Posts Tagged ‘nature’
Some Heal Us
Posted in Christian themes, Ecopoetry, Imagery, tagged Bill Griffin, Christic, ethnobotany, Ilia Delio, nature, nature photography, poetry on June 20, 2025| 9 Comments »
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A human being is a part of the whole called by us universe, a part limited in time and space. He experiences himself, his thoughts and feelings as something separated from the rest, a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison by widening our circle of compassion to embrace all living creatures and the whole of nature in its beauty.
Albert Einstein.
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All these years, how have I overlooked this humble herb growing up through the pavement? Tough narrow leaves, bottle brush of tiny flowers climbing its central spike, an entire array of bottle brushes – Virginia Pepperweed. It’s in the Mustard family, Brassicaceae, so I can already imagine its spicy taste as I pinch off a leaf and raise it to my . . . but wait! Now I’m recalling the Fourth Question you must ask yourself when you forage in the wild: “Do dogs poop here?”
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In a few minutes I’ll explain Questions One, Two, and Three to my hikers that are now gathering in the field beside the nature trail. Thus we’ll begin our first ever Ethnobotany hike as part of NC Trail Days in Elkin. I’ve titled the event, “Some Feed Us, Some Heal Us, Some Kill Us.” Doesn’t our culture of plants teach us exactly that? Or have we become so far removed from nature that we’ve forgotten how everything around us affects us, and how we affect everything around us? Culture is the wisdom and traditions we pass along from generation to generation; Ethnobotany studies cultural relationships to plants. These hikers have signed up to satisfy their curiosity and learn something new, but I expect we will all learn from each other. I’m sure someone’s granny once picked creasy greens in the Spring or stirred up a mess of poke salet.
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I go to Nature to be soothed and healed, and to have my senses put in tune once more.
John Burroughs
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Everyone needs beauty as well as bread, places to play in and pray in where Nature may heal and cheer and give strength to body and soul alike.
John Muir
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The Elkin & Allegheny Nature Trail, a part of the Mountains-to-Sea Trail, just three miles or so if you include all its side loops and detours, has become my textbook. I’ve walked here several times a week, all seasons and all weathers, until I know where to find the single Fairy Wand and the four Adam-&-Eve orchids. When the first Hepatica blooms and when the last Trout Lily has dropped its petals and set seed. And yet this trail is always new. Last week a just-fledged Pileated Woodpecker poked its head out of the hole we’d been watching for a month. This week American Hornbeam displays its little chandeliers of seeds, glistening with afternoon rain. There is always something to discover, something to become part of.
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This little three mile trail has also become my refuge. Maybe I start down the trail with a dark cloud around my head and my breathing sounds like thunder, maybe there is only cold encircling my heart. Maybe the dark and the cold have not fully dissipated by the time I return to my car, but nevertheless some small seed of hopefulness always finds a way to take root. I recently encountered this saying: “Each one of us carries a sack of rocks. You don’t know how heavy your neighbor’s sack is. You’ve just got to carry your own rocks.” There is always a way to put one foot in front of the other. Slow or fast, heavy or light, grunting or singing, there is a way to walk on down the trail.
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How important is a constant intercourse with nature and the contemplation of natural phenomena to the preservation of moral and intellectual health!
Henry David Thoreau, from his Journal, May 6, 1851
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The healing potential of flowering plants is an integral part of the deep bond that exists between humans and nature. That flowers have the ability to heal us, not only physically but also emotionally and spiritually, is something that has been recognized and utilized as far back as we know.
Anne McIntyre, from Flower Power
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Last week granddaughter Amelia and I played Scavenger Hunt. We took turns drawing little pictures of things in the yard and having the other one find them. My Dandelion and Holly she spotted right off. The Pill Bug she recognized but took longer to find. Just a half hour outdoors on a muggy day, but it erased a good fraction of my load of dread and loathing. She and I connected with each other in those connections with nature. As Einstein suggested, our task is to somehow discover that we are not separate from the universe, to widen our circle of compassion. As people come together on my little nature hikes, fifteen or twenty crouching in fields and woods eight or ten times a year, do we accomplish that? Do we connect?
