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Posts Tagged ‘Southern writing’

[with 3 poems from Quiet Diamonds
Bob Wickless, Susan Craig, Bill Griffin]

O narrow track, how I have missed you! O wee well trodden way, favorite mile, little path through pasture and wood that my right knee has refused to let me walk for all these weeks, I am so glad to see you again. Last visit you had all but shed your autumn yellows, not to mention cardinalflower reds and pastel meadowbeauties. Now here you are blowing snow across my path.

The season has arrived of whites and browns, feathers and fluff, crowns and rounds – seeds! Hello little calico aster whose name I just learned last summer; now your stems are strung with new stars so fine. Hello crownbeard; petals fallen, you lift your regal head. And hello snowy boneset and thoroughwort; one puff of breeze is all it takes to loft your feathered promises across the meadow.

There is a bare patch below my house beneath the powerline. There is an empty bag in my pocket. You won’t mind, prodigal wingstem, goldenrod, ironweed, if I catch a bit of your seedstuff and carry it home to a new bed? You won’t run short of provender when goldfinches and sparrows come to call. You won’t ever hear me, like some others, name you weeds.

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Prayer in Spring

beginning with a line from Seneca

Not hoping without doubt,
Not doubting without hope,
We enter the slow country
Of change, clad in the garment
Thread through the loom of change,
Woven in green doubt
Though woven in hopes

Greener than any hopes are:
May the clothes of the world
Still fit, in the eye’s mind
And in the mind’s eye, may
Our vision still clear
As the iced eye of the river
Cataracts, loosens, the view

In the breeze of the green flag
That is not failure, in one light
That will melt the white flag
Of surrender – Lord, we had not
Given up though the air had said
Surrender, through the vines, trees
Were all blasted with failure,

Though no light shone
Through the fabric of sky
But one pale and unaccomplished,
Wan, washed out as our vision,
Faded divinity, in the blank
Washed out country called snow,
A world neglected, blue

Now, Lord, even as the sky

Bob Wickless (Reidsville, NC)
from Quiet Diamonds 2022, The Orchard Street Press, Gates Mill OH

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Today in Elkin this blowing snow is windborne seeds of last summer’s asters, but inches of the cold frozen sort are accumulating in northeastern Ohio around Lake Erie. Snow belt – that’s where Linda and I met, dated, and graduated from the high school we walked to through slush & drifts. Call off school for a “snow day” in Ohio? Bah! The last time we visited Portage County was for Linda’s birthday six years ago. The old Aurora Country Club had been converted to a nature preserve – how many species of goldenrod filled those reclaimed fairways? The Cuyahoga Valley National Recreation Area had since 2000 become a National Park; we still talk about the canal trail, every ten meters another chipmunk to chirp and run across our feet.

Northeastern Ohio lives fondly in our hearts. Just up Chillicothe Road from the Cuyahoga and our old school is the village of Gates Mills and The Orchard Street Press, another font of fondness. OSP editor Jack Kristofco published my chapbook Riverstory : Treestory in 2018, so I most certainly love him, but even more I love the anthology his press produces every year, Quiet Diamonds. This year’s collection is deep and various and moving. The poems can be personal and at the same time universal. I find myself leafing back and forth through the book reading each one several times, in a different sequence, discovering new moods with each passage. So many I would love to feature on this page, wonderfulness from poets all over the US, but here I continue my focus on us Southerners.

Check in with The Orchard Street Press in January for their 2023 contest.

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Looking for the Banded Sphinx

++++++ I’d seen clutched last night to the railing
its wings of veined mahogany like a master craftsman’s
the way my brother’s finest tables
were inlaid in gold and amber

++++++ yet, only the marsh hawk waits
atop the same wooden rail outside the same glass door
its wing-shoulders brownish-gray
as any familiar relative

++++++ and even its flight, when it senses
the small breeze of my arrival, appears
blasé as a loping dog

++++++++++ Last night, the next-door young couples
played guitar as midnight lapsed into new year
sang Jolene in a lusty chorus
that rose and fell like the distant sea pulled
by a stranger’s violin

++++++ I ask my husband about the banded moth
Gone, he says, at first light
without a hint of nuance
++++++ the same way wonder disappears, the way
dust becomes fugitive

++++++++++ My eyes trace mid-morning’s
pale pentimento of moon
while at the edge of marsh a stalking ibis
is osmosed in plumes of fog
where sun glints cold creek
++++++ and we find no reason to speak
as the hawk melds like another riddle into winter’s
moss-draped bones

Susan Craig (Columbia, SC)
from Quiet Diamonds 2022, The Orchard Street Press, Gates Mill OH

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We Never Give Up Hoping

Morning frozen hard. Pour
++++boiling water
into the birdbath;
++++ they will come
to drink when I have gone.

