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Posts Tagged ‘Ecopoetry’

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[with 3 poems by Catherine Carter]
 . 
Good morning, unseen
John-John was back from college and told Moses that 99 percent of
the matter in the universe is invisible to the human eye. Ever since,
Moses made sure to greet what he could not see.
        –“A Good Story,” Sherman Alexie,
The Lone Ranger and Tonto Fistfight in Heaven
 . 
Good morning, bacteria
breeding in my coiled gut,
your endless collective of many
the true core of my one. Good
morning, yeasts fermenting
diligently away at all my crevices
and folds, and magnetic field
of gravity which grounds me so close
to this home planet, your pull connecting
the water in this flesh with the drag
of the moon beneath these feet.
Good morning, hairs of fungi
connecting tree to tree and all
earth to all other earth. Good morning,
trails of mouse urine
through the multifarious paths
of grass, which to the vision
of the hovering sparrow hawk glow
ultraviolet, forming arrows
which point the way to the door
of the soft grass-lined burrow.
Good morning, possum crushed
by the roadside, visible but
from which most eyes flick away,
your unseen atoms already
disaggregating to take on fresh
lives as fly larva, carrion beetle, silver
flash beneath the flight pinion
fo the black buzzard, the death-
devourer. Good morning, unmet eyes
of Maria, whose home is this
intersection’s northeast corner;
good morning, ongoing anguish
of the lumbar vertebra fractured
in the stockroom job where she
broke and was fired for breaking;
good morning, urgent grip
of the bowels she must walk
a mile to relieve from this corner
where she stands with her sign
hoping for change that won’t come.
And good morning, unrecorded
conference called in a corner suite,
which even now is about to close
the shelter where tonight she hopes to sleep.
 . 
Catherine Carter
from Good Morning, Unseen, Jacar Press, Durham NC; © 2023
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❦ ❦ ❦
 . 
Not secret. Not hidden. Neither cloaked nor covert, simply not seen. These are the glimpses of my mother’s life I am getting since she died. No tremors from within locked strongboxes, no heart attacks delivered by anonymous post – simply the small bright fragments of her unseen life. The bits not dependent on her being Mom to me.
 . 
I’m paying more attention to the glimpses because I don’t have Mom beside me on the couch any more, although she was never one to draw attention to herself anyway. Here they come, all these versions of my mother through the years, fragmentary visions arriving in photos I’ve glanced at in the past but never really examined. Here she is on her bike, smiling, maybe ten years old; here’s that very same smile again at another age, at every age. What confidence, what honesty! So open. A real person smiling at me.
 . 
Today I’ve found her college annuals – do universities still publish such things? Do people still save them for 75 years? Here’s Mom with the other officers of her Freshman class, 1946, and she the President. I never knew! As a Junior her she is at the centerfold – with a dozen friends – from their listing in Who’s Who in American Universities. The two women beside her remained her friends for life, names even I recall her mentioning. Such a full, rich world Mom inhabited. So many worlds.
 . 
In a few weeks we’ll hold Mom’s memorial service and I’ll no doubt hear even more stories of her unseen life. Already Linda’s youngest sister has told us how she loved Miss Cookie as her Kindergarten teacher. Linda and I were already away at college; the only glimpse I had of Mom’s teaching life was when she brought the gerbils and ducklings home from her classroom for holidays. I wish I’d had the curiosity and imagination to follow her around her world for a few days. But no – she was just our Mom.
 . 
Grief is the empty place beside me on the couch that becomes the empty place inside. I try to fill it with memories, all those moments I’ve known and seen, but they aren’t nearly enough. Where to find more? Show me everything I missed before so I can try harder to open my eyes. Show me every bright fragment. Good morning, Unseen.
 . 
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❦ ❦ ❦
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This Stone
 . 
This stone is a particular stone,
mica-flecked lichen-splotched quartz-
veined hunk of granite hunched
by the side of the road where I climb the cove.
It has a history; it has been places.
It knew the molten earth-heart
and the grind of the glacier.
It gouged grooves in the flesh
of this world as gravity dragged it down.
It crushed small plants in its path,
and offered a matrix to lichen,
coolness to soil in the heat of the day,
shelter to mushrooms, midges, mice.
