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Posts Tagged ‘Bill Griffin’

[After you read this post, move on to my revised definition of the
SOUTHERN SENTENCE POEM
at
https://griffinpoetry.com/2012/11/25/when-the-train-whistle-blows/
And send me your offerings at our Facebook page:
https://www.facebook.com/SouthernSentencePoem?ref=hl ]

Last month after a poetry workshop we all went out for lunch.  Someone had been reading a book of Buson and Issa, and we got to complaining about how hard it is to transmigrate haiku from Japanese to English.  Syllable counting aside, Japanese haiku has so many formalities that just don’t translate.  Each word is drenched in a thousand years of cultural nuance; lotus, frog, mountain, they all have layers of meaning very difficult for an outsider to grok.  Why do we even try to write haiku ourselves?

At some point we came up with the idea – note here that no alcohol was involved in these discussions – that we Southern poets need a poetic form we can call our own.  I remember us laughing about what we might call such a thing;  the term “Bubba” seems to have come up a few times, with various prefixes and suffixes.  At the end of the day, though, we hadn’t really developed anything substantial.

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I’ve been thinking about that conversation ever since, and I’m now ready to unleash upon the literary world a new poetic form: the Southern Sentence Poem.  Besides consisting of a single sentence (which actually ain’t too Southern, knowing how we like to tell long-winded stories), each Southern Sentence must include all three of the following:

1 – Place.

A word or phrase has to place the poem in the American South.  It can be the name of a town, a geographic feature, a mention of some typical flora or fauna, even an ACC university.

2 – Past.

We Southerners make fretful Buddhists – we just can’t let go of the past.  The poem can be “in the moment” but it requires a reference to the past: kinfolk, a historical event, a personal experience (inevitably with a bad outcome, of course, but lesson learned).

3 – Culture.

Let the New Englanders and the Californians and the Canadians come up with their own poetic form – this here poem is about the South!  The reference to Southern culture can be food, customs, language/slang, clothing, agriculture or business . . . even anthropologists have a trouble defining the word “culture.”

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And to my mind a really good Southern Sentence would be seasoned with a drop of bittersweet.  Aren’t some of our great themes sin and redemption, hurt and healing, always at least a little hopefulness?  And it is ever appropriate to inject a little humor.  Just one additional rule: no cussed semicolons.  I love semicolons, but they are just too damn Yankee.

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Help me out.  Send me some Southern Sentence Poems.  If I get a whole passle of them I might start a whole new blog, or at least give them their own page.  Any comments and enlargements on my three rules?  Make the form your own.

AND . . . can anyone think of a better name than Southern Sentence Poem?

Finally, here are a couple of examples (it’s only a coincidence that each is 3 lines; that’s not one of the rules):

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Nana said she despised those “jawflies,”
cicadas that filled the oaks around her house,
but every August I think of her.

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In Nana’s preserves each fig
was suspended in gold – the summer sunset
on Bogue Sound.

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“It is impossible to care for each other more or differently than we care for the earth . . . there is an uncanny resemblance between our behavior toward each other and our behavior toward the earth.”

Wendell Berry

Attention precedes intention.

I know someone (actually, I live with her) who keeps a paper cup and square of cardboard under the downstairs sink.  If a wasp wanders into the house she claps the cup over her, slides the cardboard under her, and sets her free out the front door.  I’m thankful to Linda for this because I am slightly hymenopteraphobic.  I’m also thankful to her for all the crickets, centipedes, “Palmetto bugs,” and occasional skinks that have ridden that cup to freedom.  I can’t exactly express why, but it’s a blessing to be married to someone who doesn’t squash things.

Does Creation rejoice when one wasp is saved?  Maybe not, but you never know – the web of life is complex and chaotic and includes every living organism, not least the trillion bacteria that cohabit my body.  I couldn’t live without them.  Each creature occupies its essential place.

I do know this – Creation rejoices in every moment we take to pay attention.  Attention leads to intention.  Once we notice the life all around us . . . once we notice how all life interacts and how we affect it . . . we become poised to care. And to behave as if we care.