++++ God of holy ice, holy
++++++++ steam,
++++ give my children
++++++++ water
++++ that all my hoping
++++++++ can’t.

Sound of wings, splash
++++ diminishing;
find the world again
++++ iced over.
Fill the kettle. Holy water.

Bill Griffin (Elkin, NC)
from Quiet Diamonds 2022, The Orchard Street Press, Gates Mill OH

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EARLY SNOW: ASTERACEAE

Stare across any random autumn afternoon and soon you’ll notice the jig and curtsey of little airborne tufts. Catch one and see if there isn’t a tiny hard seed hanging from that feathery wisp. The early snowflake you’re holding is a member of family Asteraceae.

Except for Cardinal flower (Bellflower family, Campanulaceae) and Meadowbeauties (Meadow Beauty family, Melastomataceae), all the flowers mentioned in my homage above are members of the Composite family (Asteraceae). This is the largest family of flowering plants in North America and vies for the world title with Orchidaceae. Besides typical species like asters, sunflowers, black-eyed susans, and coneflowers, Asteraceae includes less obvious suspects like Joe-Pye Weed, goldenrod, ragweed.

Study a daisy: you figure you’re seeing one standard flower, right? A ring of petals around the edge (corolla), eye in the center. Basic taxonomy of flowers depends on the configuration of their reproductive apparatus – flowers. But a daisy is a Composite – each “petal” is 3 or more fused petals from a complete individual Ray flower; each spot in the eye is an individual Disc flower with its own minuscule petals, pistil, and stamen, ready to make a seed. (And if that’s not already confusing, some Composites have only Ray flowers, no Disc (Dandelion), and some have only Disc flowers with no Rays (Fireweed).)

So what about this early snow, then? Ah, sepal and pappus . . .

In most flowers, sepals are the layer, just outside the petals, that make up the protective bud cloak. After the bud opens, the ring of sepals is called the calyx. In Composites, each “flower” actually multiple little florets all clumped together with zero elbow room, the calyx is diminished to almost nothing: the pappus, sometimes visible only with a microscope where it’s fixed to the seed. Except . . . those members of Asteraceae whose pappus is a bristle, hair, tendril, feather. For wind dispersal, but also for wonder and delight. When a breeze puffs the boneset or fireweed or lowly dandelion, one might imagine the pasture will soon be knee deep.

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Doughton Park Tree 2021-02-23

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[with 3 poems by Diana Pinkney]

Oh, I couldn’t possibly eat all that. Thank Heavens I haven’t heard Mom utter those words for quite a while now. For the fifty years prior I believe we heard that phrase with each plate set before her. Some impulse ingrained in the 30’s in the genteel South? A mantra for all the new college girls in the 40’s? How, we would ask ourselves behind her back, could someone forever twig slender so fear gaining a pound?

This week at the doctor’s office I watch the nurse enter Mom’s vitals in the computer to make sure she hasn’t lost a pound. Dad admits he hates to nag her to eat her breakfast – too engaged with the paper or too forgetful to take a bite? Yesterday I cooked them both lunch – calm down, it was just 10 minutes in the skillet from Trader Joe’s – and served the plates. It’s no trick, really, just sit across the table from Mom for long enough and she will finally finish what you’ve given her. Don’t forget the milk! The doctor says you need more fluids.

Grandmother, Dad’s Mom, had her own mantra for us grandkids in the 50’s and 60’s: Children are starving in Europe. Yes, swear to God, she actually said that more than once. Chubby me was more than happy to clean his plate, but one breakfast I recall her disapproval. I had scooped up the last Cheerio but there was still milk in the bowl overlying its substratum of teaspoons of sugar. That evening I washed down my cornbread with a big gulp of sudden sickening sweetness Grandmother had rescued from that bowl.

Now I’m clearing the table while Mom stares at the last of her milk, a layer of ice melt above the 2%. In a few minutes, though, as I stand at the sink rinsing, she walks in carrying the empty. I have to say it. Good job, Mom!

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Super Cuts, Six Months after My Daughter’s Death

The stylist snips, snips my hair, shorter
and shorter. As she works, we talk.

You have children, she asks. Yes,
I answer. Do you? Oh, I have two girls.

