Posts Tagged ‘nature photography’
How We All Fly
Posted in Ecopoetry, family, poetry, tagged Bill Griffin, family, How We All Fly, imagery, nature, nature photography, nature poetry, NC Poets, poetry, Southern writing, The Orchard Street Press on August 29, 2023| 14 Comments »
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[2023 chapbook by Bill Griffin]
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We Never Give Up Hoping
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Morning frozen hard. Pour
++++ boiling water
into the birdbath;
++++ they will come
to drink when I have gone.
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++++ God of holy ice, holy
++++ ++++ steam,
++++ give my children
++++ ++++ water
++++ that all my hoping
++++ ++++ can’t.
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Sound of wings, splash
++++ diminishing;
find the world again
++++ iced over.
Fill the kettle. Holy water.
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Bill Griffin
from How We All Fly, The Orchard Street Press. Gates Mills, OH, © 2023
originally published in Quiet Diamonds
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Join me in celebrating the release this month of my newest chapbook, How We All Fly, from The Orchard Street Press.
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Poet Patricia Hooper describes the collection: “Through close observations of the physical world, these clear, direct poems yield insights into the corresponding life of the spirit.” And Rebecca Baggett says this: “Throughout these poems, but particularly toward the collection’s end, How We All Fly leads the reader up and onward, infusing even inevitable losses with tenderness, trust, and hope.”
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Patricia Hooper is author of Wild Persistence, University of Tampa Press.
Rebecca Baggett’s most recent book is The Woman Who Lives Without Money, Regal House Publishing.
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Thank you for your support, both of the writing you discover here and of the literary arts!
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You may purchase a copy of How We All Fly directly from me by mailing a check for $15 (postage included) to this address:
++++++ 131 Bon Aire Rd.
++++++ Elkin, NC 28621
Please make your check payable to Bill Griffin.
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If you would prefer to pay via PayPal, please contact me for transaction details at: comments@griffinpoetry.com
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Plow Straight
Posted in medicine, Photography, poetry, tagged Bill Griffin, imagery, Jack Coulehan, Medical Humanities, nature photography, poetry on August 25, 2023| 2 Comments »
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[with poetry by Dr. Jack Coulehan]
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The Act of Love
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How foolish Celia must look
to the Haitian cab driver
on the Medicaid run!
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She wears a white communion dress
the week before Easter, a sign
she brings me something more pressing
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than the pain in her shoulder
and the son who doesn’t talk to her
because his wife is embarrassed.
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Her hips creak in conversation,
her knees grind, but even crepitant joints
are modestly silent and stand aside
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when Celia hands me a potted plant
for my office – an act of Christian love,
she says, not a sign of being personal.
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As for me, I’m stunned
out of the ordinary anger
at failing to help her
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by the waxy leaves of her gesture
and I receive this wafer of the season,
heartbroken for no reason.
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Jack Coulehan
from The Talking Cure: New and Selected Poems. Plain View Press, Austin TX, © 2020
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To plow a furrow straight, keep your eyes on the far edge of the field, not back over your shoulder. I didn’t much take my own advice, seems like, those forty years as a small town family doc. Most of the time I recall just struggling to make sure the big wheels were turning while the mud got deeper. Towards the end I could see the hedgerow approaching and I recognized what was calling – to have one last face to face with my patients. Except there was precious little face to face during those final six months. Pandemic saw to that.
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And when you finally run out of field? Wedge around and plow a parallel straight back? Or hop down, push through the hedge. See what’s waiting next field over. OK, OK enough with all this rural agronomy metaphor. It’s three years now since I, as we say, hung up the stethoscope. The anxiety dreams have settled down to just once or twice a week, or else I sleep through and don’t remember them. I passed a former patient on the nature trail last week and she didn’t recognize me. The off duty anonymity I craved for years in this little cloistered town, well, here it is. And so . . .