The very concept of interdependence within the natural world is only about as old as the church I belong to, Community of Christ.  That there is an intimate relationship between creatures and their environment was first developed by Charles Darwin, who is considered the Father not only of my other favorite “E” word but also of Ecology.  The first published instance of the word “ecology” was not until 1879.  One hundred and thirty-three years – not a great deal of time for the Western psyche to incorporate a radically new relationship with Creation: not dominion over all, not even stewardship of all, but coexistence with all.  Perhaps it’s not surprising that there are many people who imagine we can somehow live without Cape Fear shiners, Yellow lampmussels, or Schweinitz’s sunflowers, much less wasps, crickets, and skinks.

I expect a visit to the NC Zoo would start a lot of those people on a journey down a path at whose end they would have fallen in love, not only with a baby giraffe, but with a minnow endemic to just five counties in central North Carolina.  At least that visit would get their attention.  That’s the first responsibility of a naturalist, paying attention.  It’s the first responsibility of being human.

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Two Sundays ago I left the house at 6:30 a.m. to head for a week at the Zoo.  The car was crammed with nature books, poetry books, enough clothes to change two or three times a day anticipating some sweaty 100+ degree weather.  I had enough handouts and resources to lead workshops and present readings.  Enough food for two weeks, probably.  Enough coffee for a month.

I stopped at Bojangles and bought two sausage biscuits because they were on special.  As I headed south on I-77 I ate one, and then I thought – what did it take to make this?  How many thousands of gallons of water to grow the grain to raise the hog?  How much CO2 from tractor exhaust, how much methane from hog lagoon exhaust?   You’ve probably read how the United States creates over 16% of global greenhouse gases with only 5% of the population.  You may have read how raising meat impacts the environment much, much more than raising grain or vegetables, and how in the developing world, especially China, they are shifting their diets to include more meat as standards of living rise.  Well, when I arrived in Asheboro I handed that second biscuit to a friend and decided to give up eating meat.

Will my decision have any greater benefit to Creation than a few more wasps free in the azalea?  Maybe not, but it’s just my intention, growing out of my attention.

No matter how you lift your eyes you can’t actually see beyond the horizon. You can’t be sure of the outcomes of all your actions, but you can pay attention.  Pay attention to the things you experience every day.  To the things you do. Pay attention to what makes you feel within your heart the love your Creator has placed there.

Continue to discover your own place in Creation.Raven crop 02

RAVEN

Listen.
I’m not going to say this twice.
The sum and product of words
is no mark of intelligence.
Case in point – cousin Crow,
not half as smart as all his talk.

So listen,
I know three things:
Sky, that small kiss of warm air
that rises through my primaries;

the Water on its breath, ridgeblown mist
that bathes us all and makes springs
overflow into Inadu Creek;

and Earth, slope and cup of cove,
the steep that gathers with wide black wings
to draw down Sky,
draw Water up,
that sets free all things green
into a world first fledged.

But listen.
I know from twenty circles
of snowdeep and hungry moons
and twenty circles of fresh shoots
that Sky . . . Water . . . Earth . . .
none of them are mine.

And I know none are yours.

from Snake Den Ridge, a bestiary © Bill Griffin and Linda French Griffin, March Street Press, 2008

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“The universe story is the quintessence of reality. We perceive the story. We put it in our language, the birds put it in theirs, and the trees put it in theirs. We can read the story of the universe in the trees. Everything tells the story of the universe. The winds tell the story, literally, not just imaginatively. The story has its imprint everywhere, and that is why it is so important to know the story. If you do not know the story, in a sense you do not know yourself; you do not know anything.”

Thomas Berry,  1914-2009

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I’m going to bet your family is a lot like mine.  Sometimes my parents come to stay a few days over a holiday, with Margaret and her Josh in from Raleigh, Mary Ellen down from Sylva (and all with dogs-squared), and finally Josh, Allison, and Saul all squeezed in.  Then it starts.  First hugs, then catching up and gossip, meanwhile eating, momentary pause in eating, start eating again.  Finally, if we’re all under the same roof for long enough, the stories begin.

Haven’t you heard them?  Stories that start out with, “Oh, I remember when you were six and you . . . .”  “Right, and remember that time we thought no one was looking and we . . . .”  “Sure, and can you remember what Nana would say when we . . . ?”  We’ve heard them all a thousand time, but we can’t help ourselves.  We have to re-tell them.  It’s the stories that bind us together and remind us we’re a family.  Those stories make us a family.

