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Posts Tagged ‘Kathy Ackerman’

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Albert Mountain Sunrise

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[with 3 poems by Kathy Ackerman]
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Heritage Lost
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Hills are keening,
yellowed voices of serious photos
call me home to “precious memories,
how they linger,
how they ever flood my soul.”
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How in a displaced caravan
we went to lay her down
in shining soil,
flecks of coal on shovels
in the hills of familiar gravestones.
It had to be that church,
that pastor’s family name,
Rock of Ages, Beulah Land.
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How odd to call it home and feel it so
without a waiting bed of down
to follow the wake,
all of us gone north for good,
except for this.
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How we walked between
the railroad and the shallow ditch
collecting tadpoles in a pail
we’d flush in the motel’s aqua bathroom
because I would not understand.
Death, a newborn slippery thing.
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How the stone had to be a heart
to bear the name of Mother,
how the heart had to be a stone
to be left behind
in its rightful place
in the hills near the church
near the home place bought by strangers.
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We packed the memories once again
in bursting overnight bags,
left the motel beds unmade,
because we could
and settled into our procession.
CB radios, Thermoses, Styrofoam,
we headed back up north
to our factories, unions, high schools,
without looking backward.
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Kathy Ackerman
from Coal River Road, Livingston Press, The university of West Alabama; © 2013
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❦ ❦ ❦
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Where is home? Is it a house number, 1074 Marcia Road, a side yard, fence, and oak tree I can still see as clearly as when I was 10? I could walk right through the carport sixty years later and show you exactly where we buried my hamster. Or is home a garage full of cardboard boxes and bric-a-brac from four other homes of parents and grandparents, houses you only spent a few dozens of nights in altogether? Is home the towns those houses occupied? The states?  Whose home is your home? Whose place is yours?
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I was barely four when we moved from Niagara Falls to Memphis. Not until years later was I able to piece together the stories of my parents’ migration, how they drifted together across those red clay counties of piedmont North Carolina, then pinballed via Atlanta to New York before birthing me. All my solid early childhood memories abide in those eight years in Shelby County, Tennessee, that little four-square subdivision on the outskirts of Memphis.
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Then we moved. And moved again. The sixth graders in Delaware mimicked my accent and immediately nicknamed me “Memphis.” It doesn’t take long for a 12-year old to figure out how important it is to fit in. For the next couple decades I can now see that I lived as if the place I was staying would never be the place I stayed.
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Here in the rural South, when you meet someone new question number one is not, “What do you do?” but, “Where are you from?” One longs to fit in; one doesn’t want to whack the conversation with an axe by replying, “New York.” I invented my stock answer right quick: “Both of my parents are from North Carolina.” Subtext: “I want to be from North Carolina. I want you to let me be.”
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I have now lived exactly 70% of my entire lifespan in North Carolina. NC driver’s license, NC property taxes, kids born in NC, grandkids too. Maybe being almost from here is an advantage. Every new state park we visit, every historical factoid, every endemic flower species I learn, every third generation progeny of a friend I greet while out walking – I tally them all securely in my calculus of belonging. Way back when Linda and I arrived in Durham a week after we’d married, a month before I started med school at Duke, we just assumed that in four years we’d be moving back to Ohio to be closer to her huge family. Now it’s been fifty-one years in The Old North State, forty-four of those in rural Elkin in rural Surry County. Lately we’ve started talking about downsizing, moving somewhere we can age in place through to the end of our allotted spans. Linda says, “You know where I’d really like to live?” Oh my God, is Ohio still calling her? Is the place we’ve been staying never to be the place we stay? She looks at me level, no joking here. “Winston-Salem.”
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Well, I guess we are from North Carolina. It’s nice to be home.
