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Posts Tagged ‘Rae Spencer’

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[with 3 poems by Rae Spencer]
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Innate
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what does a hummingbird know
in its world of nectar and need
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nightly forced to torpor
by the constant urge to feed
through staggering migration
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are its dreams equally desperate?
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does it wake hungry
ill-tempered with beauty
cramped with desire
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suddenly alert to the nature of sugar
aware that satisfaction can only ever be
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illusory
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and what does the hummingbird sense
as it sips the flower’s allure
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does it know of delicate meanings
pitched fever-tight
into its tiny world of furtive speed
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dare I surmise anything?
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maybe nectar is only a meal
sugar an ache that will pass
beauty an accident of form
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and nothing means more than a wing
clasped into the air and released
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effortless
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Rae Spencer
from Alchemy, Kelsay Books, American Fork, UT; © 2024
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❦ ❦ ❦
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Hovering to sip sugar water, flicking your tongue into the red plastic flower, then dive bombed by a lance-tipped green blur – this is daily life for a hummingbird in the Eastern US. We only have the one species here, ruby-throated, and they do not play well with others. When it comes to a choice feeder there is no sharing, unlike the scene in the Western US where a cloud of a dozen birds, four or five different species, will jointly keep a feeder sincerely humming.
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These last two weeks of September we have been visited hourly by the chunkiest hummingbird I have ever seen. The sleeker slimmer birds will chase her away but then she’s right back. (She-birds only; all the males have left for Central America by the end of August and these more svelte visitors and chasers have likely already burned fat as they’re migrating through from farther north). I realize hummingbirds have to bulk up each autumn, entering a period of hyperphagia before migration similar to black bears before hibernation, but this bird is a real hunk. She is going to have no problem making the 800 km flight from Florida to Yucatan, a natural miracle for such a tiny creature who, even at twice her normal body weight, still weighs only 6 grams – about the weight of a postcard, or of the well-sharpened pencil you’ll use to write a note to Guatemala to let them know to expect this ruby-throat in a couple of weeks.
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Audubon NC suggests continuing to fill hummingbird feeders until the second week in October. Abundant sugar will not deter the birds from setting out on their southward journey; their migration is triggered by light, or actually its absence, the diminishing length of day. All creatures live by their own internal clock. For some the clock’s ticks are soil temperature, snowmelt, the movement of water through earth; for others alarms are set by earth’s rotation and the stretch of sunlight and shadow.
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And no creature lives in isolation. What if come clocks tick out of rhythm with the others? In the Western US, when broad-tailed hummingbirds arrive from their wintering grounds they depend on spring-blooming glacier lilies for nectar to replenish their exhausted energy. By 2012, however, biologists noted that the lilies were beginning to open seventeen days earlier than they had several decades prior. Some would already be withered before the hummingbirds even arrived. By 2050 the birds may completely miss the span of lily bloom.
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Phenological mismatch is the term for this consequence of global climate change. What if migrating flycatchers miss their fly hatch? What if flowers bloom to no pollinators? Some species seem to benefit from early spring – marmots have a longer season to chow down and birth more marmettes. Some species can adapt to new timings but many can’t, especially as climate clocks accelerate their vagaries and variations. We can’t yet know all the consequences, but we know our children and grandchildren are experiencing a different world from the world in which we grew up.
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Belyaev’s Foxes
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When most only wanted their fur
Belyaev wanted their genes
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He selected those he could touch
The ones who ate from his hand
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Exerting curious pressure
On his wild silver stock
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Closed in outdoor cages
To bear Belyaev’s chosen litters
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Where is the gene for submission
For loyalty and bonding?
