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[with 3 poems by Regina YC Garcia]
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Maybe God is the Moon
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Maybe it was the Moon
that bore me up
placed me on its Moon back
when my light was low
so low I could not speak,
could not utter, when I was
sliced and excluded from
my own voice.
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Maybe it was the Moon that
circled me through stages,
plunged me into cold and
silent darkness, turned me away
from the light of a prideful sun,
shocked and awakened my skin,
nestled me in craters where my
breath did not matter, allowed me to
emerge in stages so that I,
perched high, could witness that
indeed, the wages of living is Death,
paid early or late, and the tides
will live longer than I
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Maybe it was the Moon that tenderly
slid me down its beam back into the fray
reminded me of how to walk, to hide, to emerge
to cry for, to try to find a
human space of other MoonMadeOvers
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Maybe it was the Moon that reanimated
my soul, filled it with purpose, taught me
how to line this pathway back to wherever
I need to be . . .
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Regina YC Garcia
from Whispers from The Multiverse: Poems from the AfroDeep, Willow Books, Aquarius Press; © 2025
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❦ ❦ ❦
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With every passing year we know there is more we don’t know. We have made better and more detailed maps of the surface of the moon than we have of the floor of our own oceans. When we look out into the cosmos we aren’t certain whether it would look the same to any observer from any different space or time, and we wonder: do the same laws of physics apply everywhere? The stuff that makes the sun and the earth, that makes felines and fish and blackflies, that makes oak trees and brain cells, the “ordinary matter” of atoms like Carbon, Hydrogen, Oxygen, and all those other elements, all that stuff only adds up to 15% of the matter in the universe – what is the other 85%?
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The word galaxy derives from Greek, the same root as galactose, milk sugar: the Milky Way, our home sweet home. In the 1960’s astrophysicist Vera Ruben and her collaborator Kent Ford build the most advanced cosmic spectrograph to date. They used it to measure the spins of distant galaxies, their rates of revolution. The data didn’t add up. When Dr. Rubin estimated each galaxy’s mass (based on its luminous stars), it should be spinning far more slowly than their measurements showed. A whole lot of mass was missing. Were Isaac Newton and the laws of gravity wrong, or did the galaxy contain vast quantities of matter Rubin couldn’t see? Sixty years later and physicists still don’t know exactly what Dark Matter is — maybe WIMP’s (weakly interactive massive particle), maybe a proposed theoretical particle they named axion, maybe something even weirder. They know they don’t know.
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The Vera C. Rubin Observatory is now coming online in Chile. It uses the largest digital camera ever produced (3.2 gigapixels) to create wide-field images of the entire Southern sky every few nights as it pursues its LSST mission, the Legacy Survey of Space and Time. Besides mapping the Milky Way (perhaps in more detail than maps of our own oceans’ floor) it will study Dark Energy and Dark Matter. Tonight I’ll be reading the final chapters of Lonely Hearts of the Cosmos by Dennis Overbye. He follows the lives and discoveries of twentieth century cosmologists like Hubble, Sandage, Hawking, Rubin as they ask the big questions: How old is the universe? How big? How did it begin? What is it made of? And Why?! Astrophysicist Overbye wrote his book in 1991. With every year that has passed since then, I know there is even more that I don’t know!
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❦ ❦ ❦
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Brown Girls Jumping
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While seeing The Original Pinettes at Bullets NightClub, New Orleans, Louisiana
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I went to Louisiana
Me, a North Carolina Bama
& I found my power
in my hair
the hair that I shook
to an all-girl brass band
Yea . . . the baddest
The trumpets blared &
the tuba thumped &
the Brown girls jumped
& shook that hair &
didn’t care
if they had a little
a lot
or none
. . . didn’t care
what vile people said
Their manes were present
or invisibly gifted through
special dispensation from God
An aura just
flowing
around their shoulders
down their back
swinging
blowing
showing the world that
it doesn’t matter what people say
Their strength comes from some
ethereal
divine
supernatural
sublime force
cloaked in music &
revealed as a spirit
felt behind
closed eyes
tingling in
dancing feet &
snapping fingers
The train from their manes
envelops
endows
entreats
favor and power
See, if Delilah had really felt her own
She would have left Samson alone
For his emasculation did not lead to her divination
Swing your hair, Brown girls &
cast your cares
to that which protects & inspires
your own strength
Brown girls jumping
Music thumping in NOLA
Me, a NC Bama on a holiday mission . . .
taking two fish, a few loaves
and a little hot sauce . . .
Hands folded in prayer . . .
. . . praying that this holy meal multiplies
before my season ends.
