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Archive for the ‘family’ Category

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Night Shift in the Home for Convalescents
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There is much in this drawer that is no longer in use:
a notebook with ribbon to mark passages
once of some importance, a tortoiseshell comb sadly
made of tortoise shell, a prayer book bound
in mother-of-pearl. Mother-of-pearl.
And sounds: a blurring of bees in the air
no longer heard in the wild.
Everything at once, she had said. All that you
remember must be written down.
Bed linens sailing the wind, curtains flaring
beyond the windscreens, lilacs soon to lie on the ground.
There was a quickening in the heart whenever I saw him
standing in a field of bloom and hum then suddenly not there.
The field gone. The house. The road now under a newer road.
Trees along it long cut down. No canopy of hope.
And the swamp? Who knows what became of it.
Skunk cabbage and buttercups, cattails,
polliwogs and crayfish with their pulse-train song.
We caught them in jars of pond water.
Not for eating, no. To watch them live.
Wash your mother’s clothes one last time and put them away—
like wrapping a scoop of snow in tissue paper.
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Carolyn Forché
from You Are Here: Poetry in the Natural World, edited by Ada Limón and published by Milkweed Editions in association with the Library of Congress; 50 new poems by 53 contemporary poets; © 2024
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There I am, the four-year old peeking around the kitchen door while two women fry chicken, my Nana and the person she is calling ‘Clara Jean’. Uncle Carlyle passes through, nabs a crispy crackling from the platter, says, “Mmm, good, Sister.” I’ve heard cousins and aunts call her ‘Sister’, too, but I know her real name – Mommy.
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By 1949, when Clara Jean Cooke had her first date with Wilson who would become my father, everyone around her knew her as ‘Cookie’. Everyone at church; all her Reynold’s High School friends; the roommates, pals, and profs at Women’s College – ‘Cookie’. It was her name, stuck fast for eight decades, although sometime in the 1990’s my little sister Mary Ellen would christen her ‘Big Momso’ and we’d trot that one out for a joke on birthday cards and such.
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Now I’m shaking hands at the open house eleven days after Mom’s death. Neighbors, caregivers, a cousin’s family, her Sunday school: “Cookie was a dear friend.” “Cookie had the sweetest smile every time I saw her.” “Cookie was so special to us.” I’m nodding and smiling and shaking the next hand, and they are all so right. The kindest, the dearest, the funniest and funnest; the most talented to ever pick up chalk and create a perfect likeness; the brightest to ever pick up pencil and defeat the NY Times Crossword; the best to ever fry up a pullet crispy and juicy. The Cookiest.
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After the guests have trickled away and Dad is conked out in his hospital bed, Mary Ellen and I are in the kitchen stowing leftovers in the fridge and bagging the trash. Mom is peeking around the kitchen door. Nana and Carlyle died in another century – there’s no one left to call her Clara Jean or Sister. Mom’s middle son is two time zones distant. It’s just her and her eldest and youngest here. I lean against the stove. Mary Ellen is drying her hands. All the busyness of the past two weeks pauses long enough for us to take deep breaths and begin to tell stories about our Mother.
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Clara Cooke Griffin
February 24, 1928  – July 23, 2024
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Clara “Cookie” Griffin, 96, died peacefully at her home in Winston-Salem, North Carolina, on July 23, 2024, surrounded by the love of her family. She was born in Winston-Salem on February 24, 1928, to Ellen McBride Cooke and Grady Carlyle Cooke MD. Cookie is preceded in death by her parents and her two brothers, Sammie and Carlyle. She is survived by her husband Eugene Wilson Griffin Jr;  her children Bill (Linda), Bob (Kathy), and Mary Ellen (Wendy); her grandchildren Josh (Allison), Margaret (Josh), Natalie, Lauren, and Claire; her great-grandchildren Saul, Amelia, and Bert; and her much loved cousin Michael Childs (Pam) and family.
