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[with 3 poems by Jenny Bates]
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Essential
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Trees are a gathering of circles.
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If I touch this tree
say your name,
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Light from the moon, the stars
will burn inside it.
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Frost kindles its leaves to flame,
Spills them on to yellowing grass.
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Unchanged.
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From prehistoric times the ages
are inconsolable, so they turn.
Mantle shadows by truly seeing them.
I tell you this as I touch the tree,
circle this tree, say your name.
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The tree and its golden mean listen
without an ear to hear.
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As you wear yourself out
with a single essential thought.
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Give.
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Jenny Bates
from Essential, Redhawk Publications, Hickory, NC; © 2023
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❦ ❦ ❦
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Ah, February – enter the season of Romance! Naturalists will mark its approach with sightings of large red heart-shaped boxes lining the entrance to Food Lion. Outdoors we notice that, yes indeed, that gray squirrel robbing the feeder looks nicely plump: she will deliver her puplets in a high leafy nest on Saint V’s Day. Wood frogs and peepers, surprise!, have already begun to sing their amorous invitations to amplexus. Owls have a jump on the festivities, already nesting, while there is a general restiveness and revving among the yard birds.
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For Linda and me, the end of winter and first blood flow of Spring are marked by a plaintive two note whistle issuing from the rhododendron. There it is again! A rising minor third, clear and bright, the introduction to a joyful motet, the Oh My! of Oh my Canada, Canada, Canada. The White-Throated Sparrow is tuning up.
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Why do birds sing? All winter the white-throat has minded his own business, hopping in the litter beneath the feeders or posing quite sage in the azalea. Now he sings his first couple of notes, but within a few weeks he will have flown far from here to breed in Maine or Michigan or the infinite boreal forests of Canada. Why sing now? Obviously his whistling can’t be to establish a territory in our back yard. And it defies imagination to think he’d hope to attract a mate here in North Carolina and keep her by his side all the way to Quebec. Today’s song, to judge from the snippets and fragments he’s practicing, sounds like he’s just warming up tor the big date.
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Here’s how I see him – my little White-Throated Sparrow is Jeremy Brett in My Fair Lady, walking down the street where she lives. He’s passed this way before, but today the pavement simply refuses to stay beneath his feet. Days lengthen and love fills his breast until it is impossible any longer to resist – it must overflow in song. And so although the street where she really lives is 1,000 miles from here, White Throat graces Linda and me here in the NC foothills with his opening aria of Romance. Ah, February!
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* The song of the White-Throated Sparrow (Zonotrichia albicollia) comprises a couplet of long clear ascending whistles followed by three more rapid triplets, and can also be recalled by the mnemonic, Old Sam Peabody, Peabody, Peabody.
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** On the Street Where You Live, 1956, Lerner & Lowe, from the musical My Fair Lady starring Audrey Hepburn & Rex Harrison, with Jeremy Brett as Freddy singing: “I have often walked down this street before / but the pavement always stayed beneath my feet before. / All at once am I several stories high, / knowing I’m on the street where you live . . . .”
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❦ ❦ ❦
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Red and Green
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where the surface of one thing meets the surface of another . . .
— William Bridges
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You were twisting and turning
leaping and swerving a flame
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on each foot, on a field so green
so green – so gorgeously
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green, the earth’s addiction.
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And you, warrior Fox as you fought
you fought off the mysterious foe, rattled like
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a shaman losing part of his soul.
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You danced between spirit and spirit and matter
danced all parts of your body a spontaneous me!
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When you finally stopped puffing
from chaos, from chaos and glee you flowed
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a rhythm of stillness – so still
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you stood as if in meditation
and mantra on what you created.
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Jenny Bates
from Essential, Redhawk Publications, Hickory, NC; © 2023
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❦ ❦ ❦
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I have never met Jenny Bates but I imagine a visit to her home in the woods. Afternoon sun through west-facing panes is captured by glass in the colors of earth, sky, pasture, summer asters. We don’t remain indoors but take our mugs of oswego tea with local honey out beneath the pines. Dusk creeps in and we allow it to fill us with its silence. Creatures creep closer as well, wild but curious. If we were to threaten them, they would flee or turn and slash, but we and they simply remark each other’s presence and respect our distance. They go about their crepuscular business and grant us leave to be part of their universe. Being part of. Communion. Creating wholeness. The highest call and at once the most confounding task of the rational being.
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This is also a visit to Jenny’s poetry in the woods. The universe Jenny Bates creates through words is one of deep acceptance and communion. Essential, from Redhawk Publications, continues her series of books which create a sort of natural theology. The You whom Jenny addresses in so many of her poems – is it God? A spirit familiar? A ghostly memory? Or is it the fox who stares cautiously from the edge of night? You might be a source of answers but more often is simply one with whom to share the questions. In this universe, there is no supernatural, only the fundamental reality that we are all one. One, that is, if we are able to open ourselves that much.
