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Posts Tagged ‘Bill Griffin’

I’m going to bet your family is a lot like mine.  Sometimes my parents come to stay a few days over a holiday, with Margaret and her Josh in from Raleigh, Mary Ellen down from Sylva (and all with dogs-squared), and finally Josh, Allison, and Saul all squeezed in.  Then it starts.  First hugs, then catching up and gossip, meanwhile eating, momentary pause in eating, start eating again.  Finally, if we’re all under the same roof for long enough, the stories begin.

Haven’t you heard them?  Stories that start out with, “Oh, I remember when you were six and you . . . .”  “Right, and remember that time we thought no one was looking and we . . . .”  “Sure, and can you remember what Nana would say when we . . . ?”  We’ve heard them all a thousand time, but we can’t help ourselves.  We have to re-tell them.  It’s the stories that bind us together and remind us we’re a family.  Those stories make us a family.

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I was at the Zoo about a year ago when Batir was smaller (though not by any means small).  She still kept pretty close to her mother, Tonga, and they would frequently caress each other with their trunks or even interlace, touching . . . touching.  Today they still spend much of the day near each other; is Batir leaning against her mother’s side?  They’re that close.

Yesterday at the aviary, besides watching the Yellow-rumped Cacique add fronds to a large unruly nest in the very top of a sapodilla, I saw a pair of White-headed Mousebirds that evidently also had nesting on their minds.  They nibbled at each other’s beaks, and then one would preen the neck feathers of the other . . . and they were perched pretty darn close together on that branch.

One morning this week I entered the Park early while the alligators were still bellowing at each other (there are two separate ‘gator enclosures so the males can’t get physical with each other).  As I passed one pool, a larger ‘gator was rubbing his jaw up and down the neck of the smaller, and then she (?) would return the gesture.  I’d have a hard time calling it “nuzzling” when your skin is smooth as an old shagbark hickory, but I can only assume they were making friends.

With such a large extended family of baboons, you can’t pass them by without noticing that there is always some grooming going on.  Sometimes it’s a female picking through the thick mane of a large male; sometimes two females; frequently a mother and child, and then they reciprocate.  The younger members of the troop sometimes stop chasing and wrestling to comb each other out with their claws.

Somehow each species communicates that they are a family.  It may be the complex subsonic telegraphy of elephants or the ritual stereotypic breeding displays of birds, but the message is received.  The bond is forged.  The family prevails.

We humans prevail through the stories we tell.  When that gets old, we tell stories about telling stories. As Zoo ambassador, here’s my challenge to you:  tell me a new story.

I am leaving the Zoo after this week-long residency with a headful of stories.  You’ve got some, too.  Discover them.   Tell them.  You don’t have to visit a zoo, or an aquarium, or a botanical garden, or a national park.  You have a backyard, a neighborhood, a schoolyard.  There is something about any one of those places that can remind you what family you belong to.  Do I have to come right out and say it?  It’s the Family of All Life on Earth.

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Maybe you’ll encounter a creature you’ve never paid much attention to before.  You might learn to recognize a bird’s call or look up the name of that big butterfly hanging around your bushes.  Perhaps you’ll gain some new understanding about how creature A depends on creature B, and vice versa.  Could be you’ll discover that something you’re used to doing every day actually harms creature C.  You know you’re going to feel invigorated after you get a big dose of Vitamin N (“Nature”).

And you’re going to have some stories. I can hear you now, each time you get together with your Family and spend some quality time under nature’s vast open roof – “Hey, do you remember when we . . . ?!”

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A Prayer for the Mountains

Let these peaks have happened

The hawk-haunted knobs and hollers,
The blind coves dense as meditation,
The white rock-face, the laurel hells,
The terraced pasture ridge
With its broom sedge combed back by wind:
Let these have taken place, let them be place.

And where Harmon Fork piles unrushing
Against its tabled stones, let the gray trout
Idle below, its dim plectrum a shadow
That marks the stone’s clear shadow.

In the slow glade where sunlight comes through
In circlets and moves from leaf to fallen leaf
Like a tribe of shining bees,
Let the milk-flecked fawn lie unseen, unseeing.

Let me lie there too
And share the sleep
Of the cool ground’s mildest children.

Fred Chappell
from Spring Garden, 8 1995 by Fred Chappell, Lousiana State University Press.

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You don’t have to visit the Zoo, but it couldn’t hurt.  It’s done me a world of good.  Next time you’re there, see if they’ve started displaying poetry around the Park.  (It won’t happen until after all three of us Poets-in-Residence have submitted our suggestions, but if you don’t see any yet it’ll just be the perfect reason to make another trip before too long.)

Meanwhile, I thank profoundly Ellen Greer, Sue Farlow, and Dr. David Jones as well as all those on the steering committee that developed the vision for this Poetry of Conservation project.  And to all the rest of you folks – design staff, animal handlers, Zoo Com, volunteers, interpreters, Sodexo, Schindler House folks – you welcomed me into your NC Zoological Park family, and I am humbled and grateful.  In sheer awesomeness you are equal to any of the other animals in the Park!

Love, BILL

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Saturday I was talking to a friend who lives in the woods.  I mean really in the woods.  From his kitchen window he can watch the pristine little creek twenty yards down the hill. Every so often a blue heron wades past.  Where an old tree has blown down a gray fox crosses the creek.  Pretty wild.  And yet as we were talking he noted his regret that he never sees whippoorwills any more.  Hasn’t heard one in ten or fifteen years.

Yesterday morning I left Elkin at 6:30 to get to the Zoo plenty early.  They’ve just finished a year-long project widening a stretch of 421 through Winston-Salem, and you know how a fresh roadway cut looks: planed-off angle of clay sown with chemicals and sprouting grass monoculture.  Just before the new exit ramp, at 7:15 in the morning as the city revved up, a female wild turkey strolled blithely along finding the odd beetle or something worth bending over for.