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Cookie was an accomplished, caring, and creative woman throughout her life. She was the first woman in her family to earn a bachelor’s degree, majoring in art at UNC Greensboro (then known as Women’s College of North Carolina), graduating with the class of 1949. After college she returned to Winston-Salem, where she worked professionally as a medical illustrator, and soon met her husband Wilson on a blind date. They married in 1950 and moved several times for his career, living in Atlanta GA, Niagra Falls NY, Memphis TN, Farmington MI, Aurora OH, and twice in Wilmington DE. Cookie became a full-time mother when her children were born. She continued her art as an avocation and also enriched the family’s life with music and a love of reading and education. She shared her love of gardening and the outdoors and taught her children the names of every bird at the feeder, but perhaps the greatest gift she shared has been her eternally optimistic and encouraging spirit.
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In her 40’s, Cookie obtained a second bachelor’s degree in early childhood education at Kent State University. She was especially gifted working with young children and served as a beloved kindergarten and first grade teacher in the Aurora Public Schools for over ten years. She practiced an educational philosophy called The Open Classroom. Observers were amazed to see twenty or more 5- or 6-year olds in one room, quietly and simultaneously engaged in small group activities including art, science, and reading corner! When she and Wilson moved again to Wilmington, DE, she continued working in early education conducting preschool reading readiness assessments for the public school system.
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In retirement, Cookie continued to pursue her artistic talent. She took classes to develop her craft, and her media spanned pencil drawing, charcoal, pastels, acrylics, and oils. Her subjects included plein aire, landscapes, still life, figure painting, abstracts, and always portraits. Her grandchildren and great nieces and nephews benefitted from her gifts with art and early education, both as subjects of her paintings and with hands-on instruction: she always had art projects at the ready for the children when they visited the family’s summer home on Bogue Banks at the North Carolina coast! Throughout her life, even into her 90’s, Cookie frequently drew or painted portraits of children or pets as gifts for family, friends, and community groups. These works of art are cherished by many as mementoes of Cookie’s creativity, generosity, and her love for children and animals.
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In 2012, Cookie and Wilson returned to Winston-Salem. They renewed friendships dating to Cookie’s elementary school years, made new friends with neighbors in their South Marshall Street community, and joined First Presbyterian Church, where they especially loved their Adult Sunday School Class. Cookie’s life-long love of music, which had included playing piano for her young family, now expanded to enjoying violin performances by her granddaughters and regular attendance at the Winston-Salem Symphony. Throughout her life, the joy of family was paramount to Cookie, and in her final decades she spent many happy hours visiting with and sharing stories about her children, grandchildren, and great-grandchildren. We who love her will continue telling her stories.
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The family wishes to thank all those who have loved and supported Cookie in recent years and months, including friends, neighbors, and the dedicated and talented caregivers at Bayada Home Health, Home Helpers of the Crystal Coast, and Trellis Supportive Care. A memorial service has been planned for September 29.
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Thank you to my sibs, Mary Ellen and Bob, for assisting in the composition of this obituary. Thank you to poet friend Suzanne Bell for sending me this poem by Carolyn Forché and recommending You Are Here by Ada Limón. As I was tidying up to prepare for Mom’s memorial open house, I happened to look in the top drawer of her dressing table. Beads, earrings, one silk glove – Mom would have been able to come up with any number of words for the collection there. Oddments. Hodgepodge. Gallimaufry. Maybe even Omnium-gatherum, such a nice ring to it. I gazed at the contents for the span of three or four deep breaths. I closed the drawer. Later.
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[with 3 poems by Mark Smith-Soto]
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Sunroom Twilight
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Another thunk against the window glass,
another broken wing or neck, as like as not,
another muted spill of feathers on the grass –
I love this space, but it’s been dearly bought.
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Of course, the same might well be said
of the lamb we grilled last night, honoring
its sacrifice with salad and good bread.
The whole-grain loaf, the baby kale, everything
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sundered from daylight for my sake,
floods the mind in unforgiving surge,
sweeps me into the sobering give / take
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that underpins life / death. In the sun’s wake,
birdsong dapples the gold air with its dirge.
Or rather, hymn of wonder; my mistake.
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Mark Smith-Soto
from Daybreak, Unicorn Press, Greensboro, NC; © 2024
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Passenger side floorboard there’s a Mason jar of flowers, black-eyed susan and zinnia, marigold and mint. I cut them from our garden this morning for Mom’s bedside table. On I-77 South just past Jonesville there’s a field of sunflowers blooming, another field near the coverleaf with 421, all looking southeast right now because it is still morning. I’m driving to Winston to visit Mom and Dad in Kate B. Reynold’s Hospice Home. Life surely does suck. Life surely is exalted.
