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Posts Tagged ‘Southern Appalachians’

Appalachian Trail near Clingman’s Dome, 2003

[with two poems by Kathryn Stripling Byer]

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Summer has skimmed the high ridge like a chimney swift, rarely perching for long. Now on September mornings you can see your breath. First frost certainly won’t dally. Above 6,000 feet you wonder, Where is the South in Southern Appalachians?

And what about these bleached spines and gnarled knucklebones? This phalanx of snags that palisades the highest elevations against the green upon green below? The balsam wooly adelgid arrived on Clingman’s Dome in 1957. By the 1980’s the tiny insect invader from Europe, order Hemiptera, had destroyed more than 90% of the Fraser Fir in Great Smoky Mountains National Park.

This year, though, the Park Service has declared a tenuous truce. Some of those dead snags are forty years old but younger trees spared by the adelgid have matured and are making fertile cones. The very oldest trees, with thicker bark, also seem less susceptible. The insects are still around but you have to hunt for them, whereas during the earliest infestations biologists described the branches covered in wooly bugs as if they had been “whitewashed.”

What is the fulcrum of this new equilibrium? Perhaps the adelgid found easy pickings among whole communities weakened for decades by acid deposition, bad air. Coal-burning power plants up the Appalachian ridge to Canada have added scrubbers. The red spruce that had stopped growing in the ‘80’s are laying on new rings of cambrium. Leave a patch of ground alone long enough and it will grow into what it is meant to be.

Or will it? Depends on what you mean by leave alone. The fir that survive are a little more resistant to the insect, a little more acid tolerant. But what happens as their subalpine microclimate becomes less like Canada and more like Atlanta? Scrubbers remove the nitrogen and sulfur that oxidize to form acids but when you burn carbon you get carbon dioxide. Can’t scrub that out. How many degrees of warming can Fraser fir tolerate? Go higher, it gets cooler. Here in the Park you can’t go any higher than Clingman’s Dome.

Mountain Angelica, Angelica triquinata (Apiaceae - parsley family)

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Last week I shared two poems from Kathryn Stripling Byer’s first book (1986). The two poems that follow here are from her final book, Trawling the Silences, published in 2019 two years after her death.

Kay Byer takes me into wild places and she brings me home. She names the earth, just naming a thing is a prayer, and she leaves nameless the mysteries that mist from her verses into my soul. She has left this earth, and she has left this earth to me to hold close for the days I will remain. Notice. Learn. Cherish. Tell it.

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Three for My Trail Guide
for Jim

1.

Ascent

Before I can catch
my breath you right away
start to identify

Wild Ginger,
Mayapple,
Bloodroot.

I’m dizzy with switchbacks
I see rising into
the hardwoods you hail

Sarvis,
Sycamore,
Tulip Tree.

Trillium sweeps down
the hillside like angel wings
come to rest creekside.

You chanting hepatica,
stonecrop, anemone,
we climb until

we reach the summit,
where underfoot
some stubborn lichen

you can’t name
has already claimed
the best view.

2.

Star Grass

You name it
and there it is
at the edge
of the outcropping
over the Gorge.

Not to worry,
I placate the ravens
that harry us,
we won’t be lingering
long in your aerie.

See? Even now we are
striding away
into star grass,
its small spikes of clear
recognizable light.

3.

Galax

Squatting behind bushes,
I smell it nearby, neither bear scat

nor carrion vine, to which naturalists
liken its scent, but the breath

of an old woman lowering herself
to her chamber pot, sighing

as I heard her sigh while I tried
not to listen. Hoisting my backpack

I leave her behind in the underbrush,
glad to be back on the trail

with you, sidestepping tree stump
and blowdown, splashing through

creek bed, striding from switch back
to switch back toward sky we see,

step by step, open its window,
when, almost to summit, I stop.

Breathing hard. The scent
of her following me.

Kathryn Stripling Byer, from Trawling the Silences (Jacar Press, 2019)

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Silvery Glade Fern, Deparia acrostichoides (Dryopteridaceae - Wood Fern Family)

