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Posts Tagged ‘Main Street Rag Publishing’

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[with 3 poems by Pat Riviere-Seel]
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Wander Until You Find the Trail Back
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How insistent the world wakes you,
Daylight pushes through dense blinds.
A one-note bird insists on an answer.
Always the same pulsing – waking – wanting
to know what next? How to parse a life
caught in mid-flight, the light a web woven
in the night. All the things we never talk about.
We let the stories we tell ourselves define us.
What would we be without the myths?
Desire contains ire. De- as in deconstruct,
dismantle the dire. Desire nothing. Construct
your own lifeline. Getting lost may be the last
best thing that ever happens.
 . 
Pat Riviere-Seel
from Because I Did Not Drown, Main Street Rag Enterprises, Edinboro, PA; © 2025
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❦ ❦ ❦
 . 
I think I know where I’ve been and I imagine I know where I’m going. But do I really know anything? I certainly don’t know where this narrative is going. Josh and I are sitting beside a rutted gravel track eating lunch. It’s the last meal of our last day on the trail. Sometime this afternoon a banged up old van will arrive to carry us all back to base camp. While the boys joke around and my co-leaders snooze, I gather some of the trash left by previous loungers and eaters. I lift a sandwich wrapper and discover a pocket knife.
 . 
The summer of 1969 Linda and I started going together. About a week after we held hands for the first ime – had we even kissed yet? – I got on a bus in Akron at 5 AM with three fellow Boy Scouts to spend two weeks at Philmont Scout Ranch in Cimarron, New Mexico. Now it’s the summer of 1983 and our own two kids are teenagers. Josh, our eldest, and I have just finished ten days of hiking Philmont together with his troop – desert plateau and Ponderosa pine forests, rushing gorges and a 12,000 foot peak. Our big adventure is ending. I stuff refuse into my sandwich bag and discover that pocket knife.
 . 
In the summer of 2025 I rummage my desk to return that knife to my pocket. I can’t find it. Turn out the pockets of all my pants, upend my day pack, creep beneath the desk and out to the car under all the seats – not there. I have often pictured the Boy Scout who lost that fine, top-of-the-line Swiss Army Scout’s knife. He had sat there on the ground eating lunch the day before I did. The knife stealthily squeezed its way out of his pocket. He littered his garbage on the knife and never missed it until that night. Too late. Karma. He violated the ethic of Leave No Trace and relinquished his knife to me, diligent trash picker. And such a knife – lock-blade, screw driver & awl, little tweezers and trademark Victorinox toothpick. I will carry it for over forty years, sharpen it and oil it, admire it every time I pull it out and wonder at my worthiness.
 . 
Now I’m imagining someone else finding my knife, excuse me, our knife. Beside a hiking trail where I had squatted to identify a flower? In a parking lot stuck to tar? Appreciate it. Or don’t. I held it for a good long time. This is letting go.
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❦ ❦ ❦
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How to Rebuild Community
 . 
Coming out of the pandemic
+++ I’m having trouble
knowing how to act.
+++ This new landscape
more hardscrabble than highway,
+++ a tightrope walk
not a garden promenade.
 . 
When I offer my outstretched hand
+++ to a woman
I’ve just met, she fixes me
+++ with a chilly stare, says,
I don’t shake hands anymore.
+++ And suddenly I’m ashamed
of my bacteria-filled palm, its brazen
+++ need for connection.
Is it also infected with The Virus? I’m tempted
+++ to rush away, down the hall
and lather that offending hand
+++ with hot sudsy water, the way
we scrubbed our vegetables not so long ago.
 . 
How do I move from cautious
+++ to community?
The knitters know. When they notice
+++ the chaos in the coffee shop,
the customers shouting out orders,
+++ the din around them rising like bread,
impossible to ignore,
+++ Jane stitches herself
to the cash register,
+++ Linda begins bagging cookies
Cathy slices strawberry cake. Their hands
+++ smooth the angry air
grown thick with impatience
+++ and want.
The knitters’ hands fly like needles –
+++ knit one, purl two,
opening, closing, shaping. Each palm
+++ holds a single need to serve.
 . 
