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Posts Tagged ‘Bill Griffin’

Linda and I take walks.

Take?  The walking gives itself to us.  We talk, catch up on the hours, days sometimes.  We list things that need to get done, places that must be gone, eroding detritus of stuff that clamors to be fixed.  We laugh at the last cute thing Saul did, the cute thing he said that we’ve smiled at twenty times already.  We discover small things along the path – what is the name of that little blue flower? – and rediscover things that have brought us small delights in the past.  And we hope we burn up some calories and coax some blood to run its circuit a little faster.

Throughout the breeding season American Avocet pairs greet each other by rubbing along the length of their long recurved bills while the male drapes a wing over the female’s back.  Cozy.  Most birds that form lasting pairs, for a season or for life, have some sort of bonding display – preening, mock-feeding, a dance, aerobatics.  Evolutionary biologists conjecture that these instinctive behaviors strengthen the pair-bond and increase the chance of reproductive success.  More eggs, more chicks, more offspring successfully fledged.  Survival.

Linda and I take walks.

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Yesterday afternoon Linda and I walked Old Man’s Gorge in the Hocking Hills of southern Ohio.  Over thirty years ago Linda’s Mom and Dad bought a little farm in the woods near there.   It’s been close to twenty years since we last visited Old Man’s Cave.  During that time the new trail markers, new bridges, steps, railings, everything has a moist green fuzz of moss, as if the three-hundred million year old blackhand sandstone has invited all things in the Gorge to appear as old is it does.  Linda and I keep remarking to each other, “Was this here last time we came?  I don’t recognize this stone wall, but it looks ancient.”

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Overcast, damp, ten degrees cooler than its summit, the basin of Old Man Gorge just feels like Ohio.  Maples have begun to turn color along the rim, but in the shade of the grand overhangs all hues become muted.  The eroded walls are a hundred variations of gray and rock-green, a lichen wash of winter sky. The shades of our Ohio roots:

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 Twenty‑Three Grays

The first is crossing the Ohio into Marietta,
not the green river yearning west
but each of its scalloped reflections
like scales on a crappy, and at each ripple’s
lip a premonition of ice.

Next: passing the first car southbound
salt‑encrusted with two hundred miles
of I‑77 — what color is it really?  A casual visitor
to this state still our home may claim
there is no color here, but doesn’t gray
enfold the possibility of every color?
Sky layered in bands dark and darker
preserving as in a comforter some memory,
warm purple; fingery hawthorn
and buckeye almost yellow; cattails
coyly pink; dark earth chocolate
between cream snowcrests —
all of them holding everything within.

In Canton the window eyes of Mercy
Hospital passing no judgement.
In Akron, the stone walls of Rockne’s,
frost like stale beer foam; peeling letters
at the exit sign: Peninsula/Hudson.
Geese in the ditch beside a Cape Cod;
rust‑gray girders where we drive beneath
tank cars, coal cars, and then the Turnpike
overpass.  And as we reach your driveway,
rime, old tears the wipers can’t beat back.

Those who’ve never left here, do they notice?
And we who return, can we name
what comforts us?  Only in his eighties
did your Dad’s hair surrender to the shades
of sky and winter fields, and now when I hold
you this close full of days recalled, stories
we=re sharing as if for the first time,
the good full color of Dad’s life now passed
fully into our hearts, I see in your hair thin streams
coalescing, bands of evening sky and highway,
winters we will hold together, and the springs.

© Bill Griffin.  First appeared online in John Hoppenthaler’s Congeries at Connotation Press, June, 2011.

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American Avocet — Recurvirostra americana

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[After you read this post, move on to my revised definition of the
SOUTHERN SENTENCE POEM
at
https://griffinpoetry.com/2012/11/25/when-the-train-whistle-blows/
And send me your offerings at our Facebook page:
https://www.facebook.com/SouthernSentencePoem?ref=hl ]

Last month after a poetry workshop we all went out for lunch.  Someone had been reading a book of Buson and Issa, and we got to complaining about how hard it is to transmigrate haiku from Japanese to English.  Syllable counting aside, Japanese haiku has so many formalities that just don’t translate.  Each word is drenched in a thousand years of cultural nuance; lotus, frog, mountain, they all have layers of meaning very difficult for an outsider to grok.  Why do we even try to write haiku ourselves?

At some point we came up with the idea – note here that no alcohol was involved in these discussions – that we Southern poets need a poetic form we can call our own.  I remember us laughing about what we might call such a thing;  the term “Bubba” seems to have come up a few times, with various prefixes and suffixes.  At the end of the day, though, we hadn’t really developed anything substantial.

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I’ve been thinking about that conversation ever since, and I’m now ready to unleash upon the literary world a new poetic form: the Southern Sentence Poem.  Besides consisting of a single sentence (which actually ain’t too Southern, knowing how we like to tell long-winded stories), each Southern Sentence must include all three of the following:

1 – Place.

A word or phrase has to place the poem in the American South.  It can be the name of a town, a geographic feature, a mention of some typical flora or fauna, even an ACC university.

2 – Past.

We Southerners make fretful Buddhists – we just can’t let go of the past.  The poem can be “in the moment” but it requires a reference to the past: kinfolk, a historical event, a personal experience (inevitably with a bad outcome, of course, but lesson learned).

3 – Culture.

Let the New Englanders and the Californians and the Canadians come up with their own poetic form – this here poem is about the South!  The reference to Southern culture can be food, customs, language/slang, clothing, agriculture or business . . . even anthropologists have a trouble defining the word “culture.”

