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[with 3 poems by Catherine Carter]
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Good morning, unseen
John-John was back from college and told Moses that 99 percent of
the matter in the universe is invisible to the human eye. Ever since,
Moses made sure to greet what he could not see.
        –“A Good Story,” Sherman Alexie,
The Lone Ranger and Tonto Fistfight in Heaven
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Good morning, bacteria
breeding in my coiled gut,
your endless collective of many
the true core of my one. Good
morning, yeasts fermenting
diligently away at all my crevices
and folds, and magnetic field
of gravity which grounds me so close
to this home planet, your pull connecting
the water in this flesh with the drag
of the moon beneath these feet.
Good morning, hairs of fungi
connecting tree to tree and all
earth to all other earth. Good morning,
trails of mouse urine
through the multifarious paths
of grass, which to the vision
of the hovering sparrow hawk glow
ultraviolet, forming arrows
which point the way to the door
of the soft grass-lined burrow.
Good morning, possum crushed
by the roadside, visible but
from which most eyes flick away,
your unseen atoms already
disaggregating to take on fresh
lives as fly larva, carrion beetle, silver
flash beneath the flight pinion
fo the black buzzard, the death-
devourer. Good morning, unmet eyes
of Maria, whose home is this
intersection’s northeast corner;
good morning, ongoing anguish
of the lumbar vertebra fractured
in the stockroom job where she
broke and was fired for breaking;
good morning, urgent grip
of the bowels she must walk
a mile to relieve from this corner
where she stands with her sign
hoping for change that won’t come.
And good morning, unrecorded
conference called in a corner suite,
which even now is about to close
the shelter where tonight she hopes to sleep.
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Catherine Carter
from Good Morning, Unseen, Jacar Press, Durham NC; © 2023
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❦ ❦ ❦
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Not secret. Not hidden. Neither cloaked nor covert, simply not seen. These are the glimpses of my mother’s life I am getting since she died. No tremors from within locked strongboxes, no heart attacks delivered by anonymous post – simply the small bright fragments of her unseen life. The bits not dependent on her being Mom to me.
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I’m paying more attention to the glimpses because I don’t have Mom beside me on the couch any more, although she was never one to draw attention to herself anyway. Here they come, all these versions of my mother through the years, fragmentary visions arriving in photos I’ve glanced at in the past but never really examined. Here she is on her bike, smiling, maybe ten years old; here’s that very same smile again at another age, at every age. What confidence, what honesty! So open. A real person smiling at me.
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Today I’ve found her college annuals – do universities still publish such things? Do people still save them for 75 years? Here’s Mom with the other officers of her Freshman class, 1946, and she the President. I never knew! As a Junior her she is at the centerfold – with a dozen friends – from their listing in Who’s Who in American Universities. The two women beside her remained her friends for life, names even I recall her mentioning. Such a full, rich world Mom inhabited. So many worlds.
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In a few weeks we’ll hold Mom’s memorial service and I’ll no doubt hear even more stories of her unseen life. Already Linda’s youngest sister has told us how she loved Miss Cookie as her Kindergarten teacher. Linda and I were already away at college; the only glimpse I had of Mom’s teaching life was when she brought the gerbils and ducklings home from her classroom for holidays. I wish I’d had the curiosity and imagination to follow her around her world for a few days. But no – she was just our Mom.
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Grief is the empty place beside me on the couch that becomes the empty place inside. I try to fill it with memories, all those moments I’ve known and seen, but they aren’t nearly enough. Where to find more? Show me everything I missed before so I can try harder to open my eyes. Show me every bright fragment. Good morning, Unseen.
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This Stone
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This stone is a particular stone,
mica-flecked lichen-splotched quartz-
veined hunk of granite hunched
by the side of the road where I climb the cove.
It has a history; it has been places.
It knew the molten earth-heart
and the grind of the glacier.
It gouged grooves in the flesh
of this world as gravity dragged it down.
It crushed small plants in its path,
and offered a matrix to lichen,
coolness to soil in the heat of the day,
shelter to mushrooms, midges, mice.
This one particular manifestation
of all that rockness,
created in fire, is still
joining in creation,
participating in being. It has known
billions of mornings; this one
is new. Though it will not answer,
I nod to it as I pass, and, if no one
human is there to hear, I speak:
good morning, you one
rock exactly like no
other. Here we are again,
short life and long one
brushing past each other beside
this road of crushed and broken
stone. Good morning,
spirit of earth, on this one morning
here on earth’s stony flesh.