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The First Question you must ask yourself before you pick a leaf or a flower is, “Am I 100% certain of my identification?” You wouldn’t want to brew up a tea of Pukeweed (Lobelia inflata). Wild Carrot is closely related and looks quite similar to the most toxic plant in North America, Poison Hemlock (Conium maculatum), both of them introduced from Europe and prevalent in our area. On the other hand, if I can recognize every member of the Rose family, Rosaceae, from apple to quince to almond, I can be pretty confident they are all edible.
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The Second Question is, “If I pick this, how will that affect the local ecology?” I tell folks they wouldn’t want to eat the last wild huckleberry if a hungry bear was standing beside them, but the full complexity of the web of life is impossible to grasp. Pollinators and larval hosts, things that creep beneath the leaf litter and fly down from the Red Oak’s crown, how does each feed and heal the next? My friend April supplemented her meager nutrition while she through-hiked the Appalachian trail by chewing greenbrier, cooking up pots of stinging nettle, cracking hickory nuts. She had a personal rule – never dig up a Cucumber Root if it was busy making a flower or a berry. It’s hard to imagine now, but a hundred years ago Galax was almost extirpated from the southern mountains as people gathered it to ship north for Christmas decorations. May we widen our circle of compassion to discover we, too, are part of these woods, these fields.
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And the Third Question is really just a subset of the Second: “If I pick this plant, how will it affect the experience of those who come after me?” Aren’t most major world philosophies and religions based on some paraphrase of this? The Golden Rule; the Second Commandment. It would seem obvious that in the shared space of a public park you wouldn’t dig up the flowers. Is it possible for us large-brained primates to widen our consciousness until we can image the entire earth as shared space?
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So let’s take a walk in the woods. Let’s imagine how our grandparents would have experienced and related to the life here. Let’s learn from these plants about other cultures, the Cherokee, the European pioneers. Let’s discover our own connections, to the diversity around us and to each other. Let’s be fed, and let’s be healed. Let us be part of the universe.
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The Christic
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I am looking at a tree, but I see such astounding beauty and
graciousness, the tree must be You, O God,
I look at the wild weeds playing across the fields, and their
wild joyful freedom speaks to me of You, O God.
Yesterday, I saw a child crying alone on a busy corner, and
the tears were real, and I thought, you must be crying, O God.
God, you are the mystery within every leaf and grain of sand,
in every face, young and old, you are the light and beauty
of every person.
You are Love itself.
Will we ever learn our true meaning, our true identity?
Will we ever really know that we humans are created for
love?
For it is love alone that moves the sun and stars
and everything in between.
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We are trying too hard to find You, but You are already here,
We are seeking life without You, but You are already within,
Our heads are in the sand, our eyes are blinded by darkness,
our minds are disoriented in our desperate search
for meaning.
Because you are not what we think You are:
You are mystery.
You are here and You are not,
You are me and You are not,
You are now and You are not,
You are what we will become.
You are the in-between mystery
The infinite potential of infinite love,
And it is not yet clear what You shall be,
For we shall become something new together.
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Ilia Delio, OSF
from The Not-Yet God: Carl Jung, Teilhard de Chardin, and the Relational Whole. Orbis Books, Maryknoll, NY. © 2023
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If you’re passing through Surry County, North Carolina, visit our trails! Elkin Valley Trails Association builds and maintains Section 6 of the Mountains-to-Sea Trail as well as many connecting trails in the area. The Over Mountain Victory Trail (Revolutionary War era) and Yadkin River Trail both pass through Elkin.
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EVTA also plans many trail activities and work days throughout the year, plus we partner with Explore Elkin to present NC Trail Days for four days at the beginning of June every year.