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Trawling the Silences

This end-of-March day, I’d rather watch hawks surf the
thermals than contemplate what lies ahead.
Or behind in its wake. In the few hours left, let me keep
my doubts shut, my windows wide open, their sheer curtains
billowing. It’s March, after all, having come in
a lamb and departing a lioness, stalking my back yard,

leaving her paw prints alongside the patient ephemerals
rising again out of leaf litter. Squirrel corn. Spring beauty.
The first rue anemone. Today I would rather
read field guides, repeating the whimsical names
of our nice-dwelling mussels about to be wiped out by backhoes
and bulldozers. Pimpleback, Snuffbucket. Monkeyface
Pearlymussel. Don’t let their names be forgotten,
I’d pray if I prayed, though just naming a thing is a prayer,

wrote Simone Weil, turning her face to the almighty
silences. The silences. Where would we be
without them, what were we, what will we be, oh to be,
and again be, that damn linking verb. I’d rather be tracking
my lioness up to the rim of that mountain top,
I’d rather let be and let go. Let the anemone
cling, the hawks soar, the lioness squander another day
trying to find what she’s looking for. Give her another day,
I ask the Almighty. Give the birds one more day
scolding the rapscallion squirrels stealing birdseed.
I rest my case, carapace, my own little voice trawling
the silences, the bully wind boasting its presence in present-tense,
no linking verb to shut down the show. Let
my lioness lounge in the sally grass. Licking her paws.

Kathryn Stripling Byer, from Trawling the Silences (Jacar Press, 2019)

 

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Spruce-Fir forests covered vast areas of the Southeast when glaciers reached their southernmost extent 18,000 years ago. As the glaciers retreated north the Spruce-Fir communities also retreated to higher elevations and now remain only along the highest peaks and ridges above 4,000 feet elevation, mostly higher. Clingman’s Dome at 6643 feet is the highest point in Great Smoky Mountains National Park and indeed along the entire Appalachian Trail. Its impressive swath of Spruce-Fir is also home to the rare Jordan’s Red-Cheeked salamander (Plethodon jordani) found only in the Park. The naturally acid soil and severe climate limit biodiversity compared to lower elevations, but other distinctive high elevation species include mountain ash (Rose family), mountain wood sorrel, mountain asters, glade fern. After sixty years the Fraser Fir seem to be surviving the balsam wooly adelgid invasion, air pollution, acid rain; it remains to be seen how long they will remain in the face of advancing climate change.

from SNAKE DEN RIDGE, A BESTIARY, illustration by Linda French Griffin

from SNAKE DEN RIDGE, A BESTIARY, illustration by Linda French Griffin

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Photos by Bill Griffin from Southern Appalachian Naturalist Certification Program; Southern Appalachian Ecology, September 2020, Great Smokies Institute at Tremont; instructors Jeremy Lloyd and Elizabeth Davis.

 

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[with two poems by Kathryn Stripling Byer]

Hepatica: its flowers spring up in March before its new leaves. Quick! Before arching limbs furl their green sails and hijack the wind of sunlight, quickly make your tiny seeds from last year’s photons! New leaves will have all summer and fall to glean what the canopy misses.

When Linda and I discover the first hepatica blooming along Elkin Creek each spring we take heart. The world is not such a grim and wintry place. One morning last April we counted 50 individual plants along a mile of trail. Such bounty! How they thrive! How our hearts do!

A few weeks ago I walked one mile of nature trail at Chimneys picnic area in Great Smoky Mountains National Park. At the end of September hepatica leaves are glossy, taut, ready to overwinter. As I strolled the cove, deep cathedral of old growth hardwoods, I estimated within 5,280 feet I saw 50,000 individual hepatica plants.

Sharp-lobed Hepatica, Hepatica acutiloba, Ranunculaceae, buttercup family

Life wants more of itself. Life wants to fill every niche. How many generations, how many hundred, did it take to create this mountain cove topography? Mossed, leafy, pits and mounds left by an ancient giant fallen. The light gap its falling created. Explosion of variety in the margins. Trunks of all sizes and ages in the understory, massive individuals creating the canopy. I didn’t know a black cherry, a silverbell, ever got this big!

Leave a patch of ground alone long enough and it will grow into what it is meant to be. Mountain flanks and shoulders for protection, rain upon rain, limestone subsoil for minerals – the old growth cove hardwood community shelters biodiversity approaching a tropical rainforest. These few sections in the Smokies that the loggers never reached are still revealing new species. Life wants more.

And to what purpose? What is it good for? I could probably list a few dozen reasons the undisturbed and unmanipulated forest is good for me and good for you. But how about this – the thousands of reasons it is simply good for itself.

Black Cherry, a BIG one, Prunus serotina, Rosaceae, rose family

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Kathryn Stripling Byer (1944-2017) was North Carolina Poet Laureate from 2005-2009 and the first woman to hold that position. She and her family lived in the mountains of western NC (she taught and was poet-in-residence at Western Carolina University); her grace and generosity reached throughout the southeast and beyond. She was teacher and mentor but, even more, she encouraged and celebrated the creative spirit wherever and in whomever it was found. Even me. Thinking of her today brings me joy.