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Catherine Carter
from Good Morning, Unseen, Jacar Press, Durham NC; © 2023
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❦ ❦ ❦
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Beyond perception as well as beneath notice, these are the unseen in Catherine Carter’s Good Morning, Unseen. The bacteria in our gut upon which our lives and health depend. The homeless woman who might once have thought she could depend on the lives around her. Noticing the ignored and overlooked and essential: Catherine’s piercing images and mind frothing metaphors bring all into stark relief. These poems are revelation.
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How did I miss that? Why am I only now first seeing? Unseen is the dirt that bears me up, unseen is sunlight fusing itself into wood. Glad may be the cat in coyote country but Magic is one man opening the door to one small apartment as refuge. It’s all around us, always has been. The first commandment is “pay attention.” Forgive us for how often we have sinned.
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 . 
Catherine Carter’s Good Morning, Unseen is available from Jacar Press.
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The unseen says
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from the magnolia I wave to you through the wind,
my dark leaves quivering in the glitter of winter
sun, though I knew you would not see.
As the dog I rest my chin on our bed,
tell you it’s safe to wake, as you shudder with the fear
and despair you clutch so close.
Under your feet as the dirt I bear you up;
as the air without which you cannot live
two hundred seconds, I lift your rigs again, again,
seven hundred million times, never wearying
until you do. As the sunlight I fuse myself
into wood, bursting forth again in flame;
as the rain I show you safe passage, falling,
seeping, leaping through my selves the clouds and the sea.
As you breathe, as you drink as you stretch cramped hands
to my electric coil, toast me in the bread, you ask
whether I’m even here, or forget to ask.
Refugee on the long road, back bent
with the treasures you lug, the fears you haul:
lay down the weighted silver, your grandparents;
plate and grief, let home evaporate behind you,
unbind the albatross corpse festering your neck.
Set it all down. Be free of it,
and take my hand in yours. With a second hand,
and a third, I pipe for you now:
just for a moment, dance.
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Catherine Carter
from Good Morning, Unseen, Jacar Press, Durham NC; © 2023
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❦ ❦ ❦
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IMG_1827

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[with 3 poems by Terri Kirby Erickson]
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Heaven
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You wake in a sun drenched room
with knotty pine walls and open windows,
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white curtains billowing. The warm,
salt-scented breeze carries
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the sound of waves, the laughter of children,
the cry of gulls. Somewhere
 . 
inside the house, bacon sizzles in a pan,
coffee drips into a pot – and there are voices,
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familiar voices – your grandmother,
your brother, your best friend. It’s been
 . 
so long since you have seen them.
So you sit up in bed, stretch your strong,
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supple limbs. There is no pain,
no stiff shoulders and creaky joints.
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There is no weight of sorrow or regret –
only a kind of soaring joy that lifts
 . 
and circles inside you like a kit.
And when you move across the floor,
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it feels like floating, as if your body is made
of light and air – but solid when
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they reach for you, when their arms
open wide and you walk in.
 . 
Terri Kirby Erickson
from In the Palms of Angels, Press 53, Winston-Salem NC; © 2011
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Spontaneous combustion – when a ten-year old reads about such a thing of course he’s going to think, Fire! Cool! My friends and I weren’t allowed to play with matches (although we could have swiped some from our Dads, all smokers, and we certainly smoldered plenty of stuff with our magnifying glasses during the Memphis summers). So fire blossoming up all on its own?! We scrounged an old t-shirt, sopped up some oil that had leaked from a lawn mower, and stashed the rags in a dark corner of Mike Slattery’s garage. And waited. I moved away from that neighborhood two years later and I have yet to hear that the garage burned down.
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I have a friend with a gift. She can wake up in the morning first thing and fire off to the rest of us in the writers group what has just flowed from her pen into her journal. “Can” as in willing and able and unrestrained. Ten lines or twenty, she shares something always fresh, light breaking, a window open to her soul. Meanwhile, I’ve re-written this paragraph three times in my head, twice on paper, and six times on the screen. I need the t-shirt my brother-in-law Skip wears: “Hold on a minute while I overthink this.”
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Now I’m stashing stuff in the car for this morning’s drive to Winston, errands to be accomplished for Dad: laptop, check; Power of Attorney docs, check. Wait, I was thinking of taking Dad some flowers from the front yard today. No, too tired. Next time.