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I was at the Zoo about a year ago when Batir was smaller (though not by any means small).  She still kept pretty close to her mother, Tonga, and they would frequently caress each other with their trunks or even interlace, touching . . . touching.  Today they still spend much of the day near each other; is Batir leaning against her mother’s side?  They’re that close.

Yesterday at the aviary, besides watching the Yellow-rumped Cacique add fronds to a large unruly nest in the very top of a sapodilla, I saw a pair of White-headed Mousebirds that evidently also had nesting on their minds.  They nibbled at each other’s beaks, and then one would preen the neck feathers of the other . . . and they were perched pretty darn close together on that branch.

One morning this week I entered the Park early while the alligators were still bellowing at each other (there are two separate ‘gator enclosures so the males can’t get physical with each other).  As I passed one pool, a larger ‘gator was rubbing his jaw up and down the neck of the smaller, and then she (?) would return the gesture.  I’d have a hard time calling it “nuzzling” when your skin is smooth as an old shagbark hickory, but I can only assume they were making friends.

With such a large extended family of baboons, you can’t pass them by without noticing that there is always some grooming going on.  Sometimes it’s a female picking through the thick mane of a large male; sometimes two females; frequently a mother and child, and then they reciprocate.  The younger members of the troop sometimes stop chasing and wrestling to comb each other out with their claws.

Somehow each species communicates that they are a family.  It may be the complex subsonic telegraphy of elephants or the ritual stereotypic breeding displays of birds, but the message is received.  The bond is forged.  The family prevails.

We humans prevail through the stories we tell.  When that gets old, we tell stories about telling stories. As Zoo ambassador, here’s my challenge to you:  tell me a new story.

I am leaving the Zoo after this week-long residency with a headful of stories.  You’ve got some, too.  Discover them.   Tell them.  You don’t have to visit a zoo, or an aquarium, or a botanical garden, or a national park.  You have a backyard, a neighborhood, a schoolyard.  There is something about any one of those places that can remind you what family you belong to.  Do I have to come right out and say it?  It’s the Family of All Life on Earth.

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Maybe you’ll encounter a creature you’ve never paid much attention to before.  You might learn to recognize a bird’s call or look up the name of that big butterfly hanging around your bushes.  Perhaps you’ll gain some new understanding about how creature A depends on creature B, and vice versa.  Could be you’ll discover that something you’re used to doing every day actually harms creature C.  You know you’re going to feel invigorated after you get a big dose of Vitamin N (“Nature”).

And you’re going to have some stories. I can hear you now, each time you get together with your Family and spend some quality time under nature’s vast open roof – “Hey, do you remember when we . . . ?!”

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A Prayer for the Mountains

Let these peaks have happened

The hawk-haunted knobs and hollers,
The blind coves dense as meditation,
The white rock-face, the laurel hells,
The terraced pasture ridge
With its broom sedge combed back by wind:
Let these have taken place, let them be place.

And where Harmon Fork piles unrushing
Against its tabled stones, let the gray trout
Idle below, its dim plectrum a shadow
That marks the stone’s clear shadow.

In the slow glade where sunlight comes through
In circlets and moves from leaf to fallen leaf
Like a tribe of shining bees,
Let the milk-flecked fawn lie unseen, unseeing.

Let me lie there too
And share the sleep
Of the cool ground’s mildest children.

Fred Chappell
from Spring Garden, 8 1995 by Fred Chappell, Lousiana State University Press.

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You don’t have to visit the Zoo, but it couldn’t hurt.  It’s done me a world of good.  Next time you’re there, see if they’ve started displaying poetry around the Park.  (It won’t happen until after all three of us Poets-in-Residence have submitted our suggestions, but if you don’t see any yet it’ll just be the perfect reason to make another trip before too long.)

Meanwhile, I thank profoundly Ellen Greer, Sue Farlow, and Dr. David Jones as well as all those on the steering committee that developed the vision for this Poetry of Conservation project.  And to all the rest of you folks – design staff, animal handlers, Zoo Com, volunteers, interpreters, Sodexo, Schindler House folks – you welcomed me into your NC Zoological Park family, and I am humbled and grateful.  In sheer awesomeness you are equal to any of the other animals in the Park!

Love, BILL

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