I have gone back to Kay’s first book for these two poems. The Girl in the Midst of the Harvest was her debut collection (Texas Tech Press, 1986) and was re-issued by Press 53 (Winston-Salem, NC) in 2013.

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The Backwoods

Great-grandmother carried the cadence of Genesis.
Girl cousins up late at family reunions,
we made her an Indian, although her forebears
were Irish. Before her lay darkness, the empty fields
barren as desert until she came forward,
the sweat on her high cheekbones gleaming like eyes
we imagined surrounding her, bob-cat and red fox,
the last of the sleek, singing wolves. Every evening
she shouldered her how and walked home
through the tasselling corn. The Good Lord only knows
what bare feet stalked the backwoods in those days,
what waited behind every woodpile! She brought forth
a daughter with black hair that never curled.
Shy as a fieldmouse, that girl fell in love
with a man scything hay in the twilight. They kissed
twice. A moment she stood in her white dress
and smiled back at us, then she grew fat and sighed
in the kitchen. Four daughter she bore,
and the three who survived scarlet fever
wove grass in their brown hair and danced every night
with the fireflies. They galloped on wild horse
bareback until they got married and gave birth
to us, Southern Belles who could sit in a parlor
all evening and never complain. We could faint
in a handsome man’s arms. We could charm a
a stone wall. But we never forgot the back door,
how to disappear into the darkness, our crinolines rustling
like cornstalks between our legs. We told
this story so well, we inherit its black earth
where women hoe all night, inscrutable as Indians.

Pale jewelweed, Impatiens pallida, Balsaminaceae, touch-me-not family

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Frost

“Shake the cold from our hands,” you call, running ahead
of me onto the frozen grass. Look, in the garden
your father wrests vines from a tripod of bamboo stakes.
Okra’s grown weary with mourning another year
gone and just yesterday, Darling,
they wore yellow buds in their hair. Like you

twisting a puny chrysanthemum into your tangles
and galloping off on a broomstick. Down Caney Fork
scarecrows come hobbling like old soldiers
leaving their cornfields. They’ll sit by the river
and talk about what the crows told them: a hard winter
coming. Those windy crows, all they keep saying
is cold, cold, and when I see clouds swept
like ice down the creek, I believe them
too easily. Why must the maple leaves rattle

Remember me, as if someday
I’ll forget there were thousands came
falling the morning I felt for the first time you
shiver inside me, no fish as I thought you would be
but a mouse in its burrow? Now you sit in sand
and make birthday cakes, blowing out candles
that aren’t there. I blow on my hands
like an old woman taking no heed of a child
who believes time can be shaken from her like water.

poems by Kathryn Stripling Byer
from The Girl in the Midst of the Harvest, Press 53, © 2013 Kathryn Stripling Byer
first published by Texas Tech Press, January 15, 1986

 

Mountain bugbane, Cimicifuga americana, Ranunculaceae, buttercup family

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Mountain Cove plant communities occur in sheltered areas with abundant rainfall in mid- to lower-elevation areas of the Southern Appalachians. Especially the Rich Cove Forest subset, with less acidic and more rich mineral soils, is home to a huge diversity of tree species, flowering plants and ferns, insects, reptiles and amphibians. Original (old growth) forests will have massive individual trees hundreds of years old mixed with trees of all ages where a giant has fallen and allowed sunlight to reach the forest floor. There are a number of these areas where loggers never reached in GSMNP, such as Chimneys and near Cades Cove.

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All photos by Bill Griffin from Southern Appalachian Naturalist Certification Program; Southern Appalachian Ecology, September 2020, Great Smokies Institute at Tremont; instructors Jeremy Lloyd and Elizabeth Davis.

 

 

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[with two poems by Debra Kaufman]

Deep shade, red spruce, heavy moss – the trail switches up, cuts back, winds steadily higher. We can smell the transition, conifer tang, slow decomposition. We can feel it on our faces, in our pores, sweat cooling, wraith of mist blown up the ridge to envelope us. And we feel it somewhere deeper.

Something changes, so gradual we sense it before we know it. Daylight creeps through, one tree with toothed sun-colored leaves, then two; smell of spring and sweet flowering even at the end of autumn; witch hobble and pale mountain asters give way to dwarf goldenrod. Look, here are beech drops, flowers faded, seeds set, never green, their skinny bodies and appendages like effigies set among the trees they parasitize. We stop and breathe. Again, deeper. This is beech gap.

