,
the best of what you have.

Scott Owens
from Sky Full of Stars and Dreaming, Red Hawk Publications, © 2021

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*** Extra Geek Credit — the lichen Cladonia pyxidata is host to the lichenicolous (lives on lichens) fungus Lichenoconium pyxidatae. Such fungi are parasites of their lichen host and mostly specific to a single genus or even to single species of lichen, but although some may be pathogens for the lichen in many cases the relationship is commensal. No harm done. Join the party!

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