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Posts Tagged ‘nature photography’

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[with poetry by Dr. Jack Coulehan]
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The Act of Love
 . 
How foolish Celia must look
to the Haitian cab driver
on the Medicaid run!
 . 
She wears a white communion dress
the week before Easter, a sign
she brings me something more pressing
 . 
than the pain in her shoulder
and the son who doesn’t talk to her
because his wife is embarrassed.
 . 
Her hips creak in conversation,
her knees grind, but even crepitant joints
are modestly silent and stand aside
 . 
when Celia hands me a potted plant
for my office – an act of Christian love,
she says, not a sign of being personal.
 . 
As for me, I’m stunned
out of the ordinary anger
at failing to help her
 . 
by the waxy leaves of her gesture
and I receive this wafer of the season,
heartbroken for no reason.
 . 
Jack Coulehan
from The Talking Cure: New and Selected Poems. Plain View Press, Austin TX, © 2020
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❦ ❦ ❦
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To plow a furrow straight, keep your eyes on the far edge of the field, not back over your shoulder. I didn’t much take my own advice, seems like, those forty years as a small town family doc. Most of the time I recall just struggling to make sure the big wheels were turning while the mud got deeper. Towards the end I could see the hedgerow approaching and I recognized what was calling – to have one last face to face with my patients. Except there was precious little face to face during those final six months. Pandemic saw to that.
 . 
And when you finally run out of field? Wedge around and plow a parallel straight back? Or hop down, push through the hedge. See what’s waiting next field over. OK, OK enough with all this rural agronomy metaphor. It’s three years now since I, as we say, hung up the stethoscope. The anxiety dreams have settled down to just once or twice a week, or else I sleep through and don’t remember them. I passed a former patient on the nature trail last week and she didn’t recognize me. The off duty anonymity I craved for years in this little cloistered town, well, here it is. And so . . .
 . 
. . . I ask myself what those forty years meant. Anything? Did I do good? Did I make a difference? Does anyone besides me remember? Perfect time to open this book of poems by Dr. Jack Coulehan MD. I’ve picked it up a dozen times but laid it back down. I know his name from chance meetings in the pages of JAMA and Annals of Internal Medicine. I see that he once directed the Stony Brook Center for Medical Humanities. How does anyone make sense of anything? He’s bound to have the prescription.
 . 
The Talking Cure – yes, that’s it: the first hard lesson I learned and the one I never stopped relearning. Biochemistry, microbiology, pharmacology and all the rest, those were fun. Difficult and challenging, but just what I loved. What was hard, what caused this introvert to gulp and begin to sweat, was opening the door and be expected to sit down with a stranger and talk. And now I’m thinking back forty-three years, to the first week of my Family Medicine Residency at Duke: before I opened that first door to a new patient, I sat with my mentor and began to learn, not to talk, but to listen.
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Forty years of listening. The times I failed to communicate, augured in, crashed and burned and the patient’s resultant look of anger or distrust or despair, those are all still bright daggers in my side. But the many times we connected, the moments of trust and understanding, those may not be as clarified or stark but they have left a golden glow on my western horizon. Listening is learned; listening is work; listening is an active intervention. Here comes Linda. Here comes seven-year old Amelia. There is always more listening to be done.
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❦ ❦ ❦
 . 
Poem for David
The day you died your sheepish letter came
begging me to write Dilaudid for the pain.
On flying home – your goddamn migraines
back again. After the second bleed
your mother was as good as dead, your dad
a wreck. You begged me to forgive your sick
activities last year, frightening my kids,
bringing meth into my home. I’m clean,
you wrote, Rehabbed in the Vets for months.
 . 
Your drowning made the local Evening News –
a body bobbing at the rocks a quarter mile
beyond the rapids. Swimming when a seizure
took him. An accident, they said. But no.
You hated water, had never learned to swim.
Heroin, Dilaudid, meth. Your manic flight
to help the victims of explosions, earthquakes,
fires – your merciless adrenalin.
Chaos and emptiness tracked you home.
 . 
In our Appalachian town, I stood like wax
beside your open casket. Above you –
an arrangement of roses from a woman
names Terri. I hovered near the guttered flame
your father had become, recalling the months
you spent tending the wounded in Vietnam,
your endless shifts in hospitals back home.
I pictured forgiveness – an orchard
carpeted with apples, bruised and fallen.
 . 
Jack Coulehan
from The Talking Cure: New and Selected Poems. Plain View Press, Austin TX, © 2020
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 .  .  .  .  .  .  .  .  .  . 
