[with poems from Visions International]
From the ridge above the creek the tallest tulip trees poke their heads up to catch the evening sun. Hammered gold, bright lemon and lime, for a moment they torch the forest and we who look up catch their display. Without this certain angle of sun, autumn lends these trees only ochre dashed with butterbrown; without us looking up at just this certain moment we might not appreciate them at all.
Most everyone mid-October is planning their looking up. Hey Honey, wanna drive up on the Parkway on Saturday (the crowds, the crowds!)? Which weekend will be peak color? Was late summer wet enough and September nights cool enough for the maples to manufacture their anthocyanins? (Yes, most everyone is debating phytochromes and anthocyanins whether they know it or not.) Slowing the car. Craning necks. Meanwhile Linda and I are back in deep shade where beech and hickory still hold onto their leaves. We’re looking down, not up. The color we seek is reclusive, modest, avoiding the limelight.
Right now is when Beech Drops bloom. No one is noticing. If you see them at all, you probably assume they’re the leafless twigs of some summer forb that’s already succumbed. It’s hard to even realize that their bare centimeter-long appendages are flowers. Bud, bloom, and pod all look pretty much the same. In fact I didn’t even realize they were blooming until I got down on my belly with a macro lens and then blew up the images. A streak or two of deep purple up their sides; pursed lips of fused petals; one protruding yellow stigma, anthers too delicate to see – but little friends, you’re gorgeous!
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Epifagus virginiana is the only member of its genus. It is parasitic, like many other members of the Broomrape family (Orobanchaceae). It attaches to roots of Beech trees for all of its nourishment; it makes no chlorophyll and the only remnants of leaves are tiny scales along its stem. There’s no sign that Beech Drops weaken or harm their host, but in late summer and fall their pale stems emerge from the leaf litter like bony fingers of the undead – just in time for Halloween! Walk through a beech grove: when you notice your first Beech Drop you’ll suddenly realize there are hundreds all around you, and when the low angle of late sun catches them, translucent purple like pale flesh, you might just get creeped out.
For years I had mistaken Beech Drops for the dry leavings of Puttyroot or Cranefly Orchid. Now that I’ve learned their identity, I make a point of seeking them out. On display, this is the one qualification of the Naturalist: Curiosity. The four steps along the path of the Naturalist: Pay attention; Ask questions; Make connections; Share. And the motto of the Naturalist, a motto I just made up and have taken for myself, at least: Semper plus discere. “Always more to learn.”
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Snow on the Back of Cattle
They seem, at first, dark formations of stone,
half drifted in, bunched and volcanic, rectangular
with oddly shaped outcroppings, sun glinting
on crystal, fringes of gray-green and palest
yellow: lichen, sage, bleached dry grasses
Then small puffs of steam, their breath, shift
and snuffle, soft voices lowing, hooves cracking
the frost. In two places near the herd’s edge,
bright splashes of red where calves dropped
in the darkness, where rough tongues licked
them clean and muzzles nudged small bodies
until they stood, shaking with wonder, to
search out the straining udders and drink.
B. J. Buckley (Power, Montana)
from Visions International, #106, Autumn, 2022
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Forty years ago Bradley Strahan collected work from poets from around the world and created the first slender volume of Visions International. Twenty years ago I first picked up a copy from a table at a poetry conference, not fully grasping what I was holding. I wondered about the title. Not the International part – holy cow, Bulgaria, Ukraine, Ireland, Italy – but the Visions. For the past several years I’ve been a subscriber and I think I’m finally getting it. To see . . . with another’s eyes, from within another’s place and persona. With every issue that arrives, the poems nudge, jostle, encourage with their quiet insistence that I open my eyes. And learn.
Semper plus discere – always more to learn. The two Latin roots disco and doceo are closely related (from the same Proto-Indo-European origin) – to learn, to understand / to teach, to instruct or show. I perceive that Bradley’s mission is to rattle us loose from the cage of our unquestioned routine, to crack a first fracture into our ossified assumptions. Always more to teach, always more to learn. And how about the homologue discern – from dis – cernere, to take apart – to be able to distinguish or perceive the differences between two things that might at first have seemed to be identical. The poems in Visions International never fail to open my eyes, my mind, my heart to a larger world, more varied, more diverse. More exciting!
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Tell Me Where All Past Years Are
She had a broad lap, a feed sack apron.
We sat warming on the stoop, and everything around falling
fell into her sack, golden
catkins, chinquapin burs, pods
of locust sticky with their honey,
dust of stars, dust out of the furrows.
She hummed; I translate:
+++++ When will the time come back to me
when hours were in my pocket
as man and heavy as loose pennies,
when days oozed thicker than
end-of-summer honey, when happiness
formed in my hands like butter from the churh
to squeeze and pat into a cake
and print with a petal crown of daisies?
+++++ No we both are humming, sixty or more
years between renditions, and while
we sing the sun clocks out and the moon
on the ridgetop stands and shakes out its lap,
a glowing radium dial.
J. S. Absher (Raleigh, North Carolina)
from Visions International, #106, Autumn, 2022
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Magpie Potential
The cloak requires to be worn lightly.
You cope with its invisibility
and, trying it on for size, dip your hands
in its deep pockets until they
smuggle up four eggs of lustrous blue,
brown-spotted, the same eggs
you climbed to find in Ballyduggan wood
in your barefoot childhood.
One by one you put the eggs
to your ear, amazed to hear from each
the whir of magpie potential.
Gently you bed them back down,
hoping for wingtips to sprout, bodies
and legs and darkly the eyes
and cowled heads
to come about. Hoping for feathered
iridescence, even for flight,
and your life of hoard-need, or reining in,
of fear that you might fail,
seems only a grounding for this
exuberant scatter and go. You withdraw
your hands, but all is empty now,
and clay, make of it what you
will, clings cold under every fingernail.
Patrick Deeley (Dublin, Ireland)
from Visions International, #106, Autumn, 2022
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Note: Issue Number 106 of Visions International also includes a poem by Deborah Doolittle (Jacksonville, North Carolina) that I admire, Bird Poem, plus work by poets from Italy, China, Germany, France, Bulgaria, Hungary, Ireland, Ukraine, and eleven states in the USA.
Visions International is published by Visions International Arts Synergy, a 501(c)3 non-proift group for the promotion of poetry and the arts. Subscriptions are $25 for 4 issues; Contact BLACK BUZZARD PRESS / 309 Lakeside Drive / Garner, NC 27529.
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To which little magazines do you subscribe? Support poetry by reading it. I’ve got 20 years of Mainstreet Rag piled on the bookcase; the mailman brings me every issue of Tar River Poetry and Cave Wall. Semper plus discere. Semper plus legere.
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V E R S E and I M A G E 
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