This one particular manifestation
of all that rockness,
created in fire, is still
joining in creation,
participating in being. It has known
billions of mornings; this one
is new. Though it will not answer,
I nod to it as I pass, and, if no one
human is there to hear, I speak:
good morning, you one
rock exactly like no
other. Here we are again,
short life and long one
brushing past each other beside
this road of crushed and broken
stone. Good morning,
spirit of earth, on this one morning
here on earth’s stony flesh.
 . 
Catherine Carter
from Good Morning, Unseen, Jacar Press, Durham NC; © 2023
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❦ ❦ ❦
 . 
Beyond perception as well as beneath notice, these are the unseen in Catherine Carter’s Good Morning, Unseen. The bacteria in our gut upon which our lives and health depend. The homeless woman who might once have thought she could depend on the lives around her. Noticing the ignored and overlooked and essential: Catherine’s piercing images and mind frothing metaphors bring all into stark relief. These poems are revelation.
 . 
How did I miss that? Why am I only now first seeing? Unseen is the dirt that bears me up, unseen is sunlight fusing itself into wood. Glad may be the cat in coyote country but Magic is one man opening the door to one small apartment as refuge. It’s all around us, always has been. The first commandment is “pay attention.” Forgive us for how often we have sinned.
 . 
 . 
Catherine Carter’s Good Morning, Unseen is available from Jacar Press.
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❦ ❦ ❦
 . 
The unseen says
 . 
from the magnolia I wave to you through the wind,
my dark leaves quivering in the glitter of winter
sun, though I knew you would not see.
As the dog I rest my chin on our bed,
tell you it’s safe to wake, as you shudder with the fear
and despair you clutch so close.
Under your feet as the dirt I bear you up;
as the air without which you cannot live
two hundred seconds, I lift your rigs again, again,
seven hundred million times, never wearying
until you do. As the sunlight I fuse myself
into wood, bursting forth again in flame;
as the rain I show you safe passage, falling,
seeping, leaping through my selves the clouds and the sea.
As you breathe, as you drink as you stretch cramped hands
to my electric coil, toast me in the bread, you ask
whether I’m even here, or forget to ask.
Refugee on the long road, back bent
with the treasures you lug, the fears you haul:
lay down the weighted silver, your grandparents;
plate and grief, let home evaporate behind you,
unbind the albatross corpse festering your neck.
Set it all down. Be free of it,
and take my hand in yours. With a second hand,
and a third, I pipe for you now:
just for a moment, dance.
 . 
Catherine Carter
from Good Morning, Unseen, Jacar Press, Durham NC; © 2023
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❦ ❦ ❦
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 . 
[with 3 poems by Les Brown]
 . 
Pause
 . 
I placed my hand on the moon
++++ to keep it from its course,
to stop time in the comfort of night
++++ when sleep subdues sounds
of machines and urgent voices.
++++ Starlight and still moon
are enough to guide my stroll.
++++ I cross the meadow
among sparse trees,
++++ where snowy crickets cry fast
with time kept by heat
++++ of past day’s searing sun.
I lie down and listen
++++ for the whippoorwill
whose call is rare now,
++++ watch fireflies wink love calls.
I will hold the moon until
++++ the world stirs and wonders
why the night endures,
++++ with dreams of Earth
where fires do not rage,
++++ floods do not drown,
spiraling winds cease,
++++ oceans retreat from shores
and the cricket cries slow
++++ once again.
 . 
Les M. Brown
from A Coming of Storms, Main Street Rag Publishing, Charlotte, NC; © 2024
 . 
❦ ❦ ❦
 . 
Light rain in the woods, droplets coalesce and cascade through the upper canopy, tuliptree, oak, & hickory, until they freefall onto our heads and shoulders. A fat drop flicks a browned leaf or blinks in the duff. We imagine small creatures leaping up from the earth and then they do! Angel-winged insects are bobbing up and down to touch the fresh damp with the tips of their abdomens, animated by moisture. Linda watches one female Cranefly, notices nearby a delicate floral spike with angel-winged florets, and says,  “Look, it’s planting orchids!”
 . 
