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[ 2 poems from Issue 97 of Pedestal ]
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To Rest Here
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in the museum of my children
smooth the comforter
curl up and be the child
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adhesive streaks on the ceiling
the last of the glow-in-the-
dark planets
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I rest between the old
globe and the stuffed closet
the hoard of their natural history
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tiny sweaters with buttons of bone
primitive sculptures
I hold onto these I still hold
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their small weight
sweet sticky hands
in my hair
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when I circled them and
absorbed their light
when I was their moon
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Marilyn A. Johnson
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As if it weren’t enough to bear
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the world’s dark cloak, the inhumanity
of man which knows no limit,
30-foot high flash-flooded rivers, the charred
acres lit by wind and lightning or cigarette butts
cheerfully tossed out speeding car windows
at midnight, we can’t escape our own
shallow thinking: who has wretched taste
in evening wear, or too many tattoos,
who exudes the rank smell of weed through
his pores in the 9-item quick line. Jesus, it’s bad.
Worth masking up again even if you aren’t afraid
of Covid or SARS the way you should be.
Managing so many large and small disasters
while newly on a budget and nervous about keeping
your job, or Medicaid, or Social Security,
and the chemo has ruined the nerves in your feet
so you keep falling in strange places for no reason.
Fuck. And then Gaza, and Sudan, and ICE picking
off people who aren’t white enough to live
in this country or at all according to the spiteful
rich bastards in charge this week. I am so furious,
and sorry, and don’t think writing poetry
does much good unless you accidentally hit
the bulls-eye sweet spot of something obvious
but deep that has never been said, or not recently,
not in today’s language, somehow blending
hope and humor in a salve to smear over
this seeping wound we all have. A little respite.
Other than that it’s just line after line
of ordinary frustration. And now we’re all sitting
around on a Friday morning in July and I just turned
70, the coming of age of everyone who’s ever
been elderly. I mean, really, what the fuck?!
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Molly Fisk 
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The wound we all have: seeping, obvious, choking the room with stink; or cloaked, penetrating, a stone or a shackle. When nothing makes sense what’s left but to rage and wail? When there is no recovering sense from the senselessness, what’s left but to smooth the comforter and curl up in the past, comfortless though it may prove to be?
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These two poems snagged me at one particular morning’s perigee and swung me in circles, up and around and back again. There’s already too much evil in life to add more to it with some compulsion to feel guilty when a smidge of joy seeps in. There’s too much of life – life gone by and life circling around right now and maybe just maybe more life tomorrow – to chuck joy out the window entirely. Impermanence . . . suffering . . . joy, damn it! No rationalization requested, no forgiveness sought as I reach the last line with a silly grin on my face and shout to life, “Really, what the fuck!”
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These two poem are among many other saviors of sanity in Issue 97 of Pedestal. After twenty-five years of continuous publication, this is the final issue. John Amen founded Pedestal and is its managing editor, assisted by poetry editors Arlene Ang, melissa christine goodrum, Stefan Lovasik, Michael Spring, Susan Terris and the hundreds and thousands of writers who have submitted poetry and book reviews over the years. Thank you, Gang. And thank you for alerting us that although Pedestal will not be publishing new editions you will be maintaining back issues online indefinitely.
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Marilyn A. Johnson (marilynjohnson.net) lives with her family in New York’s Hudson Valley. recent poetry can be read online in UCity Review, Plume, and the Provincetown Journal. Her three non-fiction books include The Dead Beat, about obituary writers; This Book Is Overdue, about librarians and archivists in the digital age; and Lives in Ruins, about contemporary archaeologists.
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Molly Fisk (mollyfisk.com) lives in California’s Sierra foothills. She edited California Fire & Water, A Climate Crisis Anthology, with a Poets Laureate Fellowship from the Academy of American Poets. Molly’s publications include The More Difficult Beauty, Listening to Winter, and five volumes of radio commentary. Her new collection, Walking Wheel, arrives in April from Red Hen Press. She
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . every Saturday I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
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If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
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If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
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COMMENTS@GRIFFINPOETRY.COM
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Thanks again for joining the conversation.
 . 
– Bill
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IMG_0768, tree
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[2 poems from Kakalak 2025]
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My 78-Year-Old Father Learns to Play Old Maid
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Everything in the photograph is Christmas red. My father’s
flannel shirt. The rims of the cordial glasses, unpacked
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once a year. My four-year-old’s fingernails. The light
from the last of the tapers, reflected on their skin. She’s leaning in,
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hand forming a small swan’s beak – reaching to pick from the wide fan
of cards in his hand. Once, fathers like mine left early for tall buildings.
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Home late. Whiskey and water and a few minutes to encircle us – clean
pajamas, wet hair – in cigarette smoke on their laps. So little time,
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those fathers, even the good ones like mine. The bicycle-lesson fathers.
The Field Day fathers. Little time for tiny games of patience. For slowly
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matching silly pictures into pairs, heads close. Is that what it is
about my father’s black glasses that catches me here?
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Their stern perch halfway down his nose, as if reading stock report
after news article, year after year. But this night, narrowed to a child’s
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game. As if nothing else matters. As if the whole world hinges
on which card this little girl will choose.
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Paige Gilchrist
from Kakalak 2025, Moonshine Review Press, Harrisburg NC; © 2025
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Sleeping with the Window Open in an Old House
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Funny how the screen keeps the dark
back along with the mosquitos.
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The curtain sheers resemble ghosts
trying to climb out of their night
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gowns. It helps that no one died in
this room. Because of all those stairs
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it took to get up here. They slept
below, where my great aunt sleeps now,
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climbing into her nineties. Sounds
slip through the mesh like gasps for breath.
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The clock ticking on the bedside
table. Who could sleep in this heat?
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Apparently, I do. Morning
slashes through the cool pools of air
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puddled around my feet. My dreams
interrupted by one hundred
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songs from one hundred song birds. Songs
of oranges and lemons. Songs
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of coffee in the kitchen. Songs
from the garden in the yard. Songs
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from my childhood, only deeper,
more tender. Blossoming together.
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Deborah Doolittle
from Kakalak 2025, Moonshine Review Press, Harrisburg NC; © 2025
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IMG_1705
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Each of these poems captures a moment and holds it up to savor, lyrical, soft and clear as candlelight or morning sun. Each tells an expansive story as well, stretching across generations to bring the years and the people close, to cherish, to illuminate. I discover myself playing Fruits with my granddaughter. I feel this morning’s hubbub of family visitors giving way to a quiet second with Linda beside me.
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From the swirl of confusion that threatens chaos – becoming father to my own father, father again to my grown son moved back home, grandfather to three approaching thresholds of uncertainty – from all that movement and clamor these two poems bring me to a center of stillness. They invite contemplation. They are songs sung in the clearest tenor, and in their melodies I can pause and begin to hear my own song, and hope to understand.
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Paige Gilchrist (Asheville, NC) writes poetry, teaches yoga, and has been published widely, including Amethyst Review, ONE ART, Autumn Sky Poetry Daily, Heimat Review, Rattle, and Juniper.
Deborah Doolittle (Jacksonville, NC) has lived in many old houses. She is author of Floribunda, No Crazy Notions, That Echo, and Bogbound, and edits BRILLIG: a micro lit mag.
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Additional poems by Deborah Doolittle at Verse and Image:
 2020-03
Sample BRILLIG at Verse and Image:
 .2025-07 
These poems (and author bios) are from the newest Kakalak anthology of poetry and art, published annually. Voices new and established. Songs of longing, songs of celebration. Purchase Kakalak HERE and consider submitting your own work in 2026.
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Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . every Saturday I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
 . 
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If you would like to receive an email each time a post appears, please SUBSCRIBE to Verse and Image using the button on the Home Page.
 . 
If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
 . 
– Bill
 
