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Posts Tagged ‘nature’

[with Pilot Snake by Mary Oliver]

On June 21, I wrote in Tangled my distress at killing, by trying to protect nesting bluebirds, a four-foot long black rat snake. It became entangled in the collar of plastic mesh I’d attached at the base of the birdhouse pole to keep snakes from climbing up the pole to the nesting box. I never saw it there until it began to stink.

The snake’s presence explained the bluebirds’ agitated behavior over the past several days. Once I discovered the dead snake at the base of the post, though, I didn’t see the parent birds visiting the nest any more at all. Had they abandoned the chicks they’d been feeding so obsessively for two weeks? What would I find inside that house? I couldn’t bring myself to look. I hadn’t wanted to kill that snake; I didn’t want the death of birds on my heart as well.

This morning I take down the bird house. I unscrew it and open it for cleaning: an empty nest. A few smears of bird lime but no desiccated baby bird carcasses. They have fledged and flown.

And now in the humidity and sweat of this heat dome morning, I’m moving the cleaned birdhouse to a new location and a new pole. This torpedo-shaped baffle should prevent snakes from climbing to the house, and I’ve added a spiky frill to deter the most persistent climbers. To deter, not to harm. Eat all the mice and voles you desire, O Snake. All my weedy property is yours to roam. Just let me enjoy Bluebird Song this summer.