Cranefly Orchid and Cranefly, so like each other, elongated nectar tube of the flower resembling the long abdomen of the insect ending in its ovipositor, but so unlike! Except in our visual imagination they’re not related at all . . . or are they? Both favor moist woodlands with a nice layer of decomposing vegetation. Both reproduce in midsummer, by bloom and seed or egg and larvae. Both look a little creepy if you’re not fond of long spindly legs.
 . 
Altogether unrelated, entirely different Kingdoms – Animalia and Plantae – and yet these two are related ecologically, if simply by the places in which they thrive and by the company they keep. They live in community. But mightn’t  the relationship go deeper? All living creatures on this planet are genetically related; we share many of the same genes for  basic functions like metabolism, DNA replication, and protein synthesis, share them with every bacteria, archaea, fungus, protist, and plant. Compare the genome of any plant – Cranefly Orchid – and any animal – Cranefly – and you’ll discover hundreds of identical genes. It’s one big family tree, this Kingdom Earth, with some pretty twisted and winding branches, and yet all connected to the same trunk.
 . 
 . 
Alas, the Cranefly is not planting orchids. She’s laying eggs in the moist duff; they’ll hatch into larvae called leatherjackets. She doesn’t care a whit for her namesake orchid, which is pollinated by Owlet Moths (Noctuidae). The Cranefly Orchid’s tiny flowers twist either left or right as they progress up the stalk (raceme), so that as the moth’s long proboscis probes the nectar tube she gets a dusting of pollen on one or the other of her large compound eyes. And carries it with her to the next flower.
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❦ ❦ ❦
 . 
Mayfly Swarm
 . 
Night on the Pearl River, steaming warm –
our small boat pierces the tunnel of blackness.
Beams of head-bound lights play
across the dark slow current.
 . 
We tease out an occasional moccasin,
quiescent in boughs of bald cypress.
Lock on bright-lit eyes of river frogs,
the hungry raccoon eating a mussel.
 . 
The motor pusher our johnboat upstream –
Suddenly, a blinding blizzard
of white-winged snow rises.
Shimmering mayflies fill the blackness.
 . 
They are in our eyes, nostrils, mouths, ears,
and hair, an erupting silent lace-winged storm.
Millions rise in singular ecstasy, then die.
Their gossamer bodies blanket the river.
 . 
Fertile eggs drift into black depths.
Frog, fish, and bird devour the dead,
a one-night feast, a gift, a magic cycle
of lovers, death, and satiated flesh.
 . 
Les M. Brown
from A Coming of Storms, Main Street Rag Publishing, Charlotte, NC; © 2024
 . 
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❦ ❦ ❦
 . 
Les Brown’s new book, A Coming of Storms, has plenty of vivid and hair-raising (literally) descriptions of black cumulonimbus monsters plowing down the mountainside to batter us with hail and impale us with jagged barbs of lightning. The storm he’s really warning us of, however, is metaphorical and of our own making: the devastation of Planet Earth by that most destructive invasive species, Us. Among these poems are Lamentations for the now diminished towns and farms where our lives were once so rich, Jeremiads proclaiming the dire future we’re creating for ourselves, and the Psalmist’s tender recollection of family homestead, tender sojourns in nature, and all the smells and tastes and feel of our fertile world at its best.
 . 
Les has all the necessary credentials of a prophet. He grew up in the rural mountainscape of North Carolina; his poetry is most poignant when populated by his grandparents, uncles, neighbors. He earned a Ph.D. in Biology and taught ecology to college students all his working life. He himself feels most personally and pointedly our loss of unspoiled fields and forests, our disconnection from the earth that sustains us. I wish he were here beside me this afternoon so we could both get our knees dirty investigating Cranefly Orchids and Rattlesnake Plantain. I’ll be looking forward to his next observation, and holding my breath for a cooling breeze of hope.
 . 
 . 
A Coming of Storms is available from Main Street Rag Publishing.
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❦ ❦ ❦
 . 
Think seeds, not bullets
 . 
++++ melons instead of bombs.
Drink wine, rest a while
++++ instead of scorching earth.
Rip off epaulets
++++ and but on bedroom shoes.
Call mothers. Tell them
++++ their children are safe
Revere the earth,
++++ cool it.
Grow chanterelles,
++++ not mushroom clouds.