Leave a patch of ground alone long enough and it will grow into what it is meant to be. Its personality is in its community. Why does this beech gap persist? Its elders, Fagus grandifolia, stunted and twisted in communion with mountain maple, wood ferns, sedges – why not fir and spruce intruding? Elevation, precipitation, mountain aspect, soil pH? Centuries-old seed repository in the duff? Visitation by warblers, jays, and small mast-seeking mammals? Protection by allelopathic residues? Protection by mountain spirits?

All of these may define but don’t explain. It is the community that becomes itself: shallow spreading roots and pervasive mycelia, leaf and frond, sporangium and ovule, every one essential to the personality of place.

And you and I? We may choose how tall we stand. We choose which way we face, whether we learn from our elders, teach our children. We rest here for a few minutes and commune with this other. The silence of a ridge-crest glade: fragile or resilient? Retreat or restoration? Will we descend from the mountain and bring this peace, this purpose, into our own communities?

Beech drops, Epifagus virginiana, Orobanchaceae (Broomrape family)

 

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These two poems by Debra Kaufman speak to me of reverence and restlessness, of longing for community and the fear of isolation. Are we welcome on this earth and will we welcome others? Will we create more than we destroy?

As described on the cover of her book, God Shattered, Kaufman discovers how personal disillusionment can be a guide to finding the godly within ourselves. These poems lead us to contemplate and understand our place in this fragile world.

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Great White
An angel is nothing but a shark well-governed.
– Herman Melville, Moby Dick

Everyone carries a shadow.
The less it is embodied in the conscious self,
the blacker and denser it is.

Does a savage self always lurk
just below the surface,
on the hunt, no matter

our good intentions? Is our higher
nature ready to do battle against the dark,
harpoon at the ready?

If, as the Buddha says, there is no I,
does awareness reside
between empty spaces?

I understand so little.
But I can see Aleppo is rubble,
its people scattered;

anyone who listens can hear the cries
of girls being shuttled into brothels,
can imagine comforting someone suffering

here or half the world away.
How do we stop what is sacred
from being ravaged,

witness life out of balance yet not despair?
There must be ways
toward doing what is right.

Why else, as Job asked, would
light be given to a man
whose way is hidden?

The great white shark
is nearly extinct. It can sense
a beating heart over a mile a way.

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Welcome

You, one of seven billion born
helpless, nearly hairless,

one more chimp-cousin
in our midst:

Will you be swaddled,
neglected, anointed,

will you breathe air
that smells like rain?

Which foods will sustain you,
upon what ground

will you walk? What storm,
fires, floods will sweep

over you, what languages
will you learn, what

dances, what prayers?
Here is my hope for you,

little stranger: may you feel
beholden to this wondrous planet,

may you take your hungry,
humble place in it,

may you dedicate your life
to making it a world worth

revering, holding, passing on.

poems by Debra Kaufman from God Shattered, Jacar Press, © 2019

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Debra Kaufman grew up in the Midwest but has lived in North Carolina for thirty years. She has published three poetry chapbooks and four full length poetry collections: God Shattered, Delicate Thefts, The Next Moment, and A Certain Light.

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The Beech Gap is a rare subtype of Northern Hardwood Forest, found scattered in small patches surrounded by Fraser Fir and Red Spruce in Great Smoky Mountains National Park and elsewhere at the highest elevations of the Southern Appalachians. The Beech, mixed with small numbers of Buckeye, Birch, and Maple species, are stunted by the cold climate and high winds, with an open understory but relatively rich herb layer. Some patches in the Smokies are fenced to prevent destruction by invasive non-native wild pigs. Why this seemingly stable climax plant community remains stable and is not overtaken by Spruce-Fir remains a mystery.

 

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All photos by Bill Griffin from Southern Appalachian Naturalist Certification Program on Southern Appalachian Ecology, September 2020, Great Smokies Institute at Tremont; instructors Jeremy Lloyd and Elizabeth Davis.

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[with two poems by Malaika King Albrecht]

The lesson you need is the one you weren’t looking for.

The lesson you keep is the one you didn’t want.

Our final exercise is to sit. Not in the open air pavilion where we’ve weathered hours of presentations and discussion. And not by any means moving along the trails we’ve hiked for hours encountering a new species every minute. Now at the close of our weekend naturalist course on plants of the Smokies we are instructed to stop, settle, sit. We are to find a green thing we don’t know or one we’ve have ignored and sit for half an hour. Pay attention. Become intimate.