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Pilot Snake
 . 
had it
lived it would have grown
from twelve inches to a
hundred maybe would have
 . 
set out to eat
all the rats of the world and managed
a few would have frightened
somebody sooner or later
 . 
as it crossed the road would have been
feared and hated and shied away from
black glass lunging
in the green sea
 . 
in the long blades of the grass
but now look death too
is a carpenter too how all his
helpers the shining ants
 . 
labor the tiny
knives of their mouths
dipping and slashing how they
hurry in and out
 . 
of that looped body taking
apart opening up now the soul
flashes like a star and is gone there is only
that soft dark building
death.
 . 
Mary Oliver
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[with 3 poems by Rick Campbell]
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The Light We Call Winter
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If you see me walking down
the shell road under myrtle
 . 
and Spanish moss, don’t worry.
The road’s a circle and it brings me
 . 
back to my yellow mailbox.
You might give me the name
 . 
of the bird that sat all morning
on the thin branch.
 . 
Give me the last lost months gone
in a haze, sloughed off like an old dog
 . 
shakes himself dry.
Walk with me.
 . 
I won’t say
I don’t need you.
 . 
Rick Campbell
from Fish Streets Before Dawn, Press 53, Winston-Salem NC; © 2024
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When the first Human woke up on their first morning on Mother Earth, they discovered all the other persons watching them. The Plant persons, the Animal persons, the Lichen and Fungus persons, all of them had already been living together on Mother Earth for a very long time and they knew how to get along. Now here was this new member of the family, this Human. No doubt everyone was asking themselves whether this new person would also learn how to get along.
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The Human opened their eyes and the first thing they said was, “How did I get here?” A question Humans would spend a very, very long time trying to answer. Then the Human stood up, looked all around, and asked, “What am I doing here?!”
 . 
At this point the Creator of Mother Earth and Every Living Thing smiled. Yep, those are the right questions. Two of the big ones. And don’t forget the third, maybe even bigger and maybe even more important. The Human noticed all the persons watching – Plant, Animal, Fungus, all of them – and asked, “Who are you?” The Creator smiled even wider. Yep!
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A nod to Robin Wall Kimmerer and Braiding Sweetgrass for inspiring this little parable. And a nod to Rick Campbell for poking at all the questions until they wake up and try to swim to the surface. The answers you’re going to get in this life depend on the questions you ask.
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Be sure to ask, really, the questions no one knows the answers to. I almost wrote “the questions no one knows how to ask,” but how is something you certainly do know. The more you pay attention, the more you wonder, the more you know how to ask those questions. Not ask like Rodin’s Thinker with your chin on your fist in placid contemplation. More like lying awake at 4 a.m. in a sweat and doubting but asking anyway whether there’s any reasonable hope for you, you Human.
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What am I doing here? I haven’t needed an answer as long as I’ve been always doing, doing. In fact I don’t even know there’s a question until I stop. (Maybe Rodin’s silent seated ponderer is an apt image after all.) In that momentary pause, in that engulfing silence, the questions suddenly loom huge and overwhelming. Why am I? What is my purpose? And cold, dark nothing threatens to bring its answer.
 . 
But then I look around. Who are all these others? All these persons, Human and not, sharing this circle with me? Can we get along? May I know them? It’s never too late to ask. Never too late to try.
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Practicing Silence
 . 
Outside of NYC, it’s
almost impossible
to be mistaken
 . 
for a mime. Here,
at the edge of the country
I’m just a guy who moves
 . 
silently down crushed shell
roads, through pine forests
in deep sand, past the harbor’s
 . 
broken docks. Ok, yes,
I could talk more, but to whom,
the clerk at the Dollar General?
 . 
What would I find worth saying
more than thanks? Buzzards whirl
over my head like synchronized swimmers.
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Rick Campbell
from Fish Streets Before Dawn, Press 53, Winston-Salem NC; © 2024
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Frank X. Gaspar writes this in the introduction to Fish Streets Before Dawn: In the poem Throwing Starfish Back into the Sea [Rick] wonders how much “good he has done” with his uncertain act of kindness. It is an apt poem, and taken in the context of this collection and its outcries, we see that Rick Campbell’s wanderings and questing are testimony to the core of his art: surviving, yes, but surviving as the step that allows us to pursue any small good we can bring along with us.
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Rick Campbell lives in Alligator Point, Florida, and teaches in the University of Nevada-Reno’s MFA program. He has published seven earlier poetry collections, plus a collection of essays, Sometimes the Light. His most recent poetry collection, Fish Street Before Dawn, from Press 53 in Winston-Salem, North Carolina, is available HERE
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Xenoglossy
 . 
I once wrote of my mill town
that you can want all your life here.
I was in love with words and
the directions they might lead:
into the temple of furnace fire
and out again? Along
a ridge with hawks drafting
thermals? Blues as it’s bent
at the crossroads? Freight trains
clacking downriver under the cloaked moon?
Just empty space?
 . 
At night I speak in the tongues
of angels and fools: babble
imperfect definitions of desiderate, lack,
+++++++++++++++++++ ought.
 . 
Yesterday, blades of grass parted
as the pygmy rattler sidled away
from my boot. I wanted to call
the hawk in the pine tree
down to snatch it up, but
I had no tongue for hawk.
 . 
What did I know? I am older.
It wasn’t just home that wanted,
not just the valley that lacked.
 . 
Rick Campbell
from Fish Streets Before Dawn, Press 53, Winston-Salem NC; © 2024
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2020-03-07 Doughton Park Tree

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“Black Vulture” – Clayton Joe Young – http://www.joeyoungphoto.com

