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This evening at suppertime she peers into the beef and carrots simmering on the right burner; I snip pea pods and spinach into the black bean broth on the left burner. Pretty soon both pots are smelling darn good. It’s usually something like this, the scene in our kitchen all the years since I decided to stop eating meat and she didn’t. Separate skillets, or sequential nuking, then sit down together.

But then every once in a while it’s all her show. She steams the broccoli while I sit near the lamp and read. I start on a little dry white wine (she’ll accept two ounces for herself later – Pastor Jan, pretend you didn’t read this) while she simmers the pasta. She serves two blue patterned Japanese bowls we’ve owned since year one. Then we sit down together.

When I die, sorry to say, I have no faith that there will be an angel in heaven who can make broccoli Alfredo this good.

 

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Getting home from the office early these days, I’m revisiting the overflowing stacks beside my desk. Poetry, philosophy, poetry, nature, poetry — I’ve rediscovered that all of Terri Kirby Erickson’s poems are home.

Lots of poetry is about home – you get a peak through the curtains and maybe you can imagine life on the other side of the pane. Terri’s poems are home. Welcome in. Don’t mind the mess. Maybe you didn’t understand this is your home but for twenty or thirty lines you will be part of the family. So many families. So many homes longed for, left behind, returned to. Soft light, hard edges. Sweet and harsh and all shades between. Come on in. Let’s sit down together.

 

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from In the Palms of Angels, Terri Kirby Erickson, Press 53 © 2011

 

Wayfarer

He seems like a man
you’d see walking down a long
stretch of road, the kind
with dust

rising

in a red haze beneath the wheels
of pickup trucks, cutting
through fields of golden

wheat. Scudding clouds cast
shadows
across the ground like whales

swimming through clear
water, and the air carries the scent
of grain and loam.

Every few miles, the glint of a silo
(startling against the lonesome

sky)

signals a farm house
where peach pies sit cooling
on window sills, and patterned
carpets are worn-out from parents

pacing to and fro with fretful babies
in their arms.

He’s traveling toward the horizon
with the steady gait of someone
with a place to go, whose tender

gaze

will soon find home, that place
more sacred than communion wafers
nestled in the palms
of angels.

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Rosary

Down by the creek,
we sit on dry
stones,

our shoes and socks
jumbled in a pile.
The sun

warms our toes
and casts its
net of light

from bank to bank,
where willows
trail their

fingers in the water,
and snakes look
like branches

floating by
them. Mosquitoes
lay their eggs

in stagnant pools,
far from leaves
and grasses snagged

by rocks, twisting
in the current.
Tadpoles swim

in tight formation,
wiggling their tails
in tandem,

as salamanders
scuttle by, searching
for places to nap.

Dragonflies hover,
then hurry
away,

their wings
thrumming a one-note
song – while we,

silent as nuns in prayer,
count the beads
of summer.

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[Rosary first appeared in Basilica Review; other collections by Terri Kirby Erickson from Press 53 include: Telling Tales of Dusk; A Lake of Light and Clouds; Becoming the Blue Heron.]

Author Page, Terri Kirby Erickson, Press 53, Winston-Salem, NC.

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Let’s meet at Grandview above the New River Gorge while the sun is still working its way through the pine and bare hickory. The hardcore birders left from Shelter #4 hours ago but we will follow the same course down the abandoned mining road to the River. We will follow the wild flowers. We will walk into Spring.

We don’t see a lot blooming up here at the end of April, elevation 2,500 feet in the West Virginia Appalachians. Beneath the trees and in the sunny patches the landscape is still mostly brown, but that doesn’t hold for long. Trailing arbutus and trout lily greet us in the first quarter mile, wake robin and four more species of trillium pop up along the course of the trail, wild iris and asters appear by the time we’ve descended 1,000 feet to river’s edge – all of Spring blooming in one morning.