Pat Riviere-Seel
from Because I Did Not Drown, Main Street Rag Enterprises, Edinboro, PA; © 2025
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❦ ❦ ❦
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Pat Riviere-Seel writes and writes and writes. Has written, is writing, will write. A solid lifetime of essays, poetry, technical pieces, editing, teaching – her life has been creating with words. Because I Did Not Drown is a portmanteau of Pat’s life, her writing life, her life in writing. A memoir fits pieces into a whole – dates and sequences, family and relationships, loves and desires. A good memoir colors them all with the deeper hues of the soul – fear and disappointment, aspirations and joy. This memoir achieves all that plus one more thing: the crystalline beauty awakened by poetry. Each memory in prose is accompanied by one or two poems. Poems touch and reveal the soul of these moments in Pat’s life.
 . 
I discover myself in these poems, not as outward subject but inward seeker. I often find that I more fully inhabit and participate in the lines of a poem that in a paragraph of prose. The distilled essence of poetry is like volatile spirit that shoots straight from tongue to consciousness. Wonderfully intoxicating. A draught that frees and connects. Next time we meet, Pat and I, we shall surely dance.
 . 
 . 
I can still see that knife. I thought to replace it but the model is no longer manufactured and someone wants eighty bucks on Ebay for one like it. Plus it wouldn’t be the object found, the discovery, the reward. Nevertheless, I can still see that knife because this week I found it shoved in the back of a drawer. Where is this narrative going? Is nothing ever truly lost that once occupied a space in one’s heart? Bosh! Or perhaps the finding is the thing rather than the thing that’s found. Tomorrow I will sit to eat a sandwich with my son and I won’t be able to keep myself from peaking beneath the napkin.
 . 
 . 
Because I Did Not Drown by Pat Riviere-Seel, a memoir in prose and verse, is available from Main Street Rag Enterprises.
 . 
Selected poems from previous books by Pat Riviere-Seel:
 . 
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❦ ❦ ❦
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Astonished
+++ for SLM
 . 
how since your death
the natural world keeps itself,
kaleidoscopic, the brilliant shimmer,
sunlight silvering bay leaves, the veins
of water oak, the dogwood’s sad commentary –
now a winsome glow,
as if every molecule of you
infuses this Earth you loved.
 . 
I expected otherwise – had your death been
anything I considered – that the birds and trees,
the swamps and all that still lives would mourn
as we do. The landscape would lose itself,
fade into shades of gray. The rain that all summer
refused to fall would flood the highest ground.
But now you’ve turned to glimmer. Each glance
into the world I thought I knew brings
a new configuration. You remain everywhere.
 . 
Pat Riviere-Seel
from Because I Did Not Drown, Main Street Rag Enterprises, Edinboro, PA; © 2025
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❦ ❦ ❦
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Doughton Park Tree 2015-06-15

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BRANDYWINE CREEK — C. Griffin, ’91

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[with 3 poems by Gail Peck]
 . 
Still Life with Birds’ Nests
++ after van Gogh, 1885
 . 
the possibility
++ of life, those eggs
blue and cream – one
 . 
so dark it’s almost invisible,
++ two nests close together,
another propped
 . 
on a branch –
++ no wings, nothing
fluttering in or out
 . 
with straw
++ in beak
determined to make
 . 
what will hold –
++ see how
the light is braided
 . 
in straw, debris –
++ to pluck a strand
from the whole
 . 
seemingly easy
++ at least from
the outer edge, but
 . 
not the center
++ where eggs lie
until
 . 
the first
++ fissure, then
the struggle,
 . 
who will survive,
++ breaking silence
into refrain
 . 
Gail Peck
from The Braided Light, Main Street Rag Publishing Company, Charlotte NC; © 2015. Winner of the 2014 Lena Shull Book Contest of the North Carolina Poetry Society
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❦ ❦ ❦
 . 
I find it in the back bedroom against the back wall of the closet, other cartons piled against it. The cardboard of two boxes has been sliced apart and refolded to fit, about 26 inches by 32 inches by 4, still taped solidly together from their final move, Delaware back to Winston-Salem in 2012. Across the narrow top in black marker, “Brandywine Creek.” My mother’s printing.
 . 
