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Posts Tagged ‘imagery’

 . 
[with two poems by Katherine Soniat]
 . 
The Right Frequency
 . 
allows the next stillness to occur. Welcome each space
as it appears but confirm slowly –
++++ ++++ ++++ ++++ ++++ ++++ as if an adage drifting
down through centuries of smoke.
 . 
Try a later roll in summer grass with its sundial fingers
holding you on top the seven-veiled mysteries
of green.
 . 
Above that, motionless clouds predict it’s never lickety-split
to the apparent state that counts.
++++ ++++ ++++ ++++ ++++ Urn, goat, and crimson altar-cloth
are flighty suggestions, hard to pin down despite humans
and their sharpened articles of faith.
 . 
Tie a select few to the calf-bell of dogma, then with due respect
leave the dotted lines.
 . 
Maybe even get off your mount (the high one) and walk beside
those roped or chained, and stumbling.
 . 
Each time you are kind, feel how your breath changes,
the frequency of birds at dusk settling in.
 . 
Be aware. ++++ ++++ ++++ One pivotal moment
++++ does not foreshadow a calmer forever on earth.
 . 
Katherine Soniat
from Starfish Wash-Up
 . 
❦ ❦ ❦
 . 
The fence will squander its energy through juicy longstem grasses, nutsedges, greeny ferns, the unimpeded conduction of their potassium solute intracellular conduit. Grounded, not shocking. And so the cattle farmer may be forgiven for having applied his two-foot swath of herbicide all down the half mile of the fence’s length. Nevertheless, even months later we measure this still brown compacted earth and imagine what’s been lost. We do not expect to find the blossoms of September a year ago.
 . 
Nevertheless, here they are. Oh yes, beyond the fence’s reach where moisture seeps down from the upslope we find exactly what we expected: Ironweed, Cardinal Flower, Crownbeard. And within the fence’s boundary, where grazers have not been re-introduced this summer, we are not at all surprised to discover swath upon swath of Meadow Beauties. But here before us we suddenly come upon precisely what we had not expected to discover: two low herbs with blue thumbnail flowers.
 . 
The hikers walking up behind me are a little rattled when I shout, “Look at this!” I point out the swoop of curving stamens and the spotted lower petals and they say, “How nice,” then move along down the trail possibly hoping I won’t be following them too closely, but as of this moment I am having a very good day.
 . 
❦
 . 
Katherine Soniat’s poems do not enter at the front door and take a companionable seat at the kitchen table. They shift, they transform, they bury their meaning then suddenly burst forth. To read  Starfish Wash-Up, I find I must lay my expectations aside. If I stare at the lines too hard they elude me, but then pages later the unexpected connection emerges and allows itself to be recognized. Soniat describes this as “a dissolving context in which time and space blur – only to reassemble in as part of the vaguely familiar.” The themes I sense, across time and generations, are father / daughter, separation / blame, searching / belonging. The two poems I’ve chosen here display these in their own right without requiring the context of the entire collection to fully convey meaning. To read most of the poems, though, one must read all the poems.
 . 
This is an unusual and unique book, disturbing at times. The entire volume is titled FATES and it actually includes full-length works by three poets: The Medea Notebooks by Ann Pedone, Starfish Wash-Up by Katherine Soniat, and overflow of an unknown self by D. M. Spitzer. The three collections are completely different in style but their themes and tropes intertwine and challenge. I am repeatedly wrenched from my comfortable perch and yanked into these narratives. As Ann Pedone writes in Jason Confronts Medea, We soak our bodies in the oil of words / all our lives and yet now / after the thousands we have / spoken to each other / you are as strange to me / as the dark-eared goats / feeding on the grasses / beneath your feet.
 . 
FATES: The Medea Notebooks / Starfish Wash-Up / overflow of an unknown self. Ann Pedone, Katherine Soniat, D. M. Spitzer. Etruscan Press, Wilkes-Barre, PA, © 2021.
 .
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❦ ❦ ❦
 . 
Kingdom
 . 