And just in case we miss something we have a guide: my wife’s sister Jodi French-Burr, National Park Service ranger, naturalist, and interpreter. She’ll be kneeling in the duff gently parting the leaves so we can see the wild ginger blossoms. She’ll have at the tip of her tongue the name of every growing thing we discover. She’ll tell us the history of this winding trail and point out relics and landmarks along the way. And she will usually laugh at my jokes.

Come and convince yourself that the earth is filled with beauty.

Bring water and a snack. RESERVATIONS requested by April 21, 2020: 304-465-2632 or jodi_french-burr@nps.gov.

[UPDATE 3/23/2020 — due to the COVID-19 Pandemic many NPS and New River Gorge activities may have to be canceled or rescheduled. Be sure the check this site for the latest info:

https://www.nps.gov/neri/planyourvisit/wildflower-weekend.htm

BUT . . . outdoor activities with family and small groups (maintaining your social distancing) are just what THIS doctor orders! Get out into nature! Viruses hate sunlight! . . . . . . . . Bill G  ]

 

Erythronium americana — Trout Lily (Dog-tooth Violet, yellow adder’s tongue, fawn lily)

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Deborah H. Doolittle has created a unique botanical and poetic experience with her collection Floribunda, a true garden of verse. The focal point of each poem is a particular flower, from Cowslip to Gardenia, but the speaker or the style of each poem is a giant of literature, from William Blake and Lewis Carroll to Sylvia Plath and Wallace Stevens. To wander the garden path of Deborah’s poetry is to smell the fragrance and delight in the colors but also to abide in the company of great writers, Deborah H. Doolittle not the least of them. Open to any page and converse.

[all selections are from Floribunda, © Deborah H. Doolittle, Main Street Rag Publishing Company, 2017]

Hepatica americana — Round-lobed Hepatica

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Emily Dickinson’s Wild Flowers

The way she dressed a flower was
just that extravagant.
The haute couture of wild flowers!
wild flowers! her element.

To that pale cheek she called petal,
she pressed both stem and leaf –
the lupine, like crinoline; sweet
clover, tight Damascus weave.

She had played the part of Botanist,
a child’s specialty.
Swamp candles shed no brighter light
in Latin for the bee.

Grasses of Parnassus, skullcap
of the tiny laces,
she pressed herself soft as a moth
treading through her pages.

Antennaria solitaria — Solitary Pussytoes

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Henry David Thoreau and the Sunflower

Who among us has not followed the sun
and hated the clouds that hid its shining face?
Who else but us can claim that we have traced
across the sky the very path it runs?

We’ve traveled much through Concord, you and I.
The widest fields are fenced and most contain
cattle or corn or the stock of kitchen
gardens. The farmers never wonder why

your seeds proliferate upon their grounds.
I know how the wind blows the smallest crumb
and how the bees and birds know where to come.
The two of us, like them, know no such bounds.

The hedgerows and stonewalls can’t grow taller.
The sun is but a star and you’re its flower.

Sanguinaria canadensis — Bloodroot

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Sylvia Plath and the Impatiens

Unlike my empty hands,
it does not just lie there
with its flowers opening

upon white bed linen.
All its seeds jettisoned,
its future guaranteed

for at least another
season, this jewel-weed,
asks for nothing that I

cannot give it. It basks
in my sunlight, breathes in
my exhalations as fast

as I can breathe them out,
again. Still, we are both
waiting for the nurses

to make their rounds, the sun
to rise up, then subside,
for the moon and the stars

to appear and disappear,
for winter’s frost to turn
us into limp black rags.

Asarum virginicum – Heart-leaf Ginger (Little Brown Jugs)

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The other way to walk into Spring, although it takes a month or two, is to stroll along the same trail every day. Linda and I walk the Elkin Valley Trail Association Nature Trail along Big Elkin Creek at least three days a week. First appears trout lily, hepatica close behind, then every day or two there’s a new species in sequence: pussy-toes, wild ginger, bloodroot, rue anemone, star chickweed. In a month there will be foamflower, bellwort, jewel-weed, jack-in-the-pulpit. The photos in this post were all blooming on the same day, March 16, 2020.