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And if you would like a copy of the handout I prepared for “Some Feed Us, Some Heal Us, Some Kill Us,” click HERE. This is a small subset of the 250+ plant species we’ve discovered on the E&A Nature Trail. Walk the trail and help us add more!
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Finally, you may notice that the title of our ethnobotany hike bears a resemblance to the title of the wonderful book by Hal Herzog, Some We Love, Some We Hate, Some We Eat, which I suppose you might call Ethnozoology. Dr. Herzog is a psychology professor at Western Carolina University in Cullowhee, NC and a world leader in the field of anthrozoology. Thanks, Hal, for continuing inspiration!
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And, for teaching me about sacks of rocks, warm thanks to Pat Riviere-Seel.
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Spring. Whatever.
Posted in ecology, Ecopoetry, Imagery, tagged Bill Griffin, Ecopoetry, haiku, imagery, Jacar Press, Kathryn Kirkpatrick, nature, nature photography, nature poetry, NC Poets, poetry, Southern writing on May 9, 2025| 2 Comments »
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[with 3 poems by Kathryn Kirkpatrick]
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Turbulence
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Of the stomach lifting. Of the weightless
where I was and am again variety.
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Sway and crack, our craft. Slalom
the wind. So much carbon in the currents.
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Of the climate kind. Of the jerk and twack.
Of the hurtling toward. Shake right out
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of our human. As if we might not
settle back into these bodies,
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but land instead in someone else.
Yet the hare far below isn’t empty
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to receive us. Neither is the horse.
They have their own embodied plans.
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We will have to settle beside ourselves
Blurred boundaries and all. Bump,
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rattle, and creak. Our enlightened selves
grasp cokes, play solitaire, read, sleep,
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going on as if what’s happening isn’t.
With more than prayers
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holding us up, we are nonetheless
tossed in the vastness.
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Kathryn Kirkpatrick
from Creature, Jacar Press, Durham NC; © 2025.
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ah spring spring
how great is spring!
and so on
Bashō (1644-1694)
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Basho has perfectly snared my mood this morning. I am reading Spring haiku at SeasonWords.com: Ah, Winter vanquished!, Ah, new life!, blah, blah, blah. I am not feeling newly lively these days, especially not as the sun so gaily rises. By day I seem to be the rock between two storms, my father and my son, but by 4 AM I have eroded to sand and the bed is far too gritty for sleep. Now this haiku blog offers a prompt for the season and encourages sharing? Here are my Spring lines:
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what to say
when everyone’s “spring, spring” –
toads trilling
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In her book Haiku and Senryu: A Simple Guide for All, Charlotte Digregorio states, Wherever one lives, one experiences changing seasons. The haiku’s brief flash illuminates one specific moment. We read the terse lines and might recognize where we are, but certainly, and more critically, we do know precisely when we are. Perhaps we have never shared the haiku’s circumscribed space, but we do share the time of pollen, the humidity, crisp crackling leaves, the shivers. A moment’s experience broadens into a communal truth.
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In that sense, haiku becomes less an instruction in encountering nature and more an invitation to shared humanity. Besides the experience of changing seasons, the thing we all share is the experience of suffering. A moment’s observation may stand in as a piercing metaphor: Spring’s anticipation, Summer’s lassitude, Autumn’s anxiety, Winter’s dread. And perhaps pricked by that dart of connection upon reading a haiku, we might also share one more thing – joy.
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Just to be fair, I imagine my Spring haiku is not really an indictment of inane people chattering around me. On a dark night after rain, the lonesome trill of an American toad rising from down in the woods is a peace offering. My son and I stood on the deck last night and heard it together. Yes, it was very dark. This morning, light has returned. Again. Oh my. The season rolls on.