How about you? Three, I say, my voice
tight, clipped as the gray strands covering

the floor. My daughter’s hair was long
and red, until it was blonde. She loved

the sun. A little less on the sides, please.
Why didn’t I say I have two children, sons,

and that would have been that. Except that
will never be that. I will always have three

children. Do they live here, she asks?
The sons do. My daughter lives nowhere

and everywhere. It’s good, she says, you
have a girl, too. Yes, I answer, it is good.

Diana Pinckney
from Hummingbirds & Wine, Main Street Rag Publishing, Charlotte, NC, © 2022

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How impossible to bear, losing a child to death. How much more impossible to write about it. Diana Pinckney in Hummingbirds and Wine overcomes the paralysis of grief, but not as chronicle or biography or personal therapy. Although she confesses I live / behind a veil, these poems are the bridge that leads her and us beyond the Valei of Teeris. These lines are twisting tracks that connect past and present, parent and child, and that connect poet and reader.

On the tree of suffering there is a twig of joy that grows up from dark earth. The root of happiness is the same / as perhaps, both descendants / / of hap – hazard or chance. Diana’s poetry is not rationalization, not sentimentality, not desperate. These are poems that share one moment, then another and another, along the path she has had to walk and which we can now walk together.

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Sea Turtles

Loggerhead, Leatherback, Ridley or Green, they all drag
themselves onto a beach. Alone under the same moon
on different shores, in their struggle to lay eggs.
Volunteers like Elizabeth spent hours at dawn

searching for the side, clawed tracks, uncovering
and moving the eggs to sand dunes, staking orange
mesh over the nest. Protection, maybe, she said,
from dogs, crabs, lots of things. Oh, my girl, I couldn’t

protect you, holed up in your house in the company
of bottles. Still, in your best years, you waited weeks
for dozens of thin-shelled eggs to split as the tiny feet
tore an opening, and under nodding sea oats, started

their spill up and out. Each one, no bigger than a silver dollar,
struggling to climb into moonlight, and down to the sea’s white foam.

Diana Pinckney
from Hummingbirds & Wine, Main Street Rag Publishing, Charlotte, NC, © 2022

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Beach Walker

I can still see her stretching in the hazy sun
each morning, strolling the surf, breathing salt

and the musky scent of creatures curled inside
shells – whelks, clams, conchs – once alive.

She so many miles from y city home.
So many Hey Mom’s when I’d lift the phone.

How is it that a heart so loved could weaken
through the days and weeks, and I never knew.

A heart that beat with the rhythm of the sea
and one bright morning would fail her and me.

Diana Pinckney
from Hummingbirds & Wine, Main Street Rag Publishing, Charlotte, NC, © 2022

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[with 4 poems by Doug Stuber]

“Look at that one, Mom, a Rainbow Unicorn Skeleton.”

“Oh my, and all the spiders!”

We’re driving through residential Ardmore in Winston-Salem, just the two of us. An outing! On our way to the pharmacy and yes, we’ll pick up a prescription for Dad, but this is one time we made him stay home. Dad’s 96th birthday is Thursday and this is Mom’s chance to pick out a card, maybe a few goodies. And see all the Halloween decorations.

It’s rare that I have Mom all to myself. At her doctor’s appointments Dad tags along, and well he should since Mom’s memory is failing and he needs to tattle on her. The grocery store, the dry cleaners, Trader Joe’s, those are all on Dad’s agenda; usually Mom stays home with the CNA. As Mom ages she’s become more withdrawn, much more passive, but get her one on one and she’ll tell you what she thinks. So here she is riding shotgun, laughing at the yard art, game to grab her cane when we arrive at the store.

While I head to the pharmacist window I leave Mom in the Birthday Card aisle – we have five family birthdays in the next four weeks. When I return, maybe 15 minutes later, she hasn’t picked anything out. I point to a couple that seem likely. She can’t quite decide. That’s OK. I find one with dogs on it that seems right for Dad, get her approval, find some for Allison, Margaret, the Josh’s, subtly nudge her to pick one each. When we finally have our five it’s on to snack selection. I tell her if she’s not sure what Dad would like just get stuff she likes (see how that works?). When we’ve finally paid and returned to the car, I have her put Dad’s chocolates & nuts etc. into the gift bag we bought. Once she’s looked each item over she finally says, “I can’t believe you could pick all that out.” Shoot, Mom, I was wanting you to think YOU picked everything out.

Sadness is just one story we can tell ourselves. I could hold onto Mom’s bewilderment and indecision, nothing like the Mom that raised me. Or I could buckle her in as we laugh, thinking about Dad’s face when he sees his pile of loot. And I could prepare a big build up for the drive home, remind her to look out her window at the Rainbow Unicorn Skeleton, both of us enjoying it again for the first time.