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❦ ❦ ❦
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Cul-de-sac
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From Coal River Road to White Mist Lane
is more than forty years,
several hundred miles
as the crow truly flies, one point to another,
and sometimes back,
no straighter than a crooked river
wrecked by mines.
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Here the landscapers claw in stony earth
to sow some seed
while wings of straw fly it away.
My lawn’s a futile thing
where rocks and trees should be.
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I stoop to gather stubborn stones,
pretend I do it for the grass,
but in their quartz and granite peaks
admittedly ground to bits by time
I find the mountain of my blood
and hear the ancient syllables spilled,
silenced now by cul-de-sac
and swaying Mylar storks,
a neighborhood of strangers
increasing overnight.
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Kathy Ackerman
from Coal River Road, Livingston Press, The university of West Alabama; © 2013
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❦ ❦ ❦
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Linda spots the book on top of my pile, next in queue for reading, and its title speaks right up and makes its demands known. “We need to save this one for Jodi.” Who was born in Ohio but lives in coal country, and whose career has been to tell its stories as naturalist and interpreter in the New River Gorge near Beckley, WV. Indeed, I’ll share it with Jodi, this book I bought from a friend whose poetry I’ve admired for many years, whom I’ve come to know better through the North Carolina Poetry Society Board, and whose more recent book I featured here three years ago. Now I open the book, though, and out spill the connections and intersections. Kathy, just up the road there at Isothermal Community College, I never realized we’ve come from the same place!
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Kathy Ackerman grew up in Ohio (like me, at least from 8th grade on) far from her birthplace and her family’s heritage. In later years she has mainly visited the old home state for funerals, but the landscapes, place names, family memories, and fortunes (or lack thereof) of West Virginia are the palette from which she paints these poems of Coal River Road. This collection is yearning for home, but home is something slippery and out of reach. A bright fleck in a stone might remind her of the mountain in her blood, but returning to stand on the that mountain she discovers a hint of strangeness and regret. Perhaps the yearning itself is home, the uprooted and cast adrift feeling that keeps a person looking for something solid, for something that means.
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I identify with these poems. Kathy uses imagery and memory not just to disclose the past but to define the present. She can only be the person she is because she’s traveled the twisting roadways through old hollers and coves as well as the West Virginia Turnpike straight up to Ohio’s new sown lawns. And finally I-77 South. Although Kathy Ackerman didn’t settle in this state until a full ten years after I did, I can assure you that she is from North Carolina.
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Coal River Road by Kathy Ackerman is available from Livingston Press. Her more recent book is Repeat After Me from Redhawk Publications (2022).
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❦ ❦ ❦
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Whitesville, WV
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Because we never had the conversation
I am following a hearse that winds
down Coal River Road toward Whitesville.
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How to say irrational to bury you here
in the only land we own outright,
owned for generations
though none of us can visit your grave
in less than a day.
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These plots foreshadow the ending
no matter the story you wanted to tel.
you never wanted to return, like this or not.
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You’d cringe to see this dingy place,
smelling of rot as if what remains
of the Big Coal River
seeps in each night while the corpses await
their faraway bereaved.
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For once, I’m relieved to by unromantic.
That body is merely a souvenir
a keepsake – you wore it every day.
Symbol. Skin. Form.
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I am relieved to know you’re not really here
though there’s nowhere else for us to go
to pay our respects. It is not respect
that brought you here, but silence,
the failure to make a better plan
because you never learned to say goodbye.
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Kathy Ackerman
from Coal River Road, Livingston Press, The university of West Alabama; © 2013
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❦ ❦ ❦
Doughton Park Tree 2020-09-08b