I choose to sketch a bryophyte not much bigger than my thumb. Perhaps I’ll never know its true name – starmoss? sphagnum? – but we could become friends. I won’t even give it a name. Be satisfied sometimes simply to explore, to know first with all my senses, that is what I’m learning. Where does it like to lie and spread? Whom does it choose for neighbors? How does it make its living? Naming can come later.

Moss with Doghobble leaf

Look at us all, scattered like toadstools across this mountain glade quietly noticing. For now the birds and insects get to make all the noise. Eventually our quiet must end and we gather one last time for closing and summarizing and making sense. Now Tonya has a surprise. A worm snake, while she sat, has burrowed, well, wormed into her open sandals and curled around her toe. She untangles it and cradles it for us all to see while it tries to bite her with its mere slit of a mouth, better suited for eating slugs. If we were quiet, if we paid attention, if we sat long enough would we be reclaimed by moss and crawling things and become a haven for all that is small and necessary?

We eat our lunch along the trail, we travel back to Tremont, we pack our cars. At the parking lot I congratulate Tonya upon completing her final course and receiving her Naturalist Certification. I tell her, I’m still only half way through.

Tonya turns to me. She sets down her pack. She is solid, present, her eyes deep and full as a hardwood cove. Help the new ones, she pleads. Share what you know.

And during the five hour drive back to my foothills what image recurs? Not family characteristics that differentiate Brassicaceae, Lamiaceae, Asteraceae; not frond morphology and sorus distribution. No, the image I can’t escape is of the two first-timers in our course turning a leaf over and over in their hands, turning the leaves of a guidebook, excited, figuring things out. And of me a pace or two removed, watching them, adding nothing.

Sometimes I think I have the perfect temperament and skill set to be a moss-covered log slowly digested by fungal mycelia. Ah, the long and placid observations I would make. But that’s not the lesson I need or the lesson I will keep. Instead, this: don’t imagine you know so much. But know that what you do know has value when you share it. Know that its only value is in the sharing. You have joined the circle of seekers. Now open the circle wide.

Rudbeckia lacianata; Cutleaf Coneflower; Asteraceae

Rudbeckia lacianata

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A week ago I shared here two poems by Malaika King Albrecht from her most recent book. I’m not finished with her. Something about this collection of poetry has become very necessary for me as I continue to pile and compile the lessons from my most recent course in the Southern Appalachian Naturalist Certification Program at Great Smoky Mountains Institute at Tremont. The quantity of information itself is just shy of infinite. I’m working through a book titled, Botany in a Day, which would more realistically be In a Couple of Years. Just the new vocabulary reminds me of starting Med school (that was 1974 – what am I doing here?!) or maybe of being smacked with a breaker at Fort Macon beach.

But being overwhelmed with information is the trees, it is not the forest. That is why I need poetry. I will study the taxonomy but poetry will teach me the connections. I will feel like I can never know enough but poetry will teach me to live with and love the mystery. I will work on what to know but poetry will teach me how to know.

Malaika’s collection is just the solace and challenge and promise needed. Her poems can be grounded in the senses but spiral into the imagined and unimagined. I would say her poems make connections but even more they open me to make connections. It can be the difference between burying myself in the Field Guides and opening myself to the field.

Thanks again, Malaika!

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Following the Wind

Everything leaves a mark:
dull grass in the morning where the raccoon
ambled away full of cat food,
antler scratches along the willow oak,
and tracks and scat everywhere.

I know what stirs in this forest:
Deer nosing the horse path,
red fox slitting the tall switch grass,
rabbit bounding, freezing, and hopping again.

At the edge of Loftin Woods, I fall
for the wind, the way it parts the grass,
makes branches speak
and vultures glide their shallow V’s.

If sky holds our dreams,
then earth, our memories,
and wind, only the now
of this moment calling,
calling from everywhere.

Elephantopus carolinianus; Elephant Foot; Asteraceae

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Praise Song for What Is

Praise the frozen rain, the icicles daggering
the trees, the gray snow sludge. Praise
the shiver, the wet wind cutting through clothes,
the frozen water troughs. Blessed be
the hard frost, the frozen pond,
the apple sapling snapped in half.

Praise autumn and spring, the hot then cold
then hot again. Praise the corn mazes,
the haystacks, the reaping what we’ve sown.
Blessed be the fig tree, the honeycomb, the hive.
Praise the kudzu, the poison ivy,
the forsythia shouting yellow at a fence.

Praise the mosquito, the itch,
the scratch. Praise the heat waves,
the asphalt, the stopped
highway traffic. Blessed be
the dusty, the wilted, the dry
husks of corn in summer drought.