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. . . I ask myself what those forty years meant. Anything? Did I do good? Did I make a difference? Does anyone besides me remember? Perfect time to open this book of poems by Dr. Jack Coulehan MD. I’ve picked it up a dozen times but laid it back down. I know his name from chance meetings in the pages of JAMA and Annals of Internal Medicine. I see that he once directed the Stony Brook Center for Medical Humanities. How does anyone make sense of anything? He’s bound to have the prescription.
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The Talking Cure – yes, that’s it: the first hard lesson I learned and the one I never stopped relearning. Biochemistry, microbiology, pharmacology and all the rest, those were fun. Difficult and challenging, but just what I loved. What was hard, what caused this introvert to gulp and begin to sweat, was opening the door and be expected to sit down with a stranger and talk. And now I’m thinking back forty-three years, to the first week of my Family Medicine Residency at Duke: before I opened that first door to a new patient, I sat with my mentor and began to learn, not to talk, but to listen.
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Forty years of listening. The times I failed to communicate, augured in, crashed and burned and the patient’s resultant look of anger or distrust or despair, those are all still bright daggers in my side. But the many times we connected, the moments of trust and understanding, those may not be as clarified or stark but they have left a golden glow on my western horizon. Listening is learned; listening is work; listening is an active intervention. Here comes Linda. Here comes seven-year old Amelia. There is always more listening to be done.
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Poem for David
The day you died your sheepish letter came
begging me to write Dilaudid for the pain.
On flying home – your goddamn migraines
back again. After the second bleed
your mother was as good as dead, your dad
a wreck. You begged me to forgive your sick
activities last year, frightening my kids,
bringing meth into my home. I’m clean,
you wrote, Rehabbed in the Vets for months.
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Your drowning made the local Evening News –
a body bobbing at the rocks a quarter mile
beyond the rapids. Swimming when a seizure
took him. An accident, they said. But no.
You hated water, had never learned to swim.
Heroin, Dilaudid, meth. Your manic flight
to help the victims of explosions, earthquakes,
fires – your merciless adrenalin.
Chaos and emptiness tracked you home.
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In our Appalachian town, I stood like wax
beside your open casket. Above you –
an arrangement of roses from a woman
names Terri. I hovered near the guttered flame
your father had become, recalling the months
you spent tending the wounded in Vietnam,
your endless shifts in hospitals back home.
I pictured forgiveness – an orchard
carpeted with apples, bruised and fallen.
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Jack Coulehan
from The Talking Cure: New and Selected Poems. Plain View Press, Austin TX, © 2020
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The Talking Cure
+++ for David Pearson, MD
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At eighty-one, my friend, who once was told
he’d never graduate in medicine
because his heart was tender, climbs the stairs
after seeing his last patient. For years
he’s helped a retired lieutenant examine
the slippage of his inner knots by talking.
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We sip iced tea. They don’t teach the talking
treatment anymore. We used to be told
that words matter. Remember? He’s examined
syllables and silence as his medicine
for decades. His cheeks ravaged by the years
on steroids, twitch with dampness, and he stares
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at melting ice cubes. He recalls the stairs
to paradise – that’s irony talking
though regret – and he’s dissecting the years
with sharp New England. wit. I never told
him of my weakness, but he knew. Has medicine
hardened his heart? I avoid examining
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mine, not today, as we examine
the world through a kitchen window, and I stare
at Narragansett Bay, a medicine
just visible between the trees. Talking
rakes up leaves. What’s beneath? Truth be told,
neither of us has ended where those years,
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when youth seduced us, promised. Every year
accounted for, but when I examine
my conscience – and expression that tells
a lot about my childhood – what stares
at me is gratitude, not guilt. Talking
to my friend this afternoon is a medicine
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that pares away scarred skin, a medicine
of acceptance – his fighting for years
to be heard, the ease with which I talked
a good game – all of which we examine
with astonishment. I descend the stairs
to the door as we continue talking
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of medicine and our examined
routes, frenetic years, a world that stares
at pain without telling while we do the talking.