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And when might that next time arrive? Snipping zinnias, marigolds, anise hyssop, coaxing their stems into an old bread bag with a wet paper towel in the bottom, fitting the fresh bouquet into my cup holder – oh, my! Flames of purple and scarlet and bright orange, scent of mint and musky asters – pulling out of the driveway, how spontaneously I combust!
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Sunflowers
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In our well-manicured yard
where a clover can’t show its face
or risk dire consequences, a row
of sunflowers sprang up by the bird
feeder, claiming the kitchen
 . 
window for their own. Such thick
stalks and heavy flowers belong
in children’s stories, where
gardens bloom in shapes
and colors seldom imagined
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and mushroom grow as big
as houses. With great dark eyes
surrounded by yellow lashes,
they follow the sun on its daily
journey – a bevy of bold young
 . 
girls in love with the same boy.
Dazzling beauties all, showing
up our prim blades of grass
and trimmed bushes like hula
dancers in a room full of pilgrims.
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Terri Kirby Erickson
from In the Palms of Angels, Press 53, Winston-Salem NC; © 2011
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clouds cast shadows across the ground like whales swimming through clear water
a bevy of bold young girls in love with the same boy [sunflowers]
the yellow-haired girl whose hands rested in her lap like fresh-picked lilies
her fingers dancing over tubes of lipstick as if they were piano keys, and she, learning a new song
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Terri Kirby Erickson’s poems delight in the perfect image, the lance of daylight that makes shadows radiant. She populates her lines with characters from every neighborhood and every family, her own included, and she reveals their secrets, unknown sometimes even to them, but she does it with language so airy and effortless that I imagine her raising her pen like a lightning rod and drawing to it from heaven a bright spark of inspiration. Spontaneous, emerging fully formed from the heart. The rest of us bail the bilge as we adhere to the adage, “Writing is re-writing,” while Terri is skipping stones across the water.
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 . 
In the Palms of Angels by Terri Kirby Erickson is available at PRESS 53
More by Terri at Verse & Image HERE
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Grandmother’s Lamp
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In the quiet stillness of a snowy evening,
the earth is white as angel wings and the sky
purple as lilacs pressed against the window
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pane. The soft glow of Grandmother’s lamp,
with its yellowed shade and pattern
of porcelain roses, falls on the antique tabletop
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and the picture of my mother, the ballet
dancer, posing. From the street,
it’s just another lamp in a long row of lighted
 . 
windows, but to me, it is the sweet comfort
of my grandmother’s face, bent earnestly
over her needle point, or patiently putting together
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another scrapbook of memories, pasted just so
on the page. It is her quiet certainty that this, too,
shall pass, that God hears our prayers,
 . 
and the heaven is not the stuff of fairy tales
woven to quiet our fears, but as real as the lamp
she left for me, to light my way there.
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Terri Kirby Erickson
from In the Palms of Angels, Press 53, Winston-Salem NC; © 2011
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Doughton Park Tree 2020-06-11a

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[with 3 poems by AE Hines]
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A foot of new snow
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and down the middle
+++++ of our icy street
a dawn congregation
+++++ of ravens, all blue-black
and wing, hunch
+++++ in their strange bureaucracy,
as if arrived to divide
+++++ the daily assignments. Even
at this age, I still see signs. Even
+++++ a gathering of black birds
on a snow-covered road,
+++++ a Rorschach test
that conjures a warning
+++++ in my anxious machinery:
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an assembly of plague doctors –
+++++ with folded feather arms, dark
nodding heads. I wonder what
+++++ they are here to tell me.
None of us is promised green lights
+++++ and straightaways, but sometimes
the bloodwork comes back
+++++ quietly, the tumor
benign. Sometimes, just up the road
+++++ from where you lie in bed,
brakes give way and barrel
+++++ a terrified trucker across four
frozen lanes into your
+++++ could-have-been path.
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AE Hines
from Adam in the Garden, Charlotte Lit Press, Charlotte NC; © 2024
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❦ ❦ ❦
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Imagine you really like to eat. No, I don’t mean you enjoy sitting down at the table, plate in front of you, bite by bite, chew & swallow, push away and say, “That was good!” What I’m talking about is when your eldest son calls and asks, “How’re you doin’?”, the first thing out of your mouth is, “For supper I had . . .”
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It’s a blessing that Dad likes to eat. My experience from forty years of geriatric practice is that once you lose your appetite you’re going to have a tough time ever finding it again. The first thing Dad usually brings up when we talk is what he needs me to pick up at the store. He’s thinking two meals ahead, tonight’s supper, tomorrow’s breakfast. He can’t walk as far as the kitchen any more, he can’t rummage through the cupboards or the fridge, in fact there may not be many things left in life for him to enjoy, but he can think about something good to eat.