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[poems by Scott Owens, photos by Clayton Joe Young]
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Buzzard
 . 
Always
when you look up
at white clouds, blue sky,
 . 
you see
that hyphen of a bird,
not flying but floating,
 . 
silently
keeping two worlds
you imagine apart, together,
 . 
connecting
earth to sky,
life to death.
 . 
Closer,
we see the hunched neck,
bald head, vulture stoop
 . 
as something that gives us
chills.
 . 
Scott Owens
from An Augury of Birds, forthcoming from Redhawk Publications; poems by Scott Owens, photography by Clayton Joe Young
 . 
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The naturalist Robert Lynd is quoted as saying, “In order to see birds it is necessary to become a part of the silence.” How often do we actually pause and participate in silence? Become part of it? Sunday afternoon Linda and I had hiked a couple of miles along the Mountains-to-Sea Trail when we came face to face with friends we hadn’t seen since before COVID. They were hiking in from the opposite direction but our destination was the same: the Forest Bathing trail along Grassy Creek.
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We continued on together. We outpaced noisier hikers; they turned back and left us in solitude. The thrum of voices at the winery and of pickups on Route 21 receded. We stopped – a gentle murmur of water flowing over the new beaver dam. Stopped again – breezes swishing through fresh Joe Pye Weed along the creek. As the trail led us up and away from the water, we left the laurel and holly and entered a glade of slender young tuliptree still recovering from logging. Our friend stopped us once more. She had taken off her sandals to feel the earth. Late afternoon sunlight streamed slant among the saplings and we were part of the silence. A vireo sang. She raised her arms and said, “This is what I came here for.”
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If we create silence, within us and around us, air and earth will magnify the silence with beauty. Birds will complete the silence with wing whirr and song. Here’s an invitation to silence, offered to us in the poems and photographs of An Augury of Birds. Scott Owens and Clayton Joe Young reward our held breath and contemplative approach with their avian celebration. They make these feathered creatures our companions – individual, distinctive, ripe with purpose. And Augury is such an apt title. Wasn’t Rachel Carson’s prophecy of a silent spring the spark that ignited our current fire of conservation and environmentalism? Noticing birds is a gateway to noticing the universe. Lift the latch, enter these pages, become part of these lives – If you close your eyes / you can hear the cosmos opening.
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“Northern Mockingbird” – Clayton Joe Young – http://www.joeyoungphoto.com

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All There Is to Say
 . 
If it happens that you find yourself
at the front of a room full of people
listening to all you have to say
about what you think you know
and suddenly you hear
from an open window
you hadn’t even noticed was open
the voice of a mockingbird
as clear as the voice of God
singing in every language at once
you owe it to yourself
and all with the possibility of hearing
to stop in the almost silence
and say out loud, Listen
 . 
Scott Owens
from An Augury of Birds, forthcoming from Redhawk Publications; poems by Scott Owens, photography by Clayton Joe Young
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Hiwassee
 . 
Long fingers of catalpa trees,
Green globes of apples
Hang low over Licklog Road.
 . 
White crowns of Queen Anne’s lace,
Orange umbels of butterfly weed
Fill a field where flycatchers
 . 
Dart from limb to grass
and back, consuming
Whatever rises. Swallows
 . 
Carve endless angles across
The tops of weeds let go.
Brown headed cowbirds
 . 
Follow white-faced cows
Near a lake surrounded
By mountains in a place
 . 
Where everyone waves
And everyone remembers
What it means to live.
 . 
Scott Owens
from An Augury of Birds, forthcoming from Redhawk Publications; poems by Scott Owens, photography by Clayton Joe Young
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❦ ❦ ❦
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An Augury of Birds will be published by Redhawk Press in 2024. Check HERE for ordering information.
Scott Owens enlarges the community of creativity. He is professor of Poetry at Lenoir Rhyne University, former editor of Wild Goose Poetry Review and Southern Poetry Review, and he owns and operates Taste Full Beans Coffeehouse and Gallery where he coordinates innumerable readings and open mics, including POETRY HICKORY.
Clayton Joe Young is the Director and Senior Professor for the Photographic Technology Program at Catawba Valley Community College in Hickory, NC. He has won numerous awards for his photography and has published several books, including other collaborations with Scott Owens and with poet Tim Peeler, featuring rural North Carolina, especially Catawba County.
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“Chickadee” – Clayton Joe Young – http://www.joeyoungphoto.com

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All the Meaningful Noise
 . 
How can you be on this earth
and not close your eyes on occasion
and listen to leaves give voice to wind,
hear the laugh of crow,
annunciation of blue jay,
moan of mourning dove,
all the meaningful noise
of another spring day?
 . 
Behind the finishing plant
just off the run-down road
between failing furniture towns,
a field is bursting with purple flowers.
If you close your eyes
you can hear the cosmos opening.
 . 
Scott Owens
from An Augury of Birds, forthcoming from Redhawk Publications; poems by Scott Owens, photography by Clayton Joe Young
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2020-06-11a Doughton Park Tree
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