Anemonella thalictroides — Rue Anemone

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Deborah H. Doolittle moved from her birthplace in Hartford, Connecticutt through many different landscapes and gardens before settling in Jacksonville, North Carolina. She has an MA in Women’s Studies and and MFA in Creative Writing and teaches at Coastal Carolina Community College. She serves on the Board of the North Carolina Poetry Society and she loves flowers.

Stellaria pubera – Star Chickweed

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Heavenly body, we circle, approach, broad ellipse, eye each other across the expanse, still closer, with proximity our velocity increases. Will we join, mutual revolution, orbit, or will we sling each other into outer darkness?

Am I speaking to you, lines of verse? Or are you speaking to me? From a distance you attract but how finely do I perceive your true nature? Like the person I have loved for so many years: at the moment I say, “I know the real You,” at that precise moment you surprise me, swift and sudden, slap or caress, and I must humble myself or be humbled by the universe of you.

Heavenly body, I continue. Your placid visage resolves, light that blinds, deepest shadow. We move each other, we move before each other, we move but never cross the same path twice, we flow and bud and the moments we create are like no other moments. There is more to you than can be known.

. .  lunar eclipse January 21, 2019; photo by Bill Griffin . .

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I knew Bruce Lader from a distance. We greeted each other at poetry gatherings, shared the occasional comment about the program or a reader. He was solid and planed as an oak table; he met my eye and I had no fear of being shaken; he invited me into his calm.

And then I read two of his books of poetry. The lines compel you to be shaken. He taught for years in New York City, rough and troubled teenagers, and those characters populate many of his poems. Scary at times. And he writes of relationships and longing, about culture and human frailty in images bright and dark but always hand-hewn and polished from the rock of reality. Joanna Catherine Scott wrote of his book Landscapes of Longing: It does not hold back. Open it with care.

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Gravity

Fugitives from each other,
they skulk along dark corridors
of denial, kidnap shadows
cast by a slivered moon
of eclipsed emotions.

Wordlessness betrays them
at the apogee of centrifugal flight,
as they ransom the desperate
anodyne of sex.

. . . Without a fingerprint
the tides of bodily language
have shifted elliptic;
will a touch burn or freeze?
mend or violate?
The quark of midnight:
inexorable undertow,

they treadmill between grief
and fault, looking for a vague
similitude of conjunction
nothing can rescue.

Bruce Lader, from Landscapes of Longing, Main Street Rag Publishing, 2009
[first appearance in Poetry Salzburg Review]

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Siege

All night, freezing rain – the lights
won’t make up their mind;
then everything’s dark. Trees are walking dead.

In the tar pit of time, a transformer
groans like a dinosaur, becomes extinct.
The turncoat furnace sleeps.

Daybreak we are hostages of the ice storm,
light candles, stove, put a bucket
under the leak by the sliding doors,
resuscitate the fireplace, check for damage.

Storm – odd word for weather
so calm where ice builds by degrees,
immures us inside a cold hurricane’s eye.

The neighborhood is a breath
of blown glass. Crack, crash – trees discard
sodden branches. A dove is still
on a telephone wire of silver stalactites.

Debris is strewn over the battlefield
of tree bones. Broken limbs have toppled
the fence, could crush the roof.
We need a generator, radio batteries.
Is there enough food?

Wounded are throwing shivers
helter-skelter against the windows.
A transparent antler points
as a ghost staggers to shelter.

The phone’s gone dead.
In a million offices, packs of wolves
circle, move closer, with fiery silver eyes.

Bruce Lader, from Discovering Mortality, March Street Press, 2005
[first appearance in The Potomac Review]

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Bruce also published Fugitive Hope in 2014, ISBN-13: 978-0991009183.

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