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Hikaru

One cherry blossom detaches, falls, a single unit
allowing fruit its space, starting its new journey: island
to reflecting pond, orchard to cottage yard, daughter to
love, enhanced by the wind, if even for only six seconds.
Transformed to long-boned genius, long-yearning adult,
considerate friend, purple-green plaid from soft pink,
tan suede boots from five-petalled bloom. Hikaru, as they
say in Japan, hits the town running, arms crossed, cradling
herself like the war-torn victims of Vietnam, but not
worn or torn, she flings enthusiastic youth toward
outstretched limbs. She captures her beginning and future
simultaneously, shedding one form, embracing another,
sweating humid Spring, still awkward in this skin.
Descending unannounced, she moves among mere mortals
spreading joy, quietly demanding obedience, offering all
in exchange for all. Most cannot accept, choose an
easier, less complicated path; but those brave strong souls
born from deep roots, blessed metamorphosed
being who join Miss Cherry soon realize, if for one day,
week, or lifetime, their lives will never be the same

Doug Stuber
from Chronic Observer, Finishing Line Press, Georgetown KY, © 2019

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Doug Stuber is a crabby pessimistic lyrical idealist. Doug is a sharp-eyed sharp-tongued teary-eyed lover. Humankind, Doug Stuber as chronic observer constantly notices, has royally fucked up and Doug is more than ready to rub our noses in it. Human individuals, Doug reveals over and over in his poetry, are beautiful in their brokenness and he must open his heart. Poetry is silk on the breeze: at first we flinch and claw but with each turn we draw closer together, are drawn, maybe to cocoon or maybe to struggle forth with spread wings and open eyes.

I side with Clark Holtzman in his comment about Doug Stuber’s book: All the poems of Chronic Observer engage the world we are given, natural or political, fair or foul, as the given it is. Buy this book, read it. You’ll see what it means.

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The Mangrove Blues

The sun sinks.
A pumping heron
Chases dreams into the night,
Resting momentarily
In a life of constant motion.

The wind shakes.
Trees stretch out,
Anticipating winter.
Orange floods
Mangrove and the pines.

The cold turns.
Clouds gather
Over murky surroundings,
Drifting slowly inland
To dump a fresh-new load.

The tears run.
A skipping child
Delivers momentary reprieve.
Gloom infests
The evening of a lonely-hearted man.

Doug Stuber
from Chronic Observer, Finishing Line Press, Georgetown KY, © 2019

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Rules

It took this long to hide my penchant: Rhymes.
Another reading forces inner looks.
Where is Ed and his heroic Elegy for us?
What happened when we traded love of lines
For time cards, bosses, corporate crooks?

Here’s what happened: life became a chore,
There is not time left to rage creating.
Competitive suburban gardening ins a bust.
What there is left is not elating
Except the love of soul-mates through this door.

The Eagle’s Nest is now a restaurant:
You get a 15-dollar turkey plate up there.
But is a fourth Reich rising from the rust,
Or are we evil, just nonchalant?
Oklahoma City fades like sunset air:

The only lasting image is your own.
One veto and the fascists will shut us down.
One thousand points of veto from the upper crust
Without a batted eyelash from this clown.
What further outrage can we condone?

As long as TV says it is OK
Our lives submit to the worst human rages.
Just when we’ve farmed this place to dust
Some half-assed savior might come our way
Passing manna to those left: food of the ages.

Doug Stuber
from Chronic Observer, Finishing Line Press, Georgetown KY, © 2019

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[Given the approaching season, I just have to include this final poem of Doug’s.]

KC and the Thanksgiving Prayer

I gave a thanksgiving prayer to a new family I met near Asheville. I got twigs and built a triangle (the three goddesses: corn, squash, and beans) and a square (the four directions: North – Winter and cleansing, East: Spring and beginnings, South: Summer and warmth, West: Fall and remembrances). the triangle sits above the square, because it is the goddesses who feed us: corn, squash, and beans.

You start in the square facing West and, while turning right for each new direction, say:

We salute you for your wind and fresh new sky
We salute your wonderful people and cleansing snow
We greet the day with dreams to labor by
We salute your sun and love and fun and go

To green mountains, cold river by the leaves
Of Rhododendron bushes, tall black trees.
A new friend of mine now believes,
Captured by spirits she feels and doesn’t have to see.

Doug Stuber
from Chronic Observer, Finishing Line Press, Georgetown KY, © 2019

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2016-01-30 Doughton Park Tree

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