The Talking Cure
+++ for David Pearson, MD
 . 
At eighty-one, my friend, who once was told
he’d never graduate in medicine
because his heart was tender, climbs the stairs
after seeing his last patient. For years
he’s helped a retired lieutenant examine
the slippage of his inner knots by talking.
 . 
We sip iced tea. They don’t teach the talking
treatment anymore. We used to be told
that words matter. Remember? He’s examined
syllables and silence as his medicine
for decades. His cheeks ravaged by the years
on steroids, twitch with dampness, and he stares
 . 
at melting ice cubes. He recalls the stairs
to paradise – that’s irony talking
though regret – and he’s dissecting the years
with sharp New England. wit. I never told
him of my weakness, but he knew. Has medicine
hardened his heart? I avoid examining
 . 
mine, not today, as we examine
the world through a kitchen window, and I stare
at Narragansett Bay, a medicine
just visible between the trees. Talking
rakes up leaves. What’s beneath? Truth be told,
neither of us has ended where those years,
 . 
when youth seduced us, promised. Every year
accounted for, but when I examine
my conscience – and expression that tells
a lot about my childhood – what stares
at me is gratitude, not guilt. Talking
to my friend this afternoon is a medicine
 . 
that pares away scarred skin, a medicine
of acceptance – his fighting for years
to be heard, the ease with which I talked
a good game – all of which we examine
with astonishment. I descend the stairs
to the door as we continue talking
 . 
of medicine and our examined
routes, frenetic years, a world that stares
at pain without telling while we do the talking.
 . 
Jack Coulehan
from The Talking Cure: New and Selected Poems. Plain View Press, Austin TX, © 2020
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❦ ❦ ❦
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Jack Coulehan is a Professor Emeritus of Family, Population, and Preventive Medicine at Stony Brook University, and Senior Fellow of the Center for Medical Humanities, Compassionate Care, and Bioethics. Jack graduated from St. Vincent College (BA) and the University of Pittsburgh (MD, MPH), completed his residency in internal medicine at the University of Pennsylvania and Wake Forest University, and did a fellowship in community health at the University of Pittsburgh.  On the medical faculty at Pitt, he co-founded the Center for Medical Ethics and the Western Pennsylvania Ethics Consortium. Along with Marian Block, Jack developed one of the first doctor-patient communication courses required for students in American medical schools.
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Jack’s poems and essays appear frequently in medical journals and literary magazines, and are widely anthologized. Twice a finalist in national small press poetry contests, Jack is the author of seven collections of his poems, including most recently The Talking Cure: New and Selected Poems (2020). His award-winning textbook The Medical Interview: Mastering Skills for Clinical Practice is now in its 5th edition. Jack edited Chekhov’s Doctors, a collection of Anton Chekhov’s stories with physician protagonists, and co-edited three anthologies of poems by physicians, Blood & Bone, Primary Care, and Grit, Gravity, and Grace.
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2020-09-08b Doughton Park Tree

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[with poems by Pat Riviere-Seel]
 . 
Letting Go
 . 
Today the trees release their leaves. The wind
a breath that calls the colors down to earth –
wild dance with crimson, gold and brown
aloft in death, unfurling flaming fields
and forest floor. If I could hurl myself
like this into each ending, long for nothing
sure or safe,
 . 
+++++ descend, a woman trusting the fall,
I’d release all claim to expectation,
breathe the air of possibility,
find beginnings everywhere.
I’d settle down to loamy earth long enough
to nourish what waits, growing still
in the summons from a savage world.
 . 
Pat Riviere-Seel
from Nothing Below But Air, Main Street Rag Publishing, Charlotte, NC. © 2014
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❦ ❦ ❦
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Books are patient. Perhaps not the words within their pages, sometimes so flash-in-the-pan, sometimes arrogantly urgent, even caustic. Paragraphs may wheedle, whine, cajole, browbeat. Paper, on the other hand, ink and glue, they will wait for you as long as they must. As long as it takes. If you care for a book, it will not curl its covers like the arms across her chest of a seven-year old who scowls as you attend to something that is not her. The book is patient. It will be ready when you are, and only then.
 . 
Which means, I suppose, that I’m ready. I spy the name on its slender spine, wiggle it free while its companions try to slide out with it (Now, now, patience!). I’ve know it was in the pile waiting for me. I know I’ve opened it a time or two in some misty past. I know I will recognize some of the poems on its pages. But this is the day I, it, we have been waiting for. I sit down, open to the title page, turn once to read the contents and section headings, move on to the first poem prepared to read every page until it ends. I enter the book’s world.