In 1949, Clara Jean “Cookie” Cooke carried her bachelor’s degree in art from Women’s College of the University of North Carolina back home to Winston-Salem to take a job in medical illustration at Bowman Gray Hospital. A year later she married Wilson, alias Dad, and moved to Atlanta, to live in student housing at Georgia Tech. About three years after that my parents moved to Niagara Falls, New York, just in time for me to be born. In the decades that followed Mom never entirely laid aside the brush – the oil she painted of my little brother at age two is a great likeness. But how often does art get stacked in a back closet behind being housekeeper, Mom, chauffeur, even later Kindergarten teacher?
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When we three kids were fully fledged and Dad finally retired, Mom re-committed herself to linseed oil and pigment. Her home and then ours as well gradually filled with landscapes and still lifes from her workshops and classes. Then began her magnum opus: portraits. She painted from life (I posed as Jesus) and she’d sort through to pick out her favorite photos to transform into paintings. Year by year the five grandkids were memorialized at all ages and activities. In her 80’s, Mom pivoted again. Now she was capturing on canvas every dog and cat of every friend and neighbor and giving them all away. Hoping for ice cream when we visited, we would more likely open the freezer to discover a palette wrapped in wax paper awaiting her next project.
 . 
The last year of her life, Mom required more nudging to pick up a pen or pastels. If I placed a photo in front of her of something she loved, dogs especially, along with paper and a few colored pencils, she would make art. For what would be Mom’s last birthday, my sister arranged a family afternoon with an art instructor who had us all paint the same scene, two of the great-granddogs. We never laughed or enjoyed ourselves so much.
 . 
Six month’s after Mom’s memorial service, I’m cleaning out the townhouse when I unearth the carton. I peel off the old tape, tearing some of the packing paper as I lift out its contents. The large framed canvas is not one I remember seeing before, but I remember Mom’s brainstorm when we visited them in Delaware that we should all go tubing together down the Brandywine. There’s no water in this painting, though, only rolling hills of wind-blown grass in every color and tall lithe trees whose branches catch the breeze. Brandywine Creek chuckles and rills outside my line of sight.
 . 
So much has passed, now, beyond my vision. I wonder if I am losing, have lost, those many images I took for granted all those years. Her teasing and laughter, her quickness at crosswords and puzzles, her patient smile. Her gratitude. Especially her hand, poised, its skill, the slender fingers that wafted the magic of color so lightly across this surface I am now holding to the light. Look, just look at those brush strokes.
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 . 
❦ ❦ ❦
 . 
Bowl with Potatoes
++ after Van Gogh, 1888
 . 
A yellow bowl filled
with potatoes, hues
of pink and blue making
them not so ordinary.
Waiting to be sautéed
to accompany the fricassee
of rabbit simmering with white
wine, herbs, pearl onions.
I peel potatoes, cut around
each eye with a sharp knife.
Olive oil, first pressing, and local
wine to drink. A task to make
us happy, to cheer
from the lingering fog,
where we can’t even see the deck.
I seem to be braiding worries,
and have carried this day
like a heavy stone. The best
cloth and napkins, and a centerpiece
of yellow roses, smell that bring some memory
from childhood, but what? Running
near the house, getting snagged
by thorns. I try to push sadness away,
yet the candle flickers
each loss, and I worry that
one day my husband won’t
recognize my face, mistake
the pattern on the china for food,
the way his father did, fork
scrapping against the plate,
and only my chair with a view.
 . 
Gail Peck
from The Braided Light, Main Street Rag Publishing Company, Charlotte NC; © 2015. Winner of the 2014 Lena Shull Book Contest of the North Carolina Poetry Society
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❦ ❦ ❦
 . 
Art conjures its mysteries and we don’t spy the hand moving in shadow. A piano chord major to minor and the sun passes behind a cloud. Tangles of color on canvas blend into a fond memory of childhood. Our senses know more than we do. The smell of old perfume upon opening a closet. There we are, transported.
 . 