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In 1685, the Japanese astronomer Shibukawa Shunkai adapted the 24 Solar Terms of the Chinese calendar for Japan and created 72 seasons. As we learn at SeasonWords.com, these 72 seasons “offer a poetic journey through the Japanese year in which the land awakens and blooms with life and activity before returning to slumber.” Mark, the site’s curator and naturalist, shares lessons from nature corresponding to the seasons; haiku both ancient and modern that complement the lesson; and craft tips / kigo with a prompt and an invitation. Readers share their haiku and receive commentary.
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Visit https://seasonwords.com/ and subscribe to receive periodic postings in your mailbox!
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The Ridge
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1.
One day I found the outline of a deer
in the snow. She’d slept on the old logging road
above our home, curled against the cold.
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Her imprint on a trail I’d walked for
twenty years was intricate and vulnerable
as I now feel since strangers bought this land.
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their cameras
nailed to the trunks of trees
Christ
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At first I waved. New to the neighborhood,
the seemed shy. Hovering at the side
of the road with their harnessed dogs, they walked
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harnessed too, shoulders hunched, eyes averted.
About their money I didn’t then know, or
Appalachian families letting go of land.
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orange flags
festoon the property lines
orioles in snow
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3.
What we had of commons among
hill people here is gone, our hollow hollowed
out, our waves, our lifted heads, our calls across
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casual borders fretted now by registered
mail. “Not authorized.” “Legal action.” They’ve
no bonds to sunder because they’ve no bonds made.
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camera 1
my shetland sheepdog framed
first day of spring
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Surveyed for surveillance, the ridge. But I
can love what I don’t own. I miss the oaks,
their wide-girthed stillness. I miss the mountain’s
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spine. Across family lands and state lines,
through Cherokee and Appalachian time,
the mountains stay. The mountains stay. They stay.
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a taloned sun sets
the red-tailed hawk
needs no human hand
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Kathryn Kirkpatrick
from Creature, Jacar Press, Durham NC; © 2025.
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Creatures – so we are. We seek what all creatures seek, but especially we seek the closeness of other creatures. Kathryn Kirkpatrick is visited by crows and grieves for house wrens dying and for cows separated from their calves. She reveals her creature’s struggle and confusion as she loses her mother. She is not afraid to say that she hesitates to speak of death because every creature must face death but fears to do so. She reveals moments and connections and we readers look about us to discover her light is casting our own shadow. And in the closing section of Creature, Kathryn Kirkpatrick has written the finest collection of dog poems I’ve read in twenty years.
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Creature by Kathryn Kirkpatrick at Jacar Press: HERE.
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On Finding Monarch Caterpillars in September
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And whatever love a parent
feels stealing bread for a starving
child, I have it as I dig by
the flimsy light of my bargain
headlamp, having driven miles for the last
of the chain-store milkweed, which will
feed these ravenous young in their striped
skins, who are no metaphor, who stand for
themselves only, though in my ecological
worry, my long-range fright, I am surely
standing for something as I shovel in the dark.
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Kathryn Kirkpatrick
from Creature, Jacar Press, Durham NC; © 2025.
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In their multi-generational migration pattern, the endangered monarch butterfly bears its fourth generation in September and October. Rather than dying after two to six weeks as the earlier generations do, this generation migrates to warmer climates like California and Mexico, living six to eight months before starting the process again. – K.K.
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Manipulative Intelligence
Posted in Imagery, poetry, Process Theology, tagged Bill Griffin, imagery, nature, nature photography, NC Poets, poetry, Southern writing, Tar River Poetry on May 2, 2025| 6 Comments »
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[with poems from Tar River Poetry by Michael Gaspeny,
Grey Brown, and Sydney Lea]
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Burying the Runt
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Rain so long
the dusty pink bucket
outside the basement brims
and a puny squirrel floats
++++ ++++ ++++ ++++ face down.
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I dig a hole in the azalea bed
near the stair well. The ground splits
++++ into a glove
++++ ++++ with root threads for fingers.
++++ ++++ ++++ I trickle
++++ ++++ ++++ the bucket into its palm.