 . 
Please don’t scoff “cliché” when I tell you this book has transported me. The poems ignore any strictures of time and space; on each page I land in another moment of the writer’s life and I live it with her. Perhaps a few minutes pass, perhaps an hour, but when I lay the book down again I discover I am in a different place. Doesn’t each journey create a new journeyer? I look around, I blink, I realize I know things and have felt things I never knew or felt before.
 . 
More than twenty years ago, at one of the first North Carolina Poetry Society meetings I ever attended, I discovered myself in conversation with a red-haired woman describing the poem she had just shared at open mic, and how she’d recently attended a family reunion in Lewisville, NC. “Interesting,” I said, “A few years before my grandmother died we had a big reunion of her family in Lewisville. At the little Methodist church there. My great-great-great-grandfather is buried in the churchyard.” “Why, that’s were we had our reunion, too. My great-great-grandfather was once minister and is buried there. His name was Doub.” “As in Reverend J.N.S Doub? My Mom’s great-great-grandfather?!” Thus the beginning of an enduring friendship with my third cousin once removed, Pat Riviere-Seel.
 . 
Pat’s wonderful Nothing Below But Air has been more than worth the wait. The title is perfectly apt. Pat explores every relationship, whether with family, parents, lovers, with no safety net and no climbing harness. Will she fall? Don’t we all? The most dangerous and revealing relationship she explores is with herself, the self that evolves and grows from youthful mistakes through adult rebellion toward confident maturity. She through her poems emerges finally into that honest self-awareness and humility that only come when you’re willing to leap. And for the nosy cousin, scattered among the poems is evidence of the wildest, highest leap of all, her late-in-life marriage to Ed. Happy 26th anniversary, Cousin, coming up on November 29! And thank you for this rich and personal poetry, as always enriching our friendship.
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You can still order your copy of Nothing Below But Air from the Main Street Rag bookstore. It is still waiting for you. Patiently.
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. . . and discover more from Pat Riviere-Seel HERE . . .
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I took today’s photographs on July 6, 2023 at the North Carolina Aquarium in Pine Knoll Shores. There are also NC Aquaria in Manteo on Roanoke Island, at Fort Fisher near Kure Beach, and on Jennette’s Pier in Nags Head. Each is different from the others and each worth a visit.
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❦ ❦ ❦
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What Emmett Saw
 . 
I outran a storm as he took aim,
his lens focused on distant clouds.
Next morning my anonymous back
appeared in black and white, front page,
local section. Gathering Storm, the caption read.
 . 
I held a backbend till my spine
almost snapped so he could photograph
my profile against the setting sun.
I mounted rooftops, shook
my rusty curls over staircase railings.
I shimmied into trees and once sat
hours under white lights, watching him
watch me. Behind the bellows
he framed a girl whose portrait
won him best in show. It hangs now
 . 
on my bedroom wall, passport
to the days with Emmett,
who embraced grassy slopes,
winter limbs, captured
the woman I was becoming.
 . 
It was the year I exploded –
my first husband, gone
before I turned twenty. Good
sense abandoned, I coiled,
a copperhead ready to sing my fangs
into kindness – showed up drunk
or stoned, canceled dates,
used every curse word I know
but banished all endearments.
 . 
Emmett endured.
I did everything he asked,
even walked the railroad trestle
at dawn in a white bikini –
stumbling, heavy with sleep,
my feet perched on a metal rail
and nothing below but air.
 . 
Pat Riviere-Seel
from Nothing Below But Air, Main Street Rag Publishing, Charlotte, NC. © 2014
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❦ ❦ ❦
 . 
First Question
 . 
After the introductions, polite talk
about what brought you here,
twenty miles from the nearest town,
someone always asks, what do you do?
not meaning what is your job-title-status,
but what sustains you,
how the rhythm of your life
keeps you alive.
+++++ Here it is enough
to garden, to run, to knit,
to wipe sot from small noses,
to brush horses in twilight, to spend
your nights on Celo Knob, to know
the names of wildflower, to let
your breath count the hours.
 . 