Praise the possum lumbering
into the chicken coop,
the fox slinging the wood’s edge.
The owl, the hawk, blessed be
their swift descent to prey.
Praise the failures, the losses. Blessed be
the broken path that brought me here.

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From The Stumble Fields, Malaika King Albrecht. Main Street Rag Publishing Company, Charlotte, North Carolina. © 2020.

Botany in a Day, The Patterns Method of Plan Identification; Thomas J. Elpel; HOPS Press, LLC; © 2018; An Herbal Field Guide to Plant Families of North America

Wildflowers of Tennessee the Ohio Valley and the Southern Appalachians; Dennis Horn and Tavia Hathcart; Partners Publishing © 2018; The Official Field Guide of the Tennessee Native Plant Society

 

 

 

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[After the fashion of Ralph Waldo Emerson, with apologies; and also with admiration and gratitude to Emily Stein, educator, naturalist, and instructor who prompted, “Make me care about an apple.”]

Behold! [the speaker lifts high in his right hand a bright green globe] Behold . . . the unnamed spheroid before us, orb, minor planetoid, imperfect representation of 4/3 π r3. What shall we call it? What is it?!

Is it Creature? Shall it pick itself up, scuttle about of its own motivation, turn itself ‘round to display its obverse hemisphere presently concealed from our vision?

Is it Mineral, thus created and apportioned and ever so to remain for millennia save it be worked and reworked by wind, water, the abrasion of ever degrading time?

Or is it perhaps . . . Vegetable, and now a revelation of its true nature leaps into my consciousness: is it not Fruit? May we not so surmise when we detect the telltale declivity at its northern pole from whose depth protrudes a brown and spiraled worm so very like a stem? YES, its roundiness, its gloss, its green green GREEN sings life and liveliness, living fruit, fresh, taut, shiny, reflecting what meager light may penetrate these benighted chambers to inspire our minds even as we are inspired by the light of our own great yellow star.

That star which nurtures us has also nurtured our green fruit’s life and growth to this size, this heft, wide in diameter as my four fingers, rounder in circumference than my fist can grasp. Firm and solid it appears, clean and whole, but upon finer inspection decorated with speckles and freckles, minute specks not blemishes but marks of its natural beauty, painted by creation to elevate our perception that Beauty and Truth and even Life itself are not ideal forms that reside solely in the imaginings of philosophers but are real, here before us, weighty, textured, worthy of adulation with all their variations and imperfections, with all their uncertainties, with all our own doubts about how to discover them and what to name them.

But what is Life that we should esteem it so? Life is bruises when we fall. If you prick us, do we not bleed? Life is clamor and confusion that fill the senses to bursting, sight and sound and scent sometimes sweet but oftentimes so foul. Can you convince me that Life is not suffering? Days and years unremitting even such that some might in despair willingly choose to forsake their life?

And yet . . . and yet, where can suffering prevail when we, my fellows, stand together? Where can the horror of decay and decrepitude persist when there is yet Beauty in the world?

Look again upon my treasure’s smiling green visage! Look to the living green that buds and swells and streams through hills and valleys where Life insists it must return to the gray and blasted earth. Look to the green water that calls down from the rocky slopes lithe creatures that hop and slither and find each other, there emphatically to declare their confidence in Life as we discover the motile forms of tadpole and eft.

Look, my friends, into your own hearts and discover there some fresh green shoot arising, a green hope that may yet draw you anew into this day of wonder, a hope that may, my friends, just may [here the speaker bites into the green apple] may taste this sweet! This is what I choose and this is what I treasure – this Life.

I care not what you name my green friend here – seed pod, drupe, jampot, pie bait, cider berry. I name it LIFE. And this rose by any other name would smell as sweet.

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Mitchella repens – Partridge Berry

This essay was prepared as an oral class presentation for “Skills for Sharing Nature,” Southern Appalachian Naturalist Certification Program, Great Smokies Institute at Tremont, February 23, 2020.

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Thinking, for Emerson, was not the contemplation of final Truth, but the daily encounter of an active mind with its environment; it was not a special activity but life itself.

Stephen E Whicher, editor
Selections from Ralph Waldo Emerson, Houghton Mifflin, © 1957

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Apple, genus Malus, is the largest fruit in the family Rosaceae, which also includes plums, pears, cherries, apricots, peaches, quince, blackberries, strawberries, raspberries, almonds, rowan, hawthorne and . . . roses.

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Viola rostrata – Beaked Violet or Longspurred Violet

The Rhodora
On Being Asked, Whence is the Flower?