And what about the art of words? Isn’t each meaning distinct, circumscribed, listed for us in the lexicon? And yet the words’ unspoken histories conjure mystery when we read in them a new tangle, a new melody, a new canvas. Nevertheless, the poet has set herself a difficult and arcane magic when she undertakes to recreate the vision of color on canvas in print. Gail Peck accomplishes this in The Braided Light, an entire volume that captures, line upon line and page upon page, the impressionistic imagery of Van Gogh and Monet.
 . 
Perhaps the impressionist painters imagined they would not make us see but allow us to see. The light is ever changing; the colors in our minds arise from emotion and perception, not lines on a spectrograph. In the same way Gail’s poetry shows rather than tells. Her heart is tangled in the brush strokes and colors, but she opens space for my heart fall into the imagery as well. One might think there are only a finite number of meanings for a word and only a finite number of words for a color. Our senses, however, know more than we do. Look, just look at those brush strokes.
 . 
 . 
The Braided Light by Gail Peck was the winner of the 2014 Lena Shull Poetry Manuscript Contest of the North Carolina Poetry Society, and is available online from Main Street Rag Bookstore.
 . 
NEXT WEEK: Gail Peck’s new book from Finishing Line Press, In the Shadow of Beauty
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❦ ❦ ❦
 . 
Weeping Willow
++ after Monet, 1918-1919
 . 
Whatever your sorrow is
++ is yours alone.
++ ++ Tall lithe figure
 . 
swaying darkness, what
++ have the years
++ ++ brought except
 . 
silver among green leaves
++ trailing the bank.
++ ++ You can’t turn away.
 . 
You stand rooted
++ in faith that rain
++ ++ will come, wash
 . 
away debris, that the sun
++ will glint through
++ ++ what wind hasn’t
 . 
severed. Part of me
++ longs to enter
++ ++ your canopy,
 . 
lie beneath your shade,
++ but the ground
++ ++ is damp and grass
 . 
won’t grow there.
++ View from my window –
++ ++ my black-shuttered house.
 . 
Gail Peck
from The Braided Light, Main Street Rag Publishing Company, Charlotte NC; © 2015. Winner of the 2014 Lena Shull Book Contest of the North Carolina Poetry Society
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❦ ❦ ❦
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Doughton Park Tree 4/30/2022
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 . 
[with 3 poems by Les Brown]
 . 
Pause
 . 
I placed my hand on the moon
++++ to keep it from its course,
to stop time in the comfort of night
++++ when sleep subdues sounds
of machines and urgent voices.
++++ Starlight and still moon
are enough to guide my stroll.
++++ I cross the meadow
among sparse trees,
++++ where snowy crickets cry fast
with time kept by heat
++++ of past day’s searing sun.
I lie down and listen
++++ for the whippoorwill
whose call is rare now,
++++ watch fireflies wink love calls.
I will hold the moon until
++++ the world stirs and wonders
why the night endures,
++++ with dreams of Earth
where fires do not rage,
++++ floods do not drown,
spiraling winds cease,
++++ oceans retreat from shores
and the cricket cries slow
++++ once again.
 . 
Les M. Brown
from A Coming of Storms, Main Street Rag Publishing, Charlotte, NC; © 2024
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❦ ❦ ❦
 . 
Light rain in the woods, droplets coalesce and cascade through the upper canopy, tuliptree, oak, & hickory, until they freefall onto our heads and shoulders. A fat drop flicks a browned leaf or blinks in the duff. We imagine small creatures leaping up from the earth and then they do! Angel-winged insects are bobbing up and down to touch the fresh damp with the tips of their abdomens, animated by moisture. Linda watches one female Cranefly, notices nearby a delicate floral spike with angel-winged florets, and says,  “Look, it’s planting orchids!”
 . 
Cranefly Orchid and Cranefly, so like each other, elongated nectar tube of the flower resembling the long abdomen of the insect ending in its ovipositor, but so unlike! Except in our visual imagination they’re not related at all . . . or are they? Both favor moist woodlands with a nice layer of decomposing vegetation. Both reproduce in midsummer, by bloom and seed or egg and larvae. Both look a little creepy if you’re not fond of long spindly legs.
 . 