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Somewhere, it seems
Connected to curly tails
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White stars on the face
Flopped ears and blunt snouts
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Wags and whines and barks
Which compete for favors
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Other than food
So Belyaev’s foxes tamed the men
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With prolonged puppyhood
And after thirty generations
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Heeled happily across their yard
In through the open front door
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Rae Spencer
from Alchemy, Kelsay Books, American Fork, UT; © 2024
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❦ ❦ ❦
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Embryology, cosmology, evolution . . . double helices, insect wings, quarks . . . mystery, contemplation, enlightenment: the poems of Alchemy wend their way through an expanding universe of discovery. There is scarcely a field of science or philosophy that Rae Spencer does not embrace in this collection, using language both precise and technical as well as elevated and elevating. This slim coverlet of atmosphere that supports us, this beneficent congregation of creatures within such mild extremes of warmth and moisture and light, how can one walking through such a place not be inspired?
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And once inspired, what enters us to feed our hearts, what strikes a tonal chord within our minds What shall we believe in? What shall we hope for? Nothing is beneath our noticing; nothing is unworthy of praise. Perhaps the best way to receive Rae Spencer’s expansive embrace embodied in her universalistic collection is as, in the poet’s own words, a patchwork philosophy of wonder (Agnost).
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Rae Spencer is a veterinarian and lives in Virginia, USA. Alchemy is available at Kelsay Books.
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Means of Dispersal
When I view all beings not as special creations, but as the lineal descendants of some few beings which lived long before the first bed of the Silurian system was deposited, they seem to me to become ennobled.
++++++++++++++++++ – Charles Darwin in The Origin of Species
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He spent pages contemplating seeds
How some survived in seawater
Others in the crops of owls
In the feces of locusts
In the stomachs of fish
Frozen in icebergs
Dried in a clump of mud
Between the toes of a partridge
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“In the course of two months,
I picked up in my garden 12 kinds of seeds,
out of the excrement of small birds, and these
seemed perfect…”
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How long in the garden?
Hovering over phials of curiosity
Some rank with the rot of failure
Others yielding green secrets
To the man who struggled to ask
Is there another explanation?
And in the end answered himself
With seed, with barnacles and pigeons
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“…from so simple a beginning
endless forms most beautiful and most
wonderful have been, and are being,
evolved.”
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So Darwin concluded
Without the benefit of Mendel’s peas
Or Watson, Crick, and Franklin’s helices
Without diffusion gels
Sequencers and microchips
Argument is as simple as a garden
Heavy and sweet with fruit
Ripe with answers
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Rae Spencer
from Alchemy, Kelsay Books, American Fork, UT; © 2024
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[ with 3 poems by Rae Spencer]
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Adaptation
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Some days I hardly remember
what it is to fly
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what loss is
When morning feels like betrayal
and shoulders ache
with the sudden load of gravity
pressed into cruel bones
too human for wings
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As if I never once awoke
hair smelling of clouds
wound in wild knots
and damp with tears
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or slept
curled in a crevice of wind
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Other days I recall myself
grace confined to memory
in which I have never flown
and it was only ever a tale
from childhood
I was never meant to believe
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Rae Spencer
from Watershed, Kelsay Books, American Fork, Utah; © 2023
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❦ ❦ ❦
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A shift in warmth of Pacific seas, a wet winter in the South: throughout January a storm a week, sometimes two, but this afternoon we are braving mud to hike our favorite trail from Carter Falls to Grassy Creek. The little farm pond is full and we see the channel where it overflows to carve a deeper path through last summer’s grasses and sedges. Both white pine groves have evidence of freshets, scoured hardpan courses with needles layered thick along each side. We cross Martin Byrd Road to enter the woods that curve alongside the big cornfield and wonder what we’ll find. Even though the acres are planted in winter rye, how much soil has rushed off those slopes and furrows into Grassy Creek?
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The trail quickly turns downhill and we see the storms’ impact. Red field clay has silted full the first drainage swale and overtopped it to rush down the trail bed in a boiling soupy froth. Exposed roots and deep mud. Our trail crews clean out these erosion control features twice a year but one wet January has damaged the trail more than ten years of hikers’ boots. Too much water, too much incline, too much gravity.