In May, when sea-winds pierced our solitudes,
I found the fresh Rhodora in the woods,
Spreading its leafless blooms in a damp nook,
To please the desert and the sluggish brook.
The purple petals, fallen in the pool,
Mad e the black water with their beauty gay;
Her might the red-bird come his plumes to cool,
And court the flower that cheapens his array.
Rhodora! if the sages ask they why
This charm is wasted on the earth and sky,
Tell them, dear, that if eyes were made for seeing,
Then Beauty is its own excuse for being:
Why thou wert there, O rival of the rose!
I never thought to ask, I never knew:
But, in my simple ignorance suppose
The self-same Power that brought me there brought you.

Ralph Waldo Emerson, 1839

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Middle Prong Little River

The Apology

Think me not unkind and rude
That I walk alone in grove and glen;
I go to the god of the wood
To fetch his word to men.

Tax not my sloth that I
Fold my arms beside the brook;
Each cloud that floated in the sky
Writes a letter in my book.

Chide me not, laborious band,
For the idle flowers I brought;
Every aster in my hand
Goes home loaded with a thought.

There was never mystery
But ‘tis figured in the flowers;
Was never secret history
But birds tell it in the bowers.

One harvest from thy field
Homeward brought the oxen strong;
A second crop thine acres yield,
Which I gather in a song.

Ralph Waldo Emerson, 1846

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Gyrinophilus porphyriticus -spring salamander

The Southern Appalachian Naturalist Certification Program is administered by Great Smokies Institute at Tremont within Great Smoky Mountains National Park (near Townsend, Tennessee) and offers weekend intensive programs towards a certificate from the University of Tennessee. More information at www.gsmit.org

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I remember the first bird that counted. Clarification: I remember the first bird I counted.

Mom and Dad had rented a cabin so we could join them for a long weekend on Skyline Drive in the Shenandoahs, June, 1988. Did they think their grandkids were Nature undernourished? Mountain vistas, enfolding trees, night sky – we even saw a bobcat at dusk one evening. Maybe I was undernourished.

The second morning we hiked up a lonely trail in deep shade that suddenly brightened. A forest giant had fallen and invited into its space the sun and the sky. And birdsong. (Prime transitional habitat, I’ve since learned.)

Mom spotted a yellow streak come to rest on a bare branch and begin to sing. I focused. What is this?! Never had one of these on the feeder outside my dorm window, never saw one snagging worms on the front lawn. And listen to it sing! What?!

That Chestnut Sided Warbler is the first bird in my list. Well, make that lists: pocket notebooks, index cards, the backs of trail maps. And of the course the database on my hard drive, which has swelled to megabytes. But what’s the big deal? Thirty-five years old and writing down the name of a bird? What?

I wasn’t a Nature-deprived child. We played outdoors until the street lights blinked on. Caught fireflies in our hands and honey bees in jars. Raised tadpoles to peepers. Camps, beach trips, hiking, Scouts; I was out in Nature pretty much, but I count that CSW as the moment I began to notice. This is not just an unpopulated landscape, not a homogenous backdrop for picnics or games or a nice walk. These are things. Individuals. Differentiated. Species. I start by counting birds but then I notice wildflowers and take up botany, notice one side of the ridge has more blossoms and different, it’s geology, get down on my knees for the tiniest blooms and dang there’s a beetle, entomology.

Pretty soon I want to notice it all, the great grand beautiful interconnected mess, ecology, the parts and the whole. I’m becoming a Naturalist – someone who pays attention. Someone who notices.

Chestnut Sided Warbler in Virginia was my gateway drug. How much was I missing all those years before? Now I can’t help but notice. Blame the wrens that scold me every morning in the driveway. Blame my friend Mike who is always so careful to step over every millipede on the trail. Blame Amelia my granddaughter as she watches the crocuses open. And after last weekend blame Emily Stein* as my chief enabler, she and the other twenty hard core Naturalists I joined at Tremont in the Smokies for an intense course in “Skills for Sharing Nature.” As always, begin with some questions:

Where have I come from to reach this place? Why do I care? What is my personal story? What do I have to share?

The answers may arrive like spring buds that swell along the flank of the mountain seeking the summit, a lifetime of questions and answers, but now it’s time to screw up my courage and take Step 2: I’m going to get you hooked on Nature, too. Come here a minute. Try my binoculars. See that little dab of brown fluff that just flew up to that branch? Yes, that’s the one. Let’s see what he has to tell us.