Bend barrels
++++ and weld triggers
into metallic art.
++++ Read a different Good Book.
Let only birds tweet.
++++ Read only magazines
instead of loading them.
++++ What is beneath the skin
of an apple?
++++ It is a simple question.
 . 
Les M. Brown
from A Coming of Storms, Main Street Rag Publishing, Charlotte, NC; © 2024
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❦ ❦ ❦
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 . 
Doughton Park Tree 2014-07-13

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 . 
[with 3 poems by Hilde Weisert, plus Wilfred Owen]
 . 
Imagination Itself
 . 
++++ To the eyes of a man of imagination,
++++ Nature is imagination itself.
++++ ++++ — William Blake
 . 
Who needs half a million unpronounceable forms of life
Half a world away? Ah, you do, they say,
And enumerate the ways:
++++ Glues, dyes, inks,
++++ Peanuts, melons, tea,
++++ Golf balls, paint, and gum,
++++ Mung beans, lemons, rice,
++++ And a fourth of all the medicines you take,
++++ And a fifth of all the oxygen you breathe,
++++ And countless life-prolonging secrets their wild cousins know
++++ to tell the Iowa corn and the garden tomato.
++++ And if that’s not enough, think of rubber —
++++ and where we’d all be, rattling down the interstate
++++ on wooden wheels.
 . 
And that’s only the stuff we know how to use,
And that’s only the half-million species we know how to name.
 . 
And in the time it took to tell you this
Five thousand acres more are gone.
And by the time that this year’s kindergarten class
is thirty-five, most of what is now alive —
 . 
But wait. What if — what if this deluge of mind-boggling
statistical connectedness were, true as it is,
only the least of it? What if the real necessity
were of another kind, the connection
 . 
Not with what you consume, or do, but who you are?
 . 
With your own imagination, the necessity there
of places that have not been cleared to till,
of the luxury of all that buzzing in the deep,
of a glimpse of feather or translucent insect wing
a color that’s so new it tells you light and sound
are, indeed, just matters of degree, and makes your vision hum
 . 
And makes you think the universe could hum
in something like the wild, teeming equilibrium
of the rain forest.
 . 
Hilde Weisert
from The Scheme of Things, David Robert Books, Cincinnati OH, © 2015
++++ originally published in THE SUN, Chapel Hill, NC
 . 
❦ ❦ ❦
 . 
Semi trailer in the right lane, speed almost matched, I can’t see green flashing past its far shoulder and the close cropped median is no consolation. Another morning driving to Winston to care for my parents, often a highway hour of calm & reflection, but today none of that. The hugeness of the truck, how much steel and rubber son to squat corroding and stinking in a back lot; the miles of asphalt and concrete, how much of the world we have eaten and smothered; myself no better than any, spewing carbon, cranking high this premature heat of summer – what is this world we have so mangled?
 . 
Linda and I caught a whiff of dead thing two days ago. Cool morning leaving for church then on to Duke Gardens for an outing, just a faint premonition of amines and putrefaction. Pre-stench. That night stronger when we returned too tired to seek its source near the driveway. Yesterday pungent but impossible to pinpoint. I didn’t want to find it. The bluebirds all weekend had been fretful and flighty around the birdhouse, bringing insects less frequently although chirping still audible inside. No chirping yesterday morning. Had the fledglings flown? Or . . .? I didn’t want to see what I feared in the nest.
 . 
This morning the dead scent is a shroud of grief. I need to leave for Winston right now but first I walk the drive’s margin sniffing like a reluctant hound. It comes from everywhere. The compost heap? Down the hill, a dead rabbit or squirrel? I’m avoiding the birdhouse. When I reach it, though, I suddenly know. We couldn’t see from the porch but at the back of the post in webbing I tacked up to deter snakes is one. A large black rat snake.
 . 
So to save the eggs, the nestlings, I’ve killed a beneficial serpent. One just like all those I’ve swerved to avoid running over, one that no doubt has contributed to the absence of copperheads on our property. One I should thank, not destroy. The bluebird parents we saw were mightily upset by him even though he could never reach them. No feathered visitations this morning, no chirping. Have the young ones flown? Or for fear of the snake did the parents abandon the nest?
 . 