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[with poems by Joan Barasovska and Kathy Ackerman]

Everything or nothing. The radio is off. The screen is frozen. The refrigerator snores. The clock won’t tick any faster, any slower. In an hour we leave for Raleigh to see our grandson (backyard, distanced, masked) but right now nothing is happening

I’m no good at nothing. If I wake in the dark my brain whirls venom trying to bite its tail. Where is dawn’s blessed peace? If I take deep breaths, watch the feeder, daily agendas begin to scroll down the back of my cornea. How many seconds after emptying myself before I fill back up with everything?

We are entering the season of nothing. The azalea may feint a few off-season blossoms but will we ever bloom again? We are in the season of waiting. Where is the so fragrant earth we lost so long ago? Where is the muscle and spunk of summer that convinced us we might carry through? The season of turning. What justice like waters, what righteousness like an ever-flowing stream? When? How do these shortened days stretch so long?

In the woods, something is happening. Orchids are making sugar. How have I missed that? One species will bloom in May, the second in August, but their leaves are now. Their delicate little tenacious tough-ass corms swell all winter waiting to rocket up a spike of summer flowers into a leafed-out overshaded world.

Something is always happening. Something is deeper than those scrolling agendas. Something in the world and something behind my optic chiasm in deep matter. Something that maybe wants me to be still and notice. Something to hope for, to wait for, to go forth and meet.

There is no nothing. It’s all everything.

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These two poems are from Kakalak 2020, the annual anthology of Carolina poets. It is an eclectic volume – conversational, confessional, contemplative. Not as many COVID poems as I expected but wait until 2021.

The poems by Joan Barasovska and Kathy Ackerman speak to me of the winding thread that connects our past to our present. Knots and tangles, yes, but also a lashing to secure us in the lashing storm. The something that is happening every day is us becoming human.

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Cranefly Orchid, Tipularia discolor

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Her Breath

Mike and I exchange a glance
over her cooling body.
Our eyes are dry.
Elsie wears a faded housedress
with a pattern of flowers.
Thirty minutes ago
an aide crossed
her swollen hands.

All morning we sat waiting
while Death rattled her.
She died in the afternoon
while we were out walking.
Our mother took a slow
rollercoaster ride to this day,
dragging us with her on
every shivery dip and climb.

Back from the dead,
Mike said when she woke
from a coma, angry to find herself
in a clean hospice room.
She raged until he put her back home.
Frail, sick, ninety-three, hanging on
ten hears after Dad’s death.
She scolded me yesterday.
I was late for lunch.
I had forgotten to pick up her mail.

Their old bed had been replaced
by a narrow hospital bed
rolled in the hospice workers
while she fumed in the living room
and I boiled water for tea.
Now her jaw is slack,
her last silent treatment.
Above her head hangs
a sad-eyed portrait of me at nine,
painted in blues and grays.

Mike and I are limp with relief.
the secret of Elsie’s anger died with her,
but it was probably sadness.
We are second-generation Americans,
inheritors of the sadness seed.

This mother
lying flat between us
birthed me sixty years ago.
With her last breath,
She’s in a better place
and so am I.

Joan Barasovsaka, Kakalak 2020, Main Street Rag Publishing Company

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Adam-and-Eve Orchid, “Puttyroot,” Aplectrum hyemale

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Misnomer
for Goliath, my father

i.
This story begins when I believed every word my daddy said.
Honeysuckle, he called them, tending the cuttings
that go all the way back to Rock Creek 50 years,
Aunt Gracie’s yard in the hills where I never lived.

Honeysuckle was all I had to root me to that ancient soil,
so every home I bought I planted some
from Daddy’s supply, rooted in plain clear water.
I wondered why it had no scent, was not a vine,
was pink, for crying out loud.

Now shopping for plants for house #5,
I see the truth in 5-gallon pots before me:
Weigela.

I imagine old Aunt Gracie shooing my father away
from her quilting or canning or sitting alone.
Go cut back that honeysuckle
before it swallows up the outhouse.

Later, seeing his mistake, she didn’t correct him –
a name is just a name –
Grace just glared at tiny Goliath
so proud of his mound of pink and green
already wilting

while the roof of the outhouse
still plushed with yellow sweetness
he’d confuse for 80 years
with a plant that belongs
to the same family, after all,
but so much harder to say.

ii.
Start me some honeysuckle, Daddy, I blurt out
in one of awkward lulls.
I want to imagine his hands on the branch,
the snip of sprigs of coal country
where Gracie’s old feist
barked me all the way to the outhouse and back
when I was too small to know
how hard it is
to keep what lives alive.

Kathy Ackerman, Kakalak 2020, Main Street Rag Publishing Company

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Let justice roll down like waters, and righteousness like an ever flowing stream.
Amos 5:24

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2019-02-09 Doughton Park Tree

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