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* Emily Stein: Great Smoky Mountains Institute at Tremont naturalist educator, youth programs coordinator, and instructor for the February 2020 course “Skills for Sharing Nature,” part of the Southern Appalachian Naturalist Certification Program (SANCP). More information at www.gsmit.org

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Prayer for the Great Family

Gratitude to Mother Earth, sailing through night and day—
and to her soil: rich, rare, and sweet
in our minds so be it

Gratitude to Plants, the sun-facing light-changing leaf
and fine root-hairs; standing still through wind
and rain; their dance is in the flowing spiral grain
in our minds so be it

Gratitude to Air, bearing the soaring Swift and the silent
Owl at dawn. Breath of our song
clear spirit breeze
in our minds so be it

Gratitude to Wild Beings, our brothers, teaching secrets,
freedoms, and ways, who share with us their milk;
self-complete, brave, and aware
in our minds so be it

Gratitude to Water: clouds, lakes, rivers, glaciers;
holding or releasing; streaming through all
our bodies salty seas
in our minds so be it

Gratitude to the Sun: blinding pulsing light through
trunks of trees, through mists, warming caves where
bears and snakes sleep—he who wakes us—
in our minds so be it

Gratitude to the Great Sky
who holds billions of stars—and goes yet beyond that—
beyond all powers, and thoughts
and yet is within us—
Grandfather Space.
The Mind is his Wife.

so be it.

Gary Snyder (after a Mohawk prayer)
from EARTH PRAYERS, edited by Elizabeth Roberts and Elias Amidon, HarperSanFrancisco, 1991

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“Like you and like I.”  True confession time: tell me there hasn’t been at least one time during the week leading up to Christmas that you could have reasonably been accused of being ornery.  Maybe in the last 24 hours even.  Heck, in the last thirty minutes.  Stuck in traffic on Hanes Mall Blvd. – Oh no, I didn’t lean on my horn.  Spouse asking for the fifth time where the wrapping paper is . . . or telling for the fifth time (these are all purely hypothetical situations, of course).  No time to relax, take a walk, look at the hundred photos you just took, write a line.  Makes me darn ornery!

“I wonder as I wander . . .”  So haunting, so probing, so true – this Southern Appalachian carol has always been one of my favorites.  When Linda sings it at church I can feel the bitter wind of Mt. Pisgah through her threadbare shawl.  The questions it raises – “If Jesus had wanted for any wee thing” – seem to pierce my heart.  What do I want?  Where can I find hope?  Or meaning?  An ornery cuss like me?

Ornery – as in grumpy, disagreeable, cantankerous?  Actually the word comes from Appalachian dialect as a contraction of “ordinary.”  Commonplace.  Garden variety.  In other words, you and me. If we’re a little cantankerous at times, well, ordinary people are like that.  The same way we are also sometimes patient with grandkids.  Forgiving of spouses.  Open to sharing our homes, our space, our selves.  Christmas has arrived “in a cow’s stall, with wise men and shepherds and farmers and all.”  Or in the case of Bon Aire Rd., Elkin, with retired chemists and teachers, psychologists and technical writers, bakers and public administrators, artists and doctors (and five dogs, all under one roof). I guess Jesus enjoys hanging out with the ornery.

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The story goes that “I Wonder as I Wander” was collected by John Jacob Niles in Murphy, NC in July 1933 from a young traveling evangelist Annie Morgan.  For all who may feel Christmas as a harsh mountain winter, I offer this poem as an invitation to awaken to a song of love, assurance, and hope.

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Pisgah Stranger
(Awaken to a Song)

A stranger here, I sleep
Beneath the slash of stars,
The Pisgah forest deep
And friendless.
I close myself to love,
My heart requires the dark;
Can night within this cove
Be endless?

Come, you’ve slept too long
And love grows dim.
Awaken to a song –
Can it be Him?

Is it madness or a dream
That seems to whisper here?
The murmur of a stream
Or singing?
It chants, this still small voice,
I’ve nothing now to fear
For tidings of great joy
It’s bringing.

Come, you’ve slept too long
And love grows dim.
Awaken to a song
And welcome Him!

And now the music swells
As every fir and spruce
Unloose their boughs to tell
The story:
May all God’s creatures wake,
Hearts quickened by the truth,
Invited to partake
Of mercy.

Come, we’ve slept so long
That love grows dim.
Awaken that our song
May worship Him.

Come sing it with the wind
And all the Pisgah throng:
The Child reclines within
The manger!
With owl and bear and deer
My soul’s reborn in song
For none of us is here
A stranger.

Come, you’ve slept too long;
If love grows dim
Awaken to a song
For it is Him!

Waken . . . welcome . . . worship . . .
It is Him!
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Bill Griffin (c) 2011

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