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This is a respite care admission, scheduled so we can upgrade their bathroom and bedroom. Make their home more liveable while dying. Their dates of death are not clearly visible to us over the horizon, certainly not etched in stone, but how distant can they be? Is this what people mean when they say live one day at a time? Mom can still laugh when we joke around, although each day a bit more of her releases into airy nothingness. Dad’s crash has been more sudden, broken neck, delirium, bedfast, but he still seems to add a few more good minutes to each ensuing day. All three of their children will be under the same roof today, now that’s red-letter. We’ll be helping them with lunch, sitting with Mom in the flower garden for a half hour, logrolling Dad in bed to rub ointment on his back. And while the two nap, we three will have a long conversation in another room about next week, and the weeks after.
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Yesterday afternoon my son called after he returned from a few hours visit with his grandparents. Josh took Granddaddy grits and collards and says he spent most of their visit eating. Yeah! Josh has been afraid to see the changes in the two up close and had put been putting this day off for months. I told him I know he still hurts from Jonathan, his best friend all through school, right after graduation the cancer. But then at the end of talking, Josh says to me, “So how are you doing, Dad?”
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Don’t get that question a lot and even less often do I say anything more than, “Fine.” I hear the sincerity when Josh asks. All the drive down today and all the drive back what I’m really thinking about is how to continue the conversation. I’ll stop at his house before I get home to drop off a cooler he left at Granddaddy’s house. I’ll begin by taking him outside and telling him how much I appreciate what he said. I’ll ask how he’s doing. And then I’ll ask another – rehearsed in my head for days, weeks, months: “And how are you doing on your path to quit drinking?” Life can surely do its best to convince you it sucks. But I have a feeling the two of us standing in the driveway for a half hour talking is going to show life it doesn’t have to.
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Segue
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Now that you mention it: death,
the cherry outside the kitchen
in full bloom, the novel I left
open on my bed, the stitch in
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my side riding a rib, the small
hole at the center of my retina
where nothing registers at all,
the rip in the screen letting in a
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gnat adrift on the whiff of daphne
blooming along the broken driveway,
the sudden abandon of your laugh, me
forgetting what I was going to say,
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closing my eyes, holding my breath,
and now that you mention it, death.
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Mark Smith-Soto
from Daybreak, Unicorn Press, Greensboro, NC; © 2024
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❦ ❦ ❦
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The poet notices a little something, a little nothing, really: breakfast, a chess board, chalk dust; light across a woman’s profile, flowers that shouldn’t be there, a word that carries on its back two meanings. Common things, every day things. The poet notices and his smile as he points out what he has noticed is almost sly; the pointing is all about what he’s not quite saying. Then all at once you notice, too. And you smile.
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In Mark Smith-Soto’s world you might discover wonder in commonplace, joy in commonalities, mystery in what we share and have always shared without noticing that we do. You might join him in memories that make you cry, realizations that lift from within you a deep sigh, possibilities that sober you right down before they exalt you. In Mark’s ultimate collection, Daybreak, every single one of the 56 sonnets has touched me, gently but insistently, until I admit I’m relieved: I am / a human being. I’m pretty sure of that. [Biology Lesson]. After reading these poems, I begin to notice the flowers in the cracks of my walkway with new eyes; they implore me that death [is] a lifetime of hours away [Aria da Capo].
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During the years of this twenty-first century, my orbit and Mark’s intersected only a handful of times, for only a handful of hours. But what gravity and what luminosity! In life I knew Mark only a little; I am glad to know him much more in poetry.
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Mark Smith-Soto (1948-2023) was born in Washington, DC, and lived in Costa Rica until the age of 10, when his bilingual family returned to Washington, his father’s native city. Mark’s awards include a fellowship in creative writing from the National Endowment for the Arts and the NC Writers Network’s Persephone Competition for his chapbook Green Mango Collage, among many others. Daybreak is his seventh poetry collection and is available from Unicorn Press in Greensboro, NC.
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Thank you, Michael Gaspeny, for sending me Mark’s book as a gift. A treasure.