2016-10-17b Doughton Park Tree
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Saturday morning, after Christmas
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If the Fates Allow
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this could be the season we simply hang
together, forget parties, share a
cup of tea, perhaps those cookies with shining
sprinkles like you used to make, star
shaped, smell of baking better than feasting upon
any fancy cakes or puddings, the
presence enough, rooted and roosting – to fly highest
forgotten by two birds on a single bough.
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Bill Griffin, for Christmas 2025
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Thanks for this “Golden Shovel” poem goes to Sarah, Jeannine, Suzanne, Sophia, Kim, and Renee. We are the Tremont Cohort, the seven poets selected to attend the inaugural Tremont Writer’s Conference, 2023, in Great Smoky Mountains National Park. We’re from Tennessee, Massachusetts, Ohio, and North Carolina, but for over two years we’ve managed to Zoom once a month to critique each other’s work and write something new together. MERRY CHRISTMAS, my friends! Thanks for the prompt. And deepest thanks to our inspired and inspiring teacher at the Tremont Conference, Frank X Walker.
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First a poem made from a song. Now a poem made into a song. In early 2018 conductor and composer David McCollum invited me to write a poem that could become the lyrics for a new anthem he wanted to perform for Christmas with the Elkin Community Chorus. We collaborated all summer, tweaks and adjustments to find the proper rhythm and cadence to fit the message. The Chorus premiered Wilderness Advent on December 2, 2018. Thanks for listening!
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Wilderness Advent
(Pisgah Stranger)
Lyrics: Bill Griffin . . . . . . . . . . Music: David L. McCollum
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Elkin Community Chorus 58th Annual Concert
December 2nd, 2018 – First Baptist Church, Elkin, North Carolina

Wilderness Advent
(Pisgah Stranger)

A stranger here, I sleep beneath the slash of stars,
The Pisgah forest deep and friendless.
I close myself to love, my heart requires the dark;
Can night within this cove be endless?

Come, you’ve slept too long
And love grows dim.
Awaken to a song – Can it be Him?

Is it madness or a dream that seems to whisper here?
The murmur of a stream or singing?
It chants, a still small voice, I’ve nothing now to fear
For tidings of great joy it’s bringing.

Come, you’ve slept too long
And love grows dim.
Awaken to a song and welcome Him!

And now the music swells as every fir and spruce
Unloose their boughs to tell the story:
May all God’s creatures wake, hearts quickened by the truth,
Invited to partake of mercy.

Come, we’ve slept so long
That love grows dim.
Awaken that our song may worship Him.

Come sing it with the wind and all the Pisgah throng:
The Child reclines within the manger!
With owl and bear and deer my soul’s reborn in song
For none of us is here a stranger.

Come, you’ve slept too long;
If love grows dim
Awaken to a song for it is Him!

Waken . . . welcome . . . worship . . . it is Him!

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 . 
Thank you for visiting Verse and Image:
. . . . . every Friday I present one or two poems I’ve read this week that particularly speak to me;
. . . . . every Saturday I present one or two poems submitted by YOU, my readers.
 . 
If you would like to offer a poem for consideration, either by a favorite author or your own work, please view these GUIDELINES for Saturday Readers Share:
 . 
 .  .  .  .  .   https://griffinpoetry.com/about/

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If you have a hard time finding the SUBSCRIBE button on this WordPress site, you can send me your email address and I will add you to the subscriber list. Send your request to
 . 
COMMENTS@GRIFFINPOETRY.COM
 . 
Thanks again for joining the conversation.
 . 
– Bill
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