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Regina YC Garcia
from Whispers from The Multiverse: Poems from the AfroDeep, Willow Books, Aquarius Press; © 2025
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❦ ❦ ❦
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Regina Garcia is a Black Whitman. She summons and channels the ancestors – within her there are multitudes. She sings the Black body electric. Songs loud and joyful, songs longing and plaintive, elegy and celebration and prophecy all flow from her pen. The voices that whisper from the multiverse crack open dimensions and crack our minds open to reveal a person, a family, a people leaping to reach for our hands and dance us into new knowing. Before I read Whispers from The Multiverse, I pattered along in a different cosmos. I am now filled with joy to have crossed into this real one.
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Read more about Regina YC Garcia and Whispers from The Multiverse HERE, and order your copy from Willow Books/Aquarius press HERE.
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Regina’s written and video poetry has been published widely in a variety of journals, reviews, compositions, and anthologies such as South Florida Poetry Journal, Main Street Rag, The AutoEthnographer, Amistad, The Elevation Review and others. Her poetic work for The Black Light Project, a documentary focused on real and often untold narratives of African American males in the United States, was featured on a Mid-South Emmy-Award winning episode of PBS Muse. She teaches English and is the Coordinator of Global Programs at Pitt Community College in Winterville and Greenville, North Carolina.
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flower

Stellaria pubera – Star Chickweed

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Windsor of the Water
The Truth and Speculation of Windsor Wade
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Sea misted brown skin
skirted the winds and battled the waves
that he might see a glorious
future despite his inglorious condition
. . . that his conscription to pulling nets
would not be for naught
thinking beyond bondage and living beyond
shackles . . . H would see Shackleford Banks and Jack’s
Lump as victory for himself . . . . . . for his family
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. . . and so from Windsor to Nancy to
Rachael to others to me . . .
We still sing the victory
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Ancestral voices still trill in the wind
as today, the wild horses run unfettered, free
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Regina YC Garcia
from Whispers from The Multiverse: Poems from the AfroDeep, Willow Books, Aquarius Press; © 2025
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❦ ❦ ❦
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The Cosmological Principle states that the universe, when observed at a large enough scale, is homogenous – smooth, not lumpy – and that the properties of the universe are the same for all observers. In other words, the laws of physics operate the same in every part of the universe and the universe is not just playing with us when we try to observe it.
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Doughton Park Tree 4/30/2022

1074 Marcia Road

IMG_4192_crop

Albert Mountain Sunrise

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[with 3 poems by Kathy Ackerman]
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Heritage Lost
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Hills are keening,
yellowed voices of serious photos
call me home to “precious memories,
how they linger,
how they ever flood my soul.”
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How in a displaced caravan
we went to lay her down
in shining soil,
flecks of coal on shovels
in the hills of familiar gravestones.
It had to be that church,
that pastor’s family name,
Rock of Ages, Beulah Land.
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How odd to call it home and feel it so
without a waiting bed of down
to follow the wake,
all of us gone north for good,
except for this.
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How we walked between
the railroad and the shallow ditch
collecting tadpoles in a pail
we’d flush in the motel’s aqua bathroom
because I would not understand.
Death, a newborn slippery thing.
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How the stone had to be a heart
to bear the name of Mother,
how the heart had to be a stone
to be left behind
in its rightful place
in the hills near the church
near the home place bought by strangers.
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We packed the memories once again
in bursting overnight bags,
left the motel beds unmade,
because we could
and settled into our procession.
CB radios, Thermoses, Styrofoam,
we headed back up north
to our factories, unions, high schools,
without looking backward.
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Kathy Ackerman
from Coal River Road, Livingston Press, The university of West Alabama; © 2013
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Where is home? Is it a house number, 1074 Marcia Road, a side yard, fence, and oak tree I can still see as clearly as when I was 10? I could walk right through the carport sixty years later and show you exactly where we buried my hamster. Or is home a garage full of cardboard boxes and bric-a-brac from four other homes of parents and grandparents, houses you only spent a few dozens of nights in altogether? Is home the towns those houses occupied? The states?  Whose home is your home? Whose place is yours?
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I was barely four when we moved from Niagara Falls to Memphis. Not until years later was I able to piece together the stories of my parents’ migration, how they drifted together across those red clay counties of piedmont North Carolina, then pinballed via Atlanta to New York before birthing me. All my solid early childhood memories abide in those eight years in Shelby County, Tennessee, that little four-square subdivision on the outskirts of Memphis.
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Then we moved. And moved again. The sixth graders in Delaware mimicked my accent and immediately nicknamed me “Memphis.” It doesn’t take long for a 12-year old to figure out how important it is to fit in. For the next couple decades I can now see that I lived as if the place I was staying would never be the place I stayed.
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Here in the rural South, when you meet someone new question number one is not, “What do you do?” but, “Where are you from?” One longs to fit in; one doesn’t want to whack the conversation with an axe by replying, “New York.” I invented my stock answer right quick: “Both of my parents are from North Carolina.” Subtext: “I want to be from North Carolina. I want you to let me be.”