I will know when I clean out the birdhouse. But I can’t make myself do it this morning.
 . 
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❦ ❦ ❦
 . 
Ars Poetica
 . 
“I learned to talk from my mother,” I said,
and was startled: Doesn’t everyone?
But “learned from” –
as if it were playing the piano,
or making the sylsalat at Christmas?
But it was: Her speech,
invented for me, her patience
letting my mouth and tongue
work the vowels, open
and open, then clench consonants
hard in my teeth, all nibbled edge,
and me still making of it a gibberish,
a babble; a glottal soup,
a drool;
 . 
My answering nothing but a rhythmic rumination
of nonsense syllables. But she kept on,
now a whisper, now a song, and in a while
the words became words: Epitome
and punctilio, modicum
and masterly; plenty of slang
like vamoose and delish, and play
in the “Ditto” that either one
could say, and smile, (our secret).
 . 
This language of the days
of our small world, dangled from,
rolled in, colored and toddled,
and finally slept on , a pillow,
the sun,
 . 
Is now so many vocabularies ago, fields
of cultivated speech –
 . 
But with this odd sentence I remember
what came first,
the ravishing world she made
me take, word by hungry word,
and how much more there is to tell
in our original language.
 . 
Hilde Weisert
from The Scheme of Things, David Robert Books, Cincinnati OH, © 2015
 . 
❦ ❦ ❦
 . 
As Hilde Weisert read from The Scheme of Things recently at McIntyre’s Books near Chapel Hill, I was captured in the net of imagining that she cast over her audience. For those few minutes I lived in new places and thought new ideas. Now reading her book straight through has expanded and reinforced that experience. I find it remarkable that poems that criss-cross so many years and so much distance can feel entirely local and present.
 . 
Each of the five sections – Three Stars; The Truth of Art; Skylark; Away; Where We Were and What We Were Doing – is a book unto itself. Each section weaves threads to create an entirety. Three stars: New York, Paris, Budapest, and the family relations that occupy them. The truth of art: language, science, learning to speak. Skylark: jazz, baby, jazz! Away: youth and age, what we lose, whom we lose. Where? This earth, this world, this stumbling life and all we might miss and all we might claim.
 . 
Hilde has lived many lives, it seems. Thanks to writers of books, thanks to poetry, you and I may live many lives as well.
 . 
 . 
More about David Robert Books and The Scheme of Things HERE
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❦ ❦ ❦
 . 
Finding Wilfred Owen Again
 . 
Our college love affair was doomed
like all the romance I outgrew at twenty;
trench warfare’s mad embrace be damned
along with Buffy Sainte-Marie and Nietzsche.
++++ And anyway, the war in Vietnam was ending.
 . 
For decades he lay silent in a book,
moved from Brooklyn to St Louis and LA
with curling snapshots, silver rings turned black
the mildewed albums I will never play.
++++ I left him to his war; our war had ended –
 . 
Until I call, the offhand way you do old flames
(as if you hadn’t kept their trail of numbers)
when something big has changed, or Armageddon looms.
(Shamed moment: Was it Rupert I remembered?
++++ Romance imagined?) Not now: War has descended –
 . 
distant and mine. I”m dazed, feckless, as lost
as my lost country. So I come here,
to find myself standing on shattered ground he blessed
with full eyes ninety years ago and hear
++++ him tell another time how war must end
 . 
in this fell field, on this dark page. The night
opens, closes, opens, a swinging sulphur rhythm in the flare
igniting each line end, the faces lit
and then eclipsed,
but always bright the names.
 . 
Hilde Weisert
from The Scheme of Things, David Robert Books, Cincinnati OH, © 2015
 . 
❦ ❦ ❦
 . 
Anthem for Doomed Youth
 . 
What passing-bells for these who die as cattle?
++++ — Only the monstrous anger of the guns.
++++ Only the stuttering rifles’ rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
++++ Nor any voice of mourning save the choirs,—
The shrill, demented choirs of wailing shells;
++++ And bugles calling for them from sad shires.
 . 
What candles may be held to speed them all?
++++ Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
++++ The pallor of girls’ brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.
 . 
Wilfred Owen (1893-1918)
 . 
❦ ❦ ❦
 . 
Doughton Park Tree 4/30/2022
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