++++ ++++ The runt’s round stare catches the sun.
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I cover the fuzzy ribs. Close the glove. Smooth
++++ the hole. ++++ Bless the soul
++++ ++++ in case
++++ there’s somewhere else.
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Michael Gaspeny
from Tar River Poetry, Volume 64 Number 2, Spring 2025
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Perhaps bedtime reading infiltrates one’s dreams. I selected this particular book imagining it might hold the secret, and then hold that secret out to me in revelation: Where is God? Was I wrong to expect to find God in a book, when pretty much everything else I’ve ever wanted to find was in books? Or if the thing itself is not in a book at least the book is able to make the thing comprehensible, graspable, whole. Oh my, how that word creeps in, whole. I had read this author’s contemplations about becoming one’s complete and perfect self, wholly connected and part of the universe which is God, and now here I am halfway through her book, whose theme is “relational holism.”
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But where am I really? These woods are dark and close. I can’t quite see what is screeching high up amidst the branches, but it sounds like quantum entanglement and Jungian archetypes. Assuming I do wake in the morning, I will recall snatches of dreams about trying to put things together that refuse to fit. Long halls and which of these closed doors is the one I’m meant to open? Being surrounded by people I could swear I should know but who don’t know me.
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The title of this microessay is Manipulative Intelligence, subtitle The Paradox of a Trillion Synapses. Consider me a wholly average representative of my genus and species. I can read without glasses as long as the light is bright, but I can’t see remotely as well at distance as a hawk or as an owl at midnight. I can smell bread baking but the remainder of the world’s vast olfactory tapestry of edibles which is plain as the nose on a bear’s face is inscrutable to me. I can hear a C minor chord sung by a competent quartet but the deer can hear me coming a concert hall away. And I can’t imagine that those huge cetaceans with their massive cerebral cortices are thinking whalethoughts any less profound than my humanthoughts. What does that leave, then, to account for the relentless invasive proliferation of persons, for 9 billion homo sapiens infesting the earth?
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Manipulative intelligence is the inborn gift of fiddling with things. Manual fiddling progresses to building machines capable of even bigger and faster fiddling. If there is one trait that makes humans unique, it is that we have fiddled with, changed, and are continuing to alter our surroundings. Not just for protection or dwelling, bowerbirds and beeswax, but we have manipulated our entire biosphere. The venture capitalists say, “Way to go!” while the rest of us who live on Planet Earth, including the hawks and owls and bears and deer and whales and bowerbirds and bees, say “What the fuck!” But here’s the paradox: besides imagining that our big heads are a fiddling gift, we also contend that our trillion+ synapses have made us the only creatures capable of encountering the Giver. And something about the way our limbic systems interconnect with our frontal lobes has also convinced us that we are God’s favorite.
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Back to my book and my dreams. A hundred more pages of Ilia Delio to go. I promise I’ll make it to the finish line. To God. I will lie back and let Carl Jung sort out my dreams. Meanwhile this morning has presented a rare couple of hours with absolutely no prescribed fiddlings. Sitting on the porch while the house wren lets everyone in earshot know he has a nest and a mate here, while the beech and maple deepen the shade across the deck slats minute by minute, while I hold my notebook on my lap but don’t get another line written beyond Trillion Synapses, I’m thinking. Empty thoughts with no script or outline and no polysyllabic labels. Non-fiddling thoughts. I think Ilia is right. God is not out there. God is in here.
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The Not-Yet God: Carl Jung, Teilhard de Chardin, and the Relational Whole by Ilia Delio, O.S.F. Orbis Books, Maryknoll NY. © 2023
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Family Plot
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Once on a cruise,
my mother spent the week
not letting my father find her.
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Behind a book,
hunkered in a deck chair,
she would see him coming
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and dash starboard
then dash again if need be.
She thought him ridiculous
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disco dancing at 70,
his shorts and tube socks.