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Jack Coulehan
from The Talking Cure: New and Selected Poems. Plain View Press, Austin TX, © 2020
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Jack Coulehan is a Professor Emeritus of Family, Population, and Preventive Medicine at Stony Brook University, and Senior Fellow of the Center for Medical Humanities, Compassionate Care, and Bioethics. Jack graduated from St. Vincent College (BA) and the University of Pittsburgh (MD, MPH), completed his residency in internal medicine at the University of Pennsylvania and Wake Forest University, and did a fellowship in community health at the University of Pittsburgh. On the medical faculty at Pitt, he co-founded the Center for Medical Ethics and the Western Pennsylvania Ethics Consortium. Along with Marian Block, Jack developed one of the first doctor-patient communication courses required for students in American medical schools.
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Jack’s poems and essays appear frequently in medical journals and literary magazines, and are widely anthologized. Twice a finalist in national small press poetry contests, Jack is the author of seven collections of his poems, including most recently The Talking Cure: New and Selected Poems (2020). His award-winning textbook The Medical Interview: Mastering Skills for Clinical Practice is now in its 5th edition. Jack edited Chekhov’s Doctors, a collection of Anton Chekhov’s stories with physician protagonists, and co-edited three anthologies of poems by physicians, Blood & Bone, Primary Care, and Grit, Gravity, and Grace.
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[author bio adapted from Stony Brook University Center for Medical Humanities, Compassionate Care, and Bioethics]
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Patience
Posted in Imagery, Photography, poetry, tagged Bill Griffin, imagery, nature photography, NC Poets, Pat Riviere-Seel, poetry, Southern writing on August 11, 2023| 25 Comments »
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[with poems by Pat Riviere-Seel]
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Letting Go
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Today the trees release their leaves. The wind
a breath that calls the colors down to earth –
wild dance with crimson, gold and brown
aloft in death, unfurling flaming fields
and forest floor. If I could hurl myself
like this into each ending, long for nothing
sure or safe,
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+++++ descend, a woman trusting the fall,
I’d release all claim to expectation,
breathe the air of possibility,
find beginnings everywhere.
I’d settle down to loamy earth long enough
to nourish what waits, growing still
in the summons from a savage world.
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Pat Riviere-Seel
from Nothing Below But Air, Main Street Rag Publishing, Charlotte, NC. © 2014
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Books are patient. Perhaps not the words within their pages, sometimes so flash-in-the-pan, sometimes arrogantly urgent, even caustic. Paragraphs may wheedle, whine, cajole, browbeat. Paper, on the other hand, ink and glue, they will wait for you as long as they must. As long as it takes. If you care for a book, it will not curl its covers like the arms across her chest of a seven-year old who scowls as you attend to something that is not her. The book is patient. It will be ready when you are, and only then.
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Which means, I suppose, that I’m ready. I spy the name on its slender spine, wiggle it free while its companions try to slide out with it (Now, now, patience!). I’ve know it was in the pile waiting for me. I know I’ve opened it a time or two in some misty past. I know I will recognize some of the poems on its pages. But this is the day I, it, we have been waiting for. I sit down, open to the title page, turn once to read the contents and section headings, move on to the first poem prepared to read every page until it ends. I enter the book’s world.
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Please don’t scoff “cliché” when I tell you this book has transported me. The poems ignore any strictures of time and space; on each page I land in another moment of the writer’s life and I live it with her. Perhaps a few minutes pass, perhaps an hour, but when I lay the book down again I discover I am in a different place. Doesn’t each journey create a new journeyer? I look around, I blink, I realize I know things and have felt things I never knew or felt before.
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More than twenty years ago, at one of the first North Carolina Poetry Society meetings I ever attended, I discovered myself in conversation with a red-haired woman describing the poem she had just shared at open mic, and how she’d recently attended a family reunion in Lewisville, NC. “Interesting,” I said, “A few years before my grandmother died we had a big reunion of her family in Lewisville. At the little Methodist church there. My great-great-great-grandfather is buried in the churchyard.” “Why, that’s were we had our reunion, too. My great-great-grandfather was once minister and is buried there. His name was Doub.” “As in Reverend J.N.S Doub? My Mom’s great-great-grandfather?!” Thus the beginning of an enduring friendship with my third cousin once removed, Pat Riviere-Seel.