There could have been time for another life before the strong March wind
swept us from us from all-fours, and dropped us near water.
Mirrors waiting.
 . 
No denying that the Nth degree of the unknown is upon us, and there’s no hint
of direction for our wasted planet. Our run at flamboyantly hot lifestyles shrunk
the ice (and more) to pieces. Huff ant strut, and we’ve about destroyed
the globe.
 . 
We mark time, belch, and remain on the lookout for chatter, though truth is
we are most awkward within the family circle where the food tastes good
bu the term lineage shows ugly signs of meltdown.
++++ ++++ ++++ ++++ ++++ ++++ ++++ ++++ Who sits where
at the last family feast (?) when any mention of disagreement is met
with angular glares of Thou shalt not repeat tales of personal or climate crisis.
And thou shalt instead sip all thy wine then nod at the endlessly grinning?
 . 
My determined place at that annual folly? I doze with my clutch of poems
in the family broom-closet – me, yet another calculated risk to the authenticity
of family history.
++++ ++++ ++++ Cursing in couplets, tweeting of human drift measured in masses:
poor continental wanderers – lost infants, men and women. The elders choking on
water, while in my pine-oiled burrow I grow heavy and sniff broom straw – one
way back to the lost animal kingdom.
 . 
Katherine Soniat
from Starfish Wash-Up
 . 
❦ ❦ ❦
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 . 
❦ ❦ ❦
 . 
Join me in celebrating the release of my newest poetry collection, How We All Fly, from The Orchard Street Press.
 . 
Poet Patricia Hooper comments: “Through close observations of the physical world, these clear, direct poems yield insights into the corresponding life of the spirit.” And Rebecca Baggett says this: “Throughout these poems, but particularly toward the collection’s end, How We All Fly leads the reader up and onward, infusing even inevitable losses with tenderness, trust, and hope.”
 . 
Thank you for your support, both of the writing you discover here in my weekly posts and of the literary arts!
 . 
You may purchase a copy of How We All Fly directly from me by mailing a check for $15 (postage included) to this address:
++++++ 131 Bon Aire Rd.
++++++ Elkin, NC 28621
Please make your check payable to Bill Griffin.
 . 
If you would prefer to pay via PayPal or Zelle, please contact me for transaction details at:
++++++ comments@griffinpoetry.com
 . 
 . 
[Patricia Hooper is author of Wild Persistence, University of Tampa Press. Rebecca Baggett’s most recent book is The Woman Who Lives Without Money, Regal House Publishing.]
 . 
❦ ❦ ❦
 . 
Doughton Park Tree 4/30/2022

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 . 
[2023 chapbook by Bill Griffin]
 . 
We Never Give Up Hoping
 . 
Morning frozen hard. Pour
++++ boiling water
into the birdbath;
++++ they will come
to drink when I have gone.
 . 
++++ God of holy ice, holy
++++ ++++ steam,
++++ give my children
++++ ++++ water
++++ that all my hoping
++++ ++++ can’t.
 . 
Sound of wings, splash
++++ diminishing;
find the world again
++++ iced over.
Fill the kettle. Holy water.
 . 
Bill Griffin
from How We All Fly, The Orchard Street Press. Gates Mills, OH, © 2023
originally published in Quiet Diamonds
 . 
❦ ❦ ❦
 . 
Join me in celebrating the release this month of my newest chapbook, How We All Fly, from The Orchard Street Press.
 . 
Poet Patricia Hooper describes the collection: “Through close observations of the physical world, these clear, direct poems yield insights into the corresponding life of the spirit.” And Rebecca Baggett says this: “Throughout these poems, but particularly toward the collection’s end, How We All Fly leads the reader up and onward, infusing even inevitable losses with tenderness, trust, and hope.”
 . 
Patricia Hooper is author of Wild Persistence, University of Tampa Press.
Rebecca Baggett’s most recent book is The Woman Who Lives Without Money, Regal House Publishing.
 . 
❦ ❦ ❦
 . 
 . 
❦ ❦ ❦
 . 
Thank you for your support, both of the writing you discover here and of the literary arts!