Pretty wild.

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Today I was privileged to meet with Dr. David Jones, Director of the NC Zoological Park.  Before assuming the post here in Asheboro he was director of the London Zoo.  He has worked with animals in more countries than I know the names of.  His photographs of Africa appear in many of the interpretive displays around the Park.  And the curators and staff he has assembled are equally impressive.

This evening Dr. Jones presided over the dedication of a new outdoor sculpture (installed along the trail up to Sonora Desert).  Piedmont Totem is a pottery tower created by students and instructors at Montgomery Community College, a series of nineteen cylinders stacked into a column.  Each piece intertwines native piedmont creatures and plants, beginning at the bottom with tadpole, fish, roots and culminating at the top with eagle and owl.  As Dr. Jones pointed out, when viewed as a whole the work embodies the interconnected web of life.  And as he emphasized, the primary mission of the Zoological Park is to have visitors discover those interconnections, and to feel themselves connected as a part of the web as well.

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I blame people’s cats for the loss of whippoorwills, ground-nesters who depend entirely on camouflage for survival.  Then again, maybe the raccoons are eating the whippoorwills’ eggs because the raccoons’ predators have been extirpated as varmints (may we hope that the coyotes that have moved into the countryside will eat the raccoons?!).  Or maybe it’s all the skunks’ fault, since  the only thing that will eat a skunk is a great horned owl, and I haven’t been hearing nearly as many owls lately, either.

Or maybe this whole interwoven web is so complex that every thread we disturb leads to three more unravelings.  Who’s to say we can do without any of them?

But I still wish you’d keep your cats indoors, damn it.

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The Clouded Leopards of Cambodia and Viet Nam

They are gone, almost, into the music of their name.
The few that are left
wait high and hesitant as mist
in the tallest trees where dawn breaks first.

Their color of mourning kindles
to patterns of stark white, random
and sudden as hope or daydream.
Moving, they could be mirrors of the sky,
that play of masks
behind which the ancient burning continues
to dwindle and flee.

Thousands of years in their bones
leap blameless as lightning toward us.
To come close to what they know
would feel like thunder and its silent afterword.
We would turn slowly on our shadows, look up
again to tame the shapes of the world:
monkey, temple, rat, rice bowl, god,
images echoed in the smoke of village cookfires,
in the drift of memory on the faces of elders.
We would stand in the clean footprints of animals,
holding like an offering our hope
for the lives of a handful of people,
a rain that is only rain.

Betty Adcock

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Asked in an interview what she hoped for in her poetry, Betty Adcock replied “to tell the truth and find that it is music.” Living all her writing life in North Carolina, she as won many literary awards including the Brockman-Campbell Award of the NC Poetry Society, the Roanoke-Chowan Award, the Sam Ragan Fine Arts Award, the Raleigh Fine Arts Award, a Fellowship in Poetry from the National Endowment for the Arts, and a North Carolina Individual Artist’s Fellowship.  Her most recent volume is Slantwise (LSU Press, 2008).

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Brave families at the NC Zoological Park today: heat index topping 100, no respite cloud, scant breeze, water fountains running low.  Even the rhinos and bongo (antelope) had sense enough to find a patch of shade and not budge from it.  But Zoos are made for families, and a good chunk of mine showed up to join me on my first afternoon as Poet-in-Residence.

My kids are 30+; Margaret said she couldn’t remember ever going to the zoo,  Josh said his last trip was in seventh grade, Allison has fond memories but they’re getting pretty fuzzy.  Jimmy and Dana (Allison’s parents, Josh’s in-laws) and I reminisced about the zoos of our youth and how much things have changed.  But four-year-old Saul didn’t need to philosophize – he kept us laughing repeatedly with his hoots of amazement at every new wonder.  The park was closing as we literally dragged him away from the underwater viewing of the harbor seals, and even rides on the tramand the bus had his eyes popping.  And I honestly don’t recall any complaints about the heat.

It’s not just the old cliché about seeing the world through the eyes of a child. It is something deeper, something that is ingrained in our heredity, essential to our lineage.  Something without which we wouldn’t have survived as a species.  Shall I call it the desire to give our children joy?  It is certainly a self-reinforcing phenomenon, a positive feedback loop:  when I see the awe on Saul’s face as he places his hand against the hand of the baby chimpanzee on the other side of the glass, I just want to keep offering him more of those experiences.  More and more.

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This poem by Peter Makuck captures for me the yin and yang of this sort of desire for our progeny.  We want to protect them from suffering – they will nevertheless experience sorrow.  We want to convey to them whatever meaning we’ve discovered – they will have to discover it for themselves.  My grandson is the apple, all potentiality and sweetness.  I am the stiffening branch.  I can only hope the ground I leave him, when he falls, is fertile.

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 My Son Draws an Apple Tree

I watch it grow
at the end of his dimpled hand
rooted in white paper.

The strokes are fast
and careless, as if the hand
had little time.

Quick black trunk,
a green crown and in the white
air all by itself

a red splotch,
an apple face with a frown
that is his

he gravely says
looking up at me — the stiffening
branch he falls from.

Peter Makuck
from Long Lens, New & Selected Poems, © 2010 by Peter Makuck, Boa Editions, Ltd.
American Poets Continuum Series, No. 121

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Peter Makuck lives on Bogue Banks, one of North Carolina’s barrier islands.  He was the first Distinguished Professor of English at East Carolina University, where he taught for thirty years until retiring in 2006.  While at ECU he founded and edited the nationally-respected journal Tar River Poetry.  He has influenced a generation of North Carolina poets and writers.

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