Pat Riviere-Seel
from Nothing Below But Air, Main Street Rag Publishing, Charlotte, NC. © 2014
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❦ ❦ ❦
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There must be hundreds of ways to read books, but here’s my favorite for a volume of poetry: phone and computer in another room, on the couch with my feet up or better yet out on the screened porch, ceiling fan in summer, warm jacket in winter. I ignore the cover blurbs until later – this is my time to spend with these poems – then I read straight through from the table of contents to the endnotes. Maybe it takes more than one sitting. Maybe I read some pages more than once. Straight through, though, is a way to connect on a deeper level with the writer, who no doubt had all these poems spread out on the living room floor for days trying to figure out which one should come next. And did figure it out.
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And each book flies its own little banner, an index card for notes. I jot page number and titles I want to return to. I copy out lines that just slay me. I discover themes or recurrent images. After the final page I go back through and read my favorites again. And then one more process before I share these poems with you, O unusually dedicated reader of this blog to have made it this far down the screen – I type the poems out myself. Interesting how re-typing a poem can reveal the bones beneath its skin, make its whispers audible.
 . 
Thank you for sharing this space and for enlarging the joy that poetry creates
— Bill
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❦ ❦ ❦
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Doughton Park Tree 2020-11-22

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 . 
[with poems by Frank X Walker]
 . 
Statues of Liberty
 . 
mamma scrubbed
rich white porcelain
and hard wood floors
on her hands and knees
hid her pretty face and body
in sack dresses
and aunt jemima scarves
from predators
who assumed
for a few extra dollars
before christmas
in dark kitchen pantries
they could unwrap her
present
 . 
aunt helen, her sister
took in miss emereen’s laundry
every Saturday morning
sent it back
had washed, air dried,
starched
ironed, folded
and cleaner
than any professional service
 . 
she waited patiently
for her good white woman
to die
and make good on her promise
to leave her
a little something
only to leave her first
 . 
aunt bertha, the eldest
exported her maternal skills
to suburbia
to provide surrogate attention
to children of money and privilege
and spent every other moment
preaching about
the richness of the afterlife
before the undertaker
took her
to see for herself
 . 
housekeepers
washer women
maids
a whole generation
of portable day care centers
traded their days for dimes
allowing other women
the freedom to shop
and sunbathe
the opportunity to school
or work
 . 
this curse-swallowing sorority
dodged dicks
and bosses
before postwar women
punched clocks
they birthed civil and human rights
gave the women’s movement
legs
sacrificed their then
to pave the way for a NOW
their hard-earned pennies
sent us off to college
and into the world
our success is their reward
we are their monuments
but they
are our statues of liberty
 . 
Frank X Walker
from Affrilachia, Old Cove Press, Lexington KY. © 2000
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❦ ❦ ❦
 . 
She and I squat beside the mudgreen puddle and discover a universe. I can’t quit watching the inch-long worms grubbing through the muck, their muscular tubular bodies, how they poke their siphon up to the break the surface tension. Is that the head-end or the butt-end? Lily points out the cadres of dusky tadpoles, some sprouting new legs, and she suspects they’re connected to the vibrato croaks we’ll soon hear from overhanging branches at dusk. Lily’s mom, Jodi, and I play Dueling Nature Apps to see who can broadcast Cope’s Grey Treefrog first.
 . 
In a couple of weeks, Lily will return to Kentucky for her senior year at Berea. I don’t know her major but her field of study is the earth and all that’s in it. When she was seven (and eight, and nine . . .) and came down from West Virginia to North Carolina to spend a summer week at Camp Auntie Lin & Uncle Bill, she was the little girl picking up every bug we encountered and calling out the name of every bird that sang. This afternoon she has showed me her newest drawings: wildflowers, amphibians, a howling wolf. Her big plush firefly is already packed with her other critters for college. If your home is a cabin in the woods and your mother is a Park Service Ranger, how could you become other than a lily of the mountains?
 . 
Now the shadows are stretching out across the Crownbeard and Yarrow and the last breeze of July has knocked off several degrees. Jodi’s birthday gathering with sisters draws to an end; Linda, Saul, and I have to head back south. Tomorrow at first light the roofers will arrive with slate-gray tin for Jodi and Lily’s new cabin, and the two women ask me for one last favor. I lug three stout logs from the woodpile and stand them on end to half ring the tadpole puddle. Jodi will flag it so the drivers don’t squash their trucks through the little persistent pool of new life. For the next two weeks, Lily will visit every day to mark the tree frogs’ and peepers’ metamorphosis. When she completes her classes in the spring and drives east again on Rte. 60, the Midland Trail, back to this little hilltop of trees and creatures, no doubt a new chorus will greet her.