Altogether unrelated, entirely different Kingdoms – Animalia and Plantae – and yet these two are related ecologically, if simply by the places in which they thrive and by the company they keep. They live in community. But mightn’t  the relationship go deeper? All living creatures on this planet are genetically related; we share many of the same genes for  basic functions like metabolism, DNA replication, and protein synthesis, share them with every bacteria, archaea, fungus, protist, and plant. Compare the genome of any plant – Cranefly Orchid – and any animal – Cranefly – and you’ll discover hundreds of identical genes. It’s one big family tree, this Kingdom Earth, with some pretty twisted and winding branches, and yet all connected to the same trunk.
 . 
 . 
Alas, the Cranefly is not planting orchids. She’s laying eggs in the moist duff; they’ll hatch into larvae called leatherjackets. She doesn’t care a whit for her namesake orchid, which is pollinated by Owlet Moths (Noctuidae). The Cranefly Orchid’s tiny flowers twist either left or right as they progress up the stalk (raceme), so that as the moth’s long proboscis probes the nectar tube she gets a dusting of pollen on one or the other of her large compound eyes. And carries it with her to the next flower.
 . 
 . 
 . 
❦ ❦ ❦
 . 
Mayfly Swarm
 . 
Night on the Pearl River, steaming warm –
our small boat pierces the tunnel of blackness.
Beams of head-bound lights play
across the dark slow current.
 . 
We tease out an occasional moccasin,
quiescent in boughs of bald cypress.
Lock on bright-lit eyes of river frogs,
the hungry raccoon eating a mussel.
 . 
The motor pusher our johnboat upstream –
Suddenly, a blinding blizzard
of white-winged snow rises.
Shimmering mayflies fill the blackness.
 . 
They are in our eyes, nostrils, mouths, ears,
and hair, an erupting silent lace-winged storm.
Millions rise in singular ecstasy, then die.
Their gossamer bodies blanket the river.
 . 
Fertile eggs drift into black depths.
Frog, fish, and bird devour the dead,
a one-night feast, a gift, a magic cycle
of lovers, death, and satiated flesh.
 . 
Les M. Brown
from A Coming of Storms, Main Street Rag Publishing, Charlotte, NC; © 2024
 . 
 . 
❦ ❦ ❦
 . 
Les Brown’s new book, A Coming of Storms, has plenty of vivid and hair-raising (literally) descriptions of black cumulonimbus monsters plowing down the mountainside to batter us with hail and impale us with jagged barbs of lightning. The storm he’s really warning us of, however, is metaphorical and of our own making: the devastation of Planet Earth by that most destructive invasive species, Us. Among these poems are Lamentations for the now diminished towns and farms where our lives were once so rich, Jeremiads proclaiming the dire future we’re creating for ourselves, and the Psalmist’s tender recollection of family homestead, tender sojourns in nature, and all the smells and tastes and feel of our fertile world at its best.
 . 
Les has all the necessary credentials of a prophet. He grew up in the rural mountainscape of North Carolina; his poetry is most poignant when populated by his grandparents, uncles, neighbors. He earned a Ph.D. in Biology and taught ecology to college students all his working life. He himself feels most personally and pointedly our loss of unspoiled fields and forests, our disconnection from the earth that sustains us. I wish he were here beside me this afternoon so we could both get our knees dirty investigating Cranefly Orchids and Rattlesnake Plantain. I’ll be looking forward to his next observation, and holding my breath for a cooling breeze of hope.
 . 
 . 
A Coming of Storms is available from Main Street Rag Publishing.
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❦ ❦ ❦
 . 
Think seeds, not bullets
 . 
++++ melons instead of bombs.
Drink wine, rest a while
++++ instead of scorching earth.
Rip off epaulets
++++ and but on bedroom shoes.
Call mothers. Tell them
++++ their children are safe
Revere the earth,
++++ cool it.
Grow chanterelles,
++++ not mushroom clouds.
Bend barrels
++++ and weld triggers
into metallic art.
++++ Read a different Good Book.
Let only birds tweet.
++++ Read only magazines
instead of loading them.
++++ What is beneath the skin
of an apple?
++++ It is a simple question.
 . 
Les M. Brown
from A Coming of Storms, Main Street Rag Publishing, Charlotte, NC; © 2024
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❦ ❦ ❦
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 . 
Doughton Park Tree 2014-07-13

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