[with 3 poems from When There Were Horses]
Once upon a time there was a little boy . . . . a frisson of anticipation: the four-year old’s attention is now riveted on Pappy. What mischief will the boy in the story create, what adventure awaits, what danger?
When my grandson used to ask me to tell him a story it was a gift to both of us. Often the stories sprouted spontaneously from our pretending and play, their main characters usually some of his favorite companions like Mousey and Blue Rat. What joy and entertainment when you engage with the characters in a narrative! Even more so if you identify with the characters – their plight, their seeking, their discoveries strike a resonant chord in your own heart. You live a little richer and fuller through them.
But what if you are them?! What if you are the little boy in the story unfolding? What if a door opens and you enter the story and it becomes an extension of your own? The gift the teller gives you in that moment can’t be measured.
So many of the poems in Pat Riviere-Seel’s new book, When There Were Horses, open that door for me. I enter the lines. Not only do I engage, not only identify, but I become a part of the narrative. The resonance moves me to reflect on my own arc, my own plight and seeking. How does that happen?
How does poetry do that stuff? Mmmm, mystery and magic. Art and invitation. I admit I don’t actually know the details or specifics of many of Pat’s narratives but even so I have come to feel a part of them. When I get past asking, “What does she mean by that?” and just enter the flow of how she is creating meaning, then her poems crack open new earth. There, beneath the mud of daily routine, behind the obfuscation of some constant ringing little voice in my head, something waits. Waiting to sprout and bloom. Waiting to sing a new song. Waiting and wanting to peel back all that separates us from each other, and from our inner self. Something is beneath the surface, waiting to break our heart, and to heal it.
. . . . . . .
From the Almanac of Broken Things
I choose this earth that breaks
my heart again and again,
the woods for the way trees
bend, fall, and return to dirt.
I choose the sand dollar, the nautilus
that in brokenness finds new creation.
I choose the favorite doll that no longer cries,
loved into silence, into rags.
I choose the memory of a stranger’s touch
that lifted my face above water. Because
I did not drown, I choose morning,
the gauzy-gray dawn that returns.
I choose the once-wild Palomino
whose beauty can never be tamed.
I choose light from long dead stars
that illuminates without heat.
I choose March with its promise of spring,
the warm days that tease, the blizzard
that insulates and warms the bulbs, the seeds,
all that lies beneath the surface, waiting.
Pat Riviere-Seel
inspired by Linda Pastan’s poem The Almanac of Last Things
. . . . . . .
What the Moon Knows
She knows shadow, how to
slip behind clouds. She’s perfected
the art of disappearing. She knows
how to empty herself into the sky,
whisper light into darkness.
She knows the power of silence,
how to keep secrets, even as men
leave footprints in the dust, try to claim her.
Waxing and waning, she summons
the tides. Whole and holy symbol,
she remains perfect truth, tranquility.
Friend and muse, she knows the hearts
of lovers and lunatics. She knows
she is not the only one that fills the sky,
but the sky is her only home.
Pat Riviere-Seel
. . . . . . .
Enough
Ahead, I see her watching me, pity
or compassion, hard to tell
from this distance. I want to ask her,
my future self, what she knows
and when she knew it. I want to know
whose laughter fills her hours? Does she
still dance? Still run? What does she know
of grace? These days I know so little.
But she’s still faithful, the self I look back
to see at dawn, a quarter century ago,
running out Colbert Creek road between
woods and murmur of the South Toe River, two-lane
Highway 80 South, past Mount Mitchell Golf Course,
down macadam that turns into gravel, clatter across
the low water bridge, out Rock Creek Road,
before she turns toward her dusty driveway,
past grape vines, the garden where the black cat
waits to walk her home. She’s the one who
declared, I am enough. She’s kept her promise.
But now, knowledge brings scraps
falling from bone that offers proof
something happened here in this lost country –
three deaths, one new love.
Pat Riviere-Seel
all selections from When There Were Horses, © 2021 Pat Riviere-Seel, Main Street Rag Publishing, Charlotte NC
. . . . . . .
. . . . . . .
FULL DISCLOSURE: Pat Riviere-Seel is my cousin. Third cousin one generation removed is how I think we figured it. Pat and I first met twenty years ago at a North Carolina Poetry Society meeting at Weymouth Center for the Arts and Humanities in Southern Pines. During a break we were sharing casually about what we’d been doing lately and she mentioned her recent family reunion in Lewisville, NC.
“We met at an old Methodist Church in Lewisville where my Great-Great-Grandfather is buried.”
“No way, we had a family reunion in Lewisville a few years ago and we met at a church, might be the same one, where my Great-Great-Great-Grandfather is buried. His name was J.N.S. Daub.’
“Uh, hmm, mine is named Daub, too. Reverend Daub.”
“I’ve got a photo of the headstone at home. I’ll send you a copy.”
Sure enough, one and the same Daub. That was my maternal Great-Grandmother’s maiden name. Three Daub sisters married three McBride brothers. So Pat and my Mom are third cousins (although separated in age by more than a generation).
All those years, something beneath the surface, waiting.
– – – B
. . . . . . .
V E R S E and I M A G E 
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