 . 
You may purchase a copy of How We All Fly directly from me by mailing a check for $15 (postage included) to this address:
++++++ 131 Bon Aire Rd.
++++++ Elkin, NC 28621
Please make your check payable to Bill Griffin.
 . 
If you would prefer to pay via PayPal, please contact me for transaction details at: comments@griffinpoetry.com
 . 
❦ ❦ ❦
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 . 
[with poetry by Dr. Jack Coulehan]
 . 
The Act of Love
 . 
How foolish Celia must look
to the Haitian cab driver
on the Medicaid run!
 . 
She wears a white communion dress
the week before Easter, a sign
she brings me something more pressing
 . 
than the pain in her shoulder
and the son who doesn’t talk to her
because his wife is embarrassed.
 . 
Her hips creak in conversation,
her knees grind, but even crepitant joints
are modestly silent and stand aside
 . 
when Celia hands me a potted plant
for my office – an act of Christian love,
she says, not a sign of being personal.
 . 
As for me, I’m stunned
out of the ordinary anger
at failing to help her
 . 
by the waxy leaves of her gesture
and I receive this wafer of the season,
heartbroken for no reason.
 . 
Jack Coulehan
from The Talking Cure: New and Selected Poems. Plain View Press, Austin TX, © 2020
 . 
❦ ❦ ❦
 . 
To plow a furrow straight, keep your eyes on the far edge of the field, not back over your shoulder. I didn’t much take my own advice, seems like, those forty years as a small town family doc. Most of the time I recall just struggling to make sure the big wheels were turning while the mud got deeper. Towards the end I could see the hedgerow approaching and I recognized what was calling – to have one last face to face with my patients. Except there was precious little face to face during those final six months. Pandemic saw to that.
 . 
And when you finally run out of field? Wedge around and plow a parallel straight back? Or hop down, push through the hedge. See what’s waiting next field over. OK, OK enough with all this rural agronomy metaphor. It’s three years now since I, as we say, hung up the stethoscope. The anxiety dreams have settled down to just once or twice a week, or else I sleep through and don’t remember them. I passed a former patient on the nature trail last week and she didn’t recognize me. The off duty anonymity I craved for years in this little cloistered town, well, here it is. And so . . .
 . 
. . . I ask myself what those forty years meant. Anything? Did I do good? Did I make a difference? Does anyone besides me remember? Perfect time to open this book of poems by Dr. Jack Coulehan MD. I’ve picked it up a dozen times but laid it back down. I know his name from chance meetings in the pages of JAMA and Annals of Internal Medicine. I see that he once directed the Stony Brook Center for Medical Humanities. How does anyone make sense of anything? He’s bound to have the prescription.
 . 
The Talking Cure – yes, that’s it: the first hard lesson I learned and the one I never stopped relearning. Biochemistry, microbiology, pharmacology and all the rest, those were fun. Difficult and challenging, but just what I loved. What was hard, what caused this introvert to gulp and begin to sweat, was opening the door and be expected to sit down with a stranger and talk. And now I’m thinking back forty-three years, to the first week of my Family Medicine Residency at Duke: before I opened that first door to a new patient, I sat with my mentor and began to learn, not to talk, but to listen.
 . 
Forty years of listening. The times I failed to communicate, augured in, crashed and burned and the patient’s resultant look of anger or distrust or despair, those are all still bright daggers in my side. But the many times we connected, the moments of trust and understanding, those may not be as clarified or stark but they have left a golden glow on my western horizon. Listening is learned; listening is work; listening is an active intervention. Here comes Linda. Here comes seven-year old Amelia. There is always more listening to be done.
 . 
 . 
❦ ❦ ❦
 . 
Poem for David
The day you died your sheepish letter came
begging me to write Dilaudid for the pain.
On flying home – your goddamn migraines
back again. After the second bleed
your mother was as good as dead, your dad
a wreck. You begged me to forgive your sick
activities last year, frightening my kids,
bringing meth into my home. I’m clean,
you wrote, Rehabbed in the Vets for months.