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And to my mind a really good Southern Sentence would be seasoned with a drop of bittersweet.  Aren’t some of our great themes sin and redemption, hurt and healing, always at least a little hopefulness?  And it is ever appropriate to inject a little humor.  Just one additional rule: no cussed semicolons.  I love semicolons, but they are just too damn Yankee.

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Help me out.  Send me some Southern Sentence Poems.  If I get a whole passle of them I might start a whole new blog, or at least give them their own page.  Any comments and enlargements on my three rules?  Make the form your own.

AND . . . can anyone think of a better name than Southern Sentence Poem?

Finally, here are a couple of examples (it’s only a coincidence that each is 3 lines; that’s not one of the rules):

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Nana said she despised those “jawflies,”
cicadas that filled the oaks around her house,
but every August I think of her.

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In Nana’s preserves each fig
was suspended in gold – the summer sunset
on Bogue Sound.

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“It is impossible to care for each other more or differently than we care for the earth . . . there is an uncanny resemblance between our behavior toward each other and our behavior toward the earth.”

Wendell Berry

Attention precedes intention.

I know someone (actually, I live with her) who keeps a paper cup and square of cardboard under the downstairs sink.  If a wasp wanders into the house she claps the cup over her, slides the cardboard under her, and sets her free out the front door.  I’m thankful to Linda for this because I am slightly hymenopteraphobic.  I’m also thankful to her for all the crickets, centipedes, “Palmetto bugs,” and occasional skinks that have ridden that cup to freedom.  I can’t exactly express why, but it’s a blessing to be married to someone who doesn’t squash things.

Does Creation rejoice when one wasp is saved?  Maybe not, but you never know – the web of life is complex and chaotic and includes every living organism, not least the trillion bacteria that cohabit my body.  I couldn’t live without them.  Each creature occupies its essential place.

I do know this – Creation rejoices in every moment we take to pay attention.  Attention leads to intention.  Once we notice the life all around us . . . once we notice how all life interacts and how we affect it . . . we become poised to care. And to behave as if we care.

The very concept of interdependence within the natural world is only about as old as the church I belong to, Community of Christ.  That there is an intimate relationship between creatures and their environment was first developed by Charles Darwin, who is considered the Father not only of my other favorite “E” word but also of Ecology.  The first published instance of the word “ecology” was not until 1879.  One hundred and thirty-three years – not a great deal of time for the Western psyche to incorporate a radically new relationship with Creation: not dominion over all, not even stewardship of all, but coexistence with all.  Perhaps it’s not surprising that there are many people who imagine we can somehow live without Cape Fear shiners, Yellow lampmussels, or Schweinitz’s sunflowers, much less wasps, crickets, and skinks.

I expect a visit to the NC Zoo would start a lot of those people on a journey down a path at whose end they would have fallen in love, not only with a baby giraffe, but with a minnow endemic to just five counties in central North Carolina.  At least that visit would get their attention.  That’s the first responsibility of a naturalist, paying attention.  It’s the first responsibility of being human.

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Two Sundays ago I left the house at 6:30 a.m. to head for a week at the Zoo.  The car was crammed with nature books, poetry books, enough clothes to change two or three times a day anticipating some sweaty 100+ degree weather.  I had enough handouts and resources to lead workshops and present readings.  Enough food for two weeks, probably.  Enough coffee for a month.

I stopped at Bojangles and bought two sausage biscuits because they were on special.  As I headed south on I-77 I ate one, and then I thought – what did it take to make this?  How many thousands of gallons of water to grow the grain to raise the hog?  How much CO2 from tractor exhaust, how much methane from hog lagoon exhaust?   You’ve probably read how the United States creates over 16% of global greenhouse gases with only 5% of the population.  You may have read how raising meat impacts the environment much, much more than raising grain or vegetables, and how in the developing world, especially China, they are shifting their diets to include more meat as standards of living rise.  Well, when I arrived in Asheboro I handed that second biscuit to a friend and decided to give up eating meat.

Will my decision have any greater benefit to Creation than a few more wasps free in the azalea?  Maybe not, but it’s just my intention, growing out of my attention.

No matter how you lift your eyes you can’t actually see beyond the horizon. You can’t be sure of the outcomes of all your actions, but you can pay attention.  Pay attention to the things you experience every day.  To the things you do. Pay attention to what makes you feel within your heart the love your Creator has placed there.

Continue to discover your own place in Creation.Raven crop 02

RAVEN

Listen.
I’m not going to say this twice.
The sum and product of words
is no mark of intelligence.
Case in point – cousin Crow,
not half as smart as all his talk.

So listen,
I know three things:
Sky, that small kiss of warm air
that rises through my primaries;

the Water on its breath, ridgeblown mist
that bathes us all and makes springs
overflow into Inadu Creek;

and Earth, slope and cup of cove,
the steep that gathers with wide black wings
to draw down Sky,
draw Water up,
that sets free all things green
into a world first fledged.

But listen.
I know from twenty circles
of snowdeep and hungry moons
and twenty circles of fresh shoots
that Sky . . . Water . . . Earth . . .
none of them are mine.

And I know none are yours.

from Snake Den Ridge, a bestiary © Bill Griffin and Linda French Griffin, March Street Press, 2008

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“The universe story is the quintessence of reality. We perceive the story. We put it in our language, the birds put it in theirs, and the trees put it in theirs. We can read the story of the universe in the trees. Everything tells the story of the universe. The winds tell the story, literally, not just imaginatively. The story has its imprint everywhere, and that is why it is so important to know the story. If you do not know the story, in a sense you do not know yourself; you do not know anything.”

Thomas Berry,  1914-2009

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