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I have now lived exactly 70% of my entire lifespan in North Carolina. NC driver’s license, NC property taxes, kids born in NC, grandkids too. Maybe being almost from here is an advantage. Every new state park we visit, every historical factoid, every endemic flower species I learn, every third generation progeny of a friend I greet while out walking – I tally them all securely in my calculus of belonging. Way back when Linda and I arrived in Durham a week after we’d married, a month before I started med school at Duke, we just assumed that in four years we’d be moving back to Ohio to be closer to her huge family. Now it’s been fifty-one years in The Old North State, forty-four of those in rural Elkin in rural Surry County. Lately we’ve started talking about downsizing, moving somewhere we can age in place through to the end of our allotted spans. Linda says, “You know where I’d really like to live?” Oh my God, is Ohio still calling her? Is the place we’ve been staying never to be the place we stay? She looks at me level, no joking here. “Winston-Salem.”
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Well, I guess we are from North Carolina. It’s nice to be home.
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Cul-de-sac
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From Coal River Road to White Mist Lane
is more than forty years,
several hundred miles
as the crow truly flies, one point to another,
and sometimes back,
no straighter than a crooked river
wrecked by mines.
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Here the landscapers claw in stony earth
to sow some seed
while wings of straw fly it away.
My lawn’s a futile thing
where rocks and trees should be.
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I stoop to gather stubborn stones,
pretend I do it for the grass,
but in their quartz and granite peaks
admittedly ground to bits by time
I find the mountain of my blood
and hear the ancient syllables spilled,
silenced now by cul-de-sac
and swaying Mylar storks,
a neighborhood of strangers
increasing overnight.
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Kathy Ackerman
from Coal River Road, Livingston Press, The university of West Alabama; © 2013
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❦ ❦ ❦
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Linda spots the book on top of my pile, next in queue for reading, and its title speaks right up and makes its demands known. “We need to save this one for Jodi.” Who was born in Ohio but lives in coal country, and whose career has been to tell its stories as naturalist and interpreter in the New River Gorge near Beckley, WV. Indeed, I’ll share it with Jodi, this book I bought from a friend whose poetry I’ve admired for many years, whom I’ve come to know better through the North Carolina Poetry Society Board, and whose more recent book I featured here three years ago. Now I open the book, though, and out spill the connections and intersections. Kathy, just up the road there at Isothermal Community College, I never realized we’ve come from the same place!
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Kathy Ackerman grew up in Ohio (like me, at least from 8th grade on) far from her birthplace and her family’s heritage. In later years she has mainly visited the old home state for funerals, but the landscapes, place names, family memories, and fortunes (or lack thereof) of West Virginia are the palette from which she paints these poems of Coal River Road. This collection is yearning for home, but home is something slippery and out of reach. A bright fleck in a stone might remind her of the mountain in her blood, but returning to stand on the that mountain she discovers a hint of strangeness and regret. Perhaps the yearning itself is home, the uprooted and cast adrift feeling that keeps a person looking for something solid, for something that means.
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I identify with these poems. Kathy uses imagery and memory not just to disclose the past but to define the present. She can only be the person she is because she’s traveled the twisting roadways through old hollers and coves as well as the West Virginia Turnpike straight up to Ohio’s new sown lawns. And finally I-77 South. Although Kathy Ackerman didn’t settle in this state until a full ten years after I did, I can assure you that she is from North Carolina.
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Coal River Road by Kathy Ackerman is available from Livingston Press. Her more recent book is Repeat After Me from Redhawk Publications (2022).
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Whitesville, WV
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Because we never had the conversation
I am following a hearse that winds
down Coal River Road toward Whitesville.
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How to say irrational to bury you here
in the only land we own outright,
owned for generations
though none of us can visit your grave
in less than a day.
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These plots foreshadow the ending
no matter the story you wanted to tel.
you never wanted to return, like this or not.
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You’d cringe to see this dingy place,
smelling of rot as if what remains
of the Big Coal River
seeps in each night while the corpses await
their faraway bereaved.
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For once, I’m relieved to by unromantic.
That body is merely a souvenir
a keepsake – you wore it every day.
Symbol. Skin. Form.
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I am relieved to know you’re not really here
though there’s nowhere else for us to go
to pay our respects. It is not respect
that brought you here, but silence,
the failure to make a better plan
because you never learned to say goodbye.
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Kathy Ackerman
from Coal River Road, Livingston Press, The university of West Alabama; © 2013
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❦ ❦ ❦
Doughton Park Tree 2020-09-08b
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[poems from BRILLIG: a micro lit mag]
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Ghazal for sunrise
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Wrens are first out of bed at sunrise. Their sharp warbled song suits the sky’s deep red at sunrise.