 . 
Your drowning made the local Evening News –
a body bobbing at the rocks a quarter mile
beyond the rapids. Swimming when a seizure
took him. An accident, they said. But no.
You hated water, had never learned to swim.
Heroin, Dilaudid, meth. Your manic flight
to help the victims of explosions, earthquakes,
fires – your merciless adrenalin.
Chaos and emptiness tracked you home.
 . 
In our Appalachian town, I stood like wax
beside your open casket. Above you –
an arrangement of roses from a woman
names Terri. I hovered near the guttered flame
your father had become, recalling the months
you spent tending the wounded in Vietnam,
your endless shifts in hospitals back home.
I pictured forgiveness – an orchard
carpeted with apples, bruised and fallen.
 . 
Jack Coulehan
from The Talking Cure: New and Selected Poems. Plain View Press, Austin TX, © 2020
 . 
 .  .  .  .  .  .  .  . 
❦ ❦ ❦
 .  .  .  .  .  .  .  .  .  . 
The Talking Cure
+++ for David Pearson, MD
 . 
At eighty-one, my friend, who once was told
he’d never graduate in medicine
because his heart was tender, climbs the stairs
after seeing his last patient. For years
he’s helped a retired lieutenant examine
the slippage of his inner knots by talking.
 . 
We sip iced tea. They don’t teach the talking
treatment anymore. We used to be told
that words matter. Remember? He’s examined
syllables and silence as his medicine
for decades. His cheeks ravaged by the years
on steroids, twitch with dampness, and he stares
 . 
at melting ice cubes. He recalls the stairs
to paradise – that’s irony talking
though regret – and he’s dissecting the years
with sharp New England. wit. I never told
him of my weakness, but he knew. Has medicine
hardened his heart? I avoid examining
 . 
mine, not today, as we examine
the world through a kitchen window, and I stare
at Narragansett Bay, a medicine
just visible between the trees. Talking
rakes up leaves. What’s beneath? Truth be told,
neither of us has ended where those years,
 . 
when youth seduced us, promised. Every year
accounted for, but when I examine
my conscience – and expression that tells
a lot about my childhood – what stares
at me is gratitude, not guilt. Talking
to my friend this afternoon is a medicine
 . 
that pares away scarred skin, a medicine
of acceptance – his fighting for years
to be heard, the ease with which I talked
a good game – all of which we examine
with astonishment. I descend the stairs
to the door as we continue talking
 . 
of medicine and our examined
routes, frenetic years, a world that stares
at pain without telling while we do the talking.
 . 
Jack Coulehan
from The Talking Cure: New and Selected Poems. Plain View Press, Austin TX, © 2020
 . 
❦ ❦ ❦
 . 
Jack Coulehan is a Professor Emeritus of Family, Population, and Preventive Medicine at Stony Brook University, and Senior Fellow of the Center for Medical Humanities, Compassionate Care, and Bioethics. Jack graduated from St. Vincent College (BA) and the University of Pittsburgh (MD, MPH), completed his residency in internal medicine at the University of Pennsylvania and Wake Forest University, and did a fellowship in community health at the University of Pittsburgh.  On the medical faculty at Pitt, he co-founded the Center for Medical Ethics and the Western Pennsylvania Ethics Consortium. Along with Marian Block, Jack developed one of the first doctor-patient communication courses required for students in American medical schools.
 . 
Jack’s poems and essays appear frequently in medical journals and literary magazines, and are widely anthologized. Twice a finalist in national small press poetry contests, Jack is the author of seven collections of his poems, including most recently The Talking Cure: New and Selected Poems (2020). His award-winning textbook The Medical Interview: Mastering Skills for Clinical Practice is now in its 5th edition. Jack edited Chekhov’s Doctors, a collection of Anton Chekhov’s stories with physician protagonists, and co-edited three anthologies of poems by physicians, Blood & Bone, Primary Care, and Grit, Gravity, and Grace.
 . 
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❦ ❦ ❦
 . 
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2020-09-08b Doughton Park Tree

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