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Visit Redhawk Publications and purchase Essentials HERE
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❦ ❦ ❦
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Be Bold
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I said to the Woodpecker
as I lifted it off the ground
cradled it for a half an hour, this
second Woodpecker to break its neck.
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I’m no angel I said to him, though I’ve
been called it many times
a few drops of Be Bold I tell myself
when there is a need, but sometimes
those drops don’t soak in and I’m left
buckling to my knees.
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The body will be gone by morning
and sure enough it was, yet still I
struggle How can one keep up with
death stare it in the face? Or program our
unconscious to react in certain ways?
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Sweet smelling or dour unpleasant odors
are all we instinctively know, and here,
I’m not too Bold.
I placed the bird on one big leaf, hearing
another drum away
laid his head on dry curled grass
a pine bough for a wreath
both of us changed and changing
the pattern of our resonance.
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Jenny Bates
from Essential, Redhawk Publications, Hickory, NC; © 2023
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❦ ❦ ❦
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But soft! What light through yonder window breaks? This morning I discover Romeo Sparrow perched in the Silverbell. He turns to gaze fondly at Juliet, perched one branch higher. Perhaps they have booked adjoining seats for the flight to their Canada!!
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❦ ❦ ❦
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[ with 3 poems by Rae Spencer]
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Adaptation
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Some days I hardly remember
what it is to fly
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what loss is
When morning feels like betrayal
and shoulders ache
with the sudden load of gravity
pressed into cruel bones
too human for wings
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As if I never once awoke
hair smelling of clouds
wound in wild knots
and damp with tears
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or slept
curled in a crevice of wind
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Other days I recall myself
grace confined to memory
in which I have never flown
and it was only ever a tale
from childhood
I was never meant to believe
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Rae Spencer
from Watershed, Kelsay Books, American Fork, Utah; © 2023
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❦ ❦ ❦
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A shift in warmth of Pacific seas, a wet winter in the South: throughout January a storm a week, sometimes two, but this afternoon we are braving mud to hike our favorite trail from Carter Falls to Grassy Creek. The little farm pond is full and we see the channel where it overflows to carve a deeper path through last summer’s grasses and sedges. Both white pine groves have evidence of freshets, scoured hardpan courses with needles layered thick along each side. We cross Martin Byrd Road to enter the woods that curve alongside the big cornfield and wonder what we’ll find. Even though the acres are planted in winter rye, how much soil has rushed off those slopes and furrows into Grassy Creek?
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The trail quickly turns downhill and we see the storms’ impact. Red field clay has silted full the first drainage swale and overtopped it to rush down the trail bed in a boiling soupy froth. Exposed roots and deep mud. Our trail crews clean out these erosion control features twice a year but one wet January has damaged the trail more than ten years of hikers’ boots. Too much water, too much incline, too much gravity.
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Neither will nor wisdom inform its seep, writes Rae Spencer of water. It must seek its level, it must flow, it must rush. Water and time alike, each of them relentless and not to be held back. Have I spent too much of my life rushing? Have I abandoned will and wisdom to be always doing, doing? Even now my dreams are filled with urgency, long hallways, behind each door a patient fretting to be seen, and I with no hope of catching up. Waking from such, who would want to get out of bed and get started?
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Better trail design can’t completely compensate for poor tillage and agricultural neglect, but the rest of today’s trail is actually in quite good shape. The outer berm has been mostly raked clear and there are several grade dips and rises that keep water from following the treadway. When we reach the more rustic forest bathing trail, it’s even better – consistent outsloping camber, plenty of runoff. Water’s gonna rush. Life too, I guess. How to prepare? How to respond? How to slow things down for a bit? A walk through quiet woods, a quiet hour with a book of poetry – maybe tonight my dreams will proceed more leisurely.
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❦ ❦ ❦
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Of Warbler and Quail
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Drab little she in the brush
Muttering her song to lure
Someone else
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But only I respond
Drawn across the dune
To listen closer
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As a child I spoke to quail
I whistled out their bobwhite name
To hear them shriek it back
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But this little warbler
outside my beachfront door
Her accent slips my ear
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Measures of water wisdom
Refrains of woven nest
Codas that fall silent
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Because I have come too near
To understanding
What is lovely on this shore
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Of daily tide
Of sandy soil and storms
Of quickening flocks
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That speak their sea-swept names
In secret tangled tongues
Of salty sail and oar
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And then they fly away
While I struggle, yearn to say
What I remember of briars
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Of dry summer streams
And winter dreams
Of silent quail
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Hungry among the thistle
Of home, my distant valley home
So many years from here
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Rae Spencer
from Watershed, Kelsay Books, American Fork, Utah; © 2023
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❦ ❦ ❦
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Memory – home – loss – the path forward: Rae Spencer’s poetry has a distinctly formal feel as she settles deeply into these themes. Formal in the sense of meticulous language, lush natural imagery and description, architectural lines, internal rhyme. These poems need to be read slowly as they linger in the moment before releasing one to ponder and discover the writer’s metaphors, and discovering one’s own.