Why couldn’t he just read?
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His second wife
insisted on his cremation
and I imagined my father
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dancing into flames.
Now my mother
rolls alone under
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the grass and plastic flowers
of a double plot, bought
too soon.
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She draws the soil
up under her chin
but still does not miss him.
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She wonders what will happen
to the space beside her.
She would not mind
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if someone else moved in,
perhaps someone sensible,
someone who reads.
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Grey Brown
from Tar River Poetry, Volume 64 Number 2, Spring 2025
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I treasure my memories of Tar River Poetry founding editor Peter Makuck. I met him first and formally through rejection letters, as kind as any, and later an occasional acceptance, O Frabjous Day! Later yet we met in person a few times at statewide poetry meetings. Bit by bit we discovered many more things in common – Ohio and Kent State, Bogue Banks, birding – and also shared more poetry with each other. I featured a poem by Peter during my tenure as Poet in Residence at the NC Zoo. Several times a year he would send me a poem he’d discovered that he thought I’d appreciate. And of course I was reading everything Peter published.
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Peter Makuck was a truly generous and warm person. And creative, and insightful, and true. I am thankful to Advisory Editor Luke Whisnant for furthering the work Peter began at Tar River Poetry, and I am very grateful to the newest Editors, Charmaine Cadeau and Helena Feder, for Volume 64 Number 2. And here’s a shout out to everyone else whose name appears inside the front cover:
Advisory Board: Chris Abani, Alice Allan, Stephanie Bolster, Jane Hirshfield, Brandon Krieg, Dorianne Laux, Amit Majmudar, Matthew Buckley Smith
Interns: Onyx Bradley, Rebecca Donaldson, Paige Osché (hey Onyx, I’m the one who took that photo of you presenting at the NC Museum of Art in 2023 and sent to John Hoppenthaler)
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Peter Makuck, Distinguished Professor Emeritus at East Carolina University, died in 2023 at the age of 83.
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Jeremiad
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I should say it aloud, Don’t listen to me, one more old man
++ rebuking the younger
as old people will, a man half ashamed to be partway
++ launched into unspoken rant
just now by the sound – of all things on earth – of a nearby
++ pileated woodpecker
in awakening hardwoods behind the house, a sound that
++ occasions my own yen to squawk
at some innocent I see only in mind, Take out those Air Pods
++ or whatever they’re called
and hear this beat, pure percussion, granted, no music
++ beyond its simple tock
but somehow entailing a tune because, as Keats, though
++ himself no more than a stripling,
so rightly noted, Heard melodies are sweet but those unheard /
++ Are sweeter,
and true enough, that red-crowned bird offers up its song
++ without singing,
song of those hardwoods soon to burst into their million
++ shades of green,
of the ducklike calls from the pondside wood frogs, of
++ actual ducks, and so on and on.
Listen! I shout in silence, that tock contriving for us the
++ springtime dream
we’ll wake from, sadly, and into which so many have never
++ fallen, really,
and can’t, what with shells and mortars raking the world and
++ lethal airplanes aloft –
not like the two fabulous peregrine falcons racing this morning
++ majestically
across our lawn: no, not like bombers and drones that mob
++ the sky like bees –
no, not like bees that wills warm here soon, as the
++ woodpecker’s unheard strains declare
while I rebuke some unknown someone, and the soundless,
++ song may in fact scold me,
a man, judgmental, self-centered, who dares, in the midst of
++ all this abundance, to suffer
his thirst for more and looks around for even more, on the
++ verge of tears,
thrusting up his springtime lust as some old-fashioned
++ cartoon beggar
might hold up his cup – which may mean the man has
++ simply been wrong in this censure here
of the one or ones he’s conjured and cursed, and might have
++ done better with fingers in ears.
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Sydney Lea
from Tar River Poetry, Volume 64 Number 2, Spring 2025
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Thanks, Jenny! ---B