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Down the hill a deer slips out of mist. Then her fawn, ready to be fed, at sunrise.
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Then a fieldmouse, light as a wisp, climbs a spent coneflower with most careful tread – at sunrise
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The night’s winds are done. Above, only a last fading star, and a few clouds sill ragged at sunrise . . .
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I join this pause to which all things have led (at sunrise), I close my eyes on what he last said, at sunrise.
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Matt Snyder
from BRILLIG: a micro lit mag, Winter/Spring 2025
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Gravity is an illusion, a charade played out behind the scenes by matter as it warps spacetime. The illusion is complete within my deep never-spoken sense that somehow the universe ponderously orbits me. Where is my wider view? Long lens and tight focus blur everything except the center where for one moment light falls.
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Thoreau sits beside the pond for hours so long and so still that the otters have come to consider him simply a natural element within the universe they inhabit. They pursue their plashy play all about him unperturbed. When the otters finally leave for elsewhere, Thoreau walks to town to buy a pair of socks.
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Oh Mr. Lennon, my beloved, my idol, is life really what happens while you’re making other plans? Or is life the plans the universe has made for you whether you subscribed to them or not? Evidently the universe is not a bus you can hop off at the penultimate stop before you reach the bad side of town.
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I’m trying to figure this out. The mockingbird doesn’t shut up when my neighbor fires up his Terrafirminator and attacks the clover. Just sings louder, it seems. And me? An hour walking in the woods, sweat and deep cleansing breaths, but driving home I hear again that last snarling conversation and begin another rehearsal of its next installment in my head. I thought I might have hopped off that bus, but no.
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The titmouse perches above the peanuts I’ve laid out and squeaks and scolds with his head thrown back, ten iterations. Then he swoops down and pecks the hell out of them. What was he saying up there? “These are mine, bug off!” – or – “Hey world, good eats here!” What am I saying to the universe? Scratch that – what am I saying to myself?
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Vim
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Your clay pots are stacked into towers.
Stakes propped in the garden shed corner.
Out-of-use stuff claims off-season place:
a montage of tools ready to oblige.
+++++++++++++++++++++++++++ Regret
drops by every day, helps leisure select midwinter
pastimes. Our most-recent waltz only a twitch
in the calf on gray afternoons. So much
overlooked when we busy ourselves.
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I rake leaves wedged into fences. Sharpen tools
in case we plant again. Zest fallen out of favor,
the Almanac forecasts weather cycles, but desire
for a new garden is shelved.
++++++++++++++++++++++++ Verve fastened
behind the shed door, our pursuits dwindle.
Intuition must carry us through seasonal tedium,
and each loss it festers. You stare at me and ask,
+++++++ Tell me again where do seasons go?
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Sam Barbee
from BRILLIG: a micro lit mag, Winter/Spring 2025
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When Deborah Doolittle first placed in my hands a copy of her hand-made lit mag BRILLIG, all I could say was, “O Frabjous Day!” The slim booklet is delicate yet solid with surprising heft; it is simple in its turning pages yet subtle and complex with its interlockings and interweavings, concealing treasures, revealing them. But glue and ink and color are not enough to create treasure. The words, the lines, the flow, the side-steps and juxtapositions – these poems by ten authors link arms and pull me into their circle.
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If you were to step into my office and attempt to calculate the mass of processed printed-upon cellulose that surrounds you, you would intuit that I have a thing for words on paper. Oh yes, most every day I read from my bright paper-white monitor the poems the internet offers up to me, but if you were to step onto my back porch today when it’s 85 degrees and 85 percent humidity and discover me there with a book nonetheless, you would intuit that real creative thought requires an adequate escape velocity from computer gravity. And if a print journal’s appeal is an order of magnitude greater than poems online, then art and quirky originality, BRILLIG, is an order greater yet.
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I unfold the pages, read backwards and forwards, turn and return. These poems surround me as if I am an element of the universe they inhabit. While they pursue their plashy play, I will abide in their circle. I have all the socks I need.
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Deborah Doolittle contrives and creates BRILLIG: a micro lit mag with the help of artist friends and submissions of poetry. Each issue is published in a limited edition, but she no doubt has one she would like to send you and will make an extra copy if you subscribe.
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Onions
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I think of you prepping risotto,
stirring the pan while you add
onions, red wine and broth.
you wore a red-striped apron.
I have it still. Should have worn it.
My shirt is dotted with oil.
Oversized sweet onions
roast in the oven, ready
to add life to a sandwich.
My eyes leak. Nose drips.
I yank a paper towel off
the rack and remember.
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Patricia Joslin
from BRILLIG: a micro lit mag, Winter/Spring 2025
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Doughton Park Tree 2021-10-23
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