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Watershed from Kelsay Books is an antidote to compulsion, to insistence, to the headlong rush into the next thing and the next. I am perfectly happy to pause and listen with warbler and bobwhite as the poet weaves from their stories one of longing for home (Of Warbler and Quail). I think I’m ready now for racoon to teach me how to live (Adaptable). At the close of Doppler Effect, I sit and listen long to the change in pitch of life I know I must expect, and prepare for, as my own parents age and travel their final days.
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Poetry, in its phrasing, its junctures, its juxtaposition, often moves at the pace of breath. Speak it aloud, pause when it needs you to. Stop and linger in the midst of these lines so that they may breathe into you.
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[hint: I re-type the poems for these posts (thank you to my freshman touch typing teacher), fingers slower than scanning eyes, speaking the words individually in my head, each syllable and carriage return (aka line break) – so often in the adagio the lines reveal secrets of how they mean.]
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Rae Spencer lives in Virginia, USA. As well as writing, she is a practicing veterinarian. Of Warbler and Quail first appeared in Bolts of Silk. Gravity first appeared in vox poetica.
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Watershed is available from Kelsay Books HERE. Learn more about Rae HERE.
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❦ ❦ ❦
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Gravity
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Water doesn’t want
It only weighs
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Neither will nor wisdom inform its seep
Downhill, settling to the lowest pool
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Rivers cascade and marshes ooze
Toward inlet and gulf
Where tides surge
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With the arid moon
Sere face lowered
In serene reflection
Over oblivious blue
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Depths that teem with tin and polyp
Oyster clades awash in brine
That neither murmurs nor sighs
Through a shell
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Held to the ear we hear
Blood’s heave
An eternal chorus
Singing sailors to sea
Dreamers to sleep
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Daughters to voice
Their bare feet anchored
In restless churn
On heavy, ancient shores
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Rae Spencer
from Watershed, Kelsay Books, American Fork, Utah; © 2023
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❦ ❦ ❦
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IMG_1948
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POETRY SUBMISSIONS CALENDAR
Update January 29, 2024
Do you ever hop out of bed and tell yourself, “I’m going to send a poem to an editor today and see if they’ll publish it!” And then do you fire up your computer, open email, and discover a form letter from the journal you sent poems to six months ago that begins, “Thank you for the opportunity to read your work, but . . .”
O creative one, O seeker of inspiration and truth, take heart. There’s got to be a perfect fit for your lines somewhere if only you can discover it. Continue to cast more of your babies out into the storm and, if you’re fortunate, perhaps someday you will receive a word of encouragement like this one. This editor had rejected my submission but his message seemed personal rather than rote, so I dared to ask if any of my poems came near the mark:
You certainly meet the mark, Bill. That is, you’re a fine writer. As are most of Innisfree’s submitters. Who knows what causes a poem to leap out and insist on its acceptance to the reader. That happens about 2 percent of the time. I look forward to seeing more of your work in the future. [Greg McBride, editor, Innisfree Poetry Journal, December 2023]
So I will hop out of bed on some more mornings and be glad to tie myself to the railroad tracks of submission (such a fraught word). Hmm, let’s see . . . who is open to submissions today?
One way to answer that question is to scroll through this calendar I’ve prepared for you:
Here’s how I use this calendar:
It’s arranged by month – look down the column to see what journals and sources are open for submissions right now!
Each row includes the web address – be sure to check before you submit, because requirements are always changing!
The row also includes other information such as:
Is this an online publication only?
Should my submission be a single document?
What file formats do they accept?
There are more instructions on the table itself. Feel free to print it out. The table currently (29 Jan 2024) contains 316 listings, including journals on hold or defunct (to save wild goose chases). At the end are some random references I’ve collected, a table of winners and losers on promptness of reply, and a few journals accepting art & photography. I would really appreciate it if you notify me of any errors or suggested changes!
If you have journals you’d like me to add to the table please do send me the particulars! I will try to post an updated table once or twice a year and whenever I have made significant additions and corrections to the table.
Enjoy!
And if you find this useful or discover errors please send me a comment, correction or suggestions for additional journal entries at:
comments@griffinpoetry.com
BILL GRIFFIN — January 29, 2024
Oh, and here’s the origin story: In 2015 I posted the prototype of this table as I was developing a tool to keep track of when and where to submit poems for publication. As the second of a two-part muse on why oh why we place ourselves at the mercy of all powerful editors, here’s the original post with description:

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