 . 
 . 
I am thankful for names that anchor their meaning into my sieve-like memory – Tetraptera; Erythrophthalmus; Frank X Walker. I noticed poems by Frank X popping up in my favorite anthologies, like Black Nature and The Ecopoetry Anthology. The universe kept inviting me to read more, to add this new species to my lexicon, and then I discovered that Frank X Walker will be the instructor at the inaugural Tremont Writer’s Workshop in the Smokies. The universe led me to his books.
 . 
Affrilachia is deep as the Ohio River Valley and broad as the Cumberland Mountains; it is angry and also healing, somber and laugh-out-loud. Most of all, Affrilachia is unique. Frank X Walker’s voice is true and sure from page to page to page but what a voice, rural and hip, local and universal, Southern and Black. I could not put this collection down. Then twenty years later, with many other books in between, comes Last Will, Last Testament. This is an extremely focused book, the first months of his son’s birth and the last month’s of his father’s death, but within these transecting interconnected events the man tells his entire life’s story. He concludes In Another Universe with these lines: Forgiveness is our new last name, / Loving is our first. But he is not describing some distant unattainable universe; these lines are the universe of Frank X Walker’s now. From isolation, loss, and pain come revelation and joy. I have been richly blessed by these poems.
 . 
Tetraptera means ‘four wings’ and is the species name of Carolina Silverbell. Erythrophthalmus means ‘red eye’ and is the species name for Eastern Towhee. Frank X Walker means ‘multidisciplinary artist’ and first African American poet laureate of Kentucky and he has been voted one of the most creative professors in the South. Frank X is founding editor of pluck! The Journal of Affrilachian Arts & Culture and is Professor of English and African American and Africana Studies at the University of Kentucky in Lexington.
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❦ ❦ ❦
 . 
Harvest Time
 . 
Cancer came
on quiet possum feet
disguised as pneumonia,
until the steady hack and cough
just wouldn’t go away.
 . 
Everybody but him had forgotten
that he smoked
two packs a day for fifty years.
 . 
When he added up the cost,
realized he could buy that tiller
he wanted +++ in a month,
he took his last puff
and quit +++ without blinking.
 . 
If only he could use it
on the tension in this room
and plow up the nastiness,
mistrust, and division
rooted in the dirt
from a past he can no longer
turn under the ground.
 . 
Frank X Walker
from Last Will, Last Testament, Accents Publishing, Lexington KY. © 2019
 . 
❦ ❦ ❦
 . 
Afrofuturistic Messaging
 . 
When I hear him laughing
until he runs out of breath,
gulping more air and giggling again
at something unseen in the ether,
or catch him staring intently
over my shoulder
in the direction
of our Dogon masks
at something invisible
and possibly vibrating
in a spectrum of light only accessible
to the newly-arrived
or those about to depart,
I assume it is you +++ or mama
continuing one of the last and best
conversations you had on this side,
or exchanging coordinates.
 . 
He, barely a haiku, had just met you
and began jabbering and cooing
in couplets, like an old friend
from some other space and time.
 . 
You were even happier
to stare into familiar eyes,
to be comforted
about all that was ahead,
to catch up
with the old and the knew,
the breath between you
transforming into something
interdimensional,
the twinkle in your eye
starlight
from another galaxy.
 . 
Frank X Walker
from Last Will, Last Testament, Accents Publishing, Lexington KY. © 2019
 . 
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❦ ❦ ❦
 . 
Affrilachia
(for gurney & anne)
 . 
thoroughbred racing
and hee haw
are burdensome images
for kentucky sons
venturing beyond the mason-dixon
 . 
anywhere in appalachia
is about as far
as you could get
from our house
in the projects
yet
a mutual appreciation
for fresh greens
and cornbread
an almost heroic notion
of family
and porches
makes us kinfolk
somehow
but having never ridden
bareback
or sidesaddle
and being inexperienced
at cutting
hanging
or chewing tobacco
yet still feeling
complete and proud to say
that some of the bluegrass
is black
enough to know
that being ‘colored’ and all
is generally lost
somewhere between
the dukes of hazzard
and the beverly hillbillies
but if you think
makin’ ‘shine from corn
is as hard as kentucky coal
imagine being
an Affrilachian
poet
 . 
Frank X Walker
from Affrilachia, Old Cove Press, Lexington KY. © 2000
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2020-03-07 Doughton Park Tree

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