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That’s why this morning I’m poking around in the freezer and shifting unidentifiables in the back of the refrigerator, holding a shopping list and a yellow pad. Besides chucking out the old and vaguely greenish, I’m making Dad a list. A “MENU” I’ll leave at his bedside. There’s a column for meals in the fridge, a column for freezer, and at the bottom is that most important header of all: TREATS. I found four kinds of cookies in the pantry. Four flavors of pudding we originally bought for Mom. Chocolate brownies with M&M’s his cousin June brought by. Some zucchini bread a neighbor dropped off (and it is good). Please don’t forget the Trader Joe’s Vanilla Ice Cream.
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From here, then, it’s off to Harris Teeter. I’m sure I’ll see some more things Dad would like as I cruise the aisles. They say the olfactory sense is tightly cross-linked to the hippocampus – a familiar smell instantly evokes vivid memories of old associations. I suspect for Dad the gustatory sense is equally evocative. Maybe he needs a little country ham with red eye gravy. Maybe spoon bread or hushpuppies. Maybe I can find the recipe for Mom’s famous German chocolate cake.
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In our final days, may we all treat ourselves to what brings us joy.
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Eden
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I recall placing ripe plantain on the lowest
branch of eucalyptus, and the tree
filling with small wings: toucans
and motmots, a flock of miniature finches
dusted with pale blue chalk. There are so few
days I would – if I could – set on repeat
and live over and over:
+++++++++++++++++ Here, the man
I love, sight of him a reviving breath,
carrying plates of chorizo and fried eggs.
Then the two of us reclined in dappled grass,
drinking hot chocolate from a single,
chipped cup beneath prehistoric ferns
that tower and sway just as they must have
with the world still new.
+++++++++++++++++ I like to pretend
then too – didn’t I? – that we were the first
and last of our kind, a multitude
of wings beating the air under a sun
that never set, our queer, middle-aged bodies
never a day older.
 . 
AE Hines
from Adam in the Garden, Charlotte Lit Press, Charlotte NC; © 2024
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❦ ❦ ❦
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Some quiet evenings I go out / to sit with them, all the men / I’ve been . . .
 . 
When has there ever been an evening that quiet? A space filled with invitation and empty of demands? When has my mind ever been that pliant, willing to contemplate such things much less able? Is there a garden somewhere waiting for each of us, waiting for our return?
 . 
Adam in the Garden by AE Hines offers no simple answers but it certainly invites questions. These poems span many years and many situations; even more so they span the many conditions of one human person. Broken and reborn, dead and exalted – you nor I are not one immutable creature, none of us an unvarying beam transiting the years allotted to our individual existence. If we discover a quiet moment and stop to think, we may discover the many persons we have been and are being.
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Where could there be such a quiet space? Turn the page. Again. The poet invites us to join him here. He makes himself vulnerable to our gaze. He makes no other demand on us than to enter the quiet with him, to be with him and with our selves. And truthfully, I confess that I need this! I need the quieting of all those voices, external but really mainly internal, the quieting which is required to read a poem. Not to escape myself but to sit down with myself. Thank you for the invitation and for the welcome. Thank you for the sharing. It is, I assure you, a treat.
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 . 
Adam in the Garden by AE Hines is published by Charlotte Center for the Literary Arts, Inc., through Charlotte Lit Press.
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❦ ❦ ❦
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Green Satin
 . 
++++++++++++++for Ginny
 . 
Perhaps, it’s not the drugs
when you tell me you plan
to come back as a tree, wearing
 . 
green satin gowns and scarves
made of wind. No more ridiculous,
you say, than dying, or your wig
 . 
teetering from the nightstand.
Last night, a cypress lifted its dark
roots from the earth, and lay down
 . 
Like a great, leafy-maned beast
across your yard, making room
for more morning
 . 
to flood your window, dawn
a spotlight across a hospice bed
where you labor over breathing,
 . 
a potter over clay, spinning
and kneading the mud of yourself
into finer and finer pieces.
 . 
“It must be time,” you tell me,
with summer’s sun shining
and sparrows flinging
 . 
shadows on your walls.
When even the cypress lies down
and points the way home.
 . 
AE Hines
from Adam in the Garden, Charlotte Lit Press, Charlotte NC; © 2024
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