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❦ ❦ ❦
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There You Are
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I do feel somehow exiled here, outside
the frame – just what is it about a woman
at an open window, seen from the side,
an opalescent half light on her hands
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holding the curtains apart, head tilted,
questioning? Maybe her gaze has stranded
on the naked lady half-hidden by the shed,
a blossom she knows she never planted,
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her wondering, These small, random gifts,
why do they touch one so? But of course,
I can’t begin to guess her mind, it’s
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me trespassing here, I should go before
she sees me, leave her to her thoughts –
“Oh, there you are, amor. Come look at this.”
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Mark Smith-Soto
from Daybreak, Unicorn Press, Greensboro, NC; © 2024
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Doughton Park Tree 2016-10-17a
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Poems and photography from Shibori Blue
by Beth Copeland
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Winter passes and one remembers one’s perseverance.   –   Yoko Ono
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Frost on the mountain.
Creeks freeze under skins of ice.
A broken window.
My neighbor’s chimes are silent.
Even the wind is frozen.
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Spring passes and one remembers one’s innocence.   –   Yoko Ono
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Does the mountain mourn
its lost children, bones buried
beneath sediment
and stone? Who gathered near its
peak? What family, what tribe?
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Summer passes and one remembers one’s exuberance.   –   Yoko Ono
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Bridal veil mountain
in May, the month of weddings.
Fog, Mist, and white clouds.
Wild daisy fleabane bouquet
fresh in a blue Mason jar.
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Autumn passes and one remembers one’s reverence.   –   Yoko Ono
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Tiger-striped sunset
above the ridge in the west.
Trees with leaves and trees
without. What are we losing,
my love, and what will we keep?
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Poetry and photography by Beth Copeland
from Shibori Blue: Thirty-Six Views of The Peak, Redhawk Publications, The Catawba Valley Community College Press, Hickory NC; © 2024
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❦ ❦ ❦
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Beth Copeland lives in Ashe County, North Carolina, smack in the Blue Ridge Mountains. Each morning from her porch she sees The Peak, the highest mountain in Ashe County. It is solid and eternal – it is always shifting. Beth has recorded the mountain’s moods and contemplations with daily photographs, now pairing them in her new book with thirty-six poems that capture ephemera through the course of a year, moments of change through the changing seasons.
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Thirty-six. A figure of truth and power. Product of two perfect squares. Multiplied by 2 to create the 72-season calendar established in 1685 by Japanese astronomer Shibukawa Shunkai. And again 36 the number of woodblock prints of Mount Fuji published by Katsushika Hokusai from 1830 to 1832. It is no coincidence that Beth chose thirty-six views of The Peak to inform her poems. She was born in Japan, the child of American missionaries, and has long revered the iconic mountain of her birth country, Fuji-san, whose profile The Peak of Ashe County so resembles.
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This book invites me to slow my breathing, pause in the busy race, contemplate each page: five simple lines of verse, the silent mountain drawing my gaze. Redhawk is gathering a family of uniquely creative poets, writers, and artists to stretch our imaginations and open us to new experiences of words and images. I will leave this sentence here at rest and return to another page of Shibori Blue. And another.
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More information about Shibori Blue: Thirty-Six Views of The Peak and the opportunity to purchase HERE
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Perseverance – Deep in winter do they dream of the music they will make, cicada song? Crescendo arpeggio decrescendo, easy combers across the long sea of summer. And does the creature measure the span of its days, egg to nymph, seasons in darkness, climb into light to mate and to die? Nothing can last, not even our song, yet we do not withhold our voices.
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Innocence – She is most beautiful when she does not know I am watching. She gives her animals life, little fox blanket, cupcake kitten, and they take from her all the fear and heartache that could have been trapped within to fester. Then she begins to sing.
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Exuberance – Utterly alien at once perfectly identifiable, the house wren fills its small kingdom with melody, rocketing in turn to each waypoint to pause, raise its minute cornet, FANFARE!, then swift to the next. I do not understand the words but I recognize the tune.
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Reverence – What we have heard teaches us, reminds, suggests, niggles, promises, invites. What we have yet to hear offers to pull us into its presence. Listen. Be filled.
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