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Neither will nor wisdom inform its seep, writes Rae Spencer of water. It must seek its level, it must flow, it must rush. Water and time alike, each of them relentless and not to be held back. Have I spent too much of my life rushing? Have I abandoned will and wisdom to be always doing, doing? Even now my dreams are filled with urgency, long hallways, behind each door a patient fretting to be seen, and I with no hope of catching up. Waking from such, who would want to get out of bed and get started?
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Better trail design can’t completely compensate for poor tillage and agricultural neglect, but the rest of today’s trail is actually in quite good shape. The outer berm has been mostly raked clear and there are several grade dips and rises that keep water from following the treadway. When we reach the more rustic forest bathing trail, it’s even better – consistent outsloping camber, plenty of runoff. Water’s gonna rush. Life too, I guess. How to prepare? How to respond? How to slow things down for a bit? A walk through quiet woods, a quiet hour with a book of poetry – maybe tonight my dreams will proceed more leisurely.
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Of Warbler and Quail
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Drab little she in the brush
Muttering her song to lure
Someone else
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But only I respond
Drawn across the dune
To listen closer
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As a child I spoke to quail
I whistled out their bobwhite name
To hear them shriek it back
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But this little warbler
outside my beachfront door
Her accent slips my ear
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Measures of water wisdom
Refrains of woven nest
Codas that fall silent
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Because I have come too near
To understanding
What is lovely on this shore
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Of daily tide
Of sandy soil and storms
Of quickening flocks
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That speak their sea-swept names
In secret tangled tongues
Of salty sail and oar
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And then they fly away
While I struggle, yearn to say
What I remember of briars
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Of dry summer streams
And winter dreams
Of silent quail
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Hungry among the thistle
Of home, my distant valley home
So many years from here
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Rae Spencer
from Watershed, Kelsay Books, American Fork, Utah; © 2023
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❦ ❦ ❦
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Memory – home – loss – the path forward: Rae Spencer’s poetry has a distinctly formal feel as she settles deeply into these themes. Formal in the sense of meticulous language, lush natural imagery and description, architectural lines, internal rhyme. These poems need to be read slowly as they linger in the moment before releasing one to ponder and discover the writer’s metaphors, and discovering one’s own.
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Watershed from Kelsay Books is an antidote to compulsion, to insistence, to the headlong rush into the next thing and the next. I am perfectly happy to pause and listen with warbler and bobwhite as the poet weaves from their stories one of longing for home (Of Warbler and Quail). I think I’m ready now for racoon to teach me how to live (Adaptable). At the close of Doppler Effect, I sit and listen long to the change in pitch of life I know I must expect, and prepare for, as my own parents age and travel their final days.
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Poetry, in its phrasing, its junctures, its juxtaposition, often moves at the pace of breath. Speak it aloud, pause when it needs you to. Stop and linger in the midst of these lines so that they may breathe into you.
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[hint: I re-type the poems for these posts (thank you to my freshman touch typing teacher), fingers slower than scanning eyes, speaking the words individually in my head, each syllable and carriage return (aka line break) – so often in the adagio the lines reveal secrets of how they mean.]
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Rae Spencer lives in Virginia, USA. As well as writing, she is a practicing veterinarian. Of Warbler and Quail first appeared in Bolts of Silk. Gravity first appeared in vox poetica.
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Watershed is available from Kelsay Books HERE. Learn more about Rae HERE.
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Gravity
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Water doesn’t want
It only weighs
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Neither will nor wisdom inform its seep
Downhill, settling to the lowest pool
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Rivers cascade and marshes ooze
Toward inlet and gulf
Where tides surge
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With the arid moon
Sere face lowered
In serene reflection
Over oblivious blue
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Depths that teem with tin and polyp
Oyster clades awash in brine
That neither murmurs nor sighs
Through a shell
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Held to the ear we hear
Blood’s heave
An eternal chorus
Singing sailors to sea
Dreamers to sleep
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Daughters to voice
Their bare feet anchored
In restless churn
On heavy, ancient shores
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Rae Spencer
from Watershed, Kelsay Books, American Fork, Utah; © 2023
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❦ ❦ ❦
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