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Pat’s wonderful Nothing Below But Air has been more than worth the wait. The title is perfectly apt. Pat explores every relationship, whether with family, parents, lovers, with no safety net and no climbing harness. Will she fall? Don’t we all? The most dangerous and revealing relationship she explores is with herself, the self that evolves and grows from youthful mistakes through adult rebellion toward confident maturity. She through her poems emerges finally into that honest self-awareness and humility that only come when you’re willing to leap. And for the nosy cousin, scattered among the poems is evidence of the wildest, highest leap of all, her late-in-life marriage to Ed. Happy 26th anniversary, Cousin, coming up on November 29! And thank you for this rich and personal poetry, as always enriching our friendship.
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You can still order your copy of Nothing Below But Air from the Main Street Rag bookstore. It is still waiting for you. Patiently.
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. . . and discover more from Pat Riviere-Seel HERE . . .
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I took today’s photographs on July 6, 2023 at the North Carolina Aquarium in Pine Knoll Shores. There are also NC Aquaria in Manteo on Roanoke Island, at Fort Fisher near Kure Beach, and on Jennette’s Pier in Nags Head. Each is different from the others and each worth a visit.
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What Emmett Saw
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I outran a storm as he took aim,
his lens focused on distant clouds.
Next morning my anonymous back
appeared in black and white, front page,
local section. Gathering Storm, the caption read.
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I held a backbend till my spine
almost snapped so he could photograph
my profile against the setting sun.
I mounted rooftops, shook
my rusty curls over staircase railings.
I shimmied into trees and once sat
hours under white lights, watching him
watch me. Behind the bellows
he framed a girl whose portrait
won him best in show. It hangs now
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on my bedroom wall, passport
to the days with Emmett,
who embraced grassy slopes,
winter limbs, captured
the woman I was becoming.
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It was the year I exploded –
my first husband, gone
before I turned twenty. Good
sense abandoned, I coiled,
a copperhead ready to sing my fangs
into kindness – showed up drunk
or stoned, canceled dates,
used every curse word I know
but banished all endearments.
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Emmett endured.
I did everything he asked,
even walked the railroad trestle
at dawn in a white bikini –
stumbling, heavy with sleep,
my feet perched on a metal rail
and nothing below but air.
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Pat Riviere-Seel
from Nothing Below But Air, Main Street Rag Publishing, Charlotte, NC. © 2014
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First Question
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After the introductions, polite talk
about what brought you here,
twenty miles from the nearest town,
someone always asks, what do you do?
not meaning what is your job-title-status,
but what sustains you,
how the rhythm of your life
keeps you alive.
+++++ Here it is enough
to garden, to run, to knit,
to wipe sot from small noses,
to brush horses in twilight, to spend
your nights on Celo Knob, to know
the names of wildflower, to let
your breath count the hours.
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Pat Riviere-Seel
from Nothing Below But Air, Main Street Rag Publishing, Charlotte, NC. © 2014
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There must be hundreds of ways to read books, but here’s my favorite for a volume of poetry: phone and computer in another room, on the couch with my feet up or better yet out on the screened porch, ceiling fan in summer, warm jacket in winter. I ignore the cover blurbs until later – this is my time to spend with these poems – then I read straight through from the table of contents to the endnotes. Maybe it takes more than one sitting. Maybe I read some pages more than once. Straight through, though, is a way to connect on a deeper level with the writer, who no doubt had all these poems spread out on the living room floor for days trying to figure out which one should come next. And did figure it out.
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And each book flies its own little banner, an index card for notes. I jot page number and titles I want to return to. I copy out lines that just slay me. I discover themes or recurrent images. After the final page I go back through and read my favorites again. And then one more process before I share these poems with you, O unusually dedicated reader of this blog to have made it this far down the screen – I type the poems out myself. Interesting how re-typing a poem can reveal the bones beneath its skin, make its whispers audible.
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Thank you for sharing this space and for enlarging the joy that poetry creates
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Glad to hear from